Template:Short description Template:Use dmy dates Template:Infobox person Jan Tomáš "Miloš" Forman (Template:IPAc-en;<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> {{#invoke:IPA|main}}; 18 February 1932 – 13 April 2018) was a Czech-American film director, screenwriter, actor, and professor who rose to fame in his native Czechoslovakia before emigrating to the United States in 1968. Throughout Forman's career he won two Academy Awards, a BAFTA Award, three Golden Globe Awards, a Golden Bear, a César Award, and the Czech Lion.<ref name=academy>List of Milos Forman nominations Template:Webarchive. Awardsdatabase.oscars.org (29 January 2010). Retrieved on 23 June 2011.</ref>
Forman was an important figure in the Czechoslovak New Wave. Film scholars and Czechoslovak authorities saw his 1967 film The Firemen's Ball as a biting satire on Eastern European Communism. The film was initially shown in theatres in his home country in the more reformist atmosphere of the Prague Spring. However, it was later banned by the Communist government after the invasion by the Warsaw Pact countries in 1968.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Forman was subsequently forced to leave Czechoslovakia for the United States, where he continued making films.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
He received two Academy Awards for Best Director for the psychological drama One Flew Over the Cuckoo's Nest (1975) and the biographical drama Amadeus (1984). During this time, he also directed notable and acclaimed films such as Black Peter (1964), Loves of a Blonde (1965), Hair (1979), Ragtime (1981), Valmont (1989), The People vs. Larry Flynt (1996) and Man on the Moon (1999).
Early lifeEdit
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Miloš Forman's childhood was marked by the early loss of his parents. Forman was born in Čáslav, Czechoslovakia (now the Czech Republic) to Anna Švábová Forman, who ran a summer hotel. His parents attended a Protestant church.<ref>"Miloš Forman obituary". New York Times, April 14, 2018</ref> He believed that his father was Rudolf Forman.<ref>Template:Cite news</ref> During the Nazi occupation, Rudolf, a member of the resistance,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}, April 14, 2018</ref> was arrested for distributing banned books, and reportedly died from typhus<ref>Conf. scan of document from the Arolsen Archives where the words "Fleckfieber" (German for typhus) and apparently "Dora Hosp." are mentioned</ref> in Mittelbau-Dora, a subcamp of the Buchenwald concentration camp in May 1944.<ref>See entry Rudolf Forman in the memorial book of the Mittelbau-Dora concentration camp</ref><ref>See (untick the "Include synonym" box) documents on Rudolf Forman, prisoner number 16209, from his detention and death in Buchenwald in the Arolsen Archives</ref><ref name="Wakeman, John 1988">Wakeman, John. World Film Directors, Volume 2. H. W. Wilson Company. 1988. 349–356.</ref> Another version has it that he died in Mittelbau-Dora during interrogation. Forman's mother had been murdered in Auschwitz in March the previous year.<ref>She can be found as Anna Forman at the link (Information on Auschwitz Prisoners); her prisoner number seems to be unknown</ref><ref name=jjournal>Tugend, Tom. (19 July 2007) Milos Forman directs Natalie Portman in 'Goya's Ghosts'—film melds art tour and history | Arts. Jewish Journal. Retrieved on 23 June 2011.</ref> Forman said that he did not fully understand what had happened to them until he saw footage of the concentration camps when he was 16.<ref name="Wakeman, John 1988"/>
Forman was subsequently raised by two uncles and by family friends.<ref>Milos Forman Biography, Britannica.com, 14 February 2018; retrieved 25 February 2018.</ref> His older brother Pavel was a painter twelve years his senior, and he emigrated to Australia after the 1968 invasion of Czechoslovakia.<ref name="CitySpy">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Forman later discovered that his biological father was in fact the Jewish architect Otto Kohn, a survivor of the Holocaust,<ref name=jjournal/><ref>Turnaround Review – Milos Forman – Salem on Literature. Enotes.com. Retrieved on 23 June 2011.</ref> and Forman was thus a half-brother of mathematician Joseph J. Kohn.<ref name="CitySpy" />
In his youth, Forman wanted to become a theatrical producer. After attending grammar school in Náchod, he went to the King George boarding school in Poděbrady, following the end of the war; fellow students included Václav Havel, the Mašín brothers, and future film-makers Ivan Passer and Jerzy Skolimowski.<ref>I Had a Wild Life. The Guardian; retrieved 23 June 2011.</ref><ref>Náchod to krásné město Kostelec. Náchod 2004, Template:ISBN, p. 119.</ref>
He later studied screenwriting at the Academy of Performing Arts in Prague. He was assistant of Alfréd Radok, creator of Laterna Magika. Along with fellow filmmaker and friend Passer, he left Europe for the United States during the Warsaw Pact invasion of Czechoslovakia in summer 1968.<ref>Template:Cite news</ref>
CareerEdit
Along with cinematographer Miroslav Ondříček and long-time friend from school Ivan Passer, Forman filmed the silent documentary Semafor about the Semafor theater.<ref name="CitySpy"/> Forman's first important production was Audition, a documentary about competing singers.<ref name="CitySpy2"/> He directed several Czech comedies in Czechoslovakia. He was in Paris negotiating the production of his first American film during the Prague Spring in 1968.<ref name="NYTimes"/> His employer, a Czech studio, fired him, so he decided to move to the United States.<ref name="Grapevine"/> He moved to New York, where he later became a professor of film at Columbia University in 1978 and co-chair (with his former teacher František Daniel) of Columbia's film department.<ref name="NYTimes"/> One of his protégés was future director James Mangold, whom he mentored at Columbia.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> He regularly collaborated with cinematographer Miroslav Ondříček.<ref name="Grapevine"/>
1964–1971Edit
Black Peter is one of the first and most representative films of the Czechoslovak New Wave. It won the Golden Leopard award at the Locarno International Film Festival. It covers the first few days in the working life of a Czech teenager. In Czechoslovakia in 1964, the aimless Petr (Ladislav Jakim) starts work as a security guard in a busy self-service supermarket; unfortunately, he is so lacking in confidence that even when he sees shoplifters, he cannot bring himself to confront them. He is similarly tongue-tied with the lovely Asa (Pavla Martínková) and during the lectures about personal responsibility and the dignity of labor that his blustering father (Jan Vostrčil) delivers at home. Loves of a Blonde is one of the best–known movies of the Czechoslovak New Wave, and won awards at the Venice and Locarno film festivals. It was also nominated for the Academy Award for Best Foreign Language Film in 1967.<ref name="Oscars1967">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
In 1967, he directed The Firemen's Ball an original Czechoslovak–Italian co-production; this was Forman's first color film. It is one of the best–known movies of the Czechoslovak New Wave. On the face of it a naturalistic representation of an ill-fated social event in a provincial town, the film has been seen by both film scholars and the then-authorities in Czechoslovakia as a biting satire on East European Communism, which resulted in it being banned for many years in Forman's home country.<ref name="VarietyObit"/> The Czech term zhasnout (to switch lights off), associated with petty theft in the film, was used to describe the large-scale asset stripping that occurred in the country during the 1990s.<ref name="Grapevine"/> It was nominated for the Academy Award for Best Foreign Film.<ref name="Oscars1969">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
"When Soviet tanks rumbled into Prague in August 1968, Forman was in Paris negotiating for the production of Taking Off (1971), his first American film. Claiming that he was out of the country illegally, his Czech studio fired him, forcing Forman to emigrate to New York"<ref name="pbs/AmMasters//597">{{#invoke:citation/CS1|citation
|CitationClass=web
}}</ref>
The first movie Forman made in the United States, Taking Off, shared the Grand Prix (ex aequo)(second prize)<ref name="festival-cannes/taking-off">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> with Johnny Got His Gun at the 1971 Cannes Film Festival.<ref name="festival-cannes.com">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The film starred Lynn Carlin and Buck Henry, and also featured, as Jeannie, Linnea Heacock, discovered, with friends, in Washington Square Park.<ref name="cinema.wisc.edu/2015/taking-forman">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> It was critically panned and left Forman struggling to find work.<ref name="CitySpy2">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Forman later said that it did so poorly he ended up owing the studio $500.<ref name="NYTimes"/>
1975–1989Edit
His next film was One Flew Over the Cuckoo's Nest (1975). Despite the failure of Taking Off, producers Michael Douglas and Saul Zaentz hired him to direct the adaptation of Ken Kesey's cult novel One Flew Over the Cuckoo's Nest. Forman later said they hired him because he was in their price range.<ref name="NYTimes"/> Starring Jack Nicholson and Louise Fletcher, the adaptation was a critical and commercial success. The film won Oscars in the five most important categories: Best Director, Best Actor, Best Actress, Best Picture and Best Adapted Screenplay. One of only three films in history to do so (alongside It Happened One Night and The Silence of the Lambs), it firmly established Forman's reputation.<ref name="CitySpy2"/>
Arthur Knight, film critic of The Hollywood Reporter declared in his review, "With One Flew Over the Cuckoo’s Nest, Forman takes his rightful place as one of our most creative young directors. His casting is inspired, his sense of milieu is assured, and he could probably wring Academy Award performances from a stone."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The success of One Flew Over the Cuckoo's Nest allowed Forman to direct his long-planned film version of Hair in 1979, a rock musical based on the Broadway musical by James Rado, Gerome Ragni and Galt MacDermot. The film starred Treat Williams, John Savage and Beverly D'Angelo. It was disowned by the writers of the original musical, and, although it received positive reviews, it did not do well financially.<ref name="Grapevine"/>
In 1981, he directed Ragtime, the American drama based on the 1975 historical novel Ragtime by E.L. Doctorow. Forman's next important achievement was Amadeus (1984), an adaptation of Peter Shaffer's play of the same name. Retelling the story of Wolfgang Amadeus Mozart and Antonio Salieri, it starred Tom Hulce, Elizabeth Berridge and F. Murray Abraham. The film was internationally acclaimed and won eight Oscars, including Best Picture, Best Director and Best Actor (for Abraham).<ref name="NYTimes"/> Chicago Sun-Times film critic Roger Ebert praised the film, writing: "Amadeus is a magnificent film, full and tender and funny and charming -- and, at the end, sad and angry, too, because in the character of Salieri it has given us a way to understand not only greatness, but our own lack of it".<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
Forman's adaptation, Valmont (1989) of Pierre Choderlos de Laclos's novel Les Liaisons dangereuses had its premiere on 17 November 1989. Another film adaptation by Stephen Frears from the same source material had been released the previous year, and overshadowed Forman's adaptation.<ref name="NYTimes"/> The film starred Colin Firth, Meg Tilly and Annette Bening.<ref name="CitySpy2"/> The film received mixed reviews with critic of the Los Angeles Times Sheila Benson, praising its gorgeous costumes, but noting its inferior quality to Dangerous Liaisons. She wrote: "Valmont is gorgeous, and for a while you can coast on its costumes and production details....But to consider Valmont in the light of Baudelaire’s words on Les Liaisons Dangereuses--”This book, if it burns, must burn like ice”—is to see just how far down this ice has been watered."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
1996–2006Edit
The 1996 biographical film, The People vs. Larry Flynt was a portrayal of pornography mogul Larry Flynt who brought Forman another directing Oscar nomination.<ref name="academy"/> The film starred Woody Harrelson, Courtney Love, and Edward Norton. Though critically acclaimed, it grossed only $20 million at the box office.<ref name="NYTimes"/> The biography, Man on the Moon (1999) was of famous actor and avant-garde comic Andy Kaufman (Jim Carrey, who won a Golden Globe for his performance) premiered on 22 December 1999. The film also starred Danny DeVito, Courtney Love, and Paul Giamatti. Several actors from One Flew Over the Cuckoo's Nest appeared in the film, including DeVito.
In 2000, Forman performed alongside actor Edward Norton in Norton's directorial debut, Keeping the Faith (2000), as the wise friend to Norton's conflicted priest.<ref name="VarietyObit"/> This biography of the Spanish painter Francisco Goya (an American-Spanish co-production), Goya's Ghosts premiered on 8 November 2006. The film starred Natalie Portman, Javier Bardem, Stellan Skarsgård and Randy Quaid. It struggled at the box office.<ref name="NYTimes"/> The film received mixed reviews with Phillip French of The Guardian lauding it writing "This is a most engaging, thoughtful, beautifully mounted film".<ref>Template:Cite news</ref> However, Kirk Honeycut from The Hollywood Reporter wrote, "In general, the filmmakers failed to make several basic decisions before shooting...[the] Below-the-line credits are terrific, which only increases an overwhelming sense of disappointment with the film’s failed ambitions."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
Unfinished projectsEdit
In the late 1950s, Forman and Josef Škvorecký started adapting Škvorecký's short story Eine kleine Jazzmusik for the screen. The script, named Kapela to vyhrála (The Band Won It), tells the story of a student jazz band during the Nazi Occupation of Czechoslovakia. The script was submitted to Barrandov Film Studios. The studio required changes and both artists continued to rewrite the script. Right before the film started shooting, the whole project was completely scrapped, most probably due to intervention from people at the top of the political scene, as Škvorecký had just published his novel The Cowards, which was strongly criticized by communist politicians.<ref name=proj>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The story Eine kleine Jazzmusik was dramatized as a TV film in the 1990s.<ref>ČSFD: Eine kleine Jazzmusik (TV film)</ref> In the spring and summer of 1968, Škvorecký and Forman cooperated again by jointly writing a script synopsis to make a film version of The Cowards. After Škvorecký fled the Warsaw Pact invasion, the synopsis was translated into English, but no film was made.
In the mid-1960s, Forman, Passer and Papoušek were working on a script about a soldier secretly living in Lucerna Palace in Prague. They got stuck writing the script and went to a village firemen's ball. Inspired by the experience, they decided to cancel the script and write The Firemen's Ball instead.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
In early 1970s, Forman worked on a script with Thomas Berger based on his novel Vital Parts.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
In the early 1990s, Forman co-wrote a screenplay with Adam Davidson. The screenplay, titled Hell Camp, was about an American-Japanese love affair in the world of sumo wrestlers. The picture was to be funded by TriStar Pictures, and was cancelled just four days before shooting because of the disapproval of the Japan Sumo Association, while Forman refused to make the changes requested by the association.<ref name=proj/>
Forman was hand-picked by writer/producer Michael Crichton to direct Disclosure (1994), but subsequently left the project over creative differences with Crichton.<ref name="Variety"/>
In 1995, it was announced that Forman would direct a remake of Dodsworth (1936) for Warner Bros. starring Harrison Ford, from a script by Alfred Uhry.<ref name="Variety">Template:Cite magazine</ref> It was postponed however, following an injury of Forman's.<ref>Template:Cite magazine</ref><ref>Template:Cite magazine</ref>
Around 2000, Forman was in talks to direct a film about the early life of Howard Hughes with screenplay by Scott Alexander and Larry Karaszewski, and Edward Norton in the role of the eccentric young billionaire.<ref>Template:Cite news</ref>
Around 2001, Forman was set to direct and co-write the comic crime caper Bad News, adapted from the novel by Donald E. Westlake. Forman was co-writing the script with Doug Wright.<ref>Template:Cite magazine</ref><ref>Template:Cite magazine</ref> The project never came to fruition.
In the early 2000s, Forman developed a film project to be titled Embers, adapted by Jean-Claude Carrière from Hungarian novelist Sándor Márai’s novel. The film was about two men in the former Austria-Hungary Empire from different social backgrounds who become friends in military school and meet again 41 years later. Forman cast Sean Connery and Klaus Maria Brandauer as well as Winona Ryder. Several months before shooting, Sean Connery and the Italian producer had a disagreement, and Connery withdrew from the project. Forman was so convinced that Sean Connery fit the role that he didn't want to shoot the film without him and cancelled the project a few days before the shooting was due to start.<ref name=proj/>
In the late 2000s, the screenplay for Ghost of Munich was written by Forman, Jean-Claude Carriere and Václav Havel (the former Czech president and writer, who had studied at school with Forman), inspired by the novel by the French novelist Georges-Marc Benamou. The story takes a closer look at the events that surrounded the Munich Agreement. The role of the French Prime Minister Édouard Daladier was supposed to have been played by the French actor Mathieu Amalric, with his older self played by Gérard Depardieu. However, the production company Pathé was not able to fund the project.<ref name=proj/>
In 2011, Forman was reportedly in negotiations to direct a screen adaptation of Mitchell Zuckoff's acclaimed biography, Ponzi's Scheme: The True Story of a Financial Legend, with Christopher Weekes penning the script.<ref>Template:Cite magazine</ref>
Personal lifeEdit
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Forman's first wife was Czech movie star Jana Brejchová. They met while making Štěňata (1957). They divorced in 1962. Forman had twin sons with his second wife Czech actress and singer Template:Ill. They separated in 1969. Their sons Template:Ill and Template:Interlanguage link (b. 1964) are both involved in the theatre. Forman married Template:Ill on 28 November 1999, and they also had twin sons Jim and Andy (born 1999).<ref name="NYTimes">Template:Cite news</ref>
Forman was professor emeritus of film at Columbia University.<ref name=coluniv>Milos Forman page at Columbia University. Directory.columbia.edu; retrieved 23 June 2011.</ref> In 1996, asteroid 11333 Forman was named after him.<ref name="Grapevine">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> He wrote poems and published the autobiography Turnaround in 1994.<ref name="Grapevine"/> After a short illness, he died at Danbury Hospital near his home in Warren, Connecticut on 13 April 2018 at age 86.<ref name=deathdate1>Template:Cite news</ref><ref name=deathdate2>Template:Cite news</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>Template:Cite news</ref> He is interred at New Warren Cemetery in Warren, Connecticut.
WorkEdit
FilmEdit
| Year | citation | CitationClass=web
}}</ref> |
Director | Writer | Original title | Ref. |
|---|---|---|---|---|---|---|
| 1964 | Black Peter | Template:Yes | Template:Yes | Černý Petr | <ref name="BFI"/> | |
| 1964 | Audition | Template:Yes | Template:Yes | Konkurs | <ref name="BFI"/> | |
| 1965 | Loves of a Blonde | Template:Yes | Template:Yes | Lásky jedné plavovlásky | <ref name="BFI"/> | |
| 1967 | The Firemen's Ball | Template:Yes | Template:Yes | Hoří, má panenko | citation | CitationClass=web
}}</ref> |
| 1971 | Taking Off | Template:Yes | Template:Yes | <ref name="BFI"/> | ||
| 1975 | One Flew Over the Cuckoo's Nest | Template:Yes | Template:No | <ref name="BFI"/> | ||
| 1979 | Hair | Template:Yes | Template:No | <ref name="BFI"/> | ||
| 1981 | Ragtime | Template:Yes | Template:No | <ref name="BFI"/> | ||
| 1984 | Amadeus | Template:Yes | Template:No | <ref name="BFI"/> | ||
| 1989 | Valmont | Template:Yes | Template:Yes | <ref name="BFI"/> | ||
| 1996 | The People vs. Larry Flynt | Template:Yes | Template:No | <ref name="BFI"/> | ||
| 1999 | Man on the Moon | Template:Yes | Template:No | <ref name="BFI"/> | ||
| 2006 | Goya's Ghosts | Template:Yes | Template:Yes | <ref name="BFI"/> |
Documentary
| Year | English title<ref name="Miloš Forman"/> | Director | Writer | Original title | Ref. | |
|---|---|---|---|---|---|---|
| 1960 | Magic Lantern II | Template:Yes | Template:Yes | |||
| 1964 | If Only They Ain't Had Them Bands | Template:Yes | Template:Yes | Kdyby ty muziky nebyly | citation | CitationClass=web
}}</ref> |
| Audition | Template:Yes | Template:Yes | Konkurs | citation | CitationClass=web
}}</ref> | |
| 1973 | Visions of Eight | Template:Yes | Template:No | Segment: "The Decathlon" | <ref name="BFI"/> |
Short Films
| Year | English title<ref name="Miloš Forman"/> | Director | Writer | Original title | Ref. | |
|---|---|---|---|---|---|---|
| 1971 | I Miss Sonia Henie | Template:Yes | Template:No | Short film | citation | CitationClass=web
}}</ref> |
TelevisionEdit
| Year | English title<ref name="Miloš Forman"/> | Director | Writer | Original title | Ref. | |
|---|---|---|---|---|---|---|
| 1966 | A well paid walk | Template:Yes | Template:No | Dobře placená procházka | citation | CitationClass=web
}}</ref> |
Acting creditsEdit
| Year | Film<ref name="Miloš Forman"/> | Role | Ref. | |
|---|---|---|---|---|
| 1953 | Slovo dělá ženu (A Woman as Good as Her Word) | Young Worker | <ref name="Forman"/> | |
| 1954 | Stříbrný vítr (Silver wind) | dustojník u Stanku | citation | CitationClass=web
}}</ref> |
| 1986 | Heartburn | Dmitri | <ref name="BFI"/> | |
| 1989 | New Year's Day | Lazlo | <ref name="BFI"/> | |
| 2000 | Keeping the Faith | Father Havel | <ref name="BFI"/> | |
| 2008 | Chelsea on the Rocks | Himself | <ref name="BFI"/> | |
| 2009 | Peklo s princeznou (Hell with a Princess) | Erlebub | <ref name="Forman"/> | |
| 2011 | Beloved (Les Bien-aimés) | Jaromil | <ref name="BFI"/> |
TheatreEdit
| Year | Title<ref name="Miloš Forman"/> | Director | Writer | Ref. | |
|---|---|---|---|---|---|
| 1958 | Laterna magika | Template:No | Template:Yes | citation | CitationClass=web
}}</ref> |
| 1960 | Laterna magika II | Template:No | Template:Yes | <ref name="FormanTheatre"/> | |
| 1972 | The Little Black Book | Template:Yes | Template:No | <ref name="FormanTheatre" /> | |
| 2007 | A Walk Worthwhile | Template:Yes | Template:No | <ref name="FormanTheatre" /> |
Honours and legacyEdit
In 1977, he became a naturalized citizen of the United States.<ref name="CitySpy2"/> In 1985, he headed the Cannes Film Festival and in 2000 did the same for the Venice Film Festival.<ref name="VarietyObit">Template:Cite magazine</ref> He presided over a César Award ceremony in 1988.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In April 2007, he took part in the jazz opera Dobře placená procházka, itself a remake of the TV film he made in 1966.<ref name="Walk"/> It premiered at the Prague National Theatre, directed by Forman's son, Petr Forman.<ref name="Walk"/> Named 30th greatest Czech by Největší Čech<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Forman's films One Flew Over the Cuckoo's Nest and Amadeus were selected for the National Film Registry as being "culturally, historically, or aesthetically significant" in 1993 and 2019 respectively<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
- 1965: Awarded the state prize of Klement Gottwald for Loves of a Blonde<ref>{{#invoke:citation/CS1|citation
|CitationClass=web }}</ref>
- 1997: The Crystal Globe award for outstanding artistic contribution to world cinema at the Karlovy Vary International Film Festival.<ref>{{#invoke:citation/CS1|citation
|CitationClass=web }}</ref>
- 1998: Awarded a lifetime Achievement award by the Czech Lion Awards for his contributions to Czech cinema<ref name="Prague">{{#invoke:citation/CS1|citation
|CitationClass=web }}</ref>
- 1995: Awarded Czech Medal of Merit<ref name="Prague"/>
- 2006: Awarded the Hanno R. Ellenbogen Citizenship Award
- 2009: Forman received an honorary degree from Emerson College in Boston, Massachusetts, US.<ref>{{#invoke:citation/CS1|citation
|CitationClass=web }}</ref>
- 2015: Awarded honorary Doctor of humane letters degree by Columbia University<ref>{{#invoke:citation/CS1|citation
|CitationClass=web }}</ref>
Awards and nominationsEdit
Throughout Forman's career he won two Academy Awards, three Golden Globe Awards, Grand Prix at the Cannes Film Festival, Golden Bear at the Berlin Film Festival, a BAFTA Award, a César Award, and the Czech Lion.<ref name=academy/>
| Year | Title | Academy Awards | BAFTA Awards | Golden Globe Awards | |||
|---|---|---|---|---|---|---|---|
| Nominations | Wins | Nominations | Wins | Nominations | Wins | ||
| 1965 | Loves of a Blonde | 1 | 1 | ||||
| 1967 | The Firemen's Ball | 1 | |||||
| 1971 | Taking Off | 6 | |||||
| 1973 | Visions of Eight | 1 | 1 | ||||
| 1975 | One Flew Over the Cuckoo's Nest | 9 | 5 | 10 | 6 | 6 | 6 |
| 1979 | Hair | 2 | |||||
| 1981 | Ragtime | 8 | 1 | 7 | |||
| 1984 | Amadeus | 11 | 8 | 9 | 4 | 6 | 4 |
| 1989 | Valmont | 1 | 1 | ||||
| 1996 | The People vs. Larry Flynt | 2 | 5 | 2 | |||
| 1999 | Man on the Moon | 2 | 1 | ||||
| Total | 33 | 13 | 27 | 10 | 30 | 14 | |
Directed Academy Award performances
Under Forman's direction, these actors have received Academy Award nominations (and wins) for their performances in their respective roles.
| Year | Performer | Film | Result |
|---|---|---|---|
| Academy Award for Best Actor | |||
| 1975 | Jack Nicholson | One Flew Over the Cuckoo's Nest | Template:Won |
| 1984 | F. Murray Abraham | Amadeus | Template:Won |
| Tom Hulce | Template:Nom | ||
| 1996 | Woody Harrelson | People vs. Larry Flynt | Template:Nom |
| Academy Award for Best Supporting Actor | |||
| 1975 | Brad Dourif | One Flew Over the Cuckoo's Nest | Template:Nom |
| 1981 | Howard E. Rollins Jr. | Ragtime | Template:Nom |
| Academy Award for Best Actress | |||
| 1975 | Louise Fletcher | One Flew Over the Cuckoo's Nest | Template:Won |
| Academy Award for Best Supporting Actress | |||
| 1981 | Elizabeth McGovern | Ragtime | Template:Nom |
See alsoEdit
- List of Big Five Academy Award winners and nominees
- List of Czech Academy Award winners and nominees
ReferencesEdit
BibliographyEdit
The Milos Forman Stories von Antonin J. Liehm Template:ISBN
External linksEdit
Template:Sister project Template:Sister project
- Template:Official website
- https://catalog.afi.com/Person/186661-Milos-Forman
- Template:C-SPAN
- Milos Forman: Bibliography of books and articles via UC Berkeley
- Interview with Milos Forman zakka.dk
- Miloš Forman profile Czech.cz
- [https://www.imdb.com/{{#if: 1232
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