Directors Guild of America
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The Directors Guild of America (DGA) is an entertainment guild that represents the interests of film and television directors in the United States motion picture industry and abroad. Founded as the Screen Directors Guild in 1936, the group merged with the Radio and Television Directors Guild in 1960 to become the modern Directors Guild of America.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
DGA AwardsEdit
{{#invoke:Labelled list hatnote|labelledList|Main article|Main articles|Main page|Main pages}} The DGA hosts the annual DGA Awards, an important precursor to the Academy Awards.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In its 69-year history, the DGA Award for Outstanding Directorial Achievement in Feature Film has been a near perfect barometer for both the Best Director, and in some cases, the Best Picture Academy Award. Only seven times has the DGA Award winner not won the corresponding Best Director Academy Award.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Honorees are awarded with a statue manufactured by Society Awards.
CreditsEdit
The rule that a film can only have one single director was adopted to preserve the continuity of a director's vision and to avoid producers and actors lobbying for a director's credit, or studios hiring multiple directors for a single film or television episode.
The rule is waived only for directorial teams recognized by the DGA who have a history of working together and sharing a common vision. Examples include The Wachowskis, Jonathan Dayton and Valerie Faris, Hughes brothers, Russo brothers, Phil Lord and Christopher Miller and the Coen brothers.<ref name=slate/> The Coens for years divided credit, with Ethan taking producing credit, Joel taking directing credit, and both of them sharing the writing credit (even though the two of them shared all three duties between themselves) until The Ladykillers in 2004.
An example of the DGA refusing to recognize a directorial team was Robert Rodriguez and Frank Miller for Sin City; they were rejected because they had never worked together before; Rodriguez quit the DGA so that Miller would share director's credit.<ref name=slate/>
For the film Bohemian Rhapsody, director Bryan Singer was fired due to frequent absences and clashing on the set, with Dexter Fletcher replacing him with two weeks left of filming. Singer still received director credit and Fletcher received executive producer credit.
In the past, the DGA has also engaged in disputes with the Writers Guild of America (WGA) over possessory credits, first used in the 1915 film The Birth of a Nation. The WGA tried to limit possessory credits to writers, but has always been successfully opposed by the DGA, leaving directors free to try to negotiate such credits if they wish.<ref name="Possessory Credit Timeline">Directors Guild of America Magazine, Possessory Credit Timeline Template:Webarchive, 28(6), February 2004</ref>
Non-member directorsEdit
Not all Hollywood directors are DGA members. Notable exceptions include George Lucas and Robert Rodriguez.<ref name=slate /> Quentin Tarantino directed six feature films before becoming a DGA member, in 2012.<ref>"Membership Report - West Coast Additions" Template:Webarchive DGA Monthly Magazine, January 2012</ref> Those who are not members of the guild are unable to direct for the larger movie studios, which are signatories to the guild's agreements that all directors must be guild members.<ref name="slate">Template:Cite news</ref>
LeadershipEdit
The following are the past Presidents of the Screen Directors Guild and the DGA:Template:Citation needed Template:Div col
- 1936–1938 King Vidor
- 1938–1941 Frank Capra
- 1941–1943 George Stevens
- 1943–1944 Mark Sandrich
- 1944–1946 John Cromwell
- 1946–1948 George Stevens
- 1948–1950 George Marshall
- 1950–1951 Joseph L. Mankiewicz
- 1951–1959 George Sidney
- 1959–1961 Frank Capra
- 1961–1967 George Sidney
- 1967–1971 Delbert Mann
- 1971–1975 Robert Wise
- 1975–1979 Robert Aldrich
- 1979–1981 George Schaefer
- 1981–1983 Jud Taylor
- 1983–1987 Gilbert Cates
- 1987–1989 Franklin J. Schaffner
- 1989–1993 Arthur Hiller
- 1993–1997 Gene Reynolds
- 1997–2002 Jack Shea
- 2002–2003 Martha Coolidge – first female president
- 2003–2009 Michael Apted
- 2009–2013 Taylor Hackford
- 2013–2017 Paris Barclay – first black and first openly gay president<ref>Template:Cite news</ref>
- 2017–2021 Thomas Schlamme<ref>Template:Cite news</ref>
- 2021–present Lesli Linka Glatter<ref>Template:Cite news</ref>
DGA Director's Finder SeriesEdit
The Director's Finder Series (or Director's Finder Screening Series), inaugurated in December 1998, provides for the screening of independent films with no U.S. distributor, and no previous TV or other distribution. Selected by a lottery, the films are screened in DGA theatres in Los Angeles and New York City to an audience of DGA members and invited potential distributors. Many films have been picked up by distributors via the series that may not otherwise have been spotted.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }} PDF Template:Webarchive</ref> The series was initiated by the DGA's Independent Directors' Committee, chaired by Steven Soderbergh, initially for U.S. films only, but later expanded to include Australian, Irish, British and New Zealand directors, via the International Association of English-Speaking Directors Organisation (IAESDO). By 2007, the series had screened more than 75 films.<ref name=garrett/> The DGA has collaborated with organisations such as the Screen Directors Guild of Ireland (SDGI)<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and the Australian Directors' Guild (ADG), which nominate one film to participate.<ref name=garrett>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
Australian entries, selected for the Finders Series Award by the ADG from a shortlist of four,<ref name=garrett/> include Boxing Day (2007), directed by Kriv Stenders; and after a five-year lapse,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Tony Krawitz's documentary The Tall Man (2012),<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and in 2014 Catriona McKenzie's Satellite Boy was selected for the series.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
Irish entries include Terry McMahon's Patrick's Day (2014)<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and Ross Whitaker's Katie (2018).<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
See alsoEdit
ReferencesEdit
External linksEdit
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