How to Start a Fire

{{safesubst:#invoke:Unsubst-infobox||$params=italic_title,name,type,longtype,artist,cover,border,alt,caption,released,recorded,venue,studio,genre,length,language,label,director,producer,compiler,chronology,prev_title,prev_year,year,next_title,next_year,misc|$extra=italic_title,longtype,border,caption,language,director,compiler,chronology,year,misc|$aliases=italic title>italic_title,Italic title>italic_title,Name>name,Type>type,image>cover,Cover>cover,Border>border,Alt>alt,Caption>caption,Longtype>longtype,Artist>artist,Released>released,Recorded>recorded,Venue>venue,Studio>studio,Genre>genre,Length>length,Language>language,Label>label,Director>director,Producer>producer,Compiler>compiler,Chronology>chronology,Misc>misc|$flags=override|$B={{#ifeq:{{#invoke:Is infobox in lead|main|[Ii]nfobox [Aa]lbum}}|true|{{#if:Template:Has short description | |Template:Short description|noreplace}}}}{{#invoke:Infobox|infobox}}Template:Template other Template:Category handler Template:Main other{{#invoke:Check for unknown parameters|check|unknown=Template:Main other|preview=Page using Template:Infobox album with unknown parameter "_VALUE_"|ignoreblank=y|italic_title |type |name |image |cover |border |alt |caption |longtype |artist |released |recorded |venue |studio |genre |length |language |label |director |producer |compiler |prev_title|prev_year|next_title|next_year|chronology|year|misc}}{{#if:{{#invoke:String|match|error_category=Music infoboxes with Module:String errors|A|1=The Moon Is Down2001Hide Nothing2004AlbumHow to Start a FireFurther Seems Forever - How to Start a Fire cover.jpgFurther Seems ForeverFebruary 11, 2003Mid-to-late 2002Wisner ProductionsEmo, indie rock36:50Tooth & NailJames Paul Wisner, Further Seems Foreverx|2=</?t[drh][ >]|nomatch=}}|Template:Main other}}Template:Main other}} How to Start a Fire is the second album by the Pompano Beach, Florida rock band Further Seems Forever, released in 2003 by Tooth & Nail Records. It was the band's only album with vocalist Jason Gleason, who had replaced original singer Chris Carrabba when the latter left the band to focus on his new project Dashboard Confessional. Gleason would leave the band the following year due to interpersonal tensions and be replaced by former Sense Field singer Jon Bunch. How to Start a Fire was also the band's first album with guitarist Derick Cordoba, replacing original guitarist Nick Dominguez.

Background and productionEdit

Frontman Chris Carrabba left Further Seems Forever as his side project Dashboard Confessional was becoming popular. He returned briefly to record the group's debut album The Moon Is Down (2001), but left before its eventual release. Following this, the group enlisted former Affinity vocalist Jason Gleason as their frontman.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> His earliest recorded performances appeared on the Rock Music: A Tribute to Weezer (2001) and Punk Goes Pop (2001) compilations. Guitarist Nick Dominguez was replaced by Derick Cordoba.<ref name=AMbio>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Recording for How to Start a Fire started in June 2002, with sessions taking place at Wisner Productions.<ref name=Firebooklet/><ref name=PBinterview>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> James Paul Wisner and Further Seems Forever served as producers; Wisner handled recording, engineering and mixing.<ref name=Firebooklet/> Halfway through recording, the band toured as part of the Warped Tour in mid-2002, and later embarked on an east coast and midwestern US tour with Breaking Pangaea. After returning home, they spent another month recording.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Alan Douches mastered the tracks at West West Side Mastering.<ref name=Firebooklet/>

CompositionEdit

Musically, the sound of How to Start a Fire has been described as emo<ref name=AMreview/><ref name=JFHreview/><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and indie rock,<ref name=CMJreview>Sciarretto 2003, p. 7</ref> drawing comparisons to the Juliana Theory, Taking Back Sunday,<ref name=AMreview/> Jimmy Eat World<ref name=CMJreview/> and early Manic Street Preachers.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The band operated in two modes for the album: louder tracks with angular guitar lines and harsh rhythm parts with catchy chorus sections, as displayed in the title-track and "The Sound"; and the softer mode, as shown in "A Blank Page Empire" and "I Am".<ref name=OMHreview/> It introduces string and piano instrumentation into the group's sound and showcases Gleason's vocal style, which was similar to Carrabba's albeit grainer.<ref name=Exclaimreview/><ref name=JFHreview/> The lyrics focused on poetic imagery to convey the tone;<ref name=JFHreview/> Gleason offered a darker perspective, in comparison to Carabba, which was mainly pessimistic with overtones of hope.<ref name=PBreview/> Wisner provided keyboard and additional guitar parts to the recordings.<ref name=Firebooklet/>

The opening track "How to Start a Fire" starts with the sound of a struck match,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> shifting into a hardcore punk-indebted song.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> "The Sound" bounces between post-hardcore verse sections and harmony-infused chorus sections in the vein of Cheap Trick.<ref name=AMreview/> "A Blank Page Empire" is an alternative blues shuffle track<ref name=CTreview/> about dealing with the loss of a loved one,<ref name=PBreview/> and was compared to The Moon Is Down track "Snowbirds and Townies".<ref name=CRreview/> "I Am" is about questioning the viability of a strained relationship.<ref name=CTreview/> It starts off partially acoustic before building to an electric ending,<ref name=OMHreview/> in the vein of "For Evangeline" by the Juliana Theory<ref name=CTreview/> and The Moon Is Down number "Monachett".<ref name=CRreview/> "Pride War" tackles the theme of egotism.<ref name=CTreview/> "On Legendary" opens with an acoustic guitar intro.<ref name=CTreview/> "Insincerity as an Artform" features the use of guitar harmonics.<ref name=CRreview/> "The Deep" showcased Gleason's wider vocal abilities.<ref name=PBreview/> The closing track "Aurora Borealis (In Long Form)" incorporates a string section alongside the loud guitars.<ref name=CRreview/> Over the course of the near-five minute song, Gleason's voice changes from singing to screaming and back again.<ref name=PBreview/>

ReleaseEdit

In August 2002, Further Seems Further went on a tour of Germany.<ref name=PBinterview/> In October and November 2002, the band went on tour across the US alongside New Found Glory, Something Corporate and Finch.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> How to Start a Fire was made available for streaming on January 14, 2003,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> before released through Tooth & Nail Records on February 11.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In February and March, the band embarked on a headlining US tour, with support from Elliott, the Early November, the Rise, the Beautiful Mistake, Open Hand, and Twothirtyeight.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The music video for "The Sound" was posted on MP4.com on March 10.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Following this, they toured with the Ataris and the Juliana Theory on a two-month tour of the US.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The band went on The Made Tour, which ran from June to August; they played alongside the Movielife, Autopilot Off, and Anberlin.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In September, the band participated in the Take Action Tour.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> How to Start a Fire was released in the UK on October 13.<ref name=OMHreview/> Gleason left the band in early 2004, citing that they "spent too much time" together "packed in a box".<ref name=TMCLove/>

How to Start a Fire was pressed on vinyl in 2008 through Tooth & Nail and Broken Circles Records; it was re-pressed by Tooth & Nail and Universal Music Special Markets in 2017.<ref>Template:Cite AV media notes</ref><ref>Template:Cite AV media notes</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Four of the album's tracks – "Pride War", "Against My Better Judgement", the title-track and "The Sound" – later appeared on the group's compilation album Hope This Finds You Well (2006).<ref name=IVMHope>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In 2016, the group went on tour playing How to Start a Fire with Gleason.<ref name=TMCLove/>

ReceptionEdit

Template:Music ratings How to Start a Fire would go on to sell over 100,000 by 2013.<ref name=TMCLove>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Exclaim! ranked it at number six on their Best Punk Album of the year list.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Christianity Today included the album at number 11 on their best Christian albums of the year list.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Jesus Freak Hideout ranked it at number 18 on their list of the top 100 Tooth & Nail releases.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Cross Rhythms writer Tony Cummings said due to the "smouldering vocals" from Gleason, the "exceptional light-and-shade dynamics" from the group, combined with the "inventive arrangements", it stood as "every bit the equal" to The Moon Is Down.<ref name=CRreview/> Christianity TodayTemplate:'s Andy Argyrakis said it was "a fitting follow-up that presents the band in a tighter, more cohesive environment."<ref name=CTreview/> AllMusic reviewer Johnny Loftus said Gleason aided the band in making "a focused and fiery sophomore effort" with "a greater understanding of formula."<ref name=AMreview/> Jesus Freak Hideout staff member Sherwin Frias said Gleason carried "the same emotional style as his forebear", which allowed the group "to pick up right where it left off."<ref name=JFHreview/> The record "has proven itself strong enough to stand apart from its predecessor's imposing shadow."<ref name=JFHreview/> Post-Bulletin found Gleason's "more mature voice ... a much better fit for the band's music than Carrabba's whiny squeak."<ref name=PBreview/> With the album, the group "took a risk and the result is 10 great songs" with them being "finally poised to make a name with their music, not with their past."<ref name=PBreview/> Rolling Stone reviewer Kristin Roth said it "burns with incendiary power-pop guitar riffs and smolders with intensely emotive vocals", with Gleason incorporating "both a harder edge and a softer underbelly to the band's sound".<ref name=RSreview/>

musicOMH contributor Vik Bansal complimented the group's "louder" mode, "although these songs definitely rock, they are never overbearingly aggressive".<ref name=OMHreview/> The group infrequently "over-elaborate with the rhythms and guitar patterns, and every now and again a little more rage would not go amiss."<ref name=OMHreview/> Stuart Green of Exclaim! said that while Gleason lacked Carrabba's lyricism, "his contribution to this disc cannot be ignored. His torment and lovelorn angst is sincere and affecting."<ref name=Exclaimreview/> He found the tracks "a little less complex" than those on The Moon Is Down, "although no less interesting."<ref name=Exclaimreview/> In a review for Punknews.org, staff member Scott Heisel asked the question "So how did the band do?" before answering himself with: "Not bad. Not amazing, not great, but not bad."<ref name=PNreview/> He elaborated that it was "spotty" with a "feeling of deja vu tends to creep up throughout the album".<ref name=PNreview/> Arizona Daily Wildcat writer Adam Pugh said the addition of Gleason "changed the whole concept of what the band was" negatively, as they lacked "the intensity of the first album and just sticks with mediocre lyrics and an endless barrage of cry-alongs."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The PitchTemplate:'s Geoff Harkness criticized the band for "rely[ing] on paint-by-numbers chord progressions" with "remedial lyrics ... that are scarred from a terminal case of hackney."<ref name=Pitchreview/> He said the group "might be able to overcome the loss of its original singer, but a second record that continues FireTemplate:'s trite tradition might as well be titled How to Extinguish a Career."<ref name=Pitchreview/>