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Blue Crush is a 2002 American sports film directed by John Stockwell, written by Stockwell and Lizzy Weiss, and based on Susan Orlean's 1998 Outside magazine article "Life's Swell". It stars Kate Bosworth, Michelle Rodriguez, Sanoe Lake and Mika Boorem. The film follows three friends, working at the hotel resort and surfing in Oahu, Hawaii.<ref>"Life's Swell" by Susan Orlean Template:Webarchive the article the film is based on</ref>

PlotEdit

Anne Marie, her fourteen-year-old sister Penny, and good friends Eden and Lena, live in a small house on the North Shore. They all have been helping to raise Penny since her and Anne Marie's mother moved to Las Vegas with her boyfriend. While Penny is at school, Anne Marie, Eden and Lena work as maids in a luxury resort hotel, and surf in their spare time. As a child, Anne Marie had been a rising star in women's surfing until a near-fatal wipeout left her with a paralyzing fear of powerful waves. Although she rises every morning before dawn to train for her surfing comeback, this fear continues to hamper her progress. Her friends, especially Eden, encourage her to overcome her trauma, conquer her fear of big waves and become a professional surfer.

Anne Marie is invited to join the surfing competition at a famed North Shore surf spot, the challenging Banzai Pipeline. If she can do well enough to gain the attention of a sponsor, it can lift her and her friends out of the near-poverty in which they live. As the Pipeline competition gets closer, Anne Marie struggles to keep Penny from running wild and deal with family issues.

Anne Marie meets Matt Tollman, a National Football League quarterback who is in Hawaii for the Pro Bowl. He is instantly attracted to the surfer, especially after she boldly confronts another NFL Pro Bowler who had trashed his hotel room, leaving a mess for Anne Marie and her friends to clean. After a few encounters, Matt says that he wants to learn to surf, and Anne Marie agrees to teach him and several of his teammates to surf for $150 per hour, with Lena, Eden and Penny acting as coaches. Anne Marie sees Matt again while getting the money from the hotel room, but a call comes for Matt from another woman. Anne Marie asks if it is Matt's wife, but he explains that it is his niece. Later, they sleep together.

Anne Marie's acceptance of an outsider as her boyfriend causes friction between her and some young male surfers on the North Shore. Eden points out to Anne Marie that her current interest in Matt has weakened her commitment to training for the Pipeline contest. Anne Marie also overhears demeaning comments about herself from some of the other football players' wives and girlfriends staying at the hotel.

Anne Marie confronts Matt about the situation and resolves to step up her game, fully committing herself to the Pipeline Masters. On the day of Pipeline, Anne Marie wipes out during her first heat, but she advances after narrowly beating pro surfer Kate Skarratt. She is shaken, but Matt tells her how he failed in his first game as an NFL quarterback, which helps her control her wavering confidence.

Determined, although still apprehensive, Anne Marie returns to the water. Competing in the same heat is Keala Kennelly, one of the first professional female surfers. While Keala surfs the first few sets of waves well, Anne Marie is still reluctant to try one, visions of her near-drowning incident holding her back. Keala finishes her turn, and paddles back out to take Anne Marie under her wing. Keala encourages her to ride the best wave of the day, and Anne Marie does it perfectly, scoring a perfect ten. Although Anne Marie cannot advance to the next heat, she regains her lost confidence and attracted the attention of sponsors, one of whom immediately offers to have her join the Billabong women's surf team.

CastEdit

Appearances by notable surfersEdit

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ProductionEdit

Blue Crush is the first film to use Hawaii's Act 221, a progressive local tax incentive that called for a 100 percent state tax credit for high-tech investments meeting the requirements for qualified high-tech business, while also allowing local investors to receive tax credits for investments in film or television productions.<ref name="bizjournals2002">Template:Cite news</ref><ref>Template:Cite news</ref> Universal Studios used the legislation for the Blue Crush production, receiving approximately $16 million in a deal with local investors who, in exchange, received the film's high-tech tax credits.

The agreement also involved marketing rights for the Hawaii Visitors and Convention Bureau, whereby the studio would cross-promote the film and the State of Hawaii. Entertainment executive April Masini, who helped produce Baywatch: Hawaii, Pacific Blue and the Miss Universe Pageant, brought the tax incentives to the attention of Universal Studios,<ref>Template:Cite news</ref> and, along with producer Adam Fields, advised the state in its negotiation.<ref name="bizjournals2002" />

ReceptionEdit

Critical responseEdit

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Roger Ebert, in his review for the Chicago Sun-Times, gave the film three stars out of four and a thumbs up, summarized, "Looking at the posters for Blue Crush, which show Bosworth, Rodriguez and Lake posing with bikinis and surfboards, I expected another mindless surfing movie. Blue Crush is anything but."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Box officeEdit

Blue Crush made $14.2Template:Nbspmillion during its opening weekend, ranking in third place behind XXX and Signs.<ref>Template:Cite news Template:Open access</ref> It grossed $40.4Template:Nbspmillion in the United States and Canada, and $11.4Template:Nbspmillion in other territories, for a worldwide total of $51.8Template:Nbspmillion, against a budget of $25Template:Nbspmillion.<ref name=BOM>Template:Cite Box Office Mojo</ref>

SoundtrackEdit

{{safesubst:#invoke:Unsubst-infobox||$params=italic_title,name,type,longtype,artist,cover,border,alt,caption,released,recorded,venue,studio,genre,length,language,label,director,producer,compiler,chronology,prev_title,prev_year,year,next_title,next_year,misc|$extra=italic_title,longtype,border,caption,language,director,compiler,chronology,year,misc|$aliases=italic title>italic_title,Italic title>italic_title,Name>name,Type>type,image>cover,Cover>cover,Border>border,Alt>alt,Caption>caption,Longtype>longtype,Artist>artist,Released>released,Recorded>recorded,Venue>venue,Studio>studio,Genre>genre,Length>length,Language>language,Label>label,Director>director,Producer>producer,Compiler>compiler,Chronology>chronology,Misc>misc|$flags=override|$B={{#ifeq:{{#invoke:Is infobox in lead|main|[Ii]nfobox [Aa]lbum}}|true|{{#if:Template:Has short description | |Template:Short description|noreplace}}}}{{#invoke:Infobox|infobox}}Template:Template otherTemplate:Category handlerTemplate:Main other{{#invoke:Check for unknown parameters|check|unknown=Template:Main other|preview=Page using Template:Infobox album with unknown parameter "_VALUE_"|ignoreblank=y|italic_title |type |name |image |cover |border |alt |caption |longtype |artist |released |recorded |venue |studio |genre |length |language |label |director |producer |compiler |prev_title|prev_year|next_title|next_year|chronology|year|misc}}{{#if:{{#invoke:String|match|error_category=Music infoboxes with Module:String errors|A|1=soundtrackMusic from the Motion Picture Blue CrushVarious ArtistsAugust 16, 2002Soundtrack47:09Virgin RecordsSteven Marley, Josh Debear, Moby, Don Great, Pharrell Williams, Lenny Kravitz, Justin Stanleyx|2=</?t[drh][ >]|nomatch=}}|Template:Main other}}Template:Main other}} Template:Track listing

The song Youth of the Nation by P.O.D. appears in the film but is excluded on the album.

LegacyEdit

The film was followed by a straight-to-video standalone sequel, titled Blue Crush 2 (2011).

In October 2017, NBC revealed that it was in the early stages of developing a possible television series based on the film.<ref>Template:Cite magazine</ref> As of 2025, the series was not produced.Template:Citation needed

See alsoEdit

ReferencesEdit

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External linksEdit

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