Template:Short description Template:Use mdy dates Template:Infobox writer

David Alan Mamet (Template:IPAc-en; born November 30, 1947) is an American playwright, author, and filmmaker.

He won a Pulitzer Prize and received Tony nominations for his plays Glengarry Glen Ross (1984) and Speed-the-Plow (1988). He first gained critical acclaim for a trio of 1970s off-Broadway plays: The Duck Variations, Sexual Perversity in Chicago, and American Buffalo.<ref name="filmmakers1">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> His plays Race and The Penitent, respectively, opened on Broadway in 2009 and previewed off-Broadway in 2017.

Feature films that Mamet both wrote and directed include House of Games (1987), Homicide (1991), The Spanish Prisoner (1997), and his biggest commercial success, Heist (2001). His screenwriting credits include The Postman Always Rings Twice (1981), The Verdict (1982), The Untouchables (1987), Hoffa (1992), Wag the Dog (1997), and Hannibal (2001). Mamet himself wrote the screenplay for the 1992 adaptation of Glengarry Glen Ross, and wrote and directed the 1994 adaptation of his play Oleanna (1992). He created and produced the CBS series The Unit (2006–2009).

Mamet's books include: On Directing Film (1991), a commentary and dialogue about film-making; The Old Religion (1997), a novel about the lynching of Leo Frank; Five Cities of Refuge: Weekly Reflections on Genesis, Exodus, Leviticus, Numbers and Deuteronomy (2004), a Torah commentary with Rabbi Lawrence Kushner; The Wicked Son (2006), a study of Jewish self-hatred and antisemitism; Bambi vs. Godzilla, a commentary on the movie business; The Secret Knowledge: On the Dismantling of American Culture (2011), a commentary on cultural and political issues; Three War Stories (2013), a trio of novellas about the physical and psychological effects of war; and Everywhere an Oink Oink: An Embittered, Dyspeptic, and Accurate Report of Forty Years in Hollywood (2023), an autobiographical account of his experiences in Hollywood.

Early life and educationEdit

Mamet was born in 1947 in Chicago to Lenore June (née Silver), a teacher, and Bernard Morris Mamet, a labor attorney. He is Jewish. His paternal grandparents were Polish Jews.<ref name=tt>Template:Cite news</ref> Mamet has said his parents were communists and described himself as a "red diaper baby".<ref name = Akbar>Template:Cite news</ref> One of his earliest jobs was as a busboy at Chicago's London House and The Second City. He also worked as an actor, editor for Oui magazine and as a cab-driver.<ref>Template:Cite news</ref> He was educated at the progressive Francis W. Parker School and at Goddard College in Plainfield, Vermont. At the Chicago Public Library Foundation 20th anniversary fundraiser in 2006, though, Mamet announced "My alma mater is the Chicago Public Library. I got what little educational foundation I got in the third-floor reading room, under the tutelage of a Coca-Cola sign".<ref>Template:Cite journal</ref>

After a move to Chicago's North Side, Mamet met theater director Robert Sickinger, and began to work occasionally at Sickinger's Hull House Theatre. Thus began Mamet's lifelong involvement with the theater.<ref name="Nadel2016">Template:Cite book</ref>

CareerEdit

TheaterEdit

Mamet is a founding member of the Atlantic Theater Company; he first gained acclaim for a trio of off-Broadway plays in 1976, The Duck Variations, Sexual Perversity in Chicago, and American Buffalo.<ref name="filmmakers1"/> He was awarded the Pulitzer Prize in 1984 for Glengarry Glen Ross, which received its first Broadway revival in the summer of 2005. His play Race, which opened on Broadway on December 6, 2009, and featured James Spader, David Alan Grier, Kerry Washington, and Richard Thomas in the cast, received mixed reviews.<ref>Template:Cite news</ref> His play The Anarchist, starring Patti LuPone and Debra Winger, in her Broadway debut, opened on Broadway on November 13, 2012, in previews and was scheduled to close on December 16, 2012.<ref>Hetrick, Adam."David Mamet's 'The Anarchist', With Patti LuPone and Debra Winger, Will End Broadway Run Dec. 16" Template:Webarchive playbill.com, December 4, 2012</ref> His 2017 play The Penitent previewed off-Broadway on February 8, 2017.

In 2002, Mamet was inducted into the American Theater Hall of Fame.<ref>Playbill.com Template:Webarchive</ref> Mamet later received the PEN/Laura Pels Theater Award for Grand Master of American Theater in 2010. In 2017, Mamet released an online class for writers entitled David Mamet teaches dramatic writing.<ref>Template:Cite news</ref>

In 2019 Mamet returned to the London West End with a new play, Bitter Wheat, at the Garrick Theatre, starring John Malkovich.<ref>Template:Cite news</ref> In 2023 it was announced that a new Mamet play, titled Henry Johnson, was expected to debut in Los Angeles starring Shia LaBeouf.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

FilmEdit

Mamet's first film work was as a screenwriter, later directing his own scripts. According to Joe Mantegna, Mamet worked as a script doctor for the 1978 film Towing.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Mamet's first produced screenplay was the 1981 production of The Postman Always Rings Twice, based on James M. Cain's novel. He received an Academy Award nomination one year later for the 1982 legal drama, The Verdict. He also wrote the screenplays for The Untouchables (1987), Hoffa (1992), The Edge (1997), Wag the Dog (1997), Ronin (1998), and Hannibal (2001). He received a second Academy Award nomination for Wag the Dog.

In 1987, Mamet made his film directing debut with his screenplay House of Games, which won Best Screenplay awards at the 1987 Venice Film Festival and the Film of the Year in 1989 from the London Film Critics' Circle Awards. The film starred his then-wife, Lindsay Crouse, and many longtime stage associates and friends, including fellow Goddard College graduates.<ref>Life magazine (Oct. 1987, V. 10 No. 11)</ref> Mamet was quoted as saying, "It was my first film as a director and I needed support, so I stacked the deck."Template:Citation needed<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> After House of Games, Mamet later wrote and directed two more films focusing on the world of con artists, The Spanish Prisoner (1997) and Heist (2001). Among those films, Heist enjoyed the biggest commercial success.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Other films that Mamet both wrote and directed include: Things Change (1988), Homicide (1991) (nominated for the Palme d'Or at 1991 Cannes Film Festival and won a "Screenwriter of the Year" award for Mamet from the London Film Critics' Circle Awards), Oleanna (1994), The Winslow Boy (1999), State and Main (2000), Spartan (2004), Redbelt (2008), and the 2013 bio-pic TV movie Phil Spector.

A feature-length film, a thriller titled Blackbird, was intended for release in 2015, but is still in development.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

When Mamet adapted his play for the 1992 film Glengarry Glen Ross, he wrote an additional part (including the monologue "Coffee's for closers") for Alec Baldwin.

Mamet continues to work with an informal repertory company for his films, including Crouse, William H. Macy, Joe Mantegna, and Rebecca Pidgeon, as well as the aforementioned school friends.

Mamet rewrote the script for Ronin under the pseudonym "Richard Weisz" and turned in an early version of a script for Malcolm X which was rejected by director Spike Lee.<ref name="MalcolmX">Template:Cite magazine</ref> Mamet also wrote an unproduced biopic script about Roscoe Arbuckle with Chris Farley intended to portray him.<ref name="Fatty">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In 2000, Mamet directed a film version of Catastrophe, a one-act play by Samuel Beckett featuring Harold Pinter and John Gielgud (in his final screen performance). In 2008, he wrote and directed the mixed martial arts movie Redbelt, about a martial arts instructor tricked into fighting in a professional bout.

In On Directing Film, Mamet advocates for a method of storytelling based on Eisenstein's montage theory, stating that the story should be told through the juxtaposition of uninflected images. This method relies heavily on the cut between scenes, and Mamet urges directors to eliminate as much narration as possible. Mamet asserts that directors should focus on getting the point of a scene across, rather than simply following a protagonist, or adding visually beautiful or intriguing shots. Films should create order from disorder in search of the objective.

In 2023, reports emerged that Mamet would direct and co-write a new film titled Assassination, his first film since 2008. The film will center around the Chicago Mob ordering the assassination of John F. Kennedy, and will star Viggo Mortensen, Shia LaBeouf, Courtney Love, Al Pacino, and John Travolta. The film's production was scheduled to start in September 2023.<ref name="Assassination">Template:Cite news</ref> In October, Barry Levinson took over as the film's director, while Mamet remained as the screenwriter.<ref name="Assass2">Template:Cite news</ref>

In March 2024, Mamet stated that he is currently writing a screenplay centering about Hunter Biden, the second son of U.S. President Joe Biden.<ref>Template:Cite news</ref> In June, Deadline reported that the film, titled The Prince, will directed by Cameron Van Hoy and star Scott Haze as the lead character Parker; alongside Nicolas Cage, J.K. Simmons, Giancarlo Esposito, and Andy Garcia. Mamet added that the film won't be "a travelogue", and will be inspired by Hunter's life, rather than serve as a biopic.<ref>Template:Cite news</ref>

BooksEdit

Mamet published the essay collection Writing in Restaurants in 1986, followed by the poetry collection The Hero Pony in 1990. He has also published a series of short plays, monologues and four novels, The Village (1994), The Old Religion (1997), Wilson: A Consideration of the Sources (2000), and Chicago (2018). He has written several non-fiction texts, and children's stories, including True and False: Heresy and Common Sense for the Actor (1997). In 2004 he published a lauded version of the classical Faust story, Faustus, however, when the play was staged in San Francisco during the spring of 2004, it was not well received by critics.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> On May 1, 2010, Mamet released a graphic novel The Trials of Roderick Spode (The Human Ant).

Mamet detailed his conversion from modern liberalism to "a reformed liberal" in The Secret Knowledge: On the Dismantling of American Culture in 2011.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Mamet published Three War Stories, a collection of novellas, in 2013 ; the novel The Diary of a Porn Star by Priscilla Wriston-Ranger: As Told to David Mamet With an Afterword by Mr. Mamet in 2019;<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and the political commentary Recessional: The Death of Free Speech and the Cost of a Free Lunch in 2022. In 2023 Mamet recounted his experiences in Hollywood and the movie-making industry in Everywhere an Oink Oink: An Embittered, Dyspeptic, and Accurate Report of Forty Years in Hollywood.<ref>Template:Cite book</ref>

Television and radioEdit

Mamet wrote one episode of Hill Street Blues, "A Wasted Weekend", that aired in 1987. His then-wife, Lindsay Crouse, appeared in numerous episodes (including that one) as Officer McBride. Mamet is also the creator, producer and frequent writer of the television series The Unit, where he wrote a well-circulated memo to the writing staff. He directed a third-season episode of The Shield with Shawn Ryan. In 2007, Mamet directed two television commercials for Ford Motor Company. The two 30-second ads featured the Ford Edge and were filmed in Mamet's signature style of fast-paced dialogue and clear, simple imagery. Mamet's sister, Lynn, is a producer and writer for television shows, such as The Unit and Law & Order.

Mamet has contributed several dramas to BBC Radio through Jarvis & Ayres Productions, including an adaptation of Glengarry Glen Ross for BBC Radio 3 and new dramas for BBC Radio 4. The comedy Keep Your Pantheon (or On the Whole I'd Rather Be in Mesopotamia) was aired in 2007. The Christopher Boy's Communion was another Jarvis & Ayres production, first broadcast on BBC Radio 4 on March 8, 2021.

Style and receptionEdit

Mamet speakEdit

Mamet's style of writing dialogue, marked by a cynical, street-smart edge, has come to be called Mamet speak.<ref>A Companion to Twentieth-century American Drama, David Krasner, Blackwell Publishing, 2005, p. 410</ref> Mamet himself has criticized his (and other writers') tendency to write "pretty" at the expense of sound, logical plots.<ref>Template:Cite book</ref> When asked how he developed his style for writing dialogue, Mamet said, "In my family, in the days prior to television, we liked to while away the evenings by making ourselves miserable, based solely on our ability to speak the language viciously. That's probably where my ability was honed."<ref>Template:Cite book</ref>

Gender issuesEdit

Mamet's plays have frequently sparked debate and controversy.<ref name="TG">Template:Cite news</ref> Following a 1992 staging of Oleanna, a play in which a college student accuses her professor of trying to rape her,<ref name="Chiaramonte">Template:Cite journal</ref> a critic reported that the play divided the audience by gender and recounted that "couples emerged screaming at each other".<ref name="TG" />

In his 2014 book David Mamet and Male Friendship, Arthur Holmberg examined Mamet's portrayal of male friendships, especially focusing on the contradictions and ambiguities of male bonding as dramatized in Mamet's plays and films.<ref>Holmberg, Arthur (2014). David Mamet and Male Friendship, 276 pages, Palgrave Macmillan, Template:ISBN.</ref>

ArchivesEdit

The papers of David Mamet were sold to the Harry Ransom Center at the University of Texas at Austin in 2007 and first opened for research in 2009.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The growing collection consists mainly of manuscripts and related production materials for most of his plays, films, and other writings, but also includes his personal journals from 1966 to 2005. In 2015, the Ransom Center secured a second major addition to Mamet's papers, including more recent works. Additional materials relating to Mamet and his career can be found in the Ransom Center's collections of Robert De Niro, Mel Gussow, Tom Stoppard, Sam Shepard, Paul Schrader, Don DeLillo, and John Russell Brown.

Personal lifeEdit

Mamet and actress Lindsay Crouse married in 1977 and divorced in 1990. The couple have two children. Mamet has been married to actress and singer-songwriter Rebecca Pidgeon since 1991, and they have two children. Mamet and Pidgeon live in Santa Monica, California.<ref name=tt/><ref name = Akbar/>

Mamet is a Reform Jew and strongly pro-Israel.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Political viewsEdit

In 2005, Mamet became a contributing blogger for The Huffington Post, drawing satirical cartoons with themes including political strife in Israel.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In a 2008 essay at The Village Voice titled "Why I Am No Longer a 'Brain-Dead LiberalTemplate:' "<ref>Template:Cite news</ref> he discussed how his political views had shifted from liberalism to conservatism. In interviews, Mamet has highlighted his agreement with free market theorists such as Friedrich Hayek,<ref>"David Mamet," Freedom Watch with Judge Andrew Napolitano, Fox Business Network, June 8, 2011.</ref> the historian Paul Johnson, and economist Thomas Sowell, whom Mamet called "one of our greatest minds". In 2022, Mamet declined to explicitly label himself a Republican, but described himself as a conservative who "would like to conserve those things I grew up with: the love of family, the love of the country, love of service, love of God, love of community".<ref name = Akbar/>

During promotion of a book, Mamet said British people had "a taint of anti-semitism," claiming they "want to give [Israel] away to some people whose claim is rather dubious."<ref name="Gapper">Template:Cite news</ref> In the same interview, Mamet went on to say that "there are famous dramatists and novelists [in the UK] whose works are full of anti-Semitic filth." He refused to give examples because of British libel laws (the interview was conducted in New York City for the Financial Times).<ref name="Gapper"/><ref>Template:Cite news</ref> He is known for his pro-Israel positions; in his book The Secret Knowledge he claimed that "Israelis would like to live in peace within their borders; the Arabs would like to kill them all."<ref>Template:Cite news</ref>

Mamet endorsed Republican Mitt Romney for president in 2012, and wrote an article for The Jewish Journal of Greater Los Angeles imploring fellow Jewish Americans to vote for Romney.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

In an essay for Newsweek, published on January 29, 2013, Mamet argued against gun control laws: "It was intended to guard us against this inevitable decay of government that the Constitution was written. Its purpose was and is not to enthrone a Government superior to an imperfect and confused electorate, but to protect us from such a government."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Mamet has described the NFL anthem protests as "absolutely fucking despicable".<ref name=tt/> In a 2020 interview, he described Donald Trump as a "great president" and supported his re-election.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> After Trump lost the election, Mamet appeared to endorse claims that the election had been illegitimate in his 2022 book Recessional: The Death of Free Speech and the Cost of a Free Lunch, though shortly after its publication, he said he "misspoke" on the subject.<ref name = Evans>Template:Cite news</ref>

In 2022, Mamet made comments in support of Florida's Parental Rights in Education Act, called the "Don't Say Gay" bill by its critics,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> which restricts what public school teachers in Florida can discuss with children in kindergarten through third grade about sexual orientation and gender identity. In an interview with Fox News, Mamet claimed that the law was necessary because teachers "are abusing [children] mentally and using sex to do so", further alleging that "teachers are inclined, particularly men because men are predators, to pedophilia".<ref name = Evans/><ref>Template:Cite magazine</ref>

WorksEdit

TheatreEdit

Template:Div col

|CitationClass=web }}</ref> (2020)

  • Henry Johnson (2023)

Template:Div col end

FilmEdit

Year Title Director Writer Notes
1981 The Postman Always Rings Twice Template:No Template:Yes
1982 The Verdict Template:No Template:Yes
1987 The Untouchables Template:No Template:Yes
House of Games Template:Yes Template:Yes
1988 Things Change Template:Yes Template:Yes
1989 We're No Angels Template:No Template:Yes
1991 Homicide Template:Yes Template:Yes
1992 Glengarry Glen Ross Template:No Template:Yes Also based on his play
Hoffa Template:No Template:Yes Also associate producer
1994 Oleanna Template:Yes Template:Yes Also based on his play
1996 American Buffalo Template:No Template:Yes
1997 The Spanish Prisoner Template:Yes Template:Yes
The Edge Template:No Template:Yes
Wag the Dog Template:No Template:Yes
1998 Ronin Template:No Template:Yes Credited as "Richard Weisz"
1999 The Winslow Boy Template:Yes Template:Yes
2000 Lakeboat Template:No Template:Yes Also based on his play
State and Main Template:Yes Template:Yes
2001 Hannibal Template:No Template:Yes
Heist Template:Yes Template:Yes
2004 Spartan Template:Yes Template:Yes
2005 Edmond Template:No Template:Yes Also based on his play
2008 Redbelt Template:Yes Template:Yes
2023 The Penitent Template:No Template:Yes Also based on his play
2025 Henry Johnson<ref>{{#invoke:citation/CS1|citation CitationClass=web

}}</ref><ref>{{#invoke:citation/CS1|citation

CitationClass=web

}}</ref>

Template:Yes Template:Yes
Template:TBA The Prince<ref>{{#invoke:citation/CS1|citation CitationClass=web

}}</ref>

Template:No Template:Yes Post-production

Short film

Year Title Director Writer
2000 Catastrophe Template:Yes Template:No
2010 Lost Masterpieces of Pornography Template:Yes Template:Yes
Inside the Actor's Workshop Template:Yes Template:Yes
The Marquee Template:Yes Template:Yes
Our Valley Template:Yes Template:Yes
Two Painters Template:Yes Template:Yes

TelevisionEdit

Year Title Director Writer Executive
Producer
Notes
1987 Hill Street Blues Template:No Template:Yes Template:No TV Series
Episode "A Wasted Weekend"
1992 The Water Engine Template:No Template:Yes Template:No TV Movie
Also based on his play
1993 A Life in the Theatre Template:No Template:Yes Template:Yes
1994 Texan Template:No Template:Yes Template:No TV Movie
1996 Ricky Jay and His 52 Assistants Template:Yes Template:No Template:No TV Special
1999 Lansky Template:No Template:Yes Template:Yes TV Movie
2004 The Shield Template:Yes Template:No Template:No TV Series
Episode "Strays"
2006-2009 The Unit Template:Yes Template:Yes Template:Yes TV Series; also creator
Directed 4 episodes and wrote 11 episodes
2013 Phil Spector Template:Yes Template:Yes Template:Yes TV Movie

Acting roles

Year Title Role Notes
1987 Black Widow Herb Theatrical feature film
1992 The Water Engine Brown Haired Man TV Movie
1996 Dr. Katz, Professional Therapist Himself (voice) TV animated series
Episode: "New Telephone System"
2011 The Simpsons TV animated series
Episode: "Homer the Father"
2023 Beau is Afraid Rabbi (voice) Theatrical feature film

Awards and nominationsEdit

Association Year Category Project Result Ref.
Theater Awards
Drama Desk Awards 1977 Outstanding Play American Buffalo Template:Nom
1978 The Water Engine Template:Nom
check|unknown=|preview=Page using Template:Center with unknown parameter "_VALUE_"|ignoreblank=y| 1 | style }} Edmond Template:Nom
1984 Glengarry Glen Ross Template:Nom
1988 Speed-the-Plow Template:Nom
1993 Oleanna Template:Nom
1995 The Cryptogram Template:Nom
New York Drama Critics' Circle 1977 Best American Play American Buffalo Template:Won
1984 Glengarry Glen Ross Template:Won
Pulitzer Prize 1984 Drama Glengarry Glen Ross Template:Win
1995 The Cryptogram Template:Nom
Tony Awards 1984 Best Play Glengarry Glen Ross Template:Nom
1988 Speed-the-Plow Template:Nom
Film and Television Awards
Academy Awards 1982 Best Adapted Screenplay The Verdict Template:Nom citation CitationClass=web

}}</ref>

1997 Wag the Dog Template:Nom citation CitationClass=web

}}</ref>

British Academy Film Awards 1998 Best Adapted Screenplay Wag the Dog Template:Nom citation CitationClass=web

}}</ref>

Golden Globe Awards 1983 Best Screenplay The Verdict Template:Nom citation CitationClass=web

}}</ref>

1987 House of Games Template:Nom <ref name="globes" />
1997 Wag the Dog Template:Nom <ref name="globes" />
Primetime Emmy Awards 2013 Outstanding Miniseries or Movie Phil Spector Template:Nom <ref>{{#invoke:citation/CS1|citation CitationClass=web

}}</ref>

Outstanding Directing for a Limited Series or Movie Template:Nom
Outstanding Writing for a Limited Series or Movie Template:Nom

BibliographyEdit

  • Writing in Restaurants (1987)
  • Some Freaks (1989)
  • On Directing Film (1991)
  • The Cabin: Reminiscence and Diversions (1992)
  • The Village (1994)
  • A Whore's Profession (1994)
  • Make-Believe Town: Essays and Remembrances (1996)
  • The Old Religion (1997)
  • Three Uses of the Knife (1998)
  • True and False: Heresy and Common Sense for the Actor (1999)
  • The Chinaman (1999)
  • Jafsie and John Henry: Essays (1999)
  • Wilson: A Consideration of the Sources (2000)
  • South of the Northeast Kingdom (2002)
  • Five Cities of Refuge: Weekly Reflections on Genesis, Exodus, Leviticus, Numbers, and Deuteronomy (with Lawrence Kushner) (2003)
  • The Wicked Son: Anti-Semitism, Self-hatred, and the Jews (2006)
  • Bambi Vs. Godzilla: On the Nature, Purpose, and Practice of the Movie Business (2007)
  • Theatre (2010)
  • The Trials of Roderick Spode (The Human Ant) (2010)
  • The Secret Knowledge: On the Dismantling of American Culture (2011)
  • Three War Stories (2013)
  • Chicago (2018)
  • The Diary of a Porn Star by Priscilla Wriston-Ranger: As Told to David Mamet With an Afterword by Mr. Mamet (2019)
  • Recessional: The Death of Free Speech and the Cost of a Free Lunch<ref>{{#invoke:citation/CS1|citation

|CitationClass=web }}</ref> (2022)

  • Everywhere an Oink Oink: An Embittered, Dyspeptic, and Accurate Report of Forty Years in Hollywood (2023)

Unrealized projectsEdit

|CitationClass=web }}</ref>

|CitationClass=web }}</ref>

|CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

|CitationClass=web }}</ref>

  • The Prince of Providence (2004) – Based on the novel, for Michael Corrente to direct<ref>{{#invoke:citation/CS1|citation

|CitationClass=web }}</ref>

|CitationClass=web }}</ref>

  • Come Back to Sorrento (2009) – Based on the novel, for Michael Worth to direct<ref>{{#invoke:citation/CS1|citation

|CitationClass=web }}</ref>

|CitationClass=web }}</ref>

  • Speed-the-Plow film (2016) – Writer/director<ref>{{#invoke:citation/CS1|citation

|CitationClass=web }}</ref>

  • The Force (2017) – Based on the novel, for James Mangold to direct<ref>Template:Cite news</ref>
  • Assassination (2023) – Writer/director<ref name="Assassination"/><ref name="Assass2"/>

ReferencesEdit

Template:Reflist

Further readingEdit

  • Template:Cite interview
  • Radavich, David. "Man among Men: David Mamet's Homosocial Order". American Drama 1:1 (Fall 1991): 46–60.
  • Radavich, David. "Rabe, Mamet, Shepard, and Wilson: Mid-American Male Dramatists of the 1970s and '80s". The Midwest Quarterly XLVIII: 3 (Spring 2007): 342–58.

External linksEdit

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