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Harlan Ellison

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Template:Short description Template:Use mdy dates Template:Infobox writer

Harlan Jay Ellison (May 27, 1934 – June 28, 2018)<ref name="Locus062018" /> was an American writer, known for his prolific and influential work in New Wave speculative fiction<ref name="locusobit">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and for his outspoken, combative personality.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> His published works include more than 1,700 short stories, novellas, screenplays, comic-book scripts, teleplays, essays, and a wide range of criticism covering literature, film, television, and print media.

Some of his best-known works include the 1967 Star Trek episode "The City on the Edge of Forever", considered by some to be the single greatest episode of the Star Trek franchise<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> (he subsequently wrote a book about the experience that includes his original teleplay), his A Boy and His Dog cycle (which was made into a film), and his short stories "I Have No Mouth, and I Must Scream" (later adapted by Ellison into a video game) and "'Repent, Harlequin!' Said the Ticktockman". He was also editor and anthologist for Dangerous Visions (1967) and Again, Dangerous Visions (1972). Ellison won numerous awards, including multiple Hugos, Nebulas, and Edgars.

BiographyEdit

Early life and careerEdit

File:Amazing stories 195703.jpg
Ellison's 1957 novella "The Savage Swarm", cover-featured in Amazing Stories, has never been included in an authorized collection or anthology.
File:Amazing stories 195706.jpg
A few months later, another Ellison novella, "The Steel Napoleon", also took the cover of Amazing. It also remains uncollected.
File:Fantastic 195705.jpg
Another uncollected Ellison novella, "Satan Is My Ally", was the cover story on the May 1957 issue of Fantastic Science Fiction.
File:Fantastic 195711.jpg
CitationClass=web }}</ref> The novella has never been republished.
File:Fantastic 195810.jpg
Ellison's "Suicide World", the cover story for the October 1958 Fantastic, also remains uncollected.
File:Fantastic 195904.jpg
Ellison's "The Abnormals", the cover story for the April 1959 Fantastic, appears in Ellison collections as "The Discarded".

Ellison was born to a Jewish family<ref>Jewish Journal: "Top 5 Jewish moments in 'Trek'" by Adam Wills Template:Webarchive May 7, 2009</ref> in Cleveland, Ohio, on May 27, 1934, the son of Serita (née Rosenthal) and Louis Laverne Ellison, a dentist and jeweler.<ref>Template:Cite book</ref><ref>*Template:Cite book</ref> He had an older sister, Beverly (Rabnick), who was born in 1926. She died in 2010 without having spoken to him since their mother's funeral in 1976. Some time after Beverly's birth, his family moved to Painesville, Ohio, but returned to Cleveland in 1949, following his father's death. Ellison frequently ran away from home (in an interview with Tom Snyder he would later claim it was due to discrimination by his high school peers), taking an array of odd jobs—including, by age 18, "tuna fisherman off the coast of Galveston, itinerant crop-picker down in New Orleans, hired gun for a wealthy neurotic, nitroglycerine truck driver in North Carolina, short-order cook, cab driver, lithographer, book salesman, floorwalker in a department store, door-to-door brush salesman, and as a youngster, an actor in several productions at the Cleveland Play House".<ref>Template:Cite book</ref> In 1947, a fan letter he wrote to Real Fact Comics became his first published writing.<ref name="OSPG">Template:Cite book</ref>

Ellison attended Ohio State University for 18 months (1951–53) before being expelled. He said the expulsion was for hitting a professor, a certain Dr. Shedd, who had denigrated his writing ability. Over the next 20 or so years he sent that professor a copy of every story that he published.<ref>Template:Cite journal</ref>

Ellison published two serialized stories in the Cleveland News during 1949,<ref name=isfdb /> and he sold a story to EC Comics early in the 1950s. During this period, Ellison was an active and visible member of science fiction fandom, and published his own science fiction fanzines, such as Dimensions (which had previously been the Bulletin of the Cleveland Science Fantasy Society for the Cleveland Science Fantasy Society, and later Science Fantasy Bulletin.<ref>Dimensions issue #14 (May–July 1954)</ref>)

Ellison moved to New York City in 1955 to pursue a writing career, primarily in science fiction. Over the next two years, he published more than 100 short stories and articles. The short stories collected as Sex Gang — which Ellison described in a 2012 interview as "mainstream erotica"<ref name="larecord">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> — date from this period.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

He served in the U.S. Army from 1957 to 1959.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> His first novel, Web of the City, was published during his military service in 1958, and he said that he had written the bulk of it while undergoing basic training at Fort Benning, Georgia.<ref>Template:Cite book</ref> He served in the Public Information Office at Fort Knox, Kentucky, where he wrote articles and reviews for the post's weekly newspaper.<ref>Template:Cite news</ref>

After leaving the army, he relocated to Chicago, where he edited Rogue magazine.<ref name="Locus062018">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Hollywood and beyondEdit

File:Sfcon-ellison-talk-ddb.jpg
Ellison speaking at an SF convention, 2006

Ellison moved to California in 1962 and began selling his writing to Hollywood. Ellison sold scripts to many television shows: Burke's Law (4 episodes), Route 66, The Outer Limits,<ref name="TheFuturist">Keegan, Rebecca (October 5, 2010). The Futurist: The Life and Times of James Cameron, Three Rivers Press (Kindle location 885)</ref> The Alfred Hitchcock Hour, Star Trek, The Man from U.N.C.L.E. (2 episodes), Cimarron Strip and The Flying Nun.

Ellison's screenplay for the Star Trek episode "The City on the Edge of Forever" is often considered the best of the 79 episodes in the series.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

He co-wrote the screenplay for The Oscar (1966), starring Stephen Boyd and Tony Bennett.

In 1965, he participated in the second and third Selma to Montgomery marches, led by Martin Luther King Jr.<ref name="sduniontrib">Template:Cite news</ref>

In 1966, in an article that Esquire magazine later named as the best magazine piece ever written, the journalist Gay Talese wrote a profile of Frank Sinatra. The article, entitled "Frank Sinatra Has a Cold", briefly describes a verbal clash between Sinatra and Ellison, in which the crooner took exception to Ellison's boots during a billiards game Ellison was playing with Omar Sharif, Leo Durocher and Peter Falk.<ref>Template:Cite magazine</ref>

Ellison was hired as a writer for Walt Disney Studios, but was fired on his first day after Roy O. Disney overheard him in the studio commissary joking about making a pornographic animated film featuring Disney characters.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Ellison continued to publish short fiction and nonfiction pieces in various publications, including some of his best known stories. "'Repent, Harlequin!' Said the Ticktockman" (1965) is a celebration of civil disobedience against repressive authority. "I Have No Mouth, and I Must Scream" (1967) is a story where five humans are tormented by an all-knowing computer throughout eternity. The story was the basis of a 1995 computer game; Ellison participated in the game's design and provided the voice of the god-computer AM.<ref>Template:Cite magazine</ref> Another story, "A Boy and His Dog", examines the nature of friendship and love in a violent, post-apocalyptic world and was made into the 1975 film of the same name, starring Don Johnson.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

In 1967, Ellison edited the Dangerous Visions collection, which attracted "special citation at the 26th World SF Convention for editing 'the most significant and controversial SF book published in 1967.'" In his introduction Isaac Asimov described it epitomising a "second revolution" in Science Fiction as "science receded and modern fictional techniques came to the fore."

From 1968 to 1970, Ellison wrote a regular column on television for the Los Angeles Free Press. Titled "The Glass Teat", Ellison's column examined television's impact on the politics and culture of the time, including its presentations of sex, politics, race, the Vietnam War, and violence. The essays were collected in two anthologies, The Glass Teat: Essays of Opinion on Television<ref>Template:Cite book</ref> followed by The Other Glass Teat.

Ellison served as creative consultant to the 1980s version of The Twilight Zone science fiction TV series and Babylon 5. As a member of the Screen Actors Guild (SAG), he had voice-over credits for shows, including The Pirates of Dark Water, Mother Goose and Grimm, Space Cases, Phantom 2040, and Babylon 5, as well as making an onscreen appearance in the Babylon 5 episode "The Face of the Enemy".

A frequent guest on the Los Angeles science fiction/fantasy culture radio show Hour 25, hosted by Mike Hodel, Ellison took over as host when Hodel died. Ellison's tenure was from May 1986 to June 1987.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Ellison's short story "The Man Who Rowed Christopher Columbus Ashore" (1992) was selected for inclusion in the 1993 edition of The Best American Short Stories.<ref>Kennison, Katrina and Erdrich, Louise (editors), The Best American Short Stories 1993, New York, 1993.</ref>

Ellison as an audio actor/reader was nominated for a Grammy Award for Best Spoken Word Album for Children<ref>"Harlan Ellison's reading of Through the Looking-Glass nominated for Grammy". Lewis Caroll Society.</ref> twice and has won several Audie Awards.<ref>"Talking with Harlan Ellison". Audiofile Magazine.</ref>

In 2014, Ellison made a guest appearance on the album Finding Love in Hell by the stoner rock band Leaving Babylon, reading his piece "The Silence" (originally published in Mind Fields) as an introduction to the song "Dead to Me."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Ellison's official website, harlanellison.com, was launched in 1995 as a fan page;<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> for several years, Ellison was a regular poster in its discussion forum.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Ellison's voice is one of 80 used in the NPRmageddon podcast (which is unrelated to National Public Radio), which appeared after his death.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Personal life and deathEdit

Ellison married five times; each relationship ended within a few years, except the last. His first wife was Charlotte Stein, whom he married in 1956. They divorced in 1960, and he later described the marriage as "four years of hell as sustained as the whine of a generator."<ref>Gentleman Junkie, 14</ref> Later that year he married Billie Joyce Sanders; they divorced in 1963. His 1966 marriage to Loretta Patrick lasted only seven weeks.<ref>Template:Cite book</ref> In 1976, he married Lori Horowitz. He was 41 and she was 19, and he later said of the marriage, "I was desperately in love with her, but it was a stupid marriage on my part." They were divorced after eight months.<ref>Template:Cite news</ref> He briefly had a relationship with actress Grace Lee Whitney, allegedly ending it when he caught her smoking cannabis in his house.<ref>Template:Cite book</ref> He and Susan Toth married in 1986, and they remained together, living in the Lost Aztec Temple of Mars in Sherman Oaks, until his death 32 years later. Susan died in August 2020, age 60.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Ellison described himself as a Jewish atheist.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>Template:Cite news</ref>

In 1994, he had a heart attack and was hospitalized for quadruple coronary artery bypass surgery.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> From 2010, he received treatment for clinical depression.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

In September 2007, Ellison attended the Midwestern debut of the documentary about his life, Dreams with Sharp Teeth, at the Cleveland Public Library in his hometown of Cleveland, Ohio. This would be Ellison's last public appearance in his hometown.<ref>Template:Cite news</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

On about October 10, 2014, Ellison had a stroke.<ref>Template:Cite news</ref> Although his speech and cognition were unimpaired, he suffered paralysis on his right side, for which he was expected to spend several weeks in physical therapy before being released from the hospital.<ref>*Template:Cite news

Ellison died in his sleep at his home in Los Angeles on the morning of June 28, 2018.<ref>*Template:Cite news

|CitationClass=web }}</ref>

PseudonymsEdit

Template:Anchor Ellison on occasion used the pseudonym Cordwainer Bird to alert members of the public to situations in which he felt his creative contribution to a project had been mangled by others, beyond repair, typically Hollywood producers or studios (see also Alan Smithee). The first such work to which he signed the name was "The Price of Doom", an episode of Voyage to the Bottom of the Sea (though it was misspelled as Cord Wainer Bird in the credits).<ref>Template:Cite news</ref> An episode of Burke's Law ("Who Killed Alex Debbs?") credited to Ellison contains a character given this name, played by Sammy Davis Jr.<ref>Template:Cite episode</ref>

The "Cordwainer Bird" moniker is a tribute to fellow science fiction writer Paul M. A. Linebarger, better known by his pen name, Cordwainer Smith. The origin of the word "cordwainer" is shoemaker (from working with shell cordovan leather for shoes). The term used by Linebarger was meant to imply the industriousness of the pulp author.Template:Citation needed Ellison said, in interviews and in his writing, that his version of the pseudonym was meant to mean "a shoemaker for birds". Since he used the pseudonym mainly for works from which he wanted to distance himself, it may be understood to mean that "this work is for the birds" or that it is of as much use as shoes to a bird. Stephen King once said he thought that it meant that Ellison was giving people who mangled his work a literary version of "the bird" (given credence by Ellison himself in his own essay titled "Somehow, I Don't Think We're in Kansas, Toto", describing his experience with the Starlost television series).<ref name="Essential">Ellison, Harlan "The Essential Ellison: A 35-Year Retrospective" Template:Webarchive (Template:ISBN)</ref>

The Bird moniker became a character in one of Ellison's own stories. In his 1978 book Strange Wine, Ellison explains the origins of the Bird and goes on to state that Philip José Farmer wrote Cordwainer into the Wold Newton family that the latter writer had developed. The thought of such a whimsical object lesson being related to such lights as Doc Savage, The Shadow, Tarzan, and all the other pulp heroes prompted Ellison to play with the concept, resulting in "The New York Review of Bird", in which an annoyed Bird uncovers the darker secrets of the New York literary establishment before beginning a pulpish slaughter of the same.<ref name="Strange">Ellison, Harlan "Strange Wine" Template:Webarchive (Template:ISBN)</ref>

Other pseudonyms Ellison used during his career include Jay Charby, Sley Harson, Ellis Hart, John Magnus, Paul Merchant, Pat Roeder, Ivar Jorgenson, Derry Tiger, Harlan Ellis and Jay Solo.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Controversies and disputesEdit

TemperamentEdit

Ellison had a reputation for being abrasive and argumentative.Template:Efn He generally agreed with this assessment, and a dust jacket from one of his books described him as "possibly the most contentious person on Earth." Ellison filed numerous grievances and attempted lawsuits; during a contract dispute with Signet/NAL Books binding cigarette ads into one of his paperbacks, he sent them dozens of bricks postage due, followed by a dead gopher.<ref name="Rogers">Template:Cite news</ref><ref name="Criss">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In an October 2017 piece in Wired, Ellison was dubbed "Sci-Fi's Most Controversial Figure."<ref>Template:Cite magazine</ref>

At Stephen King's request, Ellison provided a description of himself and his writing in Danse Macabre (1981): "My work is foursquare for chaos. I spend my life personally, and my work professionally, keeping the soup boiling. Gadfly is what they call you when you are no longer dangerous; I much prefer troublemaker, malcontent, desperado. I see myself as a combination of Zorro and Jiminy Cricket. My stories go out from here and raise hell. From time to time some denigrater or critic with umbrage will say of my work, 'He only wrote that to shock.' I smile and nod. Precisely."<ref>Template:Cite news</ref>

Health issuesEdit

Ellison suffered from health issues regularly through his life, including severe depression toward the end,<ref>"Harlan Ellison Isn't Dead Yet", Jaime Lowe 2013</ref> some of which he believed was Epstein Barr/Chronic Fatigue Syndrome.<ref name="cfs">J. Michael Straczynski 2024-09-10, Facebook</ref> A few years before his death, Straczynski convinced him to seek psychiatric diagnosis for the depression, resulting in a diagnosis & treatment of bipolar disorder; he commented, "Once you know he was bipolar, a lot of things that don't make sense suddenly make sense."<ref>"Harlan Ellison's Last Words: The Ambitious Plan for Sci-Fi Writer's Posthumous Comeback", Steve Appleford 2024-03-29</ref> The treatment "had a salutary effect for a while, until the stroke hit".<ref name="cfs"/> Straczynski wrote a more detailed account of Ellison's struggles with mental illness, published in the posthumous Last Dangerous Visions.<ref>"Ellison Exegesis", Last Dangerous Visions 2024</ref>

Star TrekEdit

Ellison repeatedly criticized how Star Trek creator and producer Gene Roddenberry (and others) rewrote his original script for the 1967 episode "The City on the Edge of Forever". Despite his objections, Ellison kept his own name on the shooting script instead of using "Cordwainer Bird" to indicate displeasure (see above).<ref>Template:Cite book</ref>

Ellison's original script was first published in the 1976 anthology Six Science Fiction Plays, edited by Roger Elwood.<ref name=isfdb-city1976 /> The aired version was adapted for the Star Trek Fotonovel series in 1977.<ref>Template:Cite book.</ref><ref name=worldcat-city /> In 1995, Borderlands Press published The City on the Edge of Forever,<ref>Template:Cite book</ref> with nearly 300 pages, comprising an essay by Ellison, four versions of the teleplay, and eight "Afterwords" contributed by other parties. He greatly expanded the introduction for the paperback edition,<ref name=isfdb-city1996 /><ref name=LCC1996 /><ref>Harlan Ellison's The City on the Edge of Forever, White Wolf Publishing, 1996; Template:ISBN.</ref> in which he explained what he called a "fatally inept" treatment.<ref>Template:Cite news</ref>

Both versions of the script won awards: Ellison's original script won the 1968 Writers Guild Award for best episodic drama in television,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> while the shooting script won the 1968 Hugo Award for Best Dramatic Presentation.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

On March 13, 2009, Ellison sued CBS Paramount Television, seeking payment of 25% of net receipts from merchandising, publishing, and other income from the episode since 1967; the suit also names the Writers Guild of America for allegedly failing to act on Ellison's behalf.<ref>Template:Cite press release (Wayback Machine)</ref> On October 23, 2009, Variety magazine reported that a settlement had been reached.<ref>Template:Cite news</ref>

Vietnam War opposition and AggieCon IEdit

Ellison was among those who in 1968 signed an anti-Vietnam War advertisement in Galaxy Science Fiction.<ref name="Galaxy1968">Template:Cite magazine</ref> In 1969, Ellison was Guest of Honor at Texas A&M University's first science fiction convention, AggieCon, where he reportedly<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> referred to the university's Corps of Cadets as "America's next generation of Nazis", inspired in part by the Vietnam War. Although the university was no longer solely a military school (from 1965), the student body was predominantly made up of cadet members. Between Ellison's anti-military remarks and a food fight that broke out in the ballroom of the hotel where the gathering was held (although, according to Ellison in 2000, the food fight actually started in a Denny's because the staff disappeared and they could not get their check), the school's administration almost refused to approve the science fiction convention the next year and no guest of honor was invited for the next two AggieCons. Ellison was subsequently invited back as Guest of Honor for AggieCon V (Jack Bosa)(1974).<ref name="cepharch">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

The Last Dangerous VisionsEdit

The Last Dangerous Visions (TLDV), the third volume of Ellison's anthology series, was originally announced for publication in 1973,<ref name="deadloss" /> but not published until October 2024, six years after Ellison died.<ref>Template:Cite magazine</ref> Nearly 150 writers, many now also dead, had submitted works for the volume. In 1993, Ellison threatened to sue the New England Science Fiction Association (NESFA) for publishing "Himself in Anachron", a short story written by Cordwainer Smith and originally sold by his widow to Ellison for the anthology.<ref>Template:Cite journal</ref> The NESFA later reached an amicable settlement after it was revealed that the story contract had expired, allowing them to legally acquire it for publication.<ref>Template:Cite journal</ref>

British science fiction author Christopher Priest criticized Ellison's editorial practices in an article entitled "The Book on the Edge of Forever",<ref name="deadloss">Template:Cite book</ref> later expanded into a book. Priest documented a half-dozen unfulfilled promises by Ellison to publish TLDV within a year of the statement. Priest claims that he submitted a story at Ellison's request, which Ellison retained for several months until Priest withdrew the story and demanded that Ellison return the manuscript. Ellison was incensed by "The Book on the Edge of Forever" and, personally or by proxy, threatened Priest on numerous occasions after its publication.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

In November 2020, the executor of the Harlan Ellison estate, J. Michael Straczynski, announced on Patreon that he was proceeding with the final preparations for the publication of TLDV with the proceeds to go to the Harlan and Susan Ellison Trust. The book was expected to be published in April 2021, as significant publisher interest was expressed.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Christopher Priest was unimpressed, saying that Straczynski was "in the same sort of unenviable position as Trump's caddie", but as an experienced professional would possibly work something out. He added, "I kind of lost interest in all that years ago. Ellison clearly did too, along with everyone else. (Although I gather he went on with his magical thinking if anyone asked when he was going to deliver.) Many of the stories were withdrawn, because Ellison acted like a dick. Of the ones that remain, most of them are by writers who are now deceased, so the rights have expired and the estates would have to be traced. A lot of the writers have disowned their stories as juvenilia, or outdated, or simply because Ellison was acting like a dick."<ref>Template:Cite news</ref>

Despite early hopes of a 2021 release for TLDV, 2021 came and went with no book. An October 2021 'progress report' from Straczynski revealed that the book was still in preparation.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> On May 2, 2022, Straczynski announced that the book would be published in 2023.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> On July 10, 2022, Straczynski announced on Twitter that The Last Dangerous Visions will be published on September 1, 2024, by Blackstone Publishers.<ref>Template:Cite tweet</ref> The book was finally published on October 1, 2024, after half a century.

I, RobotEdit

Shortly after the release of Star Wars (1977), Ben Roberts contacted Ellison to develop a script based on Isaac Asimov's I, Robot short story collection for Warner Bros.; Ellison and Asimov had been long-time friends, so Ellison may be presumed to have attached particular significance to the project. In a meeting with the Head of Production at Warners, Robert Shapiro, Ellison concluded that Shapiro was commenting on the script without having read it and accused him of having the "intellectual and cranial capacity of an artichoke". Shortly afterwards, Ellison was dropped from the project. Without Ellison, the film came to a dead end, because subsequent scripts were unsatisfactory to potential directors. After a change in studio heads, Warner allowed Ellison's script to be serialized in Asimov's Science Fiction magazine and published in book form.<ref> From Harlan Ellison's introduction to I Robot: The Illustrated Screenplay, Template:ISBN</ref> The 2004 film I, Robot, starring Will Smith, has no connection to Ellison's script.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Allegations of assault on Charles PlattEdit

In 1985, Ellison allegedly publicly assaulted author, journalist and computer programmer Charles Platt at the Nebula Awards banquet.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Platt did not pursue legal action against Ellison and the two men later signed a "non-aggression pact", promising never to discuss the incident again nor to have any contact with one another. Platt claims that Ellison often publicly boasted about the incident.<ref>Template:Cite journal</ref>

Support of Ed KramerEdit

Ellison voiced strong support for Ed Kramer, founder of Dragon Con, after Kramer was accused of sexual abuse of children in 2000.<ref>"In the Shadows" by Scott Henry, Atlanta Magazine, September 1, 2012.</ref> Ellison and others disputed the evidence against Kramer, and also alleged Kramer was being held in jail in violation of his right to a speedy trial.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

When writer Nancy A. Collins spoke up against Kramer, Ellison led a long-standing feud against her before Kramer entered an Alford plea in 2013.<ref>"Edward Kramer, Dragon Con And The Apologies Due To Nancy A Collins" by Rich Johnston, Bleeding Cool, Posted on December 3, 2013.</ref>

2006 Hugo Awards ceremonyEdit

Ellison was presented with a special committee award at the 2006 Hugo Awards ceremony. When Ellison got to the podium, presenter Connie Willis asked him "Are you going to be good?" When she asked the question a second time, Ellison put the microphone in his mouth, to the crowd's laughter. He then placed his hand on her breast during an embrace.<ref name="AdWeek">Template:Cite news</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Ellison subsequently complained that Willis refused to acknowledge his apology.<ref name="AdWeek" />

Lawsuit against FantagraphicsEdit

On September 20, 2006, Ellison sued comic book and magazine publisher Fantagraphics, stating they had defamed him in their book Comics As Art (We Told You So).<ref>Spurgeon, Tom, and Jacob Covey. Comics As Art: We Told You So. Seattle, WA: Fantagraphics, 2006. Template:ISBN</ref> The book recounts the history of Fantagraphics and discussed a lawsuit that resulted from a 1980 Ellison interview with Fantagraphics' industry news magazine, The Comics Journal. In this interview Ellison referred to comic book writer Michael Fleisher, calling him "bugfuck" and "derange-o". Fleisher lost his libel suit against Ellison and Fantagraphics on December 9, 1986.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Ellison, after reading unpublished drafts of the book on Fantagraphics's website, believed that he had been defamed by several anecdotes related to this incident. He sued in the Superior Court for the State of California, in Santa Monica. Fantagraphics attempted to have the lawsuit dismissed. In their motion to dismiss, Fantagraphics argued that the statements were both their personal opinions and generally believed to be true anecdotes. On February 12, 2007, the presiding judge ruled against Fantagraphics' anti-SLAPP motion for dismissal.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> On June 29, 2007, Ellison claimed that the litigation had been resolved<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> pending Fantagraphics' removal of all references to the case from their website.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> No money or apologies changed hands in the settlement as posted on August 17, 2007.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Copyright suitsEdit

In a 1980 lawsuit against ABC and Paramount Pictures, Ellison and Ben Bova claimed that the TV series Future Cop was based on their short story "Brillo", winning a $337,000 judgement.<ref>Template:Cite news</ref>

Ellison alleged that James Cameron's film The Terminator drew from material from an episode of the original Outer Limits which Ellison had scripted, "Soldier" (1964). Hemdale, the production company and the distributor Orion Pictures, settled out of court for an undisclosed sum and added a credit to the film which acknowledged Ellison's work.<ref name="LATimes">Template:Cite news</ref> Cameron objected to this acknowledgement and has since labeled Ellison's claim a "nuisance suit".<ref name=TheFuturist /> Some accounts of the settlement state that another Outer Limits episode written by Ellison, "Demon with a Glass Hand" (1964), was also claimed to have been plagiarized by the film, but Ellison stated that "Terminator was not stolen from 'Demon with a Glass Hand', it was a ripoff of my OTHER Outer Limits script, 'Soldier'."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

In 1983, Marvel Comics released The Incredible Hulk #286, entitled "Hero", written by Bill Mantlo. Three issues later, Marvel put up a letter claiming that Mantlo adapted "Soldier" for use as a Hulk story, but they forgot to credit Ellison and it was pointed out by readers. In actuality, then-Editor-in-Chief Jim Shooter signed off on the story, not having seen the Outer Limits episode it was based on and not realizing Mantlo copied it wholesale. The day the issue went to stands, he was contacted by an angry Ellison, who calmed down after Shooter admitted the error. Although he could have claimed hundreds of thousands of dollars in damages, Ellison only requested the same payment Mantlo got for the story, writer's credit and a lifetime subscription to everything Marvel published.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

On April 24, 2000, Ellison sued Stephen Robertson for posting four stories to the usenet newsgroup "alt.binaries.e-book" without authorization. The other defendants were AOL and RemarQ, an internet service provider who owned servers hosting the newsgroup. Ellison alleged they had failed to halt copyright infringement in accordance with the "Notice and Takedown Procedure" outlined in the 1998 Digital Millennium Copyright Act. Robertson and RemarQ first settled with Ellison, and then AOL likewise settled with Ellison in June 2004, under conditions that were not made public. Since those settlements Ellison initiated legal action or takedown notices against more than 240 people who have allegedly distributed his writings on the Internet, saying, "If you put your hand in my pocket, you'll drag back six inches of bloody stump".<ref>Template:Cite news</ref>

WorksEdit

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AwardsEdit

Ellison won eight Hugo Awards,<ref name="SFAWD Ellison">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> a shared award for the screenplay of A Boy and his Dog that he counted as "half a Hugo",<ref name="Harlan Ellison">Template:Cite AV mediaTemplate:Cbignore</ref><ref name="auto">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and two special awards from annual World SF Conventions;<ref name="SFAWD Ellison" /> four Nebula Awards of the Science Fiction and Fantasy Writers of America (SFWA);<ref name="SFAWD Ellison" /> five Bram Stoker Awards of the Horror Writers Association (HWA);<ref name="SFAWD Ellison" /> two Edgar Awards of the Mystery Writers of America;<ref name="Awards he.com">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> two World Fantasy Awards from annual conventions;<ref name="Awards he.com" /> and two Georges Méliès fantasy film awards.<ref name="Awards he.com" /><ref name="tv">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In 1987, Ellison was awarded the Inkpot Award.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

In his 1981 book about the horror genre, Danse Macabre, Stephen King reviewed Ellison's collection Strange Wine and considered it one of the best horror books published between 1950 and 1980.<ref>Template:Cite book</ref>

Ellison won the World Fantasy Award for Life Achievement in 1993.<ref name=SFAwards /> HWA gave him its Lifetime Achievement Award in 1996<ref name=HWA /> and the World Horror Convention named him Grand Master in 2000.<ref name=SFAwards /> He was awarded the Gallun Award for Lifetime Achievement in Science Fiction from I-CON in 1997.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

SFWA named him its 23rd Grand Master of fantasy and science fiction in 2006<ref name=SFWA /> and the Science Fiction Hall of Fame inducted him in 2011.<ref name=sfhof2011 /> That year he also received the fourth J. Lloyd Eaton Lifetime Achievement Award in Science Fiction, presented by the UCR Libraries at the 2011 Eaton SF Conference, "Global Science Fiction".<ref name=eaton />

Template:As of, Ellison is the only three-time winner of the Nebula Award for Best Short Story. He won his other Nebula in the novella category.<ref name=SFAwards />

He was awarded the Silver Pen for Journalism by International PEN, the international writers' union, in 1982.<ref>Template:Cite news</ref><ref name="Awards he.com" /> In 1990, Ellison was honored by International PEN for continuing commitment to artistic freedom and the battle against censorship.<ref name="Awards he.com" /> In 1998, he was awarded the "Defender of Liberty" award by the Comic Book Legal Defense Fund.<ref>Template:Cite news</ref>

In March 1998, the National Women's Committee of Brandeis University honored him with their 1998 Words, Wit, Wisdom award.<ref name="SFWA Ellison">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Ellison was named 2002's winner of the Committee for the Scientific Investigation of Claims of the Paranormal's "Distinguished Skeptic Award", in recognition of his contributions to science and critical thinking. Ellison was presented with the award at the Skeptics Convention in Burbank, California, on June 22, 2002.<ref>"Ellison named Distinguished Skeptic" Comics Buyer's Guide #1478; March 15, 2002</ref>

In December 2009, Ellison was nominated for a Grammy Award in the category Best Spoken Word Album For Children for his reading of Through the Looking-Glass And What Alice Found There for Blackstone Audio, Inc.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Academy of Science Fiction, Fantasy, and Horror Films (USA)
  • Golden Scroll (Best Writing – Career 1976)<ref>{{#invoke:citation/CS1|citation

|CitationClass=web }}</ref>

American Mystery Award
  • "Soft Monkey" (best short story, 1988)<ref name="Awards he.com" />
Asimov's Science Fiction Magazine Reader's Poll
  • I, Robot screenplay (Special award, 1988)<ref name="SFAWD Ellison" />
Audie Awards

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Best American Short Stories
The Bradbury Award
Bram Stoker Award
  • The Essential Ellison (best collection, 1987)<ref name="SFAWD Ellison" />
  • Harlan Ellison's Watching (best non-fiction, 1989 – tie)<ref name="SFAWD Ellison" />
  • Mefisto in Onyx (best novella, 1993 – tie)<ref name="SFAWD Ellison" />
  • "Chatting With Anubis" (best short story, 1995)<ref name="SFAWD Ellison" />
  • Lifetime Achievement Award, 1995<ref>{{#invoke:citation/CS1|citation

|CitationClass=web }}</ref>

|CitationClass=web }}</ref><ref name=SFAwards-drama />

British Fantasy Award
British Science Fiction Award
Deathrealm Award
  • Chatting with Anubis (best short fiction, 1996)<ref name="Awards he.com" />
Edgar Allan Poe Award
  • "The Whimper of Whipped Dogs" (best short story, 1974)<ref name="Awards he.com" />
  • "Soft Monkey" (best short story, 1988)<ref name="Awards he.com" />
Georges Melies Fantasy Film Award
Hugo Award
International Horror Guild Award
  • 1994 Living Legend Award<ref name="Awards he.com" />
Jupiter Award (Instructors of Science Fiction in Higher Education)
  • "The Deathbird" (best short story, 1973)<ref name="Awards he.com" />
  • "Jeffty Is Five" (best short story, 1977)<ref name="Awards he.com" />
Locus Poll Award

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  • "Count the Clock that Tells the Time" (best short story, 1979)<ref name="SFAWD Ellison" />
  • "Djinn, No Chaser" (best novelette, 1983)<ref name="SFAWD Ellison" />
  • Sleepless Nights in the Procrustean Bed (introduction) (best related non-fiction, 1985)<ref>{{#invoke:citation/CS1|citation

|CitationClass=web }}</ref>

  • Medea: Harlan's World (best anthology, 1986)<ref name="SFAWD Ellison" />
  • Paladin of the Lost Hour (best novelette, 1986)<ref name="SFAWD Ellison" />
  • "With Virgil Oddum at the East Pole" (best short story, 1986)<ref name="SFAWD Ellison" />
  • Angry Candy (best collection, 1989)<ref name="SFAWD Ellison" />
  • The Function of Dream Sleep (best novelette, 1989)<ref name="SFAWD Ellison" />
  • "Eidolons" (best short story, 1989)<ref name="SFAWD Ellison" />
  • Mefisto in Onyx (best novella, 1994)<ref name="SFAWD Ellison" />
  • Slippage (best collection, 1998)<ref name="SFAWD Ellison" />
Nebula Award<ref name=SFAwards />
Prometheus Award
Writers Guild of America
  • Demon with a Glass Hand / The Outer Limits (Best Original Teleplay, 1965)<ref name="Awards he.com" />
  • The City on the Edge of Forever / Star Trek (Best Original Teleplay, 1967)<ref name="Awards he.com" />
  • Phoenix Without Ashes / The Starlost (Best Written Dramatic Episode, 1974)<ref name="Awards he.com" />
  • Paladin of the Lost Hour / The Twilight Zone (Best Anthology Episode/Single Program, 1987)<ref name="Awards he.com" />
Writers Guild of Canada

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World Fantasy Award
  • Angry Candy (Best Collection, 1989)<ref name="SFAWD Ellison" />
  • Lifetime Achievement Award, 1993<ref>{{#invoke:citation/CS1|citation

|CitationClass=web }}</ref>

J. Lloyd Eaton Lifetime Achievement Award in Science Fiction

Parodies and pastiches of EllisonEdit

In the 1970s, artist and cartoonist Gordon Carleton wrote and drew a scripted slideshow called "City on the Edge of Whatever", a spoof of "The City on the Edge of Forever". Occasionally performed at Star Trek conventions, it features an irate writer named "Arlan Hellison" who screams at his producers, "Art defilers! Script assassins!"<ref>Template:Cite book</ref>

Justice League of America #89 ("The Most Dangerous Dreams Of All") 1971, written by Mike Friedrich, is centered around a character named Harlequin Ellis. The character is smitten with Black Canary, and injects himself into Justice League adventures, taking on the role of different heroes in his attempts to woo her. Ellison himself had written several comic book scripts.

Ben Bova's novel The Starcrossed (1975), a roman à clef about Bova and Ellison's experience on The Starlost TV series,<ref>SF Encyclopedia entry Template:Webarchive about The Starlost</ref> features a character, "Ron Gabriel", who is a pastiche of Ellison. Bova's novel is dedicated to Ellison's pseudonym "Cordwainer Bird", who was credited as series creator on The Starlost per Ellison's demand. In the novel, "Ron Gabriel" requires the fictional series producers to credit him under the pseudonym "Victor Lawrence Talbot Frankenstein".<ref>Ben Bova, Laugh Lines Template:Webarchive (Template:ISBN) (collection containing The Starcrossed and some other works), p. 162.</ref>

In Murder at the ABA (1976) by Isaac Asimov, the protagonist, Darius Just, was based on Ellison, as stated by Asimov in footnotes to the book itself and in his autobiographical volume In Joy Still Felt.

Robert Silverberg named a character in his first novel, Revolt on Alpha C (1955), for Ellison, who was Silverberg's neighbor in New York City at the time he was writing the book. This was confirmed in a special edition on the occasion of Silverberg's 35th year in the business.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Sharyn McCrumb's mystery novel Bimbos of the Death Sun (1987) features a cantankerous antagonist-turned-murder victim based on Ellison.<ref>Template:Cite book</ref> Fans of Ellison sent him copies of the book, and upon their meeting later that year at the Edgar Awards, Ellison told McCrumb he had read the book and thought it was good.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Ellison is a recurring minor character in the animated television series Scooby-Doo! Mystery Incorporated (2010–2013), voicing a fictionalized version of himself modeled on his appearance in the 1970s.<ref>Template:Cite news</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Ellison appeared as himself in an episode of The Simpsons ("Married to the Blob", 2014)<ref>*Melrose, Kevin (January 9, 2014). "Watch Stan Lee & Harlan Ellison discuss their 'Simpsons' cameos" Template:Webarchive. CBR.com.

ReferencesEdit

Informational notesEdit

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CitationsEdit

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Further readingEdit

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External linksEdit

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