Paul is dead

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File:Paul McCartney in 1966 (cropped).jpg

McCartney in August 1966. The theory suggests that McCartney died in November of the same year and was replaced by a stand-in.

"Paul is dead" is an urban legend and conspiracy theory alleging that English musician Paul McCartney of the Beatles died in 1966 and was secretly replaced by a look-alike. The rumour began circulating in 1966, gaining broad popularity in September 1969 following reports on American college campuses.

According to the theory, McCartney died in a car crash, and to spare the public from grief, the surviving Beatles, aided by Britain's MI5, replaced him with a McCartney look-alike, subsequently communicating this secret through subtle details of their albums. Proponents perceived clues among elements of Beatles songs and cover artwork; clue-hunting proved infectious, and by October 1969 had become an international phenomenon. Rumours declined after Life published an interview with McCartney in November 1969.

The phenomenon was the subject of analysis in the fields of sociology, psychology and communications during the 1970s. McCartney parodied the hoax with the title and cover art of his 1993 live album, Paul Is Live. The legend was among ten of "the world's most enduring conspiracy theories" according to Time in 2009.

BeginningsEdit

Although rumours that Paul McCartney's health was deteriorating had existed since early 1966,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> reports that McCartney had died only started circulating in September of that year. The Beatles' press officer, Tony Barrow, recounted this in his book, John, Paul, George, Ringo and Me. Fleet Street reporters started phoning Barrow early in that month, to confirm rumours regarding the Beatle's health and even a possible death, to which he replied that he had recently spoken with McCartney.<ref>Template:Cite book</ref>

For the rest of 1966, the rumour was eclipsed by similar reports that Paul McCartney was working on a solo project and that the Beatles were splitting up,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> which were backed by their disappearance from the public eye and the postponement of their scheduled tours in late 1966.<ref>Template:Cite book</ref>

In early 1967, the rumour resurfaced in London, this time claiming that Paul McCartney had been killed in a traffic accident while driving along the M1 motorway on 7 January.<ref name="Yoakum/Gadfly">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The rumour was acknowledged and rebutted in the February issue of The Beatles Book.<ref name="Yoakum/Gadfly" /> McCartney then alluded to the rumour during a press conference held about the release of Sgt. Pepper's Lonely Hearts Club Band in May.<ref name="moriarty">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>Template:Better source needed

The Beatles' producer George Martin once claimed that, during the Beatles’ visit to Denver, Colorado, "a number of people pretending to be Beatles" were employed by the promoters of the band's concerts in order to distract the crowds of fans from the real Beatles, while they were exiting a hotel.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> According to journalist Maureen O'Grady, who wrote about it in the May 1966 issue of RAVE Magazine,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> such a tactic was used when the Beatles first played in Baltimore, in 1964. As a result, stories began to circulate that the Beatles had sent four lookalikes to perform on stage on one of their American tours.<ref>Template:Citation</ref><ref>Template:Citation</ref> Both Paul McCartney and George Harrison later refuted these claims.

Despite the Beatles dismissing such accusations, they soon began accompanying the notion that McCartney had died. By late 1967, it was further stated that the Beatles had covered up his death by employing a Paul McCartney impersonator to stand in for him.<ref>Template:Cite book</ref> For example, journalist Jay Marks was attending McCartney's engagement party in 1967 when a friend of the band told him that McCartney had been replaced.

By the mid-1960s, the Beatles were known for sometimes including backmasking in their music.Template:Sfn Analysing their lyrics for hidden meaning had also become a popular trend in the US.Template:Sfn In November 1968, their self-titled double LP (also known as the "White Album") was released containing the track "Glass Onion". John Lennon wrote the song in response to "gobbledygook" said about Sgt. Pepper. In a later interview, he said that he was purposely confusing listeners with lines such as "the Walrus was Paul" – a reference to his song "I Am the Walrus" from the 1967 EP and album Magical Mystery Tour.Template:Sfn

{{#invoke:Listen|main}} On 17 September 1969, Tim Harper, an editor of the Drake Times-Delphic, the student newspaper of Drake University in Des Moines, Iowa, published an article titled "Is Beatle Paul McCartney Dead?" The article addressed a rumour being circulated on campus that cited clues from recent Beatles albums, including a message interpreted as "Turn me on, dead man", heard when the White Album track "Revolution 9" is played backwards. Also referenced was the back cover of Sgt. Pepper, where every Beatle except McCartney is photographed facing the viewer. He is wearing a black badge which appears to read "OPD" (Officially Pronounced Dead). In reality, this badge read "OPP" (Ontario Provincial Police).<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> On the front cover, Starr in a suit looks at the flowered grave, mourning, and McCartney (in a suit) puts his hand on his shoulder. Starr looks sadly down at a tomb shaped like a P, with 4 strings looking like a bass. The front cover of Magical Mystery Tour depicts one unidentified band member in a differently coloured suit from the other three.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> According to music journalist Merrell Noden, Harper's Drake Times-Delphic was the first to publish an article on the "Paul is dead" theory.<ref name="Noden/MojoSpecial" />Template:Refn Harper later said that it had become the subject of discussion among students at the start of the new academic year, and he added: "A lot of us, because of Vietnam and the so-called Establishment, were ready, willing and able to believe just about any sort of conspiracy."<ref name="Noden/MojoSpecial" />

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In late September 1969, the Beatles released the album Abbey Road while they were in the process of disbanding.Template:Sfn On 10 October, the Beatles' press officer, Derek Taylor, responded to the rumour stating:

Recently we've been getting a flood of inquiries asking about reports that Paul is dead. We've been getting questions like that for years, of course, but in the past few weeks we've been getting them at the office and home night and day. I'm even getting telephone calls from disc jockeys and others in the United States.<ref>Template:Cite news</ref><ref>Template:Cite news</ref>

Throughout this period, McCartney felt isolated from his bandmates in his opposition to their choice of business manager, Allen Klein, and distraught at Lennon's private announcement that he was leaving the group.Template:Sfn Template:Sfn With the birth of his daughter Mary in late August, McCartney had withdrawn to focus on his family life.Template:Sfn On 22 October, the day that the "Paul is dead" rumour became an international news story,Template:Sfn McCartney, his wife Linda and their two daughters travelled to Scotland to spend time at his farm near Campbeltown.Template:Sfn

GrowthEdit

On 12 October 1969, a caller to Detroit radio station WKNR-FM told disc jockey Russ Gibb about the rumour and its clues.<ref name="Noden/MojoSpecial" /> Gibb and other callers then discussed the rumour on air for the next hour,<ref>Template:Cite news</ref> during which Gibb offered further potential clues.Template:Sfn Two days later, The Michigan Daily published a satirical review of Abbey Road by University of Michigan student Fred LaBour, who had listened to the exchange on Gibb's show,<ref name="Noden/MojoSpecial" /> under the headline "McCartney Dead; New Evidence Brought to Light".<ref name="labour">Template:Cite news</ref>Template:Sfn It identified various clues to McCartney's alleged death on Beatles album covers, particularly on the Abbey Road sleeve. LaBour later said he had invented many of the clues and was astonished when the story was picked up by newspapers across the United States.<ref name=Allen>Template:Cite news</ref> Noden writes that "Very soon, every college campus, every radio station, had a resident expert."<ref name="Noden/MojoSpecial" /> WKNR fuelled the rumour further with its two-hour programme The Beatle Plot, which first aired on 19 October. The show – which has been called "infamous", a "fraud" and a "mockumentary" – brought enormous worldwide publicity to Gibb and WKNR.<ref>Template:Cite book</ref>

The story was soon taken up by more mainstream radio stations in the New York area, WMCA and WABC.Template:Sfn In the early hours of 21 October, WABC disc jockey Roby Yonge discussed the rumour on-air for over an hour before being pulled off the air for breaking format. At that time of night, WABC's signal covered a wide listening area and could be heard in 38 US states and, at times, in other countries.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Although the Beatles' press office denied the rumour, McCartney's atypical withdrawal from public life contributed to its escalation.Template:Sfn Vin Scelsa, a student broadcaster in 1969, later said that the escalation was indicative of the countercultural influence of Bob Dylan, the Beatles and the Rolling Stones, since: "Every song from them – starting about late 1966 – became a personal message, worthy of endless scrutiny ... they were guidelines on how to live your life."<ref name="Noden/MojoSpecial" />

WMCA dispatched Alex Bennett to the Beatles' Apple Corps headquarters in London on 23 October,Template:Sfn to further his extended coverage of the "Paul is dead" theory.Template:Sfn Template:Sfn There, Ringo Starr told Bennett: "If people are gonna believe it, they're gonna believe it. I can only say it's not true."Template:Sfn In a radio interview with John Small of WKNR, Lennon said that the rumour was "insane" but good publicity for Abbey Road.Template:Sfn Template:Refn On Halloween night 1969, WKBW in Buffalo, New York, broadcast a programme titled Paul McCartney Is Alive and Well – Maybe, which analysed Beatles lyrics and other clues. The WKBW DJs concluded that the "Paul is dead" hoax was fabricated by Lennon.<ref name="Bisco/ReelRadio">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Before the end of October 1969, several record releases had exploited the phenomenon of McCartney's alleged demise.Template:Sfn These included "The Ballad of Paul" by the Mystery Tour;Template:Sfn "Brother Paul" by Billy Shears and the All Americans; "So Long Paul" by Werbley Finster, a pseudonym for José Feliciano;Template:Sfn and Zacharias and His Tree People's "We're All Paul Bearers (Parts One and Two)".Template:Sfn Another song was Terry Knight's "Saint Paul",Template:Sfn which had been a minor hit in June that year and was subsequently adopted by radio stations as a tribute to "the late Paul McCartney".<ref name="Knight">Template:Cite magazine</ref>Template:Refn A cover version of "Saint Paul" by New Zealand singer Shane reached the top of that nation's singles charts.<ref name="Shane">Template:Cite AV media</ref> According to a report in Billboard magazine in early November, Shelby Singleton Productions planned to issue a documentary LP of radio segments discussing the phenomenon.<ref name="BB/DiskCoverage">Template:Cite magazine</ref> In Canada, Polydor Records exploited the rumour in their artwork for Very Together, a repackaging of the Beatles' pre-fame recordings with Tony Sheridan, using a cover that showed four candles, one of which had just been snuffed out.Template:Sfn

PremiseEdit

File:Beatles - Abbey Road.jpg

The "funeral procession" on the cover of Abbey Road

Many versions of this theory have arisen since its initial exposure to the public, but most proponents of the theory maintain that, on 9 November 1966 (or alternatively, 11 September),<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>Template:Better source needed McCartney had an argument with his bandmates during a Sgt. Pepper recording session and drove off angrily in his car, then, distracted by a meter maid ("Lovely Rita"), failed to notice that the traffic lights had changed ("A Day In The Life"), crashed, and was decapitated ("Don't Pass Me By").Template:Sfn Template:Sfn A funeral service for McCartney was held, with eulogies by Harrison ("Blue Jay Way") and Starr ("Don't Pass Me By"), followed by a procession (Abbey RoadTemplate:'s front cover), with Lennon as the priest officiating his funeral and burying him (the alleged "I Buried Paul" statement in "Strawberry Fields Forever"). To spare the public from grief, or simply as a joke, the surviving Beatles replaced him with the winner of a McCartney look-alike contest.Template:Sfn This scenario was facilitated by the Beatles' recent retirement from live performance and by their choosing to present themselves with a new image for their next album, Sgt. Pepper's Lonely Hearts Club Band, which they began recording later that month.Template:Sfn

In LaBour's telling, the stand-in was an "orphan from Edinburgh named William Campbell" whom the Beatles then trained to impersonate McCartney.<ref name="Noden/MojoSpecial">Template:Cite book</ref> Others contended that the man's name was Bill Shepherd,<ref>Template:Cite book</ref> later altered to Billy Shears,Template:Sfn and the replacement was instigated by Britain's MI5 out of concern for the severe distress McCartney's death would cause the Beatles' audience.<ref name="Shivani/Dawn">Template:Cite news</ref> In this latter telling, the surviving Beatles were said to be wracked with guilt over their actions, and therefore left messages in their music and album artwork to communicate the truth to their fans.<ref name="Shivani/Dawn" /><ref name="Time">Template:Cite magazine</ref>

Template:Quote box Dozens of supposed clues to McCartney's death have been identified by fans and followers of the legend. These include messages perceived when listening to songs being played backwards and symbolic interpretations of both lyrics and album cover imagery.Template:Sfn Template:Sfn Two frequently cited examples are the suggestions that the words "I buried Paul" are spoken by Lennon in the final section of the song "Strawberry Fields Forever", which the Beatles recorded in November and December 1966 (Lennon later said that the words were actually "Cranberry sauce"), and that the words "number nine, number nine" in "Revolution 9" (from the "White Album") became "turn me on, dead man, turn me on, dead man" when played backwards. A similar reversal at the end of "I'm So Tired" (another "White Album" track) yielded "Paul is dead man, miss him, miss him, miss him…".Template:Sfn<ref>Template:Cite magazine</ref>

Another example is the interpretation of the Abbey Road album cover as depicting a funeral procession: Lennon, dressed in white, is said to symbolise the heavenly figure; Starr, dressed in black, symbolises the undertaker; George Harrison, in denim, represents the gravedigger; and McCartney, barefoot and out of step with the others, symbolises the corpse.<ref name="labour" /> The number plate of the white Volkswagen Beetle in the photo – containing the characters LMW 281F (mistakenly read as "28IF") – was identified as further "evidence".<ref name="Noden/MojoSpecial" />Template:Sfn "28IF" represented McCartney's age "if" he had still been alive (although McCartney was 27 when the album was recorded and released),Template:Sfn while "LMW" stood for "Linda McCartney weeps" or "Linda McCartney, widow" (although McCartney and the then-Linda Eastman had not yet met in 1966, the year of his alleged death).<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>Template:Sfn Template:Refn That the left-handed McCartney held a cigarette in his right hand was also said to support the idea that he was an impostor.Template:Sfn

RebuttalEdit

File:Life magazine nov 69.jpg

The magazine report that rebutted the rumour

On 21 October 1969, the Beatles' press office again issued statements denying the rumour, deeming it "a load of old rubbish"<ref>Template:Cite news</ref> and saying that "the story has been circulating for about two years – we get letters from all sorts of nuts but Paul is still very much with us".<ref>Template:Cite news</ref> On 24 October, BBC Radio reporter Chris Drake was granted an interview with McCartney at his farm.Template:Sfn McCartney said that the speculation was understandable, given that he normally did "an interview a week" to ensure he remained in the news.Template:Sfn Part of the interview was first broadcast on Radio 4, on 26 October,Template:Sfn and subsequently on WMCA in the US.Template:Sfn According to author John Winn, McCartney had agreed to the interview "in hopes that people hearing his voice would see the light", but the ploy failed.Template:Sfn Template:Refn

McCartney was secretly filmed by a CBS News crew as he worked on his farm. As in his and Linda's segment in the Beatles' promotional clip for "Something", which the couple filmed privately around this time, McCartney was unshaven and unusually scruffy-looking in his appearance.Template:Sfn His next visitors were a reporter and photographer from Life magazine. Irate at the intrusion, he swore at the pair, threw a bucket of water over them and was captured on film attempting to hit the photographer. Fearing that the photos would damage his image, McCartney then approached the pair and agreed to pose for a photo with his family and answer the reporter's questions, in exchange for the roll of film containing the offending pictures.Template:Sfn In Winn's description, the family portrait used for LifeTemplate:'s cover shows McCartney no longer "shabbily attired", but "clean-shaven and casually but smartly dressed".Template:Sfn

Following the publication of the article and the photo, in the issue dated 7 November,Template:Sfn the rumour started to decline.<ref name="Noden/MojoSpecial" /> In the interview, McCartney said the rumour was "bloody stupid" and went on to say:

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AftermathEdit

In November 1969, Capitol Records sales managers reported a significant increase in sales of Beatles catalogue albums, attributed to the rumour.<ref name="Burks/RS" /> Rocco Catena, Capitol's vice-president of national merchandising, estimated that "this is going to be the biggest month in history in terms of Beatles sales".Template:Sfn<ref name="Burks/RS">Template:Cite magazine</ref> The rumour benefited the commercial performance of Abbey Road in the US, where it comfortably outsold all of the band's previous albums.Template:Sfn Sgt. Pepper and Magical Mystery Tour, both of which had been off the charts since February, re-entered the Billboard Top LPs chart,Template:Sfn peaking at number 101 and number 109, respectively.Template:Sfn

A television special dedicated to "Paul is dead" was broadcast on WOR in New York on 30 November.<ref name=Allen/> Titled Paul McCartney: The Complete Story, Told for the First and Last Time, it was set in a courtroom and hosted by celebrity lawyer F. Lee Bailey,Template:Sfn who cross-examined LaBour,<ref name=Allen/> Gibb and other proponents of the theory, and heard opposing views from "witnesses" such as McCartney's friend Peter Asher, brother Mike McCartney and Allen Klein.Template:Sfn Bailey left it to the viewer to determine a conclusion.Template:Sfn Before the recording, LaBour told Bailey that his article had been intended as a joke, to which Bailey sighed and replied, "Well, we have an hour of television to do; you're going to have to go along with this."<ref name=Allen/>

Template:Quote box McCartney returned to London in December. Bolstered by Linda's support, he began recording his debut solo album at his home in St John's Wood.Template:Sfn Titled McCartney, and recorded without his bandmates' knowledge,Template:Sfn Template:Sfn it was "one of the best-kept secrets in rock history" until shortly before its release in April 1970, according to author Nicholas Schaffner, and led to the announcement of the Beatles' break-up.Template:Sfn In his 1971 song "How Do You Sleep?", in which he attacked McCartney's character,Template:Sfn Lennon described the theorists as "freaks" who “was right when they said you was dead".Template:Sfn The rumour was also cited in the hoax surrounding the Canadian band Klaatu,<ref name="Raymond/Vulture" /> after a January 1977 review of their debut album, 3:47 EST, sparked rumours that the group were in fact the Beatles.Template:Sfn In one telling, this theory contended that the album had been recorded in late 1966 but then mislaid until 1975, at which point Lennon, Harrison and Starr elected to issue it in McCartney's memory.<ref name="Raymond/Vulture">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

LaBour later became notable as the bassist for the western swing group Riders in the Sky, which he co-founded in 1977. In 2008, he joked that his success as a musician had extended his fifteen minutes of fame for his part in the rumour to "seventeen minutes".<ref>Template:Cite magazine</ref> In 2015, he told The Detroit News that he is still periodically contacted by conspiracy theorists who have attempted to present him with supposed new developments on the McCartney rumours.<ref>Template:Cite news</ref>

Analysis and legacyEdit

Author Peter Doggett writes that, while he thinks the theory behind "Paul is dead" defied logic, its popularity was understandable in a climate where citizens were faced with conspiracy theories insisting that the assassination of President John F. Kennedy in 1963 was in fact a coup d'état.Template:Sfn Schaffner said that, given its origins as an item of gossip and intrigue generated by a select group in the "Beatles cult", "Paul is dead" serves as "a genuine folk tale of the mass communications era".Template:Sfn He also described it as "the most monumental hoax since Orson Welles' War of the Worlds broadcast persuaded thousands of panicky New Jerseyites that Martian invaders were in the vicinity".Template:Sfn

In his book Revolution in the Head, Ian MacDonald says that the Beatles were partly responsible for the phenomenon due to their incorporation of "random lyrics and effects", particularly in the White Album track "Glass Onion" in which Lennon invited clue-hunting by including references to other Beatles songs.Template:Sfn MacDonald groups it with the "psychic epidemics" that were encouraged by the rock audience's use of hallucinogenic drugs and which escalated with Charles Manson's homicidal interpretation of the White Album and Mark David Chapman's murder of Lennon in 1980.Template:Sfn

During the 1970s, the phenomenon became a subject of academic study in America in the fields of sociology, psychology and communications.Template:Sfn Among sociological studies, Barbara Suczek recognised it as, in Schaffner's description, a contemporary reading of the "archetypal myth wherein the beautiful youth dies and is resurrected as a god".Template:Sfn Psychologists Ralph Rosnow and Gary Fine attributed its popularity partly to the shared, vicarious experience of searching for clues without consequence for the participants. They also said that for a generation distrustful of the media following the Warren Commission's report, it was able to thrive amid a climate informed by "The credibility gap of Lyndon Johnson's presidency, the widely circulated rumors after the Martin Luther King Jr. and Robert F. Kennedy assassinations, as well as attacks on the leading media sources by the yippies and Spiro Agnew".Template:Sfn

American social critic Camille Paglia locates the "Paul is dead" phenomenon to the Ancient Greek tradition symbolised by Adonis and Antinous, as represented in the cult of rock music's "pretty, long-haired boys who mesmerize both sexes", and she adds: "It's no coincidence that it was Paul McCartney, the 'cutest' and most girlish of the Beatles, who inspired a false rumor that swept the world in 1969 that he was dead."<ref>Template:Cite journal</ref>

"Paul is dead" has continued to inspire analysis into the 21st century, with published studies by Andru J. Reeve, Nick Kollerstrom and Brian Moriarty, among others, and exploitative works in the mediums of mockumentary and documentary film.<ref name="Shivani/Dawn" /> Writing in 2016, Beatles biographer Steve Turner said, "the theory still has the power to flare back into life."Template:Sfn He cited a 2009 Wired Italia magazine article that featured an analysis by two forensic research consultants who compared selected photographs of McCartney taken before and after his alleged death by measuring features of the skull.Template:Sfn According to the scientists' findings, the man shown in the post-November 1966 images was not the same.Template:Sfn<ref>Carlesi, Gabriella et al. (2009) "Chiedi chi era quel «Beatle»" Template:Webarchive, Wired Italia</ref>Template:Refn

Similar rumours concerning other celebrities have been circulated, including the unsubstantiated allegation that Canadian singer Avril Lavigne died in 2003 and was replaced by a person named Melissa Vandella.<ref name="Cresci/Guardian">Template:Cite news</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In an article on the latter phenomenon, The Guardian described the 1969 McCartney hoax as "Possibly the best known example" of a celebrity being the focus of "a (completely unverified) cloning conspiracy theory".<ref name="Cresci/Guardian" /> In 2009, Time magazine included "Paul is dead" in its feature on ten of "the world's most enduring conspiracy theories".<ref name="Time" />

In popular cultureEdit

There have been many references to the legend in popular culture, including the following examples.

The June 1970 issue of the DC Comics title Batman (#222) had a story titled "Dead ... Till Proven Alive" in which it was rumoured that Saul from the band the Oliver Twists was deceased and replaced with a double. On the cover of the comic book, Robin is holding an album that mimics the back of Sgt. Pepper's Lonely Hearts Club Band.<ref>{{#invoke:citation/CS1|citation

|CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

The 1972 National Lampoon comedy album Radio Dinner has several announced "clues" placed throughout, including backmasked segments and notes in the album's gatefold, all parodying the hoax.<ref name="Radio Dinner">Template:Cite AV media notes</ref><ref>Template:Cite magazine</ref>
In the Rutles' 1978 television film satirising the Beatles' history, All You Need Is Cash, the identity of the alleged dead band member was transferred to the George Harrison character, Stig O'Hara, who was supposed to have died "in a flash fire at a water bed shop" and been replaced by a Madame Tussauds wax model. Building on Harrison's reputation as the "Quiet Beatle", the "Stig is dead" theory was supported by his lack of dialogue in the filmTemplate:Sfn and clues such as his trouser-less appearance on the cover of the Rutles' Shabby Road album.<ref>Idle, Eric (1978). "The Rutles Story". The Rutles (LP booklet). Warner Bros. Records. p. 16.</ref>
On the February 13, 1993, episode of Saturday Night Live, Paul McCartney was interviewed on The Chris Farley Show, a recurring sketch where Chris Farley nervously asked questions of his guests, usually about whether they remembered parts of their career. Regarding the "Paul Is Dead" rumours, Farley outlined the urban legend, then asked "That was, um, a hoax, right?" McCartney responded by saying "Yeah. I wasn't really dead."
McCartney titled his 1993 live album Paul Is Live in reference to the hoax.Template:Sfn He also presented it in a sleeve that parodied the Abbey Road cover and its clues.Template:Sfn
The 1995 video for "Free as a Bird" – a song recorded by Lennon in the late 1970s and completed by McCartney, Harrison and Starr for the band's Anthology project – references "Paul is dead", among other myths relating to the Beatles' impact during the 1960s. According to author Gary Burns, the video indulges in the same "semiological excess" as the 1969 hoax and thereby "spoof[s]" obsessive clue-hunting.Template:Sfn
In the 1995 episode of The Simpsons, "Lisa the Vegetarian", Paul McCartney guest stars and mentions that if his song "Maybe I'm Amazed" is played backwards, it contains a recipe for lentil soup. The song plays over the end credits, and, if played backwards, it not only contains the aforementioned recipe, but also McCartney himself saying "oh, and by the way, I'm alive".<ref>Mirkin, David (2005). Commentary for "Lisa the Vegetarian", in The Simpsons: The Complete Seventh Season [DVD]. 20th Century Fox.</ref>
"Paul Is Dead", a track on the 1995 Yo La Tengo album Electr-O-Pura.
In 2010, American author Alan Goldsher published the mashup novel Paul Is Undead: The British Zombie Invasion, which depicts all of the Beatles as zombies except Ringo Starr.<ref>Template:Cite news</ref>
Paul McCartney Really Is Dead: The Last Testament of George Harrison is a 2010 mockumentary directed by Joel Gilbert that purports to tell the story of George Harrison, believing himself to be on his deathbed after being stabbed on December 30, 1999,<ref>Template:Cite news</ref> revealing that McCartney had died in a car crash with a girl named Rita and that British intelligence agencies had orchestrated a coverup through which he was replaced by a lookalike. The film is narrated by a voice actor purporting to be George Harrison, describing over archival footage and reenactment the clues left behind in songs and album art that McCartney was dead.<ref>Template:Cite AV media</ref>
In 2015, the indie rock band EL VY released a song called "Paul Is Alive", which contains lyrics referencing Beatlemania<ref>{{#invoke:citation/CS1|citation

|CitationClass=web }}</ref> and partly addresses the 1969 rumour.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

A 2018 comedy short film, Paul Is Dead, depicts a version of events where McCartney dies during a musical retreat and is replaced by a look-alike named Billy Shears.<ref>{{#invoke:citation/CS1|citation

|CitationClass=web }}</ref>

A graphic novel co-created by Paolo Baron and Ernesto Carbonetti called Paul Is Dead was published in English by Image Comics in 2020.
In 2023, the American group Boygenius released the song called "Revolution 0" which was originally going to be called "Paul is Dead".<ref>Template:Cite news</ref>