Mick Karn
Template:Short description Template:EngvarB Template:Use dmy dates Template:Infobox musical artist
Andonis Michaelides (Greek: Αντώνης Μιχαηλίδης; 24 July 1958 – 4 January 2011), better known as Mick Karn, was a British musician who rose to fame as the bassist for the art rock/new wave band Japan. His distinctive fretless bass guitar sound and melodic playing style were a trademark of the band's sound.
Early lifeEdit
Karn was born Andonis Michaelides in Nicosia on 24 July 1958. When he was three, his Greek Cypriot parents moved with him to London, where he grew up. In his youth, he began playing mouth organ at the age of seven and violin at the age of eleven, before he took up playing bassoon for the school orchestra. As a bassoon player he performed with the London Schools Symphony Orchestra in a concert in October 1972 which was broadcast by Radio 4. However, when his bassoon was stolen and his school refused to buy him a new one, he bought a bass guitar for £5 from a school friend. At school he became friends with David Sylvian and his younger brother Steve. As an escape from their south London environment, they began to play music together, and in June 1974 they made their first public performance.<ref>Biography Mick Karn.net</ref>
CareerEdit
JapanEdit
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Initially with Karn as lead vocalist, their band christened themselves Japan in 1974. Joined by keyboardist Richard Barbieri and guitarist Rob Dean the following year, they signed a recording contract with German disco label Hansa in 1977, with which they recorded three studio albums and became an alternative glam rock outfit in the mould of David Bowie, T.Rex, and The New York Dolls.Template:Citation needed They switched to Virgin Records to record their subsequent albums Gentlemen Take Polaroids and Tin Drum.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
As the band started to achieve commercial success with the release of Tin Drum and specifically the single "Ghosts", which reached the top five in 1982, tensions and personality conflicts between band members arose. Tin Drum was to be the band's final studio album. Long-simmering differences among the band members came to a head when Karn's girlfriend, photographer Yuka Fujii, moved in with Sylvian, and the individual members forged ahead with their own projects.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>Also in the office that day was David Sylvian's former partner, Yuka Fujii. Once a girlfriend of Mick Karn, who now lives in Cyprus, Fujii had contributed to the unease within the band by leaving Karn for Sylvian. 'Being in the middle of all that was very difficult,' says Jansen. 'The tension back stage on tour was unbelievable. Mick has quite an ego on him. In those days he was very headstrong about what he wanted to do. He started to make plans for a solo album during the recording of Tin Drum, and Dave wasn't happy about that. And the girlfriend problem set it right off between them. Mick never really got over those issues. I don't think you can.'</ref> Karn said in an interview that as tensions with their record company had abated following Japan's commercial success, band members began focusing on personal differences rather than on the common enemy.<ref>Anil Prasad interview – 'How did becoming so successful so young affect you?'</ref>
Session work and solo projectsEdit
Karn played bass guitar and saxophone on Gary Numan's 1981 No.6 hit "She's Got Claws" and other tracks on its parent No.3 hit album, Dance.<ref>Steve Malins: Gary Numan Dance Beggars Banquet BBL 28 CD Booklet liner notes</ref> In November 1982, Karn released his first solo album, Titles, just as Japan had announced their split. In 1982, Karn wrote some material with Michael Finbarr Murphy, guitarist and writer for Heatwave, Alan Murphy of Level 42, and Diana Ross, among others.Template:Citation needed They played some low-key gigs around London during the summer of 1982, and then went their separate ways. That same year, Karn appeared on The Old Grey Whistle Test along with Angie Bowie, former wife of David Bowie.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In 1982 he also contributed saxophone playing on three tracks on the Swedish band Lustans Lakejer's album En plats i solen, produced by Richard Barbieri.<ref>Lustans Lakejer interview Electricity Club</ref> Although Karn submitted an album's worth of demos to Virgin Records as a more pop-oriented follow-up to his debut solo album Titles, the record label declined to fund the record and it was abandoned.<ref>Template:Cite book</ref> In 1983, he collaborated with Midge Ure on the UK top 40 single "After a Fashion", and in 1984, he formed Dalis Car with Peter Murphy. The duo released one album, The Waking Hour, in late 1984.<ref name="Strong" />
Karn also contributed to recordings by other artists, playing bass guitar on Bill Nelson's Chimera mini-LP on "Glow World" as well as "Heads We're Dancing" from Kate Bush's The Sensual World and with Joan Armatrading.<ref name="Hayes" />
In the 1990s, he worked with artist David Torn, Andy Rinehart and a number of Japanese musicians, and formed the multinational new wave band, NiNa. Later on, he worked as a solo artist. He played at least one concert with Pete Townshend that featured an all-star line-up, including Phil Collins and Midge Ure.<ref name="Slit Skirts">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
Also in the 1990s, he started the Medium Productions label along with Steve Jansen and Richard Barbieri, two of his former fellow Japan members,<ref name="Hayes" /> and Debi Zornes (label management and artist co-ordination). In 2006, the MK Music imprint was established by Karn, Zornes and Mike Trenery; and beginning with 2006's Three Part Species, all releases, including an autobiography, have the MK Music logo on them.Template:Citation needed
In 2001, Karn began to work with Gota Yashiki, Vivian Hsu, Masahide Sakuma, and Masami Tsuchiya in the band The d.e.p., or doggy eels project.<ref name=martin>Martin, Ian (16 July 2010). "Former band members unite to help cancer-stricken Karn", The Japan Times</ref> That same year he worked with Paul Wong on his Yellow Paul Wong release. Karn left London in 2004 to live in Cyprus with his wife and son, financially enabling himself to keep working as a musician/artist. In 2009, Karn also released his autobiography, entitled Japan & Self Existence, available through his website and Lulu. This details his music career, his interest in sculpture and painting, his childhood, relationships and family.Template:Citation needed
On 30 August 2010, Peter Murphy disclosed via a video message (subsequently removed/hidden) on his personal Facebook profile that he would be reuniting with Karn for a week in London, perhaps in November, to begin writing and recording for a second Dalis Car album. Murphy also added that this would be the first time the two had seen each other since 1983.<ref name=pmurphyfbvideo>"Video message from Pete Murphy on his FB page".</ref> The project was cut short, however, as Karn had recently been diagnosed with cancer.<ref>Template:Cite book</ref>Template:Circular reference After his death, five of the tracks they did record were released on 5 April 2012 as an EP entitled InGladAloneness.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The tracks were mixed by Steve Jansen and mastered by Pieter Snapper in Istanbul, while the artwork for the EP was created by Thomas Bak with a painting by Jarosław Kukowski.
Musical styleEdit
Karn was essentially a self-taught musician, stating, "I rely very much on my ears. If it sounds as if it's the right thing, then I'll keep it—even if it may not be."<ref>Anil Prasad interview (1996) – 'You don't read music. How does that affect your ability to communicate with fellow musicians?'</ref> His first musical instrument was bassoon, with which he attended and passed an LSSO audition. After his bassoon was stolen from him, he purchased a bass guitar for £5. It was then he joined up with David Batt (Sylvian), who played acoustic guitar.<ref>Gray, Louise (April 1994). "Karnal knowledge", The Wire 122,</ref>
Although Karn was principally Japan's bassist, he also played all the wind instruments, including the saxophone; on Tin Drum, he played the Chinese suona (credited as "dida") for the authentic oriental sound. Karn's use of the fretless bass guitar, a relatively unusual instrument in modern popular music, produces a distinctive sound and playing style, which makes his playing immediately recognisable.<ref name="Hayes">Hayes, Kelvin "[{{#ifeq: yes | yes | https://www.allmusic.com/artist/p4657/biography{{
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}} Mick Karn Biography]", Allmusic, retrieved 5 February 2010</ref>
Karn played an aluminium-neck Travis Bean bass on all Japan albums up to Gentlemen Take Polaroids. In 1981, he moved on to Wal basses, purchasing two Mark I instruments, one with rare African tulipwood facings, the other a cherry solid-body. Karn recorded Japan's last studio album Tin Drum with the Wal and had continued to use these, along with a headless Klein K Bass.Template:Citation needed
Personal lifeEdit
Karn had two diplomas in psychotherapy from a West London college, entitling him to call himself "Member of the Associated Stress Consultants, Psychotherapy, and Regression & Hypno-analysis".<ref>Japan & Self Existence, Karn, Mick (2009) page 281</ref>
Illness and deathEdit
In June 2010, Karn announced on his website that he had been diagnosed with advanced-stage cancer, although the specific type of cancer was not mentioned. Although singer Peter Murphy said during an interview that Karn was suffering terminal brain cancer, this has not been confirmed.<ref name=official /> According to David Torn, Karn's cancer had already metastasised, and he was undergoing chemotherapy.<ref name=larkin>Larkin, Adrian (11 June 2010). Midge Ure's fundraiser BBC6</ref> The website announcement stated that Karn had been struggling financially for some time and appealed for donations to help pay for his medical care and provide financial assistance for his family. Moreover, several people Karn had worked with, in particular Midge Ure,<ref name=larkin/> Porcupine Tree,<ref name=official>MickKarn.net, retrieved 27 September 2010</ref> and Masami Tsuchiya,<ref name=martin/> announced concerts in support of the appeal. According to a website update, dated 3 September 2010, the funds raised by the appeal enabled Karn and his family to move back to London, where Karn received treatment.<ref name=official /> However, the cancer had spread beyond the possibility of treatment, and he died at his home in London on 4 January 2011.<ref>Template:Cite news</ref><ref name="Meikle">Template:Cite news</ref><ref>Template:Cite book</ref>
DiscographyEdit
AlbumsEdit
For albums with Japan (and Rain Tree Crow) see Japan discography.
Solo albumsEdit
Album title | Release year | Record label | UK |
---|---|---|---|
Titles | 1982 | Virgin | No.74<ref name="Strong" /> |
Dreams of Reason Produce Monsters | 1987 | Virgin | No.89<ref name="Strong" /> |
Bestial Cluster | 1993 | CMP | |
The Tooth Mother | 1995 | CMP | |
Each Eye a Path | 2001 | Medium | |
Each Path a Remix | 2003 | Medium | |
More Better Different | 2004 | Invisible Hands | |
Love's Glove EP | 2005 | MK | |
Three Part Species | 2006 | MK | |
The Concrete Twin | 2009 | MK |
Collaborative albumsEdit
Album Title | Artist | Release year | Record label | UK | |
---|---|---|---|---|---|
Dance | with Gary Numan and others | 1981 | Beggars Banquet | ||
A Place in the Sun (original title En plats i solen) | with Lustans Lakejer, Richard Barbieri on three tracks | 1982 | Stranded Rekords | ||
Chimera | with Bill Nelson on "Glow World" | 1983 | Mercury | citation | CitationClass=web
}}</ref> |
The Waking Hour | as Dalis Car with Peter Murphy | 1984 | Beggars Banquet | No.84<ref name="Strong" /> | |
The Sensual World | with Kate Bush on "Heads We're Dancing" | 1989 | EMI | ||
Lonely Universe | with Michael White, Michel Lambert, David Torn, Mick Karn | 1990 | CMP | ||
Beginning to Melt | as Jansen-Barbieri-Karn | 1993 | Medium UK | ||
Polytown | as David Torn, Mick Karn, Terry Bozzio | 1994 | CMP | ||
Seed EP | Jansen-Barbieri-Karn | 1994 | Medium UK | ||
Truth? | with Sugizo | 1997 | Cross | ||
Liquid Glass | with Yoshihiro Hanno | 1998 | Medium | ||
-ism | Jansen-Barbieri-Karn | 2000 | Medium UK | ||
Timelines | by Stefano Panunzi with Gavin Harrison, on five tracks | 2005 | RES | ||
Endless | by Fjieri, with Barbieri-Harrison-Bowness, as guest on two tracks | 2009 | Forward Music | ||
A Rose | by Stefano Panunzi, as guest on two tracks | 2009 | Emerald | ||
InGladAloneness EP | by Dalis Car | 2011 | MK |
Compilation albumsEdit
- The Mick Karn Collector's Edition (CMP, 1996)
- Selected (MK, 2007)
SinglesEdit
- "Sensitive" (Virgin, 1982) – UK No. 98<ref name="CS">Mick Karn, Official Charts, retrieved 5 February 2010</ref>
- "After a Fashion" (1983) – with Midge Ure, UK No. 39<ref name="Strong">Strong, Martin C. (2003) The Great Indie Discography, Canongate, Template:ISBN, p. 85–7</ref>
- "Buoy" (Virgin, 1987) featuring David Sylvian, UK No. 63<ref name="Strong" />
- "Of & About" (MK, 2006)
Written worksEdit
- Japan & Self Existence publisher: MK Music. Biography, covering his life from 1958 to 2006.
ReferencesEdit
- "Mick Karn: Honorable tension", Interview by Anil Prasad, Innerviews.org
- Rymer, Paul "History of Japan", Nightporter.co.uk
FootnotesEdit
External linksEdit
- Mick Karn.net
- {{#if:Mick Karn|Template:PAGENAMEBASE discography at Discogs|{{#if:Template:Wikidata|Template:Wikidata Template:PAGENAMEBASE discography at DiscogsTemplate:EditAtWikidata|Template:PAGENAMEBASE discography at Discogs}}}}