Discworld (video game)
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| label2 = Developer(s) | data2 = Template:Ubl
| label3 = Publisher(s) | data3 = Psygnosis
| label4 = Director(s) | data4 = Gregg Barnett
| label5 = Producer(s) | data5 = Angela Sutherland
| label6 = Designer(s) | data6 = Template:Ubl
| label7 = Programmer(s) | data7 = Template:Ubl
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| label13 = Platform(s) | data13 = MS-DOS, Mac OS, PlayStation, Sega Saturn
| label14 = Release | data14 = MS-DOSTemplate:Video game releaseMac OSTemplate:Video game releasePlayStationTemplate:Video game releaseSega SaturnTemplate:Video game release
| label15 = Genre(s) | data15 = Adventure
| label16 = Mode(s) | data16 = Single-player
| label17 = Arcade system | data17 = Template:If first display both
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Discworld is a point-and-click adventure game developed by Teeny Weeny Games and Perfect 10 Productions and published by Psygnosis. It is based on Terry Pratchett's novels of the same name. Players assume the role of Rincewind the "wizzard", voiced by Eric Idle, as he becomes involved in exploring the Discworld for the means to prevent a dragon terrorising the city of Ankh-Morpork. The game's story borrows elements from several Discworld novels, with its central plot loosely based on the events in Guards! Guards!
Pratchett was originally reluctant to grant a licence for a game based on his novels, after the commercial failure of a video game adaptation of The Colour of Magic in 1986. Gregg Barnett, the game's designer, managed to persuade the writer through offering, alongside an initial design concept, to faithfully recreate elements from the novels. As part of his desire for a large adventure for CD-based computer systems and opening up a new potential market for similar video games, he convinced Pratchett to create an original story that would offer a game based on the entire series rather than an adaptation of one book. Development included incorporating a British cast of comedians to voice several of the game's characters.
The game was originally released in 1995 for MS-DOS, Macintosh and PlayStation, with a Sega Saturn version released the following year. Discworld proved more popular with European gamers than those in North America, with reviewers praising it for its humour, voice-acting and graphics, but criticising its gameplay and difficult puzzles. A sequel, Discworld II: Missing Presumed...!?, was released in 1996.
GameplayEdit
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Discworld is a third-person point-and-click graphic adventure game.<ref name="ACG">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name="Adventure Gamers">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In each location in the game, players can examine and interact with people and objects,<ref name="Adventure Gamers" /> picking up and using items to acquire other objects or solve puzzles to remove obstacles. Conversations focus on Rincewind using one of four topics with characters: Greet; Sarcastic or Joking; Question; and Vent Anger.<ref name=Man11 /> Additional topics may sometimes appear related to a subject that Rincewind learns during the course of the game, with the character interacting with a variety of people during the game, including the Archchancellor, Dibbler, the Librarian, and Death.<ref name=Classic>Template:Cite magazine</ref>
Items found in the game can be stored in one of two inventories: Rincewind's pockets, which can store only four items at any one time; or in the Luggage.<ref name="ACG" /> To progress the story, which is divided into four acts, Rincewind must find key items needed to advance, requiring visiting a multitude of locations;<ref name="IGN Review">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name=Man11>Template:Cite book</ref> some around Ankh-Morpork, and other outside the city and around the Discworld, all of which are accessed via an overworld map for each region whenever the player leaves a location to visit another (some become accessible when players learn of them).<ref name="Adventure Gamers" /><ref name=Map>Template:Cite map</ref>
The PlayStation version is compatible with the PlayStation Mouse, as well as the standard PlayStation controller.<ref name="EW Review">Template:Cite magazine</ref> The Japanese Sega Saturn version is also compatible with the Shuttle Mouse.
PlotEdit
A secret brotherhood summons a dragon from its native dimension, so as to cause destruction and mayhem across the city of Ankh-Morpork.<ref>Template:Cite video game</ref> Rumours of the dragon's rampage across the city reaches Unseen University. Since the Archchancellor wishes the involvement of at least one wizard in the matter, Rincewind is summoned to handle the problem. After acquiring a book to learn what is needed to track the dragon to its lair, Rincewind searches the city for the various components needed to assemble a dragon detector and brings them back to the Archchancellor. After the Archchancellor lets slip that the dragon's lair is stocked with gold, Rincewind snatches the dragon detector from him, searches the city, finds the lair, and takes all the gold within it. Just before he leaves, the dragon stops him and requests his aid in removing the brotherhood's hold upon her, claiming they are using her for evil and are planning to make her go on a major rampage.<ref>Template:Cite book</ref>
To do this, Rincewind is told to discover who they are, and recover a golden item from each, since these items are what they use to control the dragon.<ref>Template:Cite book</ref> Learning that a book about summoning dragons had been stolen from the library at Unseen University the night before, Rincewind gains access to L-Space, allowing him to journey into the past, witness the theft, and follow the thief back to the brotherhood's hideout. After gaining entry in disguise, Rincewind learns that each member holds a role in the city – Chucky the Fool, the Thief, the Mason, the Chimney Sweep, the Fishmonger, and the Dunny King – and seeks to change the city so they can have a better future for themselves. Acquiring their golden items, Rincewind brings them to the dragon, only to learn it will not return to its dimension but seek revenge on the brotherhood before coming after him. Wishing to stop this, Rincewind decides to prevent the summoning book from being stolen, by switching it for one that makes love custard. In his efforts to be recognised for stopping the dragon, Rincewind gets into an argument with the Patrician over the existence of dragons, summoning the very same one back to Discworld. An annoyed Patrician tasks Rincewind to deal with it.<ref>Template:Cite book</ref>
Learning that a hero with a million-to-one chance can stop it, Rincewind searches for the right components to be that hero, journeying across the city, the Disc, and even over the edge, to find the necessary items, including a sword that goes "ting", a birthmark, and a magic spell. With the components acquired, he returns to the city's square, where Lady Ramkin, the owner of a local dragon sanctuary, is tied to a rock to be sacrificed to the dragon. Despite having what is needed to combat the dragon, Rincewind fails to stop it, and so seeks out an alternative method.<ref>Template:Cite book</ref> Taking a swamp dragon called Mambo the 16th, and feeding him hot coals and a lit firecracker, Rincewind tries again, but Mambo stops working when he becomes infatuated with the dragon. Rincewind then throws a love custard tart at the dragon. The dragon falls in love with Mambo, and the two fly off to perform mating dances. Rincewind heads to the pub for a pint to celebrate the end of his adventure.<ref>Template:Cite book</ref>
DevelopmentEdit
Terry Pratchett was pleased with the 1986 interactive fiction game The Colour of Magic, but criticised its poor marketing.<ref name="pc-gamer-1993" /> He was reluctant to grant Discworld licences due to concern for the series, and wanted a reputable company who cared about the property.<ref name=History /><ref name="pc-gamer-1993" /> Other video game companies had previously approached Pratchett seeking a licence.<ref name=History>Template:Cite magazine</ref> One such company was AdventureSoft, and their failure to obtain a Discworld licence led to the creation of Simon the Sorcerer,<ref name=BTSSS /><ref>Template:Cite interview</ref> which took inspiration from the Discworld series of books.<ref name=BTSSS>Template:Cite magazine</ref><ref>Template:Cite magazine</ref>
When the creative director and designer Gregg Barnett sought out the Discworld licence, he intended to show Pratchett that he cared about Discworld, rather than seeking money (Barnett stated in an interview that Pratchett was more invested in how the intellectual property would be treated than money<ref name=ArtInterview>Template:Cite interview</ref>). During negotiations, he offered to design the game before signing a deal. He did so, and Pratchett agreed. Gregg stated that the design showed respect for Discworld, and that was what persuaded Pratchett.<ref name=History /> This took roughly six months, and Pratchett was impressed with a demonstration of Rincewind using a broom to get the Luggage off the top of a wardrobe.<ref name="pc-gamer-1993">Template:Cite magazine</ref> Perfect 10 Productions developed an engine, which was developed in a separate location to "keep the code clean". The dialogue was refined by Pratchett. The character design was based on Barnett giving his interpretation of characters to a character designer who had worked for Disney. He stated that they "went a bit slapstick on it".<ref name=History /> The backdrops were painted manually and digitised.<ref name=Blueprint>Template:Cite magazine</ref>
Pratchett originally wanted the game to be based on The Colour of Magic and for the team to work in succession through the series, but Barnett believed that would be detrimental, and thought that it was difficult to make a game based on just one book (he also said in an interview that he was more interested in the Discworld itself than any particular book, and that this was so the story would not be restricted to a narrative thereof<ref name=ArtInterview />). He explained that they wanted to license all of Discworld. An original story was made, taking elements from various Discworld books, particularly The Colour of Magic and Guards! Guards!. Barnett stated that the team had "effectively written a complete film script for the game". The game introduced a new character: a practising psychiatrist (known as the psychatrickerist<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>). Pratchett initially objected to this, but later added his input, and the character became a retro-phrenologist. Barnett stated that he wanted to create Discworld as a flagship game for CD-based systems, and thought the Discworld licence was "100% suited".<ref name="pc-gamer-1993" />
Barnett stated that he wanted to improve the British comedy by hiring voice actors with "British talent". John Cleese was his first choice for Rincewind, but he rejected the offer saying that he did not do games. Pratchett wanted Nicholas Lyndhurst for Rincewind because he was physically based on his Only Fools and Horses character. Eric Idle was cast as Rincewind, who was tweaked to make him more like Idle from Monty Python. Other voice actors include Tony Robinson, Kate Robbins (who voiced every female character), Rob Brydon, and Jon Pertwee. Barnett wanted Christopher Lee as Death, but was unable to afford him. Brydon had already been recorded when he offered to voice Death.<ref name=History /> Barnett initially believed that Rowan Atkinson "would make a great Death".<ref name="pc-gamer-1993" /> According to Barnett, they were all "friendly, professional, and funny", and Idle was recorded during day-long sessions in Los Angeles.<ref name=ArtInterview />
The concept art and background layouts were produced by Nick Martinelli, who, according to Barnett, was "an excellent art director from the animation industry".<ref name=ArtInterview /> These were illustrated and coloured by a professional team.<ref name=ArtInterview /> Barnett stated that he was "intimately involved" with the graphics in the concept stages and initial production, but later stepped back.<ref name=ArtInterview />
The game was originally due to be published by Sierra On-line. Their engine was obtained and worked on, but due to costs for another project, they cancelled all external development. An advert in Computer Trade Weekly attracted interest from companies such as Electronic Arts and Psygnosis. The latter approached Perfect 10 Productions and would not leave until a deal was signed. Psygnosis had offered Pratchett "a big cheque", which he refused.<ref name=History /> DiscworldTemplate:'s engine was rewritten from scratch afterwards.<ref name=ArtInterview />
The game was officially announced by September 1993 and slated for a Christmas release the following year.<ref>Template:Cite magazine</ref> It was released in 1995 for the PC, PlayStation, and Macintosh.<ref name=Classic /><ref name=EGM76 /><ref name=G4Rev /> The Saturn version was released in Europe on 15 August 1996,<ref>Template:Cite magazine</ref> and in Japan on 13 December 1996.<ref name=SSMJPRev />
The game was released on both floppy disk and CD-ROM, with the CD version featuring a fully voiced cast of characters.<ref name=ACGRev /> For the Japanese PlayStation and Saturn releases, all voice acting was redone by Japanese comedian Junji Takada, a major selling point for the game in Japan.<ref>Template:Cite magazine</ref> A port had been under way for the Philips CD-i in 1996, and had entered its final stages of development,<ref>Template:Cite magazine</ref> but was never released.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> A 3DO Interactive Multiplayer version was announced to be in development and slated to be published by Psygnosis during E3 1995, however this port was never released for unknown reasons.<ref>Template:Cite magazine</ref> In an April 2020 online interview, former Perfect 10 Productions/Teeny Weeny Games member David Swan stated that Atari Corporation approached the company in regards to a potential conversion of Discworld for the Atari Jaguar CD, however no actual development started on the port beyond discussion phase due to market issues and low install base of the platform.<ref name="AA">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> A Sega CD release was also advertised but never published for unknown reasons as well.<ref name="AA"/><ref>Template:Cite magazine</ref>
ReceptionEdit
Discworld was a "massive hit" in Europe and the United Kingdom, according to director Gregg Barnett. However, the game was less successful in the United States.<ref name=sales>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> It received generally positive reviews. The humour and graphics in particular were widely praised, but some thought that the difficulty was too harsh. It tied for third place in Computer Game ReviewTemplate:'s 1995 "Adventure Game of the Year" award category. The editors noted its "good voice work" and "very nice animation", and praised its humour.<ref name=cgr1995>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In 1996, GamesMaster ranked Discworld 78th on their "Top 100 Games of All Time."<ref>Template:Cite journal</ref> In 1998, Saturn Power listed the game 91st in its Top 100 Sega Saturn Games.<ref>Template:Cite journal</ref>
Entertainment Weekly praised the voice-acting of Eric Idle, but criticised the PlayStation version, saying that it was difficult to navigate without the PlayStation Mouse and that the text was too small.<ref name="EW Review" /> In their review of the PlayStation version, Electronic Gaming Monthly similarly commented that the PlayStation mouse is required for full enjoyment, but highly praised the voice acting, humour, and graphics.<ref name="EGM76">Template:Cite magazine</ref> Scary Larry of GamePro, in contrast to EW and EGM, said the standard joypad "works just as well" as the PlayStation Mouse. He praised the humorous graphics, extensive voice acting, and script which "will leave your sides aching from laughter", but found the gameplay too simplistic and lacking in challenge. He recommended it for players who were open to less serious gaming.<ref>Template:Cite magazine</ref> IGN called Discworld challenging and long, but criticised the long loading times.<ref name="IGN Review" /> The reviewer of Template:Ill described the game as "very beautiful" and said that the PlayStation version has more colours than the PC version, but disliked the difficulty and the size of the save game files.<ref name=JPRev />
Sega Saturn Magazine cited overlong dialogues, poor graphics, and "largely non-existent" animation, but complimented the variety of locations to visit and their mediaeval backdrops, and described the dialogue as "jokey" and "sarcastic".<ref name=SSMRev>Template:Cite magazine</ref> The magazine's Japanese namesake agreed with this assessment of "British" humour by describing it as ironic and amusing.<ref name=SSMJPRev>Template:Cite magazine</ref> Mean Machines SegaTemplate:'s reviewers believed the Saturn version had lost some authenticity, and thought that the gags were not funny, but complimented the storyline.<ref name=MeanRev />
Reviewing the PC version, Coming Soon Magazine's reviewer believed that the graphics are colourful and liked the humour, but criticised the way the dialogue was handled.<ref name=CSMRev /> David Tanguay of Adventure Classic Gaming described Discworld as "one of the funniest adventure games ever made", but recommended that players use a walkthrough.<ref name=ACGRev /> Computer Gaming WorldTemplate:'s Charles Ardai praised the humour and believed the writing was true to Pratchett.<ref name=CGWRev /> PC GamerTemplate:'s reviewer praised the speech, believing it greatly improved the humour, and also complimented the difficulty, saying the game cannot be completed within days. His criticisms included the overuse of dialogue in the first act, saying most of it is irrelevant to the story, and also thought the control system "falters in certain areas". He stated that Discworld is "a worthy contender" to Sam & Max and challenged the hold LucasArts had on the point-and-click genre.<ref name=PCGamerRev /> The graphics and animation were criticised as "merely average" by Christopher Lindquist of PC Games, although he claimed that fans of Pratchett "won't mind" the game and described it as "A smart, funny--and long--gaming tribute" to the series.<ref name=pcgamesrev /> The Macintosh version was described by Génération 4 as "the gag of the year!"; the reviewer liked the humour and decoration, but criticised it for only being compatible with Motorola 68000-based systems.<ref name=G4Rev /> Adventure Gamers praised the voice acting, graphics, humour and story, calling it "a wonderful game", but noted that "it stops short of being a classic simply due to its sheer difficulty and the unwieldy nature". Adventure Gamers also called the music "serviceable at best, and fairly forgettable".<ref name="Adventure Gamers" /> In 2009 Eurogamer's Will Porter reviewed the game retrospectively, praising the game's cartoonish graphics and voice-acting, but criticising its puzzles and noting that "Discworld commits every point-and-click crime you'd care to mention" (such as "obtuse puzzles").<ref name="Eurogamer Review">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The game was reviewed in 1995 in Dragon by David "Zeb" Cook in the final "Eye of the Monitor" column. Cook praised the "exceptional" animation and art, as well as the "faithful" conversion of Pratchett's work to a video game, but criticised the testing and quality control as "crappy".<ref name="Dragon223">Template:Cite magazine</ref> Next Generation recommended the game for fans of Douglas Adams or Monty Python.<ref name="NG5">Template:Cite magazine</ref>
Entertainment WeeklyTemplate:'s Darren Franich in 2010 called the game an "underrated point-and-click gem", saying that it was one of the games he wanted on the PlayStation Network.<ref name="Perfect Dark">Template:Cite magazine</ref> In 2013, Retro Gamer cited Discworld as an example demonstrating that British developers produced a disproportionately large number of overly hard video games.<ref name="Retro122">Template:Cite magazine</ref>
ReferencesEdit
SourcesEdit
External linksEdit
- Template:Official website (archived)
- Template:MobyGames
- redirect Template:Discworld