Miami Vice

Template:Short description {{#invoke:other uses|otheruses}} Template:Use mdy dates Template:Infobox television

Miami Vice is an American crime drama television series created by Anthony Yerkovich and produced by Michael Mann for NBC.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The series stars Don Johnson as James "Sonny" Crockett and Philip Michael Thomas as Ricardo "Rico" Tubbs, two Metro-Dade Police Department detectives working undercover in Miami, Florida. The series ran for five seasons on NBC from September 16, 1984 to June 28, 1989. USA Network began airing reruns in 1988 and broadcast a previously unaired episode during its syndication run of the series on January 25, 1990.

Unlike standard police procedurals, the show drew heavily upon 1980s New Wave culture and is noted for its integration of contemporary pop and rock music, and stylish or stylized visuals. People magazine states that Miami Vice was the "first show to look really new and different since color TV was invented".<ref name=nbcmiamivice/>

Mann also directed a modernized film adaptation based on the series, which was released in July 2006. In 2025, a new film adaptation directed by Joseph Kosinski and written by Dan Gilroy was announced.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Conception

The conception of the show is unclear. One version of events states that the head of NBC's Entertainment Division, Brandon Tartikoff, wrote a brainstorming memo that simply read "MTV cops",<ref name=nbcmiamivice>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name=makingofvice>Template:Cite book</ref><ref name=coolcops>Template:Cite journal</ref><ref name=memo>Template:Cite news</ref> and later presented it to series creator Anthony Yerkovich, formerly a writer and producer for Hill Street Blues.<ref name=coolcops/> Yerkovich, however, disputes that story. Film critic Matt Seitz quotes Yerkovich as saying, “Brandon didn’t start telling people that ridiculous story of writing ‘MTV cops’ on a napkin until at least 14 months after the pitch meeting.”<ref name="seitzvulture">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Yerkovich said he devised the concept after learning about asset forfeiture statutes allowing law enforcement agencies to confiscate the property of drug dealers for official use.<ref name=Makingperfectvice>Template:Cite AV media</ref> The initial idea was for a movie about a pair of vice cops in Miami.<ref name=coolcops/> With the backing of Kerry McCluggage, senior vice-president of creative affairs for Universal Television, and MCA/Universal president Robert Harris, Yerkovich sold the project to NBC as a weekly drama in 1983 and began writing a pilot script.<ref name="seitzvulture"/> The two-hour pilot, originally titled Gold Coast, was renamed Miami Vice.<ref name=nbcmiamivice/><ref name=coolcops/> Yerkovich was immediately drawn to South Florida as a setting for his new-style police show.<ref name=coolcops/>

Production

In keeping with the show's title, most episodes focus on combating drug trafficking and prostitution. Episodes often end in an intense gun battle, claiming the lives of several criminals before they can be apprehended. An undercurrent of cynicism and futility underlies the entire series. The detectives repeatedly refer to the "Whac-A-Mole" nature of drug interdiction,Template:Citation needed with its parade of drug cartels quickly replacing those that are apprehended. Co-executive producer Yerkovich explained:

Template:ErrorTemplate:Main other{{#if:|{{#if:|}}

— {{#if:|, in }}Template:Comma separated entries

}}

{{#invoke:Check for unknown parameters|check|unknown=Template:Main other|preview=Page using Template:Blockquote with unknown parameter "_VALUE_"|ignoreblank=y| 1 | 2 | 3 | 4 | 5 | author | by | char | character | cite | class | content | multiline | personquoted | publication | quote | quotesource | quotetext | sign | source | style | text | title | ts }}

The choice of music and cinematography borrowed heavily from the emerging New Wave culture of the 1980s. As such, segments of Miami Vice sometimes used music-based stanzas, a technique later featured in Baywatch. As Lee H. Katzin, one of the show's directors, remarked, "The show is written for an MTV audience, which is more interested in images, emotions and energy than plot and character and words."<ref name=coolcops/> These elements made the series into an instant hit, and in its first season saw an unprecedented fifteen Emmy Award nominations.<ref name=coolcops/><ref name=emmys>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> While the first few episodes contain elements of a standard police procedural, the producers soon abandoned them in favor of a more distinctive style. Influenced by an Art Deco revival, no "earth tones" were allowed to be used in the production by executive producer Michael Mann.<ref name=coolcops/> A director of Miami Vice, Bobby Roth, recalled:

Template:ErrorTemplate:Main other{{#if:|{{#if:|}}

— {{#if:|, in }}Template:Comma separated entries

}}

{{#invoke:Check for unknown parameters|check|unknown=Template:Main other|preview=Page using Template:Blockquote with unknown parameter "_VALUE_"|ignoreblank=y| 1 | 2 | 3 | 4 | 5 | author | by | char | character | cite | class | content | multiline | personquoted | publication | quote | quotesource | quotetext | sign | source | style | text | title | ts }}

Miami Vice was one of the first American network television programs to be broadcast in stereophonic sound.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> It is mixed in stereo for its entire run.<ref>Template:Cite news</ref> Each episode of the series cost $2 million.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Casting

Nick Nolte and Jeff Bridges<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> were considered for the role of Sonny Crockett, but since it was not lucrative for film stars to venture into television at the time, other candidates were considered.<ref>Template:Cite episode</ref> Mickey Rourke was also considered for the role, but he turned down the offer.<ref name="MickeyR">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Larry Wilcox, of CHiPs, was also a candidate for the role of Crockett, but the producers felt going from one police officer role to another would not be a good fit.<ref>Template:Cite episode</ref> After dozens of candidates and a twice-delayed pilot shooting, Don Johnson and Philip Michael Thomas were chosen as the vice cops.<ref name=coolcops/> For Johnson, who was by then 34 years old, NBC had particular doubts about the several earlier unsuccessful pilots in which he starred.<ref name=coolcops/> But Yerkovich was convinced about Don Johnson being the right person for the role.<ref name="karpcasab">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> He asked to read the scripts of Johnson's work on those failed shows. He reported back that the scrips were the problem, not the actor, and NBC acquiesced.<ref name="karpcasab"/> Jimmy Smits played Eddie Rivera, Crockett's ill-fated partner, in the pilot episode.

After two seasons, Don Johnson threatened to walk from the series as part of a highly publicized contract dispute. The network was ready to replace him with Mark Harmon, who had recently departed St. Elsewhere, but the network and Johnson were able to resolve their differences and he continued with the series until its end.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Locations

Despite the Miami setting, the producers initially planned to film the series in Los AngelesTemplate:Citation needed. However, by the time production began, the decision had been made to shoot in Miami itself. Many episodes of Miami Vice were filmed in the South Beach<ref name=redefinedmiami>Template:Cite news</ref> section of Miami Beach, an area which, at the time, was blighted by poverty and crime, with its demographic so deteriorated that there "simply weren't many people on the street. Ocean Drive's hotels were filled with elderly, mostly Jewish retirees, many of them frail, subsisting on meager Social Security payments. ... They were filming all over Miami Beach. ... They could film in the middle of the street. There was literally nobody there. There were no cars parked in the street".<ref name=theviceeffect>Template:Cite news</ref> In early episodes in particular, local elderly residents were frequently cast as extras.

Some street corners of South Beach were so run down that the production crew actually decided to repaint the exterior walls of some buildings before filming. The crew went to great lengths to find the correct settings and props. Bobby Roth recalled, "I found this house that was really perfect, but the color was sort of beige. The art department instantly paints the house gray for me. Even on feature films people try to deliver what is necessary but no more. At Miami Vice they start with what's necessary and go beyond it."<ref name=settingsandprops>Template:Cite magazine</ref>

Miami Vice is to some degree credited with causing a wave of support for the preservation of Miami's famous Art Deco architecture in the mid-1980s to early 1990s;<ref name=redefinedmiami/> and many of those buildings, among them many beachfront hotels, have been renovated since filming, making that part of South Beach one of South Florida's most popular places for tourists and celebrities.<ref>"The Vice Effect: 30 years after the show that changed Miami", by Andres Viglucci Template:Webarchive, The Miami Herald, September 28, 2014</ref>

Other places commonly filmed in the series include locations around Broward and Palm Beach counties.Template:Citation needed

Interior scenes were initially supposed to be filmed at Universal Studios in Los Angeles, but to simplify cross-country logistics, the decision was made to use the facilities of Greenwich Studios<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> in North Miami instead, and only carry out post-production in Los Angeles. In a few scenes, particularly in earlier episodes, Greenwich Studios' rear loading dock is repeatedly used as the back room of the Gold Coast Shipping building, where the offices of the vice squad are located.<ref name="greenwich studios loading dock">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Music

Template:See also Miami Vice is noted for its innovative use of stereo broadcast music, particularly pop and rock hits of the 1980s, and the distinctive, synthesized instrumental music of Jan Hammer. While other television shows used made-for-TV music, Miami Vice would spend $10,000 or more per episode to buy the rights to original recordings.<ref name=coolcops/> Getting a song played on Miami Vice was a boost to record labels and artists.<ref name=dancingtheme>Template:Cite news</ref> Some newspapers, such as USA Today, would let readers know the songs that would be featured each week.<ref name=miamivicechanges>Template:Cite news</ref> Among the many well-known bands and artists, as well as underground or 'new wave' associated acts, who contributed their music to the show were: Template:Columns-list Several artists guest-star in episodes, including Leonard Cohen, Phil Collins,<ref name=philtheshill/> Miles Davis,<ref name=junklove/> the Power Station,<ref name=whateverworks/> Glenn Frey,<ref name=smuggler/> Suicidal Tendencies, Willie Nelson,<ref name=elviejo/> Ted Nugent,<ref name=definitelymiami/> Frank Zappa,<ref name=payback/> the Fat Boys,<ref name=florenceitaly/> Sheena Easton, Gloria Estefan, and<ref name=prodigal/> Gene Simmons. An iconic scene from the Miami Vice oeuvre involves Crockett and Tubbs driving through Miami at night to Phil Collins' song "In the Air Tonight".<ref name="AV Club">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name=toomuchvice>Template:Cite news</ref>

Jan Hammer credits executive producer Michael Mann with allowing him great creative freedom in scoring Miami Vice.<ref name=coolcops/> Hammer later recalled in interviews that Michael Mann told him that as soon as the show's production would start, Mann wanted him to "run with it".<ref name=rollingstone-janhammer>Template:Cite magazine</ref> The collaboration resulted in memorable instrumental pieces, including the show's title theme, which climbed to the top of the Billboard charts in November 1985.<ref name=vicethemeaxed>Template:Cite news</ref>

The Miami Vice original soundtrack, featuring the theme song and Glenn Frey's "Smuggler's Blues" and "You Belong to the City" (a No. 2 hit), remained at the top of the U.S. album chart for 11 weeks in 1985, making it the most successful TV soundtrack at the time. The theme song was so popular that it also garnered two Grammy Awards in 1986.<ref name=vicethemeaxed/><ref name=grammy>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> It was also voted the number-one theme song of all time by TV Guide readers.Template:Citation needed "Crockett's Theme", another recurring tune from the show, became a No. 1 hit in several European countries in 1987.<ref name=crockettstheme1>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

During the show's run, three official soundtrack albums with original music from the episodes were released. Hammer also released several albums with music from the series; among them are Escape from Television (1987), Snapshots (1989), and after many requests from fans, Miami Vice: The Complete Collection (2002).

Fashion

File:Miami Vice Blues Glass.jpg

Don Johnson epitomizing the dress style that became a hallmark of the series.

The clothes worn on Miami Vice had a significant influence on men's fashion. They popularized, if not invented, the "T-shirt under Armani jacket"–style,<ref name=fashion>Template:Cite news</ref> and popularized Italian men's fashion in the United States.<ref name=coolcops/> Don Johnson's typical attire of Italian sport coat, T-shirt, white linen pants, and slip-on sockless loafers became a hit.<ref name=coolcops/><ref name=vicestillcool>Template:Cite news</ref> Crockett initially wore an 18k Rolex Day-Date "President" model in the first season, until Ebel won the contract for the remaining seasons. Similarly, Crockett's perpetually unshaven appearance sparked a minor fashion trend, inspiring men to wear designer stubble at all times.<ref name=fashion/> In an average episode, Crockett and Tubbs wore five to eight outfits,<ref name=nbcmiamivice/><ref name=coolcops/> appearing in shades of pink, blue, green, peach, fuchsia, and the show's other "approved" colors.<ref name=coolcops/> Designers such as Vittorio Ricci, Gianni Versace, and Hugo Boss were consulted in keeping the male leads looking trendy.<ref name=nbcmiamivice/><ref name=coolcops/> Costume designer Bambi Breakstone, who traveled to Milan, Paris, and London in search of new clothes, said that, "The concept of the show is to be on top of all the latest fashion trends in Europe."<ref name=coolcops/> Jodi Tillen, the costume designer for the first season, along with Michael Mann, set the style. The abundance of pastel colors on the show reflects Miami's Art-deco architecture.<ref name=vicestillcool/>

During its five-year run, consumer demand for unstructured blazers, shiny fabric jackets, and lighter pastels increased.<ref name=coolcops/><ref name=vicestillcool/> After Six formal wear even created a line of Miami Vice dinner jackets, Kenneth Cole introduced Crockett and Tubbs shoes, and Macy's opened a Miami Vice section in its young men's department.<ref name=coolcops/> Crockett also boosted Ray Ban's popularity by wearing a pair of Model L2052, Ray-Ban Wayfarers,<ref name=rays>Template:Cite news</ref> which increased sales of Ray Bans to 720,000 units in 1984.<ref name=wayfarer>Template:Cite news</ref> In the spring of 1986, an electric razor became available named the "Stubble Device", allowing users to have a beard like Don Johnson's character. It was initially named the "Miami Device" by Wahl, but in the end the company opted to avoid a trademark infringement lawsuit.<ref>Template:Cite news</ref> Many of the styles popularized by the TV show, such as the T-shirt under pastel suits, no socks, rolled up sleeves, and Ray-Ban sunglasses, have become the standard image of 1980s culture.<ref name=fashion/><ref name=wayfarer/> The influence of Miami ViceTemplate:-'s fashions continued into the early 1990s and, to some extent, has had a lasting impact.<ref name=fashion/><ref>Template:Cite book</ref>

Firearms

{{#invoke:Labelled list hatnote|labelledList|Main article|Main articles|Main page|Main pages}} Miami Vice also popularized certain brands of firearms and accessories.<ref name=brenten>Template:Cite journal</ref><ref name=galco>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> After Johnson became dissatisfied with his gun holster, the Jackass Leather Company (later renamed Galco International) sent their president, Rick Gallagher, to personally fit Don Johnson with an "Original Jackass Rig", later renamed the Galco "Miami Classic".<ref name=galco/>

The Bren Ten, manufactured by Dornaus & Dixon, was a stainless steel handgun used by Don Johnson during Miami Vice's first two seasons.<ref name=brenten/> Dornaus & Dixon went out of business in 1986,<ref name=brenten/> and Smith & Wesson was offered a contract to outfit Johnson's character with a S&W Model 645 during season three.<ref name=brenten/><ref name=popularmechanics>Template:Cite journal</ref><ref name=makingvice72>Template:Cite book</ref>

Several firearms never before seen on TV were featured prominently for the first time in the show, including the Glock 17 pistol. In addition, firearms not yet well known to the public, including the Steyr AUG, MAC-10 and the Desert Eagle, were showcased to a wide audience on this show. Even heavy guns came to use, as Zito is seen maneuvering an M60 machine gun from a rooftop in the episode "Lombard".

Cars

{{#invoke:Labelled list hatnote|labelledList|Main article|Main articles|Main page|Main pages}} Two automobiles drew a lot of attention in Miami Vice, the Ferrari Daytona and Testarossa. During the first two seasons and two episodes of the third season, Detective Sonny Crockett drove a black 1972 Ferrari Daytona Spyder 365 GTS/4<ref name=kitcar13/> kit replica built on a Chevrolet Corvette C3 chassis.<ref name=kitcar14>Template:Cite journal</ref> The car was fitted with Ferrari-shaped body panels by specialty car manufacturer McBurnie Coachcraft.<ref name=gromer>Template:Cite journal</ref> Once the car gained notoriety,<ref name=kitcar14/> Ferrari Automobili filed suit demanding that McBurnie and any others cease and desist producing and selling Ferrari replicas and infringing upon the Ferrari name and styling.<ref name=kitcar14/> As a result, the Daytona lasted until season 2, at which point it was "blown up" in the season three premiere episode, "When Irish Eyes Are Crying".<ref name=kitcar13>Template:Cite journal</ref><ref name=gromer/> Neither the kit car nor its backup were actually destroyed, as the production company simply blew up a small, plastic model for both cost and safety reasons. The fake Ferraris were removed from the show, with Ferrari donating two brand new 1986 Testarossas as replacements.<ref name=kitcar15>Template:Cite journal</ref> The Ferrari Daytona is the subject of a huge continuity error on the show, when it suddenly reappears in "El Viejo", six episodes after its destruction, without explanation. Originally "El Viejo" was set to be the third season premiere, but studio executives felt the Daytona's destruction would serve as a more dramatic opening to the season. Don Johnson's contract holdout at the start of the season also played a part, delaying filming to the point where "El Viejo" could not finish in time for the season premiere.

The series' crew also used a third Testarossa lookalike, which was the stunt car.<ref name=kitcar15/> Carl Roberts, who had worked on the Daytona kit cars, offered to build the stunt car.<ref name=kitcar15/> Roberts decided to use a 1972 De Tomaso Pantera, which had the same wheelbase as the Testarossa and thus was perfect for the body pieces.<ref name=gromer/><ref name=kitcar15/> The vehicle was modified to withstand daily usage on set, and continued to be driven until the series ended.<ref name="kitcar15"/>

Crockett was also seen driving a black 1978 Porsche 911 SC Targa in a flashback to 1980 in the Season 3 episode "Forgive Us Our Debts."

Crockett's partner, Ricardo Tubbs, drove a 1964 Cadillac Coupe de Ville Convertible.<ref name=gromer/><ref name=correction>Template:Cite journal</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Stan Switek drove a turquoise 1961 Ford Thunderbird.<ref name=gromer/> Gina Calabrese drove a 1971 Mercury Cougar XR-7 convertible.Template:Citation needed When Stan and Larry were undercover, they drove a Dodge Ram Van.<ref name=themaze>Template:Cite episode</ref><ref name=cardb/> Other notable vehicles that appear in Miami Vice include Lamborghinis,<ref name=cardb>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> AMG Mercedes-Benzes, BMWs, Maseratis, Lotuses, DeLoreans, Porsches, and Corvettes.<ref name=cardb/> American muscle cars, such as the Pontiac GTO and Firebird Trans Am, Ford Mustang, Chevrolet Camaro, Plymouth GTX and Barracuda, Chevrolet Monte Carlo SS, and the Buick Grand National also made appearances.<ref name=gromer/><ref name=cardb/>

Boats and seaplanes

Throughout the series, Sonny Crockett lived on an Endeavour sailboat, St. Vitus' Dance,<ref name=boatsofmiamivice/> while in the pilot episode, Crockett is seen on a 38-foot Cabo Rico sailboat.<ref name=boatsofmiamivice/> In season 1, he is seen living on an Endeavour 40 sailboat, while in the rest of the series (seasons 2 to 5) he is seen living on an Endeavour 42 sailboat (priced at $120,000 in 1986). The allure of the sailboats was such that the Endeavour 42 used for the 1986 season of Miami Vice was sold to a midwest couple, while the Endeavour 40, was sold to a chartering service in Fort Lauderdale. At the same time, Endeavour was building a new 42 for the 1987 season of Miami Vice.<ref name=boatsofmiamivice/>

In the pilot episode, and for the first season,<ref name=chriscraft>Template:Cite press release</ref> Crockett piloted a Chris-Craft Stinger 390 X – a 39-foot deep-v offshore racing boat. For the other four Stingers, Chris-Craft showed the production crew a color scheme that included the red – however, since Michael Mann decided that the color red was to never show up on the show, a blue color scheme was chosen instead. The Stingers used on the show were not free from Chris-Craft. This situation caused the production team to switch to using Wellcraft 38 Scarab KVs for the remainder of the show.<ref name=popularmechanics/><ref name=boatsofmiamivice/><ref name=scarab>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The Scarab 38 KVs were a 28-hued, twin 440-hp boat that sold for $130,000 in 1986.<ref name=boatsofmiamivice>Template:Cite journal</ref>

As a result of the attention the Scarab 38 KV garnered on Miami Vice, Wellcraft received "an onslaught of orders", increasing sales by 21% in one year.<ref name=boatsofmiamivice/> In appreciation, Wellcraft gave Don Johnson an exact duplicate of the boat. Afterward, Johnson was frequently seen arriving to work in it.<ref name=boatsofmiamivice/> Altogether, 100 copies of the boat , dubbed the Scarab 38KV Miami Vice Edition, were built by Wellcraft.<ref>Template:Cite journal</ref> The Miami Vice graphics and color scheme, which include turquoise, aqua, and orchid, was available by special order on any model Scarab from 20 to 38 feet.<ref name=popularmechanics/>

Don Johnson also participated in the design of the Scarab Excel 43 ft, Don Johnson Signature Series (DJSS), and raced a similar one.<ref name=starshipvice>Template:Cite journal</ref> The DJSS was powered by twin 650-hp Lamborghini V-12 engines, which caused some problems to the design of the boat due to their size.<ref name=starshipvice/> Overall the boat cost $300,000 with each engine amounting to between $60–$70,000.<ref name=starshipvice/> His interest in boat racing eventually led Johnson to start his own offshore powerboat racing team, named Team USA.<ref name=donkurtnorrisracing>Template:Cite journal</ref> Joining him were Hollywood stars including Kurt Russell and Chuck Norris. Johnson won the Offshore World Cup in 1988 and continued racing into the 1990s.<ref name=donkurtnorrisracing/>

In the show's opening credits, along with both the pilot episode, "Brother's Keeper", and the season 4 episode, "Baseballs of Death", a Grumman Turbo Mallard (G-73T) amphibious airplane (registration # N2969), operated by Chalk's International Airlines made appearances. In the pilot episode, the drug dealer Calderone used N2969 to successfully escape from Crockett and Tubbs at the climax of the episode.<ref>"Brothers Keeper Part 2". Miami Vice. Season 1. Episode 2. September 16, 1984. NBC.</ref> In the latter episode, Guerrero made an attempt to escape from the vice team in N2969 but ran out of fuel and was killed after he stole a fisherman's boat which then ran ashore and exploded.<ref>"Baseballs of Death". Miami Vice. Season 4. Episode 14. February 19, 1988. NBC.</ref> In December 2005, N2969 suffered a catastrophic structural failure when the right wing separated from the fuselage as the plane climbed out of Miami bound for the Bahamas. Both crew members and all 18 passengers were killed upon impact with the water.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Episodes

{{#invoke:Labelled list hatnote|labelledList|Main article|Main articles|Main page|Main pages}} List of Miami Vice episodes

Overview

Scripts were loosely based on actual crimes that occurred in Miami over the years.<ref name=nbcmiamivice/> This included both local, international, and global organized crime. Many episodes focused on drug trafficking (for which real-life Miami was a main hub and entrance point into North America in the early 1980s). Other episodes were based on crimes such as firearms trafficking,<ref>e.g. episodes "No Exit", airing November 9, 1984; "Evan", airing May 3, 1985; "When Irish Eyes Are Crying", airing September 26, 1986</ref> for which Miami was equally a gateway for sales to Latin America, as well as the Miami River Cops scandal (a real police corruption ring that involved narcotic thefts, drug dealing and murders), street prostitution, serial home burglaries,<ref>episode "The Home Invaders", airing March 15, 1985</ref> crimes committed by Cuban immigrants to Miami following the Mariel boatlift,<ref>e.g. episode "Brother's Keeper", airing September 16, 1984</ref> and yakuza and Mafia activity in Miami.<ref>e. g. episodes "Lombard", airing May 10, 1985; "The Rising Sun of Death", airing December 4, 1987</ref> The series also took a look at political issues such as the Northern Ireland conflict,<ref name=irisheyes>"When Irish Eyes Are Crying", airing September 26, 1986.</ref> the drug war in South America (e.g. "Prodigal Son"), U.S. support of generals and dictators in Southeast Asia and South America,<ref name=goldentriangle>"Golden Triangle Pt. 1", airing January 22, 1985.</ref> and the aftermath of the Vietnam War.<ref>Episodes "Back in the World", airing December 6, 1985; "Stone's War", airing October 3, 1986; "Duty And Honor / The Savage", airing February 6, 1987</ref> Social issues like child abuse, homophobia,<ref name="Evan">Episode "Evan", airing May 3, 1985</ref> and the AIDS crisis<ref name=godswork /> were also covered.

Personal issues also arose: Crockett separated from his wife Caroline (Belinda Montgomery) in the pilot and divorced in the fourth episode, and later his second wife Caitlin Davies (Sheena Easton) was killed by one of his enemies. In the three episodes "Mirror Image", "Hostile Takeover", and "Redemption in Blood", a concussion caused by an explosion caused Crockett to believe he was his undercover alter ego Sonny Burnett, a drug dealer. Tubbs had a running, partly personal vendetta with the Calderone family, a member of which ordered the death of his brother Rafael, a New York City Police detective. Lieutenant Martin Castillo is also frequently haunted by his past in Southeast Asia, which he had spent as a DEA agent in the Golden Triangle.<ref>e.g. episodes "Golden Triangle Pt. I", airing January 11, 1985; "Golden Triangle Pt II", airing January 18, 1985; "Bushido", airing November 22, 1985; "Duty and Honor / The Savage", airing February 6, 1986; "Heart of Night", airing November 18, 1988</ref>

{{ safesubst:#invoke:Unsubst||date=__DATE__ |$B= Template:Ambox }} In the first seasonsTemplate:Vague the tone was lighter, especially when comical characters such as police informants Noogie Lamont (Charlie Barnett) and Izzy Moreno (Martin Ferrero) appeared. Later the content was darker and cynical, with Crockett and Tubbs fighting corruption, and storylines emphasizing the aspect of human tragedy behind a crime. The darker episodes sometimes lacked a denouement, each episode ending abruptly after a climax involving violence and death, often giving the episodes a despairing and sometimes nihilistic feel, despite the trademark glamour and conspicuous wealth.

Given its idiosyncratic "dark" feel and touch, Miami Vice is frequently cited as an example of made-for-TV neo-noir. Michael Mann, who serves as executive producer for the majority of the show's five-year run, is often credited with being one of the most influential neo-noir directors. The second-season episode "Out Where the Buses Don't Run" ranks #90 on [[TV Guide's 100 Greatest Episodes of All Time|TV GuideTemplate:'s 100 Greatest Episodes of All Time]] list.<ref>Template:Cite magazine</ref>

Changes

During its five-year run, Miami Vice underwent several noticeable changes in its formula and content. Between seasons one and two, however, these changes were mostly subtle and involved details such as the degree of perfection with which color shades of scene backdrops, props and clothing are matched to each other.

For its third season in 1986–87 after the cancellation of Knight Rider, the show moved from its traditional time slot of 10Template:Nbsppm on Friday nights to 9Template:Nbsppm, which now put it up against perennial Top 10 show Dallas. This began the show's decline, and in March, 1987, TV Guide ran a cover story entitled, "Dallas Drubs the Cops: Why Miami Vice Seems to be Slipping."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Miami ViceTemplate:'s season ratings slipped from #9 in Season 2 down to #27 by the end of Season 3.<ref name="The Miami News">{{#invoke:citation/CS1|citation |CitationClass=web }}Template:Dead link</ref>

Before leaving the series to work on his new television series, Crime Story,<ref name=true4/> Michael Mann handed the role of executive producer to future Law & Order creator Dick Wolf<ref>Template:Cite news</ref> prior to the third season (1986–1987).<ref name=true4>Template:Cite episode</ref> Wolf had the show focus on contemporary issues<ref name=true4/> like the Troubles in Northern Ireland and capital punishment.<ref name=true4/>

In addition to losing the battle against new timeslot rival Dallas, the general tone of season 3 episodes started to become more serious and less lighthearted than in previous seasons. Comedic scenes and subplots became distinctly rare. True to Dick Wolf's "grabbed from the headlines" approach which he later employed in TV series like Law & Order, storylines focused more on the serious human aspect of crime than on glamorizing the tropical lifestyles of drug dealers and other high-profile criminals. This shift in tone also reflected in the series' fashions, color schemes, and its choice of music. The cast started wearing pronouncedly dark clothing and even earthtones, which had famously been avoided by executive producer Michael Mann in seasons one and two. Color palettes of scene backdrops started becoming much darker as well, with pastels replaced by harsher-appearing shades of neon.<ref name="What 1987, p. 26">"What's Black and Blue and Hurtin' All Over? Miami Vice, Pal!", TV Guide, March 11, 1987, p. 26 f.</ref> Whereas seasons one and two always featured a diverse selection of contemporary, mostly "upbeat" chart music and classic rock and pop, the third season's music lineup became much more somber, with songs like "In Dulce Decorum" by The Damned, "Lives in the Balance" by Jackson Browne, "Mercy" by Steve Jones,<ref>Miami Vice II soundtrack album, released December 29, 1986</ref> and "Never Let Me Down Again (Aggro Mix)" by Depeche Mode.<ref>Episode "Everybody's in Showbiz", airing May 1, 1987</ref> All these changes were decidedly unwelcome, both by critics and by many viewers who had become fans of the TV series, due to the package that the first two seasons delivered.<ref name="What 1987, p. 26"/> It caused the producers to retool their approach to Miami Vice for the following fourth season.

By Season 4, most of the original writers had left the series. Stories and story arcs included a courtship and marriage between Sonny Crockett (Don Johnson) and Caitlin Davies (Sheena Easton), and a plot in which Crockett developed amnesia, during which he mistook himself for his drug dealer alter ego and became a hitman. Caroline Crockett, Sonny's first wife, as well as his son Billy reappeared briefly.

Jan Hammer departed from the series at the end of the fourth season, having already handed much of the weekly scoring workload during the season over to John Petersen. The tone of many season 4 episodes grew lighter again, albeit sometimes veering off into the bizarre, e.g. episodes like "The Big Thaw", "Missing Hours", and "The Cows of October". Fashions and scene backdrops largely reassumed the pastel hues of seasons 1 and 2, and the choice of music became more varied again. Hopes by the producers of propitiating former and remaining fans this way only materializing very mutedly, and reception was lukewarm, as evidenced by the show's still declining ratings during season four.<ref>"If It's Not Too Late ... Here's How Miami Vice Can Revive Its Magic", TV Guide, March 19, 1988</ref>

The fifth season (1988–1989) saw the show return to its original timeslot, 10Template:Nbsppm on Friday nights and took the show on a yet more serious tone,<ref name=true5/> with storylines becoming dark and gritty – enough so that even some of the most loyal fans were left perplexed.<ref name=true5>Template:Cite episode</ref> Some of the lack of script quality could be attributed to the Writers Guild strike throughout spring and summer of 1988, which ended just before filming of season 5 began, but greatly impacted its preparation. Tim Truman took over scoring the episodes for the remainder of the series' run and brought with him a style of instrumental synthesizer music that was markedly different from Jan Hammer's.

Cancellation

After still-declining ratings during the fourth season, NBC originally planned to order just a shortened fifth season of only 13 episodes, but eventually settled for another full run, which was, either way, going to be the final season. At the beginning of season five, Olivia Brown recalled, "The show was trying to reinvent itself."<ref>Template:Cite episode</ref> Dick Wolf said in an interview for E! True Hollywood Story, after the fifth season, it was all just "...kind of over",<ref name=truewolff>Template:Cite episode</ref> and that the show had "run its course".<ref name=truewolff/>

In May 1989, NBC aired the two-hour series finale, "Freefall". Despite its status as the "series finale", there were three episodes that did not air ("World of Trouble", "Miracle Man", and "Leap of Faith"), which appeared during the June re-runs as "Lost Episodes". A fourth, previously unaired episode, "Too Much Too Late", was aired for the first time in 1990, on the USA Network. It has since been run by other networks in syndication with the fifth season episodes.

Cast

File:Nbc miami vice 02.jpg

Group photo of the cast members of Miami Vice (from left to right): (top) John Diehl, Michael Talbott, Saundra Santiago (middle) Edward James Olmos, Olivia Brown, Philip Michael Thomas (bottom) Don Johnson, taken during the second season.

Name	Portrayed by	Occupation	Seasons					Duration
			1	2	3	4	5
James "Sonny" Crockett	Don Johnson	Detective Sergeant	Main					1x01–5x21
Ricardo "Rico" Tubbs	Philip Michael Thomas	Detective Sergeant	Main					1x01–5x21
Gina Navarro Calabrese	Saundra Santiago	Detective	Main					1x01–5x21
Stanley "Stan" Switek	Michael Talbott	Detective	Main					1x01–5x21
Trudy Joplin	Olivia Brown	Detective	Main					1x01–5x21
Lawrence "Larry" Zito	John Diehl	Detective	Main					1x01–3x13
Lou Rodriguez	Gregory Sierra	Detective Lieutenant	Main					1x01–1x04
Martin "Marty" Castillo	Edward James Olmos	Detective Lieutenant	Main					1x06–5x21

Main characters

• Don Johnson as Detective James "Sonny" Crockett: An undercover detective of the Metro-Dade Police Department. A former Florida Gators star wide receiver,<ref name=bio>Template:Cite news</ref> he sustained a knee injury which put an end to his sports career. He served two tours in Vietnam – or as he calls it, the "Southeast Asia Conference". He joined Metro-Dade as a uniformed patrol officer and later an undercover detective of the vice unit. Crockett's alias is Sonny Burnett, a drug runner and middleman. His vehicles include a Ferrari Daytona Spyder<ref name="gromer"/> (later a Ferrari Testarossa),<ref name=kitcar14/> a "Scarab" offshore power boat,<ref name=scarab/> and a sailboat<ref name=boatsofmiamivice/> on which he lives with his pet alligator Elvis. The name "Sonny Crockett" had previously been used for a criminal played by actor Dennis Burkley on Hill Street Blues in 1983, where creator Anthony Yerkovich was a writer. Coincidentally, Gregory Sierra who later plays Crockett's boss on Vice appears in the same episodes.
• Philip Michael Thomas as Detective Ricardo "Rico" Tubbs: A former New York Police Department detective<ref name=bio/> who traveled to Miami as part of a personal vendetta against Calderone, the man who murdered his brother Rafael.<ref name=bio/> After temporarily teaming up with Crockett, Tubbs follows his friend's advice and transfers to "a career in Southern law enforcement", fearing that after his serious violations of NYPD codes of conduct in the pilot episode, he would not be able to resume his job in New York. He joins the Miami department and becomes Crockett's permanent partner. He often poses as Rico Cooper, a wealthy buyer from out of town.
• Edward James Olmos as Lieutenant Martin "Marty" Castillo: He replaces the slain Rodriguez as head of the OCB. A very taciturn man,<ref>Template:Cite book</ref> Castillo lives a reclusive life outside of work. He was formerly a DEA agent in the Golden Triangle of Southeast Asia during the late 1970s. During his time with the DEA he opposed the CIA in endorsing the trafficking of heroin to finance their overseas operations.
• Saundra Santiago as Detective Regina "Gina" Navarro Calabrese: A fearless female detective, who after Crockett's divorce, had a brief romance with him. Even though their relationship did not progress they still had a strong friendship.
• Olivia Brown as Detective Trudy Joplin: Gina's detective partner. Though tough, she sometimes struggles to cope with the consequences of her job, such as when she shoots and kills a man. Later in the series she has an encounter with a UFO and an alien portrayed by James Brown.
• Michael Talbott as Detective Stanley "Stan" Switek: A fellow police detective and Larry Zito's best friend. Although a good policeman, later on in the series he falls prey to a gambling addiction. He is also a big fan of Elvis Presley.
• John Diehl (1984–1987) as Detective Lawrence "Larry" Zito:<ref name=diehl>Template:Cite news</ref> A detective and Switek's surveillance partner and best friend. He is killed in the line of duty when a drug dealer gives him a fatal overdose.<ref name=diehl/>
• Gregory Sierra (1984) as Lieutenant Louis "Lou" Rodriguez: A police lieutenant who serves as commander of the Vice Unit. He is killed in the fourth episode by an assassin hired to kill Crockett.

Recurring characters

• Charlie Barnett (1984–1987) as Nugart Neville "Noogie" Lamont: A friend of Izzy's and informant for Crockett and Tubbs. His role was largely taken over by Izzy Moreno after the first season. In his final appearance in Season 4, his role is reduced from street informant to comic relief.
• Sheena Easton (1987–1988) as Caitlin Davies-Crockett: A pop singer who is assigned a police bodyguard, Crockett, for her testimony in a racketeering case. While protecting Caitlin, Sonny falls in love with her and they marry. Months after their marriage, Caitlin is killed by one of Crockett's former nemeses. Sonny later learns she was seven weeks pregnant, causing him further emotional turmoil.
• Martin Ferrero (1984–1989) as Isidore "Izzy" Moreno: A petty criminal and fast talker, Izzy is always known for getting into quick money schemes and giving Crockett and Tubbs the latest information from the street.
• Jose Perez (1985, 1989) as Juan Carlos Silva, a drug dealer and father of Rosetta Silva, and as Jorge "Georgie" Esteban, cousin of Izzy Moreno.
• Pam Grier (1985, 1989) as Valerie Gordon: A New York Police Department Officer and on-and-off love interest of Tubbs.
• Belinda Montgomery (1984–1989) as Caroline Crockett/Ballard: Crockett's former wife who moves to Ocala, Florida to remarry and raise their child, Billy. Caroline was having a baby with her second husband in her last appearance.

Guest appearances

{{#invoke:Labelled list hatnote|labelledList|Main article|Main articles|Main page|Main pages}}

File:Mv bruce willis.jpg

Edward James Olmos, Bruce Willis (center), and Don Johnson in the episode "No Exit"

Many actors, actresses, musicians, comedians, athletes and celebrities appear throughout the show's five-season run. They play many different roles from drug dealers to undercover cops to madams. The full list can be seen at the link above, as this is just a partial list. Musicians include Sheena Easton, John Taylor, Andy Taylor, Willie Nelson,<ref name=elviejo>Template:Cite episode</ref> Gene Simmons,<ref name=prodigal>Template:Cite episode</ref> and Ted Nugent<ref name=definitelymiami>Template:Cite episode</ref> Additionally Glenn Frey,<ref name=smuggler>Template:Cite episode</ref> Frank Zappa,<ref name=payback>Template:Cite episode</ref> Phil Collins,<ref name=philtheshill>Template:Cite episode</ref> Miles Davis,<ref name=junklove>Template:Cite episode</ref><ref>Template:Cite news</ref> Frankie Valli,<ref name=buddies>Template:Cite episode</ref> Little Richard,<ref name=outwherethebuses/> James Brown,<ref name=missinghours>Template:Cite episode</ref> Leonard Cohen,<ref name=frenchtwist>Template:Cite episode</ref> the Power Station,<ref name=whateverworks>Template:Cite episode</ref> Coati Mundi,<ref name="smuggler"/><ref name=noexit>Template:Cite episode</ref> and Eartha Kitt.<ref name=whateverworks/>

Other personalities include auto executive Lee Iacocca<ref name=sonsandlovers/> and Watergate conspirator G. Gordon Liddy.<ref>Template:Cite episode</ref><ref name=stoneswar>Template:Cite episode</ref><ref name=realestate>Template:Cite news</ref> Athletes include Boston Celtics center Bill Russell, Bernard King,<ref name=thefix>Template:Cite episode</ref> racecar driver Danny Sullivan,<ref name=florenceitaly>Template:Cite episode</ref> and boxers Roberto Durán,<ref name=payback/> and Randall "Tex" Cobb.<ref name=downforthecount1>Template:Cite episode</ref><ref name=downforthecount2>Template:Cite episode</ref>

Notable actors include Dean Stockwell,<ref name=bushido/> Pam Grier,<ref name=prodigal/><ref name=ritesofpassage>Template:Cite episode</ref><ref name=toomuchtoolate>Template:Cite episode</ref> Clarence Williams III,<ref name=dutchoven>Template:Cite episode</ref> and Brian Dennehy.<ref name=amensendmoney/>

The show frequently features guest appearances from up-and-coming actors and actresses, including: Laurence Fishburne, Viggo Mortensen, Dennis Farina,<ref name=oneeyedjack>Template:Cite episode</ref><ref>Template:Cite episode</ref><ref>Template:Cite episode</ref> Stanley Tucci,<ref name=babyblues>Baby Blues", airing November 21, 1986.</ref><ref name=contemptofcourt>Template:Cite episode</ref><ref name=bloodandroses>Template:Cite episode</ref> Jimmy Smits,<ref name=brotherkeeper>Template:Cite episode</ref> Bruce McGill,<ref name=outwherethebuses>Template:Cite episode</ref> David Strathairn,<ref name=outwherethebuses/> Ving Rhames,<ref name=themaze/><ref name=childsplay>Template:Cite episode</ref> Liam Neeson,<ref name=irisheyes/> Lou Diamond Phillips,<ref name=redtape>Template:Cite episode</ref> Bruce Willis,<ref name="noexit"/> Ed O'Neill,<ref name=heartofdarkness>Template:Cite episode</ref> and Julia Roberts.<ref name=mirrorimage>Template:Cite episode</ref> Additionally Michael Madsen,<ref name=givealittle>Template:Cite episode</ref> Ian McShane,<ref name=knockknock>Template:Cite episode</ref><ref name=Freefall>Template:Cite episode</ref> Bill Paxton,<ref name=streetwise>Template:Cite episode</ref> Luis Guzmán,<ref name=prodigal/><ref name=freeverse>Template:Cite episode</ref> Kyra Sedgwick,<ref name=philtheshill/> Esai Morales,<ref name=godswork>Template:Cite episode</ref><ref name=homeinvaders>Template:Cite episode</ref> Terry O'Quinn,<ref name=givealittle/> Joaquim de Almeida,<ref name=NicoArroyo>Template:Cite episode</ref> Wesley Snipes,<ref name=streetwise/> John Turturro,<ref name=ritesofpassage/> Melanie Griffith<ref name=byhooker>Template:Cite episode</ref> and Annie Golden to name a few. Notable comedians included: John Leguizamo,<ref name=sonsandlovers>Template:Cite episode</ref><ref name=afternoonplane>Template:Cite episode</ref><ref name=victimsofcircumstance>Template:Cite episode</ref> David Rasche,<ref name=bushido>Template:Cite episode</ref> Ben Stiller,<ref name=amensendmoney>Template:Cite episode</ref> Chris Rock,<ref name=missinghours/> Tommy Chong,<ref name=trustfund>Template:Cite episode</ref> Richard Belzer,<ref name=trustfund/> and Penn Jillette.<ref name=prodigal/>

Reception

Awards and nominations

{{#invoke:Labelled list hatnote|labelledList|Main article|Main articles|Main page|Main pages}}

Ratings

Season	Time slot (ET)	Rank	Rating<ref>Template:Cite book</ref>
1984–85	Sunday at 9:00Template:Nbsppm (Episode 1: 2 hour pilot) Friday at 10:00Template:Nbsppm (Episodes 2-23)	Not in the Top 30
1985–86	Friday at 9:00Template:Nbsppm (Episodes 1 and 2: 2 hour season premiere) Friday at 10:00Template:Nbsppm (Episodes 3–23)	9	21.3
1986–87	Friday at 9:00Template:Nbsppm	26	16.8 (Tied with Knots Landing)
1987–88	Friday at 9:00Template:Nbsppm (Episodes 1–18) Friday at 10:00Template:Nbsppm (Episodes 19–22)	Not in the Top 30
1988–89	Friday at 10:00Template:Nbsppm (Episodes 1–8, 14) Friday at 9:00Template:Nbsppm (Episodes 9–13, 15–16) Sunday at 9:00Template:Nbsppm (Episodes 17 and 18: 2 hour finale) Wednesday at 10:00Template:Nbsppm (Episodes 19–21)

Series Finale: 22 million viewers & a 14.7 rating on May 21, 1989 from 9 to 11Template:Nbsppm. Competition: Everybody's Baby: The Rescue of Jessica McClure (22.9 rating) & Mickey Spillane's Mike Hammer: Murder Takes All (12.8 rating)

Final Airing on NBC: 16.1 million viewers/11.1 rating (June 28, 1989) China Beach drew 10.8 million viewers/8 rating.

In the UK, the series was first aired on BBC One, beginning on Monday, February 4, 1985 at 9:25 pm.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> It then began airing on Tuesdays at 9:25 pm, before moving to Thursdays in July. Season 1 concluded on August 8, 1985.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Season 2 was shown between April 8 and July 15, 1986, and again from July 18 to October 3, 1987.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Seasons 3-5 began airing on July 4, 1988<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and ended with the finale "Freefall" on August 20, 1990 at 11:00 pm.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

In (West) Germany, the series began airing on ARD on December 6, 1986. Seasons 1-3 were aired between 1986 and April 16, 1988, at first on Tuesdays at 9:45 pm, later on Saturday evenings.<ref>Template:Citation</ref> A few omitted episodes would be aired during 1988-1989. Seasons 4 and 5 aired between October 1991 and September 1992.<ref>Template:Citation</ref>

In Italy, the series began airing on Rai 2 on April 13, 1986.

Critical response

Template:Expand section The series initially attracted controversy and polarized reactions; detractors objected to the show's usage of violence by dressing it with pretty photography, and others accused the show of relying more on visual aspects and music than on coherent stories and fully drawn characters.<ref name=coolcops/> Civic leaders in Miami have also objected to the show's airing of the city's crime problems all across America.<ref name=coolcops/> Most civic leaders, however, were placated due to the show's estimated contribution of $1 million per episode to the city's economy and because it boosted tourism to Miami.<ref name=coolcops/> Gerald S. Arenberg of the National Association of Chiefs of Police criticized the show's glamorous depiction of vice squads, saying "no real vice cops chase drug dealers in a Ferrari while wearing $600 suits. More often than not, they're holed up in a crummy room somewhere, wearing jeans with holes in them, watching some beat-up warehouse in a godforsaken part of town through a pair of dented binoculars".<ref name="Arenberg">Template:Cite news</ref>

At the 1985 Emmy Awards Miami Vice was nominated for 15 Emmy Awards,<ref name=coolcops/><ref name=emmys/> including "Outstanding Writing in a Dramatic Series", "Outstanding Film Editing", "Outstanding Achievement for Music Composition for a series (dramatic underscore)", and "Outstanding Directing".<ref name=emmys/> At the end of the night, Miami Vice only won four Emmys. The following day, the Los Angeles Herald-Examiner concluded that more conservative Emmy voters rejected the show's portrayal of hedonism, violence, sex, and drugs.<ref>Template:Cite episode</ref>

The show's reputation has grown over time. Television critics Alan Sepinwall and Matt Zoller Seitz ranked Miami Vice as the 51st greatest American television series of all time in their 2016 book titled TV (The Book), with Seitz stating how the show was more influenced by 1960s art house cinema from Europe than by any other contemporary television drama: "Miami Vice superimposed 'ripped-from-the-headlines' details about drug smuggling, arms dealing, and covert war onto a pastel noir dreamscape. It gave American TV its first visionary existential drama".<ref>Template:Cite book</ref>

Impact on popular culture

File:Ferrari-daytona-rc.jpg

Replica 1972 Ferrari Daytona Spyder (actually a modified Chevrolet Corvette), The car driven by Don Johnson in Miami Vice until season three.

Miami Vice was a groundbreaking police program of the 1980s.<ref name=impact>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> It had a notable impact on the decade's popular fashions<ref name=coolcops/><ref name=fashion/> and set the tone for the evolution of police drama. Series such as Homicide: Life on the Street, NYPD Blue, and the Law & Order (franchise), though being markedly different in style and theme from Miami Vice, follows its lead in breaking the genre's mold; Dick Wolf, creator and executive producer of the Law & Order franchise, was a writer and later executive producer of Miami Vice.<ref name=impact/> Parodies and pastiches of it have continued decades after it airs, such as the Only Fools and Horses Christmas episode "Miami Twice" (1991) and Moonbeam City (2015).

The video game Grand Theft Auto: Vice City, published by Rockstar Games in 2002, is heavily inspired by Miami Vice in multiple ways. It is set in a stylized 1980s Miami-inspired fictional city named "Vice City".<ref name="GTA">Template:Cite magazine</ref> One of the main characters, Lance Vance, was voiced by Philip Michael Thomas. "Crockett's Theme" is featured on the Emotion 98.3 in-game radio station.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Two undercover police officers chosen from a selection of six character models appear in a police sports car within the game when the player obtains a three-star wanted level. These six officers resemble characters from Miami Vice. In the prequel, Grand Theft Auto: Vice City Stories, there are two officers in the multiplayer mode named Cracker and Butts, an apparent parody of Crockett and Tubbs; their character models are also used for the undercover police squad.Template:Cn

Many of the fashion styles and trends popularized by the TV show, such as fast cars and speed boats, unshaven beard stubble, a T-shirt under pastel suits, no socks, rolled up sleeves, boat shoes and Ray Ban sunglasses symbolize the stereotypical image of 1980s fashion and culture.<ref name=fashion/><ref name=wayfarer/>

The show also had a lasting impact on Miami itself. It drew a large amount of media attention to the beginning revitalization of the South Beach and Art Deco District areas of Miami Beach, as well as other portions of Greater Miami, and increases tourism and investment. Even 30 years after Miami Vice first airs, it is still responsible for its share of tourist visits to the city.<ref name="BBCtravel">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The fact that Crockett and Tubbs were Dade County officers and not City of Miami police represents the growing notion of metro government in Miami. In 1997, a county referendum changed the name from Dade County to Miami-Dade County. This allows people to relate the county government to recognize notions and images of Miami, many of which were first popularized by Miami Vice. The Dade County Sheriff's Office became the Miami-Dade Sheriff's Office.

Home media

Universal Studios has released all Miami Vice seasons on DVD for regions 1, 2, and 4. Seasons 1 & 2 were released in 2005, and seasons 3 through 5 were released in 2007.<ref name=season1>Template:Cite news</ref><ref name=season2>Template:Cite news</ref><ref name=season3and4>Template:Cite news</ref><ref name=season5>Template:Cite news</ref> The DVD release of the series had been significantly slow due to one of the signature features of the show: the heavy integration of 1980s pop and rock music. The music was difficult to source the rights to and acquire permission to use.<ref name=music>Template:Cite news</ref> (On at least one MCA/Universal Home Video VHS release of the pilot, The Rolling Stones' song "Miss You" had been replaced by generic rock music.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>) In the November 2004 announcement for the DVD release of the series, Universal promises that all original music in the series would be intact.<ref name=season1/><ref>Template:Cite news</ref><ref>Template:Cite news</ref> On August 21, 2007 Universal announces the November 13, 2007 release of the complete series, with all five seasons on 27 single-sided DVDs.<ref name=complete/> The seasons are in their own Digipak-style cases, and the set is housed in a faux alligator-skin package.<ref name=complete/> Seasons 1 & 2 contained six single-sided discs, rather than the three double-sided discs in the initial release.<ref name=complete>Template:Cite news</ref> The Region 2 version has different packaging, does not use double-sided discs, and although there are no special features stated on the packaging they are contained within the season 1 discs.

On March 8, 2016, it is announced that Mill Creek Entertainment had acquired the rights to the series in Region 1; they subsequently re-released the first two seasons on DVD on May 3, 2016.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

On October 4, 2016, Mill Creek re-released Miami Vice – The Complete Series on DVD and also released the complete series on Blu-ray.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

DVD name	Ep#	Release dates			Special features
		Region 1	Region 2	Region 4
Season One	22	February 8, 2005<ref name=season1/>	citation	CitationClass=web }}</ref>	citation	CitationClass=web }}</ref>	"The Vibe of Vice", "Building the Perfect Vice", "The Music of Vice", "Miami After Vice"
Season Two	22	November 22, 2005<ref name=season2/>	citation	CitationClass=web }}</ref>	citation	CitationClass=web }}</ref>
Season Three	24	March 20, 2007<ref name=season3and4/>	citation	CitationClass=web }}</ref>	citation	CitationClass=web }}</ref>
Season Four	22	March 20, 2007<ref name=season3and4/>	citation	CitationClass=web }}</ref>	citation	CitationClass=web }}</ref>
Season Five	21	June 26, 2007<ref name=season5/>	citation	CitationClass=web }}</ref>	July 29, 2009<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>
Seasons One & Two	44	N/A	citation	CitationClass=web }}</ref>	N/A
The Complete Series	111	November 13, 2007<ref name=complete/><ref>Template:Cite news</ref>	citation	CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	TBA	Same special features from season one.

External links

• [https://www.imdb.com/{{#if: 0086759

 | title/{{#if: {{#invoke:ustring|match|1=0086759|2=^tt}}
   | Template:Trim/
   | tt0086759/
   }}
 | {{#if: {{#property:P345|from=}}
   | title/Template:First word/
   | find?q=%5B%5B%3ATemplate%3APAGENAMEBASE%5D%5D&s=tt
   }}
 }}{{#ifeq: {{#invoke:If any equal|main|Q618779|Q67325957|Q33999|value=Template:Wikidata}} | yes 
     | {{#switch: Template:Wikidata 
       | Q618779 
       | Q67325957  = awards Awards for
       | Q33999  = fullcredits Full cast and crew of
       }}
   | {{#if: Template:Wikidata 
     | {{#switch: Template:Wikidata
       | Q63032896 
       | Q66763446  = fullcredits Full cast and crew of
       | Q107974527 
       | Q482994  = soundtrack Soundtrack of
       }}
     }}
   }} Template:Trim] at {{#if: | IMDb | IMDb }}Template:EditAtWikidata{{#invoke:Check for unknown parameters|check|unknown=Template:Main other|preview=Page using Template:IMDb title with unknown parameter "_VALUE_"|showblankpositional=1| 1 | 2 | 3 | description | id | link_hide | qid | quotes | title }}{{#switch: {{#invoke:String2|matchAny|^tt.........|^tt.......|tt|.........|source=0086759|plain=false}}| 1 | 3 = Template:Main otherTemplate:Preview warning| 4 = Template:Main otherTemplate:Preview warning}}{{#if: 0086759 {{#property:P345}} || Template:Preview warningTemplate:Main other }}{{#switch: Template:Wikidata 

| Q21191270 | Q21664088 | Q50062923 | Q50914552 | Q99079902 | Q123186929 | Q55422400 | Q61220733 =Template:Preview warning | Q3464665 =Template:Preview warning }}{{#ifeq: Template:Wikidata | Q21191270 |Template:Preview warning }}{{#if: 0086759 | Template:WikidataCheck }}

• Template:Rotten-tomatoes
• Miami Vice on NBC.com
• Miami Vice (Template:Webarchive) at the Museum of Broadcast Communications