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Aozora Bunko ({{#invoke:Lang|lang}}, Template:Lit, also known as the "Open Air Library") is a Japanese digital library. This online collection encompasses several thousand works of Japanese-language fiction and non-fiction. These include out-of-copyright books or works that the authors wish to make freely available.

Since its inception in 1997, Aozora Bunko has been both the compiler and publisher of an evolving online catalog.<ref name="intute">Intute: Intute web site, Aozora Bunko project description Template:Webarchive</ref> In 2006, Aozora Bunko organized to add a role as a public policy advocate to protect its current and anticipated catalog of freely accessible e-books.<ref name="a1">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

History and operationEdit

File:Aozora Bunko how-to-make illustration.png
This is an explanatory illustration prepared by Aozora Bunko as part of project encouraging Japanese citizens to contact Diet members in an effort to express a point-of-view.

Aozora Bunko was created on the Internet in 1997 to provide broadly available, free access to Japanese literary works whose copyrights had expired. The driving force behind the project was Michio Tomita (富田 倫生, 1952–2013), who was motivated by the belief that people with a common interest should cooperate with each other.<ref>"Electronic Library National Liaison Conference FY2003", National Diet Library Newsletter. No. 30, April 2003.</ref>

In Japan, Aozora Bunko is considered similar to Project Gutenberg.<ref name="jto2006">Tamura, Aya. "Novelists, others want copyright protection extended". The Japan Times Online. September 30, 2006.</ref> Most of the texts provided are Japanese literature, and some translations from English literature. The resources are searchable by category, author, or title; and there is a considerable amount of support on how to use the database in the form of detailed explanations. The files can be downloaded in PDF format or simply viewed in HTML format.<ref name="intute" />

After the passing of Michio Tomita in 2013, the Template:Nihongo was established independently to assist funding and operations for Aozora Bunko.<ref>Template:Cite news</ref>

Aozora Bunko currently includes more than 15,100 works Template:As of.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Public policy advocacyEdit

Aozora Bunko joined with others in organizing to oppose changes to the Japanese copyright law. That opposition has led to encouraging Japanese citizens to submit letters and petitions to the Japanese Agency for Cultural Affairs and to members of the Japanese Diet.<ref name="a1"/>

File:N0-70.png
Graphic icon illustrating Aozora Bunko's opposition to proposed changes to Japan's copyright laws

Japan and other countries accepted the terms of the Berne Convention for the Protection of Literary and Artistic Works, an 1886 international agreement about common copyright policies. Aozora Bunko adopted an advocacy role in favor of continuing with the status quo, wherein laws do not go beyond the minimum copyright terms of the Berne Convention. These laws have copyrights that run for the lifetime of the author plus 50 years, which Aozora Bunko believes is preferable to changes proposed by a number of influential groups pushing for longer copyright terms.<ref name="a1"/>

The evolution of Aozora Bunko from a digital library to a public policy advocacy organization was an unintended consequence which developed only after the perceived threat to the Aozora Bunko catalog and mission became otherwise unavoidable.<ref name="jto2006"/>

ProblemsEdit

Aozora Bunko pointed that extension of the copyright term had been influenced from the document titled "The U.S.–Japan Regulatory Reform and Competition Policy Initiative."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Through these annual reports, the U.S. Government was requiring that the protected period of copyright should be extended to the Japanese government: 70 years after one's death for a work by an individual, and 95 years after publication for a work by a corporation. In response, the Agency for Cultural Affairs in Japan has expressed that a conclusion will be obtained at the Council for Cultural Affairs copyright subcommittee by the end of 2007. If the legal revision which extends the protected period of copyright will be actually carried out, Aozora Bunko would be forced not to publish books which have already or almost already been published, due to the 20 years extension of the protection of copyright. Therefore, Aozora Bunko released a counter declaration against enforcement of the revised law on 1 January 2005, and they started to collect the signatures for a petition on 1 January 2007.<ref name="petition">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Due to the regime change in 2009 in Japan, Japanese government stopped receiving these reports from the U.S. government. Aozora Bunko did not respond to that and their petition calling for opposition against the extension of copyright term stopped from the modification of October 2008.<ref name="petition" />Template:Citation needed Instead of the document, the website of the Office of the United States Trade Representative inserted the "UNITED STATES–JAPAN ECONOMIC HARMONIZATION INITIATIVE" in February 2011.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In the document, the U.S. government promoted the extension of copyright law for protection of intellectual property rights toward Japanese government so that it was "in line with emerging global trends, including those of its OECD counterparts and major trading partners."

On 30 December 2018, Japan did extend the period to 70 years,<ref>Template:Cite news</ref> which was a requirement stemming from the EU–Japan Economic Partnership Agreement.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

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