4th Time Around
Template:Short description Template:Good article Template:Use American English Template:Use mdy dates Template:Infobox song "4th Time Around" (also listed as "Fourth Time Around")Template:Sfn is a song by the American singer-songwriter Bob Dylan, which was released as the 12th track on his seventh studio album Blonde on Blonde on June 20, 1966. The song was written by Dylan and produced by Bob Johnston. Commentators often interpret it as a parody of the Beatles' 1965 song "Norwegian Wood (This Bird Has Flown)". John LennonTemplate:Efn composed "Norwegian Wood" after being influenced by the introspective lyrics of Dylan. Lennon later reflected on his feelings of paranoia when Dylan first played him "4th Time Around".
Twenty takes of "4th Time Around", most of them incomplete, were recorded at Columbia Studio A, Nashville, on February 14, 1966. The last of these was used for the album. "4th Time Around" has received critical acclaim, despite being identified as one of the lesser tracks on Blonde on Blonde.
Background and recordingEdit
A few weeks after the release of his sixth studio album Highway 61 Revisited (1965), Bob Dylan's first recording session for his next album was on October 5, 1965, at Columbia Studio A, New York City. The producer was Bob Johnston who had supervised from the third, to the concluding sixth, recording session for Highway 61 Revisited at the same studio.Template:Sfn<ref name="OLOF65">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> After this session, Dylan toured the United States and Canada; there was a second recording session in New York on November 30, during the tour.Template:Sfn Three recording sessions in January (on the 21st, 25th and 27th) were not productive.<ref name="OLOF66">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
At Johnston's suggestion, the location for the sessions was changed to Nashville, Tennessee.Template:Sfn After two further concerts,<ref name="OLOF66"/> the fifth album session took place at Columbia Studio A, Nashville.Template:Sfn<ref name="OLOF66"/> Johnston organized for experienced session musicians including Charlie McCoy, Wayne Moss, Kenneth Buttrey and Joe South to play with Dylan.Template:Sfn They were joined by Robbie Robertson and Al Kooper who had both played at earlier sessions.Template:Sfn Twenty takes of "4th Time Around", most of them incomplete, were recorded at the start of the first Nashville session, on February 14, 1966.<ref name="OLOF66"/> The twentieth take was used on Blonde on Blonde,<ref name="OLOF66"/> with overdubs recorded in June.Template:Sfn The album was released on June 20, 1966.Template:Sfn
Dylan biographer Robert Shelton wrote that "the guitar figure repeats a rippling, romantic Mexican cadence".Template:Sfn He related that Dylan told him that he had always been "hip to" Tejano music and a type of Mexican folk-pop music known as "cangacero", and that these had influenced his songs "It's All Over Now, Baby Blue" and "Just Like Tom Thumb's Blues" as well as "4th Time Around".Template:Sfn
Composition and lyrical interpretationEdit
Dylan biographer Clinton Heylin speculated that "4th Time Around" was written either hours or days before the Nashville recording session.Template:Sfn The song has five verses, each with nine lines.Template:Sfn The lyrics appear to address a love triangle, and the narrator's memories of a separation from a former lover.Template:Sfn Scholar of English literature Michael Rodgers wrote that "the song is notable for its vitriol and how much the speaker acts the clown".Template:Sfn In the first verse, a woman that the narrator has been arguing with says "Everybody must give something back/For something they get".Template:Sfn The narrator questions why, and in the second verse, responds immaturely as he relates that he "gallantly handed her/My very last piece of gum".Template:Sfn Critic Michael Gray refers to the start of the track as a "cold, mocking put-down of a woman and a relationship untouched by love".Template:Sfn He writes that the song contains instances of sexual innuendo that highlight "Dylan's skill in pursuing the suggestive".Template:Sfn
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Commentators often interpret "4th Time Around" as a response to the Beatles' song "Norwegian Wood (This Bird Has Flown)",Template:Sfn written by John Lennon for the 1965 album Rubber Soul.Template:SfnTemplate:Efn "Norwegian Wood" obliquely addresses Lennon's romantic affair with a journalist.Template:Sfn Dylan and the Beatles first met each other in August 1964, in New York.Template:Sfn They were appreciative of each other's work,Template:Sfn and some commentators have identified Dylan, whose lyrics contained "honest self-scrutiny and melancholy" as an influence on Lennon's writing in particular, first evidenced in "I'm a Loser" (1964).Template:Sfn Heylin has suggested that Dylan, having noticed his influence on Rubber Soul, wrote "4th Time Around" as "a way of showing that he could raise the bar lyrically on Lennon".Template:Sfn
Both songs share a similar melody, although their orchestrations differ.Template:Sfn Scholar of English Charles O. Hartman wrote that the song is "made of stanzas each of which is an AABA structure, placing the song among Dylan's most baroque concoctions".Template:Sfn Lennon was asked about the track in a 1968 Rolling Stone interview, in which he stated:<templatestyles src="Template:Blockquote/styles.css" />
I was very paranoid about that. I remember he played it to me when he was in London. He said, what do you think? I said, I don't like it. I didn't like it. I was very paranoid. I just didn't like what I felt I was feeling – I thought it was an out and out skit, you know, but it wasn't. It was great. I mean he wasn't playing any tricks on me. I was just going through the bit.<ref>Template:Cite magazine</ref>{{#if:|{{#if:|}}
— {{#if:|, in }}Template:Comma separated entries}}
{{#invoke:Check for unknown parameters|check|unknown=Template:Main other|preview=Page using Template:Blockquote with unknown parameter "_VALUE_"|ignoreblank=y| 1 | 2 | 3 | 4 | 5 | author | by | char | character | cite | class | content | multiline | personquoted | publication | quote | quotesource | quotetext | sign | source | style | text | title | ts }} Gray comments that "it says somethingTemplate:Nbsp... that Dylan was suspected (not least by Lennon) of parodying rather than copying".Template:Sfn Heylin regards Dylan's song as "altogether darker, more disturbing".Template:Sfn Classics scholar Richard F. Thomas considers that the Beatles track "sounds coy, almost innocent in comparison to the sophistication of Dylan's voice and lyrics".Template:Sfn Thomas argued that if indeed "4th Time Around" is addressed to the Beatles, then its closing couplet, "I never asked for your crutch/Now don't ask for mine", is "devastating", and a message to the Beatles to "[s]tay away from what I'm doing".Template:Sfn He believes that it rings true to hear that Lennon was "unhappy at what must have seemed like mockery and parody",Template:Sfn and that Dylan does in fact "parody the simple rhyme of the Beatles song".Template:Sfn
Critical receptionEdit
Ralph J. Gleason of the San Francisco Examiner praised the song for "some great, grotesque and funny lines that dip into reality".<ref>Template:Cite news</ref> Scholar Sean Wilentz wrote that "4th Time Around" sounds "like Bob Dylan impersonating John Lennon impersonating Bob Dylan", and is "slight" in comparison to Dylan's "Visions of Johanna'".Template:Sfn Shelton described Dylan's voice on the track as that of "a tired, old bluesman" and commented that "The lyric is runaway fantasy, almost incongruous against the soft musical flow".Template:Sfn Rodgers finds that the "reprehensible" image presented by the narrator is "heavily distorted by boyish naiveté and Socratic irony and actually works in such a way as to make the whole affair extremely humorous".Template:Sfn Although he writes positively about the song, Gray considers it one of the lesser tracks on Blonde on Blonde.Template:Sfn Rolling Stone rated the song as 54th in a 2015 ranking of the "100 Greatest Bob Dylan Songs".<ref>Template:Cite magazine</ref>
Live performancesEdit
According to his official website, Dylan has played the song in concert 37 times.<ref name="LIVE">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The live debut was on February 26, 1966, at Island Garden, West Hempstead, New York,<ref name="LIVE"/> and it featured regularly on setlists until the conclusion of his 1966 World Tour, on May 26, 1966, at the Royal Albert Hall, London.Template:Sfn<ref name="LIVE"/> One-off acoustic performances in 1974 and 1978 have been criticized as "among Dylan's worst-ever live performances" by Heylin,Template:Sfn who praised the 1966 performances, where he felt Dylan was focused, and a 1975 Rolling Thunder Revue live rendition that he felt "came caressingly close to [the song's] corrosive core".Template:Sfn The song also featured in Dylan shows in 1999, 2000, and 2002.<ref name="LIVE"/>
PersonnelEdit
The details of the personnel involved in making Blonde on Blonde are subject to some uncertainty.Template:Sfn According to Daryl Sanders, the musicians on "4th Time Around" were as follows:Template:Sfn
Musicians
- Bob Dylan – vocals, acoustic guitar, harmonica
- Wayne Moss – acoustic guitar
- Charlie McCoy – acoustic guitar
- Joe South – electric bass
- Al Kooper – organTemplate:Efn
- Kenneth Buttrey – drums
Technical
- Bob Johnston – record producerTemplate:Sfn
NotesEdit
ReferencesEdit
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