Jean-Antoine Houdon
Template:Short description Template:Use dmy dates Template:Infobox artist Jean-Antoine, chevalier Houdon ({{#invoke:IPA|main}};<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> 20 March 1741 – 15 July 1828) was a French neoclassical sculptor.
Houdon is famous for his portrait busts and statues of philosophers, inventors and political figures of the Enlightenment. Houdon's subjects included Denis Diderot (1771), Benjamin Franklin (1778-1809), Jean-Jacques Rousseau (1778), Voltaire (1781), Molière (1781), George Washington (1785–1788), Thomas Jefferson (1789), Louis XVI (1790), Robert Fulton (1803–04), and Napoléon Bonaparte (1806).
BiographyEdit
Houdon was born in Versailles, on 20 March 1741.Template:Sfn In 1752, he entered the Académie royale de peinture et de sculpture, where he studied with René-Michel Slodtz, Jean-Baptiste Lemoyne, and Jean-Baptiste Pigalle.Template:Sfn From 1761 to 1764, he studied at the École royale des élèves protégés.Template:Sfn
Houdon won the Prix de Rome in 1761, but was not greatly influenced by ancient and Renaissance art in Rome. His stay in the city is marked by two characteristic and important productions: the superb écorché<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> (1767), an anatomical model which has served as a guide to all artists since his day, and the statue of Saint Bruno in the church of Santa Maria degli Angeli e dei Martiri in Rome. After four years in Italy, Houdon returned to Paris.Template:Sfn
He submitted Morpheus to the Salon of 1771.Template:Sfn He developed his practise of portrait busts. He became a member of the Académie de peinture et de sculpture in 1771, and a professor in 1778. In 1778, he modeled Voltaire, producing a portrait bust with wig for the Comédie-Française; one for the Palace of Versailles, and one for Catherine the Great.Template:Sfn
In 1778, he joined the masonic lodge Les Neuf Sœurs, where he later met Benjamin Franklin, and John Paul Jones.Template:Sfn For Salon of 1781, he submitted a Diana which was refused without drapery.Template:Sfn
Houdon's portrait sculpture of Washington was the result of a specific invitation by Benjamin Franklin to cross the Atlantic in 1785, specifically to visit Mount Vernon, so that Washington could model for him. Washington sat for wet clay life models and a plaster life mask. These models served for many commissions of Washington, including the standing figure commissioned by the Virginia General Assembly, for the Virginia State Capitol in Richmond.Template:Sfn Numerous variations of the Washington bust were produced, portraying him variously as a general in uniform, in the classical manner showing chest musculature, and as Roman Consul Lucius Quinctius Cincinnatus clad in a toga.
In the 1780s, Houdon produced two semi-nude sculptures, Winter and Bather.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
Perceived as bourgeois for his connections to the court of Louis XVI, he fell out of favour during the French Revolution, although he escaped imprisonment. Houdon returned to favor during the French Consulate and Empire, being taken on as one of the original artistic team for what became the Column of the Grande Armée at Wimille.Template:Sfn
He was made a Chevalier de la Légion d'honneur, on 17 December 1804.Template:Sfn He was created a Chevalier de l'Empire in 1809, which was made hereditary by letters patent in 1816.
Houdon died in Paris on 15 July 1828,Template:Sfn and was interred at the Montparnasse Cemetery.<ref>Template:Cite book</ref>
FamilyEdit
On 1 July 1786, he married Marie-Ange-Cecile Langlois;Template:Sfn they had three daughters: Sabine, Anne-Ange, and Claudine.Template:Sfn
Legacy and influenceEdit
Houdon's sculptures were used as models for the engravings used on various U.S. postage stamps of the late 19th and early 20th centuries which depict Washington in profile.<ref>Smithsonian National Postal Museum</ref>
GalleryEdit
- Bust of the Marquis de Miromesnil, 1775 CE. From Paris, France. By Jean-Antoine Houdon. The Victoria and Albert Museum, London.jpg
Bust of Armand Thomas Hue de Miromesnil, 1775, Victoria and Albert Museum
- HoudonWashingtonNPG.jpg
Bust of Washington based on a life mask cast in 1786, National Portrait Gallery
- P1020216 Musée Angers Houdon marbre Voltaire rwk.JPG
Bust of Voltaire, 1778, Musée des Beaux-Arts d'Angers
- Jean-Antoine Houdon, Voltaire, 1778, NGA 1266.jpg
Voltaire, 1778, National Gallery of Art
- Juliette Récamier. Buste de Houdon, d'après Chinard. Vue de face.jpg
Bust of Madame Récamier after Joseph Chinard
- Jean-Antoine Houdon's George Washington.jpg
George Washington, Virginia State Capitol complex
- Houdon Jean Antoine, Voltaire assis, terre cuite, Musée Fabre, Montpellier.jpg
Seated Voltaire, Musée Fabre
- Houdon Jean Antoine, L'écorché bras levé, Musée Fabre, Montpellier.jpg
Skinned Man, Musée Fabre
- Houdon Jean Antoine, La frileuse 2.jpg
Winter, 1783, Musée Fabre
- SculpturesMuséeFabre26a Houdon Eté.jpg
The Summer, 1785, Fabre Museum
- The Gulbenkian Museum (42416563422).jpg
Diana, 1780, Calouste Gulbenkian Museum
- Bust of Anne-Marie-Louise Thomas de Domangeville de Sérilly, Comtesse de Pange (1780).jpg
Bust of Anne-Marie-Louise Thomas de Domangeville de Sérilly, Comtesse de Pange (1780), Art Institute of Chicago
- Madame Houdon - Jean-Antoine Houdon - musée du Louvre.jpg
Madame Houdon, Louvre
- Jean-Antoine Houdon - Portrait of Christoph Willibald Gluck - 1988.59 - Cleveland Museum of Art.tif
See alsoEdit
NotesEdit
ReferencesEdit
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External linksEdit
- Virtual Gallery
- Jean-Antoine Houdon (1741–1828) (Heilbrunn Timeline of Art History)
- Art and the empire city: New York, 1825–1861, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Houdon (see index)
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