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Alfred, Lord Tennyson

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Alfred Tennyson, 1st Baron Tennyson Template:Postnominals (Template:IPAc-en; 6 August 1809 – 6 October 1892) was an English poet. He was the Poet Laureate during much of Queen Victoria's reign. In 1829, Tennyson was awarded the Chancellor's Gold Medal at Cambridge for one of his first pieces, "Timbuktu". He published his first solo collection of poems, Poems, Chiefly Lyrical, in 1830. "Claribel" and "Mariana", which remain some of Tennyson's most celebrated poems, were included in this volume. Although described by some critics as overly sentimental, his poems ultimately proved popular and brought Tennyson to the attention of well-known writers of the day, including Samuel Taylor Coleridge. Tennyson's early poetry, with its medievalism and powerful visual imagery, was a major influence on the Pre-Raphaelite Brotherhood.

Tennyson also focused on short lyrics, such as "Break, Break, Break", "The Charge of the Light Brigade", "Tears, Idle Tears", and "Crossing the Bar". Much of his verse was based on classical mythological themes, such as "Ulysses" and "The Lotos-Eaters". "In Memoriam A.H.H." was written to commemorate his friend Arthur Hallam, a fellow poet and student at Trinity College, Cambridge, after he died of a stroke at the age of 22.<ref>Template:Cite book</ref> Tennyson also wrote notable blank verse, including Idylls of the King, "Ulysses", and "Tithonus". During his career, Tennyson attempted drama, but his plays enjoyed little success.

A number of phrases from Tennyson's work have become commonplace in the English language, including "Nature, red in tooth and claw" ("In Memoriam A.H.H."), "'Tis better to have loved and lost / Than never to have loved at all", "Theirs not to reason why, / Theirs but to do and die", "My strength is as the strength of ten, / Because my heart is pure", "To strive, to seek, to find, and not to yield", "Knowledge comes, but Wisdom lingers", and "The old order changeth, yielding place to new". He is the ninth most frequently quoted writer in The Oxford Dictionary of Quotations.<ref>Template:Cite book</ref>

BiographyEdit

Early lifeEdit

Tennyson was born on 6 August 1809 in Somersby, Lincolnshire, England.<ref>Alfred Lord Tennyson: A Brief Biography, Glenn Everett, Associate Professor of English, the University of Tennessee at Martin.</ref> He was born into a successful middle-class family of minor landowning status distantly descended from John Savage, 2nd Earl Rivers, and Francis Leke, 1st Earl of Scarsdale.<ref name=savagearmstrong>Template:Cite book</ref>

File:W.E.F. Britten - The Early Poems of Alfred, Lord Tennyson - The Garden at Somersby Rectory.jpg
An illustration by W. E. F. Britten showing Somersby Rectory, where Tennyson was raised and began writing

His father, George Clayton Tennyson (1778–1831), was an Anglican clergyman who served as rector of Somersby (1807–1831), also rector of Benniworth (1802–1831) and Bag Enderby, and vicar of Grimsby (1815). He raised a large family and "was a man of superior abilities and varied attainments, who tried his hand with fair success in architecture, painting, music, and poetry. He was comfortably well off for a country clergyman, and his shrewd money management enabled the family to spend summers at Mablethorpe and Skegness on the eastern coast of England". George Clayton Tennyson was the elder son of attorney and MP George Tennyson (1749/50–1835), JP, DL, of Bayons Manor and Usselby Hall, who had also inherited the estates of his mother's family, the Claytons, and married Mary, daughter and heiress of John Turner, of Caistor, Lincolnshire. George Clayton Tennyson was however pushed into a career in the church and passed over as heir in favour of his younger brother Charles.<ref>{{#invoke:citation/CS1|citation

|CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name=savagearmstrong/> Their mother, Elizabeth (1781–1865), was the daughter of Stephen Fytche (1734–1799),Template:Citation needed vicar of St. James Church, Louth (1764), and rector of Withcall (1780), a small village between Horncastle and Louth. Tennyson's father "carefully attended to the education and training of his children".

Tennyson, recalling the poetic influences of his youth, said, "as a boy I was an enormous admirer of Byron."<ref>"Excerpts from Hallam Tennyson's Memoir" in "Alfred Tennyson: The Major Works" (Oxford World's Classics), p. 541.</ref> Tennyson and two of his elder brothers were writing poetry in their teens and a collection of poems by all three was published locally when Alfred was only 17. One of those brothers, Charles Tennyson Turner, later married Louisa Sellwood, the younger sister of Alfred's future wife; the other was Frederick Tennyson. Another of Tennyson's brothers, Edward Tennyson, was institutionalised at a private asylum.

The noted psychologist William James, in his book The Varieties of Religious Experience, quoted Tennyson concerning a type of experience with which Tennyson was familiar:

"A kind of waking trance I have frequently had, quite up from boyhood, when I have been all alone. This has often come upon me through repeating my own name. All at once, as it were out of the intensity of the consciousness of individuality, individuality itself seemed to dissolve and fade away into boundless being, and this was not a confused state but the clearest, the surest of the sure, utterly beyond words…"<ref>James, William. The Varieties of Religious Experience: A Study in Human Nature. Eastford, CT: Martino Fine Books, p. 295. 1902/2012. ISBN 1614273154.</ref>

Education and first publicationEdit

File:StatueOfTennyson.jpg
Statue of Lord Tennyson in the chapel of Trinity College, Cambridge

Tennyson was a student of King Edward VI Grammar School, Louth from 1816 to 1820.<ref name="Parsons">Poems of Alfred Lord Tennyson. Eugene Parsons (Introduction). New York: Thomas Y. Crowell Company, 1900.</ref> He entered Trinity College, Cambridge, in 1827, where he joined a secret society called the Cambridge Apostles.<ref>Template:Acad</ref> A portrait of Tennyson by George Frederic Watts is in Trinity's collection.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

At Cambridge, Tennyson met Arthur Hallam and William Henry Brookfield, who became his closest friends. His first publication was a collection of "his boyish rhymes and those of his elder brother Charles" entitled Poems by Two Brothers, published in 1827.<ref name="Parsons"/>

In 1829, Tennyson was awarded the Chancellor's Gold Medal at Cambridge for one of his first pieces, "Timbuktu".<ref>Friedlander, Ed. "Enjoying "Timbuktu" by Alfred Tennyson"</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Reportedly, "it was thought to be no slight honour for a young man of twenty to win the chancellor's gold medal".<ref name="Parsons"/> He published his first solo collection of poems, Poems Chiefly Lyrical in 1830. "Claribel" and "Mariana", which later took their place among Tennyson's most celebrated poems, were included in this volume. Although decried by some critics as overly sentimental, his verse soon proved popular and brought Tennyson to the attention of well-known writers of the day, including Samuel Taylor Coleridge.

Return to Lincolnshire, second publication, Epping ForestEdit

In the spring of 1831, Tennyson's father died, requiring him to leave Cambridge before taking his degree. He returned to the rectory, where he was permitted to live for another six years and shared responsibility for his widowed mother and the family. Arthur Hallam came to stay with his family during the summer and became engaged to Tennyson's sister, Emilia Tennyson.

File:John William Waterhouse - The Lady of Shalott - Google Art Project.jpg
John William Waterhouse's The Lady of Shalott, 1888 (Tate Britain, London)

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In 1833 Tennyson published his second book of poetry, which notably included the first version of "The Lady of Shalott". The volume met heavy criticism, which so discouraged Tennyson that he did not publish again for ten years, although he did continue to write. That same year, Hallam died suddenly and unexpectedly after suffering a cerebral haemorrhage while on a holiday in Vienna. Hallam's death had a profound effect on Tennyson and inspired several poems, including "In the Valley of Cauteretz" and "In Memoriam A.H.H.", a long poem detailing the "Way of the Soul".<ref name="H. Tennyson, 1897">H. Tennyson (1897). Alfred Lord Tennyson: A Memoir by His Son, New York: MacMillan.</ref>

Tennyson and his family were allowed to stay in the rectory for some time, but later moved to Beech Hill Park, High Beach, deep within Epping Forest, Essex, about 1837. Tennyson's son recalled: "there was a pond in the park on which in winter my father might be seen skating, sailing about on the ice in his long blue cloak. He liked the nearness of London, whither he resorted to see his friends, but he could not stay in town even for a night, his mother being in such a nervous state that he did not like to leave her...".<ref name="H. Tennyson, 1897"/> Tennyson befriended a Dr Allen, who ran a nearby asylum whose patients then included the poet John Clare.<ref>"History of Holy Innocents Church" Template:Webarchive, Highbeachchurch.org. Retrieved 27 April 2012</ref> An unwise investment in Dr Allen's ecclesiastical wood-carving enterprise soon led to the loss of much of the family fortune, and led to a bout of serious depression.<ref name="H. Tennyson, 1897"/> According to Tennyson's grandson Sir Charles Tennyson, Tennyson met Thomas Carlyle in 1839, if not earlier.<ref>Template:Cite journal</ref> The pair began a lifelong friendship, and were famous smoking companions. Some of Tennyson's work even bears the influence of Carlyle and his ideas.<ref>Template:Cite journal</ref> Tennyson moved to London in 1840 and lived for a time at Chapel House, Twickenham.

Third publicationEdit

On 14 May 1842, while living modestly in London, Tennyson published the two volume Poems, of which the first included works already published and the second was made up almost entirely of new poems. They met with immediate success; poems from this collection, such as "Locksley Hall", "Break, Break, Break", and "Ulysses", and a new version of "The Lady of Shalott", have met enduring fame. "The Princess: A Medley", a satire on women's education that came out in 1847, was also popular for its lyrics. W. S. Gilbert later adapted and parodied the piece twice: in The Princess (1870) and in Princess Ida (1884).

It was in 1850 that Tennyson reached the pinnacle of his career, finally publishing his masterpiece, "In Memoriam A.H.H.", dedicated to Hallam. Later the same year, he was appointed Poet Laureate, succeeding William Wordsworth. In the same year (on 13 June), Tennyson married Emily Sellwood, whom he had known since childhood, in the village of Shiplake. They had two sons, Hallam Tennyson (b. 11 August 1852)—named after his friend—and Lionel (b. 16 March 1854).

Tennyson rented Farringford House on the Isle of Wight in 1853, eventually buying it in 1856.<ref>The Home of Tennyson Template:Webarchive Rebecca FitzGerald, Farringford: The Home of Tennyson Template:Webarchive official website</ref> He eventually found that there were too many starstruck tourists who pestered him in Farringford, so he moved to Aldworth, in West Sussex in 1869.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> However, he retained Farringford, and regularly returned there to spend the winters.

  • Break-break-break-reickemeyer.jpg

    Break, Break, Break, on thy cold grey Stones, o Sea, a photograph by Rudolf Eickemeyer Jr. The title is a quote from the 1842 poem.

  • Alfred Tennyson, 1st Baron Tennyson and family.jpg

    Tennyson with his wife Emily (1813–1896) and his sons Hallam (1852–1928) and Lionel (1854–1886)

  • Farringford - Lord Tennyson's residence - c1910 - Project Gutenberg eText 17296.jpg

    Farringford – Lord Tennyson's residence on the Isle of Wight

  • Alfred Tennyson, 1st Baron Tennyson by George Frederic Watts.jpg

    Alfred Tennyson, 1st Baron Tennyson, by George Frederic Watts (1817–1904)

Poet LaureateEdit

File:Alfred Tennyson, Vanity Fair, 1871-07-22.jpg
Captioned "The Poet Laureate", caricature of Tennyson in Vanity Fair, 22 July 1871

In 1850, after William Wordsworth's death and Samuel Rogers' refusal, Tennyson was appointed to the position of Poet Laureate; Elizabeth Barrett Browning and Leigh Hunt had also been considered.<ref name="Batchelor">Batchelor, John. Tennyson: To Strive, To Seek, To Find. London: Chatto and Windus, 2012.</ref> He held the position until his death in 1892, the longest tenure of any laureate. Tennyson fulfilled the requirements of this position, such as by authoring a poem of greeting to Princess Alexandra of Denmark when she arrived in Britain to marry the future King Edward VII. In 1855, Tennyson produced one of his best-known works, "The Charge of the Light Brigade", a dramatic tribute to the British cavalrymen involved in an ill-advised charge on 25 October 1854, during the Crimean War. Other esteemed works written in the post of Poet Laureate include "Ode on the Death of the Duke of Wellington" and "Ode Sung at the Opening of the International Exhibition".

File:Alfred Tennyson..jpg
Alfred Tennyson, portrait by P. Krämer

Tennyson declined a baronetcy offered him by Disraeli in 1865 and 1868, finally accepting a peerage in 1883 at Gladstone's earnest solicitation. In 1884 Victoria created him Baron Tennyson, of Aldworth in the County of Sussex and of Freshwater in the Isle of Wight.<ref>Template:London Gazette</ref> He took his seat in the House of Lords on 11 March 1884.<ref name="Parsons"/>

Tennyson also wrote a substantial quantity of unofficial political verse, from the bellicose "Form, Riflemen, Form", on the French crisis of 1859 and the Creation of the Volunteer Force, to "Steersman, be not precipitate in thine act/of steering", deploring Gladstone's Home Rule Bill. Tennyson's family were Whigs by tradition and Tennyson's own politics fitted the Whig mould, although he would also vote for the Liberal Party after the Whigs dissolved.<ref name="Pearsall">Template:Cite book</ref><ref>Template:Cite book</ref> Tennyson believed that society should progress through gradual and steady reform, not revolution, and this attitude was reflected in his attitude toward universal suffrage, which he did not outright reject, but recommended only after the masses had been properly educated and adjusted to self-government.<ref name="Pearsall" /> Upon passage of the Reform Act 1832, Tennyson broke into a local church to ring the bells in celebration.<ref name="Pearsall" />

Virginia Woolf wrote a play called Freshwater, showing Tennyson as host to his friends Julia Margaret Cameron and G. F. Watts.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Colonel George Edward Gouraud, Thomas Edison's European agent, made sound recordings of Tennyson reading his own poetry, late in his life. They include recordings of "The Charge of the Light Brigade", and excerpts from "The splendour falls" (from The Princess), "Come into the garden" (from Maud), "Ask me no more", "Ode on the death of the Duke of Wellington" and "Lancelot and Elaine". The sound quality is poor, as wax cylinder recordings usually are.

File:Tennyson in Arbor.PNG
Published one year after Tennyson's death, this sketch depicts him sitting in his favourite arbour at Farringford House, his home in the village of Freshwater, Isle of Wight.

Towards the end of his life Tennyson revealed that his "religious beliefs also defied convention, leaning towards agnosticism and pandeism":<ref>Harold Bloom, Take Arms Against a Sea of Troubles: The Power of the Reader's Mind Over a Universe of Death, Yale University Press, October 2020, p. 373, Template:ISBN: "When he died the laureate declared himself agnostic and pan-deist and at one with the great heretics Giordano Bruno (who was a Hermetist and burned alive by the Church) and Baruch Spinoza (who was excommunicated by the Jews)."</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In a characteristically Victorian manner, Tennyson combines a deep interest in contemporary science with an unorthodox, even idiosyncratic, Christian belief.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Famously, he wrote in In Memoriam: "There lives more faith in honest doubt, believe me, than in half the creeds." In Maud, 1855, he wrote: "The churches have killed their Christ". In "Locksley Hall Sixty Years After", Tennyson wrote: "Christian love among the churches look'd the twin of heathen hate." In his play Becket, he wrote: "We are self-uncertain creatures, and we may, Yea, even when we know not, mix our spites and private hates with our defence of Heaven". Tennyson recorded in his Diary (p. 127): "I believe in Pantheism of a sort". His son's biography confirms that Tennyson was an unorthodox Christian, noting that Tennyson praised Giordano Bruno and Spinoza on his deathbed, saying of Bruno, "His view of God is in some ways mine", in 1892.<ref>Freethought of the Day, 6 August 2006, Alfred Tennyson Template:Webarchive</ref>

File:Tennyson Monument, Tennyson Down, IW, UK.jpg
Monument to Tennyson on Tennyson Down, Isle of Wight

Tennyson continued writing into his eighties. He died on 6 October 1892 at Aldworth, aged 83. He was buried at Westminster Abbey.<ref>Stanley, A.P., Historical Memorials of Westminster Abbey (London; John Murray; 1882), p. 240.</ref> A memorial was erected in All Saints' Church, Freshwater. His last words were, "Oh that press will have me now!".<ref>Andrew Motion, BBC Radio 4, "Great Lives: Alfred, Lord Tennyson", broadcast on 4 August 2009</ref> He left an estate of £57,206.<ref>Christopher Ricks (1972). Tennyson. Macmillan, p. 236</ref> Tennyson Down and the Tennyson Trail on the Isle of Wight are named after him, and a monument to him stands on top of Tennyson Down. Lake Tennyson in New Zealand's high country, named by Frederick Weld, is assumed to be named after Lord Tennyson.<ref>Template:Cite book</ref>

He was succeeded as 2nd Baron Tennyson by his son Hallam, who produced an authorised biography of his father in 1897, and was later the second Governor-General of Australia.

Tennyson and the QueenEdit

Although Albert, Prince Consort, was largely responsible for Tennyson's appointment as Laureate,<ref name=" Batchelor" /> Queen Victoria became an ardent admirer of Tennyson's work, writing in her diary that she was "much soothed & pleased" by reading "In Memoriam A.H.H." after Albert's death.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

The two met twice, first in April 1862, when Victoria wrote in her diary, "very peculiar looking, tall, dark, with a fine head, long black flowing hair & a beard, oddly dressed, but there is no affectation about him."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Tennyson met her a second time just over two decades later, on 7 August 1883, and the Queen told him what a comfort "In Memoriam A.H.H." had been.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

The art of Tennyson's poetryEdit

File:Ottawa Public Library.jpg
Stained glass at Ottawa Public Library featuring Charles Dickens, Archibald Lampman, Walter Scott, Lord Byron, Tennyson, William Shakespeare, and Thomas Moore

As source material for his poetry, Tennyson used a wide range of subject matter ranging from medieval legends to classical myths and from domestic situations to observations of nature. The influence of John Keats and other Romantic poets published before and during his childhood is evident from the richness of his imagery and descriptive writing.<ref name="felix grendon">Template:Cite journal</ref> He also handled rhythm masterfully. The insistent beat of "Break, Break, Break" emphasises the relentless sadness of the subject matter. Tennyson's use of the musical qualities of words to emphasise his rhythms and meanings is sensitive. The language of "I come from haunts of coot and hern" lilts and ripples like the brook in the poem and the last two lines of "Come down O maid from yonder mountain height" illustrate his telling combination of onomatopoeia, alliteration, and assonance:

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Tennyson was a craftsman who polished and revised his manuscripts extensively, to the point where his efforts at self-editing were described by his contemporary Robert Browning as "insane", symptomatic of "mental infirmity".<ref>Template:Cite book</ref> His complex compositional practice and frequent redrafting also demonstrates a dynamic relationship between images and words, as can be seen in the many notebooks he worked in.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Few poets have used such a variety of styles with such an exact understanding of metre; like many Victorian poets, he experimented in adapting the quantitative metres of Greek and Latin poetry to English.<ref>Template:Cite book</ref> He reflects the Victorian period of his maturity in his feeling for order and his tendency towards moralising. He also reflects a concern common among Victorian writers in being troubled by the conflict between religious faith and expanding scientific knowledge.<ref>Template:Cite book</ref> Tennyson possessed a strong poetic power, which his early readers often attributed to his "Englishness" and his masculinity.<ref>Template:Cite book</ref> Well-known among his longer works are Maud and Idylls of the King, the latter arguably the most famous Victorian adaptation of the legend of King Arthur and the Knights of the Round Table. A common thread of grief, melancholy, and loss connects much of his poetry (including "Mariana", "The Lotos Eaters", "Tears, Idle Tears", "In Memoriam"), possibly reflecting Tennyson's lifelong struggle with debilitating depression.<ref>Template:Cite journal</ref> T. S. Eliot famously described Tennyson as "the saddest of all English poets", whose technical mastery of verse and language provided a "surface" to his poetry's "depths, to the abyss of sorrow".<ref>T. S. Eliot, Selected Prose of T. S. Eliot. Ed. Frank Kermode. New York: Harcourt, 1975. P. 246.</ref> Other poets such as W. H. Auden maintained a more critical stance, stating that Tennyson was the "stupidest" of all the English poets, adding that: "There was little about melancholia he didn't know; there was little else that he did."<ref>Carol T. Christ, Catherine Robson, The Norton Anthology of English Literature, Volume E: The Victorian Age. Ed. Stephen Greenblatt & M.H. Abrams. New York: Norton, 2006. p. 1111</ref>

Influence on Pre-Raphaelite artistsEdit

Tennyson's early poetry, with its medievalism and powerful visual imagery, was a major influence on the Pre-Raphaelite Brotherhood. In 1848, Dante Gabriel Rossetti and William Holman Hunt made a list of "Immortals", artistic heroes whom they admired, especially from literature, notably including Keats and Tennyson, whose work would form subjects for PRB paintings.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The Lady of Shalott alone was a subject for Rossetti, Hunt, John William Waterhouse (three versions), and Elizabeth Siddall.

Tennyson heraldryEdit

A heraldic achievement of Alfred, Lord Tennyson exists in an 1884 stained-glass window in the Hall of Trinity College, Cambridge, showing arms:

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Gules, a bend nebuly or thereon a chaplet vert between three leopard's faces jessant-de-lys of the second; Crest: A dexter arm in armour the hand in a gauntlet or grasping a broken tilting spear enfiled with a garland of laurel; Supporters: Two leopards rampant guardant gules semée de lys and ducally crowned or; Motto: Respiciens Prospiciens<ref>Debrett's Peerage, 1968, p. 1091</ref> ("Looking backwards (is) looking forwards").{{#if:|{{#if:|}}

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These are a difference of the arms of Thomas Tenison (1636–1715), Archbishop of Canterbury, themselves a difference of the arms of the 13th-century Denys family of Glamorgan and Siston in Gloucestershire, themselves a difference of the arms of Thomas de Cantilupe (c. 1218–1282), Bishop of Hereford, henceforth the arms of the See of Hereford; the name "Tennyson" signifies "Denys's son", although no connection between the two families is recorded.

WorksEdit

A list of works by Tennyson follows:<ref>Template:Cite book</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

  • The Lover's Tale (Two parts published in 1833;<ref>Template:Cite book</ref> Tennyson suppressed it immediately after publication as he felt it was imperfect. A revised version comprising three parts was subsequently published in 1879 together with "The Golden Supper" as a fourth part.)<ref>Template:Cite book</ref>
  • "Rosalinde" (1833; suppressed until 1884)<ref>Template:Cite book</ref>
  • Poems (1842; with numerous subsequent editions including the 4th edition (1846) and 8th edition (1853));<ref>Template:Cite book volume I and volume II.</ref> the collection included many of the poems published in the 1833 anthology (some in revised form), and the following:

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Musical settingsEdit

Michael William Balfe's setting of "Come Into the Garden, Maud" was a popular success in 1857, as sung by the celebrated tenor Sims Reeves.<ref>Scott, Derek B. The Singing Bourgeois: Songs of the Victorian Drawing Room and Parlour. 2nd ed. (2001)</ref> Arthur Somervell's Maud (1898) used thirteen poems (not all of them complete) for his song cycle, enough "to retain a cogent narrative".<ref>Richard Stokes. The Penguin Book of English Song (2016), p. 441</ref> Stephen Banfield believes it is "the nearest an English composer ever came to writing a substantial, Romantic song-cycle".<ref>Banfield, Stephen. Sensibility and English Song (1985), Vol. 1, p. 50</ref>

Charles Villiers Stanford set "Crossing the Bar" for high voice and piano in April 1880, a year after the poem has been first published.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Maude Valérie White (four songs, 1885) and Liza Lehmann (10 songs, 1899) both composed song cycles selecting passages from In Memoriam.<ref>Splendid Tears: Settings of Alfred, Lord Tennyson, EM Records EMRCD087 (2024)</ref> Roger Quilter set "Now sleeps the crimson petal" (from The Princess) for voice and orchestra in 1905. "The splendour falls on castle walls" (also from The Princess), has been set by many composers, including Arnold Bax, Benjamin Britten, Cecil Armstrong Gibbs, Gustav Holst, Stanford, Vaughan Williams and Charles Wood. Tennyson deplored the use of unauthorised repetition in song settings, a device used by many composers, and so tried to circumvent this by supplying his own, as in "Break, Break, Break" (set by Sidney Lanier in 1871 and Cyril Rootham in 1906), and the repetition of "dying" in "The splendour falls", which as Trevor Hold points out, "has been a god-send to every composer who has set it".<ref>Trevor Hold. Parry to Finzi: Twenty English Song-Composers (2002), p.12</ref>

Popular cultureEdit

Tennyson's "Ulysses" was quoted in the 2012 James Bond film Skyfall, with the character M (played by actress Judi Dench) reciting the poem.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The film's soundtrack also included an accompanying track, composed by Thomas Newman, that is titled "Tennyson".<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

CitationsEdit

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General bibliographyEdit

External linksEdit

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Digital collections of works
Institutional collections of works
Additional biographical information
Other works

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