Template:Short description Template:Hatnote group Template:Use American English Template:Use mdy dates Template:Infobox person Anne Baxter (May 7, 1923 – December 12, 1985) was an American actress, star of Hollywood films, Broadway productions, and television series. She won an Academy Award, a Golden Globe, and two Laurel Awards, and was nominated for an Emmy.

A granddaughter of Frank Lloyd Wright, Baxter studied acting with Maria Ouspenskaya and had some stage experience before making her film debut in 20 Mule Team (1940). She became a contract player of 20th Century-Fox and was loaned to RKO Pictures for the role of Lucy Morgan in Orson Welles's The Magnificent Ambersons (1942). She was the leading lady in Billy Wilder's Five Graves to Cairo (1943). In 1947, she won both the Academy Award and the Golden Globe Award for Best Supporting Actress for her role as Sophie MacDonald in The Razor's Edge (1946).

Baxter played the title role in Joseph L. Mankiewicz's All About Eve (1950), for which she received an Academy Award nomination for Best Actress and won her first Laurel Award for Topliner Female Dramatic Performance.<ref name="1951 Laurel Award">Template:Cite journal</ref> She worked with several of Hollywood's greatest directors, including Alfred Hitchcock in I Confess (1953), Fritz Lang in The Blue Gardenia (1953), and Cecil B. DeMille in The Ten Commandments (1956), for which she won her second Laurel Award for Topliner Female Dramatic Performance.

Early lifeEdit

Baxter was born May 7, 1923, in Michigan City, Indiana, to Catherine Dorothy Baxter (née Wright; 1894–1979), whose father was the architect and designer Frank Lloyd Wright, and Kenneth Stuart Baxter (1893–1977), an executive with the Seagram Company.

When Baxter was five, she appeared in a school play. When she was six, her family moved to New York, where she continued to act. She was raised in Westchester County, New York<ref name="LA Times obit" /> and attended The Brearley School.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

At age 10, Baxter attended a Broadway play starring Helen Hayes where she was so impressed she declared to her family she wanted to become an actress. By age 13, she had appeared on Broadway in Seen but Not Heard. During this period, Baxter learned her acting craft as a student of actress and teacher Maria Ouspenskaya.

In 1939, she was cast as Katharine Hepburn's younger sister in the play The Philadelphia Story, Hepburn did not like Baxter's acting style so Baxter was replaced during the show's pre-Broadway run. Rather than giving up, she turned to Hollywood.<ref>Template:Cite book</ref>

CareerEdit

20th Century FoxEdit

At 16, Baxter screen-tested for the role of Mrs. DeWinter in Rebecca. Director Alfred Hitchcock deemed Baxter too young for the role, but the screen test brought her offers from MGM and 20th Century Fox. She chose to sign a contract with Fox because of their higher salary.Template:Sfn In 1940, she was loaned to MGM for her first film 20 Mule Team,Template:Sfn in which she was billed fourth after Wallace Beery, Leo Carrillo, and Marjorie Rambeau. She worked with John Barrymore in her next film The Great Profile (1940)Template:Sfn and appeared as the ingénue in the Jack Benny vehicle Charley's Aunt (1941).Template:Sfn She received star billing in Swamp Water (1941)Template:Sfn and The Pied Piper (1942), which was nominated for the Academy Award for Best Picture.

File:Anne Baxter in 1943 with United States Army soldiers (cropped).jpg
Anne Baxter in 1943 with United States Army soldiers

Baxter was loaned to RKO to appear in director Orson Welles's The Magnificent Ambersons (1942).Template:Sfn She was Tyrone Power's leading lady in Crash Dive (1943), her first Technicolor film. In 1943, she played a French maid in a North African hotel (with a French accent) in Billy Wilder's Five Graves to Cairo, a Paramount production.Template:Sfn She became a popular star in World War II dramas and received top billing in The North Star (1943), The Sullivans (1944), The Eve of St. Mark (1944), and Sunday Dinner for a Soldier (1944), co-starring her future husband John Hodiak. Baxter later recalled, "I was getting almost as much mail as Betty Grable. I was our boys' idealized girl next door."Template:Sfn

She was loaned to United Artists for the leading role in the film noir Guest in the House (1944), and appeared in A Royal Scandal (1945), with Tallulah Bankhead and Charles Coburn; Smoky (1946), with Fred MacMurray; and Angel on My Shoulder (1946), with Paul Muni and Claude Rains.

Baxter co-starred with Tyrone Power and Gene Tierney in 1946's The Razor's Edge, for which she won both the Academy Award and the Golden Globe Award for Best Supporting Actress. Baxter later recounted that The Razor's Edge contained her only great performance, a hospital scene where the character Sophie "loses her husband, child and everything else." She said she relived the death of her brother, who had died at age three.<ref name=classicimages>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

She was loaned to Paramount for a top-billed role opposite William Holden in Blaze of Noon (1947) and to MGM for a supporting role as Clark Gable's wife in Homecoming (1948). Back at 20th Century Fox, she played a wide variety of roles: a lawyer in love with Cornel Wilde in The Walls of Jericho (1948); Tyrone Power's Irish romantic interest in The Luck of the Irish (1948); a tomboy in Yellow Sky (1948), with Gregory Peck and Richard Widmark; a 1920s flapper in You're My Everything (1949), with Dan Dailey; and another tomboy in A Ticket to Tomahawk (1950), again with Dailey.

File:Anne Baxter in All About Eve trailer.jpg
Baxter as Eve Harrington in All About Eve (1950), for which she was nominated for the Academy Award for Best Actress and won her first Laurel Award for Topliner Female Dramatic Performance<ref name="1951 Laurel Award" />

In 1950, Baxter was chosen to co-star in All About Eve largely because of a resemblance to Claudette Colbert, who originally was cast but dropped out and was replaced by Bette Davis.Template:Sfn The original idea was to have Baxter's character gradually come to mirror Colbert's over the course of the film.Template:Sfn Baxter received an Academy Award nomination for Best Actress for the title role of Eve Harrington. She said she modeled the role on a bitchy understudy she had for her debut performance in the Broadway play Seen but Not Heard at the age of 13 and who had threatened to "finish her off."<ref name=classicimages/>

Her next Fox film Follow the Sun (1951) co-starred Glenn Ford as champion golfer Ben Hogan; Baxter played Hogan's wife Valerie.Template:Sfn She was top-billed in the western The Outcasts of Poker Flat (1950), with Dale Robertson. Her final acting assignments at Fox were My Wife's Best Friend, with MacDonald Carey, and a segment in O. Henry's Full House (1952),Template:Sfn which featured an ensemble cast.

FreelanceEdit

In 1953, Baxter contracted a two-picture deal for Warner Brothers. Her first was opposite Montgomery Clift in Alfred Hitchcock's I Confess; the second was the Fritz Lang whodunit The Blue Gardenia, in which she played a woman accused of murder.<ref name=classicimages />

She traveled to Germany to star in a drama film titled Carnival Story (1954). For MGM, she went to France to play the leading role in the crime drama Bedevilled (1955).Template:Sfn At Universal-International, she made two films set in the Old West: One Desire (1955), with Rock Hudson and Julie Adams, and The Spoilers (1955), with Jeff Chandler and Rory Calhoun.Template:Sfn Baxter was directed by her publicist and boyfriend, Russell Birdwell, in the independent film noir The Come On (1956),Template:Sfn co-starring Sterling Hayden as her leading man.

File:Anne Baxter in The Ten Commandments film trailer.jpg
Baxter as Nefretiri in The Ten Commandments (1956), for which she won her second Laurel Award for Topliner Female Dramatic Performance<ref name="1957 Laurel Award" />

Baxter won the part of the Egyptian princess and queen Nefertari (spelled Nefretiri in the film) in Cecil B. DeMille's award-winning biblical epic The Ten Commandments (1956).<ref>Template:Cite news</ref> Her co-stars included Charlton Heston as Moses and Yul Brynner as Rameses. Her scenes were shot on Paramount's sound stages in 1955, and she attended the film's New York and Los Angeles premieres in November 1956. Despite criticisms of her interpretation of Nefertari, DeMille and The Hollywood Reporter both thought her performance was "very good,",<ref name="The autobiography of Cecil B. DeMille">Template:Cite book</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and The New York Daily News described her as "remarkably effective."<ref>Template:Cite news</ref> For her work in The Ten Commandments, she won a Laurel Award for Topliner Female Dramatic Performance.<ref name="1957 Laurel Award">Template:Cite journal</ref> She later remembered the film in an interview:

<templatestyles src="Template:Blockquote/styles.css" />

DeMille asked me to come in. His office at Paramount was bursting with books, props, rolls of linens. I told him I'd have to wear an Egyptian false nose and he pounded the table. "No. Baxter, your Irish nose stays in this picture." He acted out my part and I kept nodding, and I walked out with the part. The sound stage sets were magnificent. It was all corny, sure, but DeMille knew it was corny—that's what he wanted, what he loved. I loved slinking around—really, this was silent film acting but with dialogue.Template:Sfn{{#if:|{{#if:|}}

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She was reteamed with Heston in Paramount's Three Violent People (1956),Template:Sfn co-starring Gilbert Roland and Tom Tryon. In the British mystery film Chase a Crooked Shadow (1958),Template:Sfn she shared star billing with Richard Todd and Herbert Lom. She travelled to Australia to make Summer of the Seventeenth Doll playing a part originally intended for Rita Hayworth.<ref name="natural">Template:Cite magazine</ref>

In 1960, Baxter received a motion pictures star on the Hollywood Walk of Fame at 6741 Hollywood Boulevard.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> She played the role of Dixie Lee in the 1960 film adaptation of Edna Ferber's 1930 novel Cimarron.Template:Sfn

Later careerEdit

Baxter worked regularly in television in the 1960s. She appeared as one of the mystery guests on What's My Line? She also starred as guest villain Zelda The Great in episodes 9 and 10 of the Batman series. She appeared as another villain, Olga, Queen of the Cossacks, opposite Vincent Price's Egghead in three episodes of the show's third season. She played an old flame of Raymond Burr on his crime series Ironside. Baxter made a guest appearance on My Three Sons season 8 episode 10, aired on November 4, 1967, called "Designing Woman", portraying a glamorous female engineer who wanted Steve Douglas (Fred MacMurray) as a love interest and possible future husband.Template:Citation needed

Baxter returned to Broadway during the 1970s in Applause, the musical version of All About Eve, but this time as Margo Channing (succeeding Lauren Bacall).Template:Sfn

In the 1970s, Baxter was a frequent guest and guest host on The Mike Douglas Show. She portrayed a murderous film star on an episode of Columbo, titled "Requiem for a Falling Star". In 1971, she had a role in Fools' Parade as an aging prostitute. In 1983, Baxter starred in the television series Hotel, replacing her All About Eve costar Bette Davis after the latter became ill.Template:Sfn

Personal lifeEdit

Baxter married actor John Hodiak on July 7, 1946,<ref>Template:Cite news</ref> at her parents' home in Burlingame, California.<ref>Template:Cite news</ref> The couple had one daughter, Katrina, born in 1951. They divorced in 1953. At the time, she said they were "basically incompatible,"<ref>Template:Cite news</ref> but in her book she blamed herself for the separation. "I had loved John as much," she wrote. "But we'd eventually congealed in the longest winter in the world. Daily estrangement. Things unsaid. Even a fight would have warmed us. To my shame, I'd picked one at last in order to unfreeze the word 'divorce'."<ref>Template:Cite book</ref>

In the mid-1950s, Baxter began a relationship with her publicist Russell Birdwell, who took control of her career and directed her in The Come On (1956).Template:Sfn The couple formed Baxter-Birdwell Productions to make films on a 10-year plan; Baxter would star in the films and Birdwell would work behind the camera.<ref>Template:Cite news</ref> Princeton University Library has a collection of 175 letters by Baxter to Birdwell.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

In 1960, Baxter married a second time to Randolph Galt, an American owner of a cattle station at Gloucester near Sydney where she was filming Summer of the Seventeenth Doll. After the birth of their second daughter, Maginel, back in California, Galt unexpectedly announced that they were moving to a Template:Convert ranch south of Grants, New Mexico.Template:Sfn They then moved to Hawaii (his home state) before settling back in Brentwood, California.<ref>Template:Cite news</ref> Baxter and Galt were divorced in 1969. In 1976, Baxter recounted her courtship with Galt (who she called "Ran") in a well-received book called Intermission. Melissa Galt, Baxter's first daughter with Galt, became an interior designer and then a business coach, speaker, and seminar provider.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Maginel became a cloistered Catholic nun, reportedly living in Rome.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>Template:Cite magazine</ref> After 11 years in Italy and 20 years living monastic life, Maginel left religion altogether.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

In 1977, Baxter married David Klee, a stockbroker. It was a brief marriage; Klee died unexpectedly from illness. The newlywed couple had purchased a sprawling property in Easton, Connecticut, which they extensively remodeled; however, Klee did not live to see the renovations completed. Although she maintained a residence in West Hollywood, Baxter considered her Connecticut home to be her primary residence.

Baxter was a Republican who was active in the campaigns of Thomas E. Dewey<ref name=Thomas>Template:Cite news</ref> and Dwight D. Eisenhower.<ref name=Argus>Template:Cite news</ref>

DeathEdit

Baxter had a stroke on December 4, 1985, while hailing a taxi on Madison Avenue in New York City.<ref>Template:Cite news</ref> She remained on life support for eight days in New York's Lenox Hill Hospital, until family members agreed that brain function had ceased, and she died on December 12, at the age of 62.<ref name=nyt>Template:Cite news</ref><ref name="LA Times obit">Template:Cite news</ref><ref>Template:Cite newsTemplate:Dead link</ref>

Awards and nominationsEdit

Year Award Category Work Result
1947 Golden Globe Award Best Supporting Actress – Motion Picture The Razor's Edge Template:Won
1947 Academy Award Best Supporting Actress Template:Won
1951 Best Actress All About Eve Template:Nom
1951 Laurel Award Topliner Female Dramatic Performance All About Eve<ref name="1951 Laurel Award" /> Template:Won
1957 The Ten Commandments<ref name="1957 Laurel Award" /> Template:Won
1969 Primetime Emmy Award Outstanding Single Performance by an Actress in a Leading Role The Name of the Game ("The Bobby Currier Story") Template:Nom

FilmographyEdit

{{#invoke:Labelled list hatnote|labelledList|Main article|Main articles|Main page|Main pages}}

Radio appearancesEdit

Year Program Episode/source
1945 Old Gold Comedy Theatre Nothing but the Truth<ref>Template:Cite journal</ref>
1948 Lux Radio Theatre The Luck of the Irish<ref>Template:Cite journal</ref>
1952 Suspense (radio drama) The Death of Barbara Allen
1953 Theatre Guild on the Air Trial by Forgery<ref>Template:Cite news Template:Open access</ref>
1953 The Martin and Lewis Show Episode #100 (May 5)

See alsoEdit

ReferencesEdit

Template:Reflist

BibliographyEdit

External linksEdit

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