Template:Short description Template:For Template:Use dmy dates Template:Infobox occupation A cartoonist is a visual artist who specializes in both drawing and writing<ref name="Guide"/> cartoons (individual images) or comics (sequential images). Cartoonists differ from comics writers or comics illustrators/artists in that they produce both the literary and graphic components of the work as part of their practice.

Cartoonists may work in a variety of formats, including booklets, comic strips, comic books, editorial cartoons, graphic novels, manuals, gag cartoons, storyboards, posters, shirts, books, advertisements, greeting cards, magazines, newspapers, webcomics, and video game packaging.

TerminologyEdit

Template:See also A cartoonist's discipline encompasses both authorial and drafting disciplines<ref name="Guide">Template:Cite book</ref> (see interdisciplinary arts). The terms "comics illustrator", "comics artist", or "comic book artist" refer to the picture-making portion of the discipline of cartooning<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> (see illustrator). While every "cartoonist" might be considered a "comics illustrator", "comics artist", or a "comic book artist", not every "comics illustrator", "comics artist", or a "comic book artist" is a "cartoonist".

Ambiguity might arise when illustrators and writers share each other's duties in authoring a work.<ref>Contemporary Literary Criticism, Volume 195, Gale, 2005, p. 167: "(Full name Neil Richard Gaiman) English graphic novelist".</ref>

HistoryEdit

Editorial cartoonsEdit

{{#invoke:Labelled list hatnote|labelledList|Main article|Main articles|Main page|Main pages}} The English satirist and editorial cartoonist William Hogarth, who emerged in the 18th century, poked fun at contemporary politics and customs; illustrations in such style are often referred to as "Hogarthian".<ref>The British Museum. Beer Street, William Hogarth - Fine Art Print Template:Webarchive Retrieved 11 April 2010.</ref> Following the work of Hogarth, editorial/political cartoons began to develop in England in the latter part of the 18th century under the direction of its great exponents, James Gillray and Thomas Rowlandson, both from London. Gillray explored the use of the medium for lampooning and caricature, calling the king (George III), prime ministers and generals to account, and has been referred to as the father of the political cartoon.<ref>Template:Cite news</ref>

File:Benjamin Franklin - Join or Die.jpg
Benjamin Franklin's Join, or Die (May 9, 1754), credited as the first cartoon published in an American newspaper

Origin in the U.S.Edit

While never a professional cartoonist, Benjamin Franklin is credited with the first cartoon published in The Pennsylvania Gazette on May 9, 1754: Join, or Die, depicting the American colonies as segments of a snake.Template:Sfn<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In the 19th century, professional cartoonists such as Thomas Nast, whose work appeared in Harper's Weekly, introduced other familiar American political symbols, such as the Republican elephant.Template:Sfn

Comic stripsEdit

{{#invoke:Labelled list hatnote|labelledList|Main article|Main articles|Main page|Main pages}} Template:Comics navbar Comic strips received widespread distribution to mainstream newspapers by syndicates.<ref name="www.comicsreporter.com">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Calum MacKenzie, in his preface to the exhibition catalog, The Scottish Cartoonists (Glasgow Print Studio Gallery, 1979) defined the selection criteria:

The difference between a cartoonist and an illustrator was the same as the difference between a comedian and a comedy actor—the former both deliver their own lines and take full responsibility for them, the latter could always hide behind the fact that it was not his entire creation.<ref>MacKenzie, Calum. The Scottish Cartoonists. Glasgow Print Studio Gallery, 1979.Template:Page needed</ref>

Many strips were the work of two people although only one signature was displayed. Shortly after Frank Willard began Moon Mullins in 1923, he hired Ferd Johnson as his assistant. For decades, Johnson received no credit. Willard and Johnson traveled about Florida, Maine, Los Angeles, and Mexico, drawing the strip while living in hotels, apartments and farmhouses. At its peak of popularity during the 1940s and 1950s, the strip ran in 350 newspapers. According to Johnson, he had been doing the strip solo for at least a decade before Willard's death in 1958: "They put my name on it then. I had been doing it about 10 years before that because Willard had heart attacks and strokes and all that stuff. The minute my name went on that thing and his name went off, 25 papers dropped the strip. That shows you that, although I had been doing it ten years, the name means a lot."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

See alsoEdit

Template:Portal Template:Colbegin

Societies and organizations

Template:Colend

ReferencesEdit

CitationsEdit

Template:Reflist

Works citedEdit

Further readingEdit

  • Steve Edgell, Tim Pilcher, Brad Brooks, The Complete Cartooning Course: Principles, Practices, Techniques (London: Barron's, 2001).

External linksEdit

Template:Sister project Template:Sister project

Societies and organizations

Template:Comics Template:Pens Template:Authority control