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Ricardo Bofill

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Ricardo Bofill Leví ({{#invoke:IPA|main}}; 5 December 1939 – 14 January 2022) was a Spanish architect from Barcelona. He founded Ricardo Bofill Taller de Arquitectura in 1963 and developed it into a leading international architectural and urban design practice. According to architectural historian Andrew Ayers, his creations rank "among the most impressive buildings of the 20th century."<ref name=Ayers>Template:Citation</ref>

Early life and educationEdit

Born in late 1939, just after the end of the Spanish Civil War, Ricardo Bofill grew up in a well-to-do family with deep Catalan and Barcelonese roots. His grandfather Template:Ill (1860–1938) had been involved in prominent local institutions such as the Institute for Catalan Studies, the Template:Ill, and the Template:Ill. His father Emilio Bofill (1907–2000) was an architect, builder, and developer who studied at Template:Ill, Catalonia's oldest professional architecture school. Ricardo Bofill would later describe him as "republican, liberal, progressive, austere and logical."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Ricardo's mother, Maria Levi (1909–1991), was an Italian of Jewish descent born in Venice, who became a prominent sponsor of Catalan literature and culture in post-war Barcelona.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> His sister Anna Bofill Leví is an architect, composer, pianist, and author.

Bofill went to school at the Template:Ill from 1942,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> the Catholic {{#invoke:Lang|lang}} in Barcelona from 1949, then at the Lycée français de Barcelone in the 1950s.Template:R He spent much of his youth traveling, first with his family and later on his own, and developed a passion for vernacular architecture.<ref>Template:Cite book</ref> In 1957 he enrolled at the Template:Ill, where he engaged in student activism with the unauthorized Unified Socialist Party of Catalonia, and was soon arrested in a demonstration and expelled from the university and from Spain. He moved to Switzerland and enrolled at the Template:Ill in 1958, which he left in 1960 to return to Spain. His first architecture design was a summer home in Ibiza, completed in 1960.<ref>Template:Cite book</ref> In 1961-1962 he went into Spanish military service for nine months.<ref name=A1H>Template:Cite book</ref>Template:Rp He was again arrested and briefly incarcerated on political grounds in Barcelona in 1964.Template:R

Taller de ArquitecturaEdit

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File:Ricardo Bofill (Ricard Bofill Leví), Les quatre barres de la senyera catalana 8 DSC09517.jpg
Les quatre barres de la senyera catalana, public sculpture by Bofill that alludes to the Catalan flag; in front of W Barcelona Hotel

In 1963, Bofill and a group of close friends created Ricardo Bofill Taller de Arquitectura (Ricardo Bofill Architecture Workshop), initially hosted in his father's construction business with offices on Plaça de Catalunya in the center of Barcelona. Building on Catalan traditions of craftsmanship, he enlisted architects and engineers but also writers and artists into a multidisciplinary effort, which later branched into urban design and urban planning. The team experimented on original methodologies based on three-dimensional modular geometries, such as those of the Template:Ill in Reus (1964–1970), El Castillo de Kafka in Sant Pere de Ribes above Sitges (1964–1968), Xanadu (1966–1971), and La Muralla Roja (1968–1973) in Calp.<ref>Template:Cite thesis</ref> The same thinking was developed on a larger scale with the project La Ciudad en el Espacio ("The City in Space"), whose construction started in the Moratalaz area of Madrid in 1970 but was abruptly stopped by Francoist mayor Carlos Arias Navarro.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> It was instead realized with the construction of Walden 7 in Sant Just Desvern near Barcelona (1970–1975). These projects were recognized as exemplars of critical regionalism and can be viewed as a reaction against both architectural modernism and the Francoist dictatorship in Spain.

Bofill then started working in France, and gradually introduced symbolic elements into the Taller's designs that echo French traditions of classical architecture. In 1971, he was invited by Template:Ill, a key planner of the Cergy-Pontoise urban project, to develop a design concept analogous to that of the {{#invoke:Lang|lang}} in Reus.Template:R This morphed into a project named La Petite Cathédrale ("the small cathedral")<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> but actually intended as a large-scale development, which was approved in 1973 but canceled in 1974.Template:R Another major development was a competition-winning concept for Les Halles in Paris in 1975, whose construction subsequently started but was reversed in 1978 by the newly elected mayor Jacques Chirac.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Other projects did come to fruition in the Template:Ill around Paris which offered a favorable environment for large-scale experimentation, including Les Espaces d'Abraxas in Marne-la-Vallée and Les Arcades du Lac in Saint-Quentin-en-Yvelines. This phase culminated in the expansive Antigone new district of Montpellier in Southern France, for which Bofill presented the initial master plan in 1978.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> It is associated with both large-scale industrialization in precast concrete and classical forms and geometries in contemporary architecture, which Bofill called "modern classicism". As a consequence, Bofill opus is often cited as that one of the most representative and signififant postmodern architects to have lived and created in Europe.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

From the mid-1980s on, he increasingly shifted to glass and steel for the materials used in his projects, while still using a classical vocabulary of columns and pediments. Representative projects of that period include the 77 West Wacker Drive office tower in Chicago, the extension of Barcelona Airport ahead of the 1992 Summer Olympics, and the National Theater of Catalonia, also in Barcelona.

In 2000, Bofill re-centralized the activities of the Taller at its head office near Barcelona. His designs in more recent years gradually shed his classical decorative vocabulary of the 1980s and 1990s, while retaining a highly formal sense of geometry. Representative buildings of this more recent period include the W Barcelona Hotel on the Barcelona seafront and the Mohammed VI Polytechnic University in Ben Guerir, Morocco.

Personal life and deathEdit

Bofill met Italian actress Serena Vergano in 1962;Template:R their son Ricardo Emilio Bofill was born in 1965. Bofill and French visual artist Annabelle d'Huart had another son, Pablo Bofill, born in 1980.<ref name=Sandoval/> Both sons eventually worked with their father at Ricardo Bofill Taller de Arquitectura, and are co-leading the firm as of January 2022.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> From the 1990s, Bofill lived in Barcelona together with Catalan designer Marta de Vilallonga.<ref name=Sandoval>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In October 2021, he was named in the Pandora Papers.<ref>El arquitecto Ricardo Bofill recibió el poder general para controlar una sociedad en Panamá Template:In lang</ref>

He died from complications linked to COVID-19 in Barcelona on Template:Date, at the age of 82.<ref>Template:Cite news</ref><ref>Template:Cite news</ref>

Selected worksEdit

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Urban designEdit

BuildingsEdit

WritingEdit

  • Ricardo Bofill, Hacia una Formalización de la Ciudad en el Espacio, Barcelona: Blume Editorial, 1968
  • Ricardo Bofill,, L’Architecture d’un Homme (with François Hébert-Stevens), Paris: Arthaud, 1978
  • Ricardo Bofill and Jean-Louis André, Espaces d’une vie, Paris: Odile Jacob, 1989 (Translated into Spanish as Espacio y Vida, 1990, and in Italian as Spazi di una vita, 1996)
  • Ricardo Bofill and Nicolas Véron, L’Architecture des villes, Paris: Odile Jacob, 1995

FilmingEdit

  • Circles, 1966. Color, 35 mm, 17 minutes. Directed by Ricardo Bofill and Carles Durán. Actors: Serena Vergano, Salvador Clotas. Phography: Juan Amorós. Presented at Festival de Tours, France, 1968
  • Schizo, 1969–1970. Color, 35 mm, 60 minutes. Directed by Ricardo Bofill, Carles Durán and Manolo Núñez Yanosvski. Actors: Serena Vergano, Modesto Bertrán. Phography: Juan Amorós. Choreography: Antonio Miralles. Presented at 48 Mostra Cinematografica Internazionale di Venezia, Sala Volpi, 1991.

RecognitionEdit

In a noted study of France's evolving social structures and landscapes published in 2021,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> political scientist Jérôme Fourquet and journalist Jean-Laurent Cassely wrote that "the monumental projects designed by Spanish architect Ricardo-Bofill in Noisy-le-Grand (Les Espaces d'Abraxas), in Saint-Quentin-en-Yvelines (Les Arcades du Lac) and in Montpellier (the Antigone neighborhood) are basically the architectural signature of the 1980s" in the country.<ref>Template:Cite book</ref>

ExhibitionsEdit

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Bofill and his Taller de Arquitectura were featured in three exhibitions of the Museum of Modern Art in New York City: "Transformations in Modern Architecture" (1979), "Ricardo Bofill and Leon Krier: Architecture, Urbanism, and History" (1985), and "Architecture & Design Drawings: Rotation 3" (2006).<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> They were also featured at the Venice Biennale in 1980, 1982, and 1992.

Degrees and awardsEdit

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HonorsEdit

InfluenceEdit

Several architects who worked with Bofill went on to create significant architecture firms of their own, notably Template:Ill in 1978, Nabil Gholam in 1994, and Template:Ill in 2000. Bjarke Ingels has acknowledged the seminal influence of Bofill's early work such as La Fábrica and Walden 7 on his own vision of what creativity could achieve in architecture.<ref>Template:Citation</ref>

GalleryEdit

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  • Edifici JS Bach 28 - Barcelona (Catalonia)-08019-2519.jpg

    Carrer Bach 28, Barcelona (1963)

  • Edifici Ricardo Bofill carrer Nicaragua.jpg

    Carrer Nicaragua 97–99, Barcelona (1965)

  • 083 Barri Gaudí, de Ricard Bofill.jpg

    Barri Gaudí, Reus, Catalonia (1970)

  • Apartaments El Castell (cropped).JPG

    Apartaments El Castell, Sant Pere de Ribes

  • Walden7 devant.JPG

    Walden 7, Sant Just Desvern (1974)

  • Walden-7 Sant Just Desvern 2.jpg

    Walden 7, Sant Just Desvern (1974)

  • Meritxell Andorra 5.jpg

    Sanctuary of Meritxell, Andorra (1977)

  • Taller d’Arquitectura Sant Just Desvern.jpg

    Taller de Arquitectura, Sant Just Desvern (1970s)

  • Montpellier - Résidence Le Nombre d'Or (29248497783).jpg

    Place du Nombre d'Or, Montpellier (1984)

  • Antigone Esplanade de l'Europe.jpg

    Esplanade de l'Europe, Montpellier (1980s)

  • Montpellier - Les Échelles de la Ville (29247829934).jpg

    Les Échelles de la Ville, Montpellier (1987)

  • Montpellier - Communauté Agglomération Montpellier (29840186506).jpg

    Communauté d'Agglomération, Montpellier (1991)

  • Bofills bage1.jpg

    Pa Soder Crescent, Stockholm (1992)

  • Bofill.jpg

    United Arrows Building, Tokyo (1992)

  • Chicago 2007-2.jpg

    77 West Wacker Drive, Chicago (1992)

  • Teatre Nacional de Catalunya, Bofill.JPG

    Teatre Nacional de Catalunya, Barcelona (1996)

  • Edificio Apot (Campo de las Naciones, Madrid) 01.jpg

    Apot Building, Madrid

  • Montpellier - Piscine Olympique d'Antigone (29875127695).jpg

    Olympic Swimming Pool, Montpellier (1999)

  • UPC.CampusNorte.Edificio.Nexus2.jpg

    Nexus II building, UPC Campus Nord, Barcelona (2002)

  • The Citadel Center, Chicago Loop, Chicago, Illinois (11004317004).jpg

    Citadel Center, Chicago (2003)

  • W Barcelona by Ricardo Bofill.jpg

    W Hotel Barcelona (2009)

  • Hotel W Barcelona (2).jpg

    W Hotel

  • 35 Quatre barres i Hotel W.jpg

    Hotel W and Quatre Barres monument

  • Barcelona Airport Эль-Прат - panoramio (4).jpg

    Barcelona Airport, Terminal 1 (2010)

  • Palacio Municipal de Congresos de Madrid 05.jpg

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See alsoEdit

ReferencesEdit

NotesEdit

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Books about Bofill and his workEdit

  • José Agustín Goytisolo, Taller de Arquitectura : poemas. Barcelona: Blume, 1976
  • Ricardo Bofill, Projets Français 1978-1981. Paris: L’Equerre, 1981
  • Annabelle D’Huart, Ricardo Bofill, Los Espacios de Abraxas, El Palacio, El Teatro, El Arco. Paris: L’Equerre, 1981
  • “Ricardo Bofill Taller de Arquitectura”. Global Architecture No.4, New York: Rizzoli International, 1985
  • "The City: Classicism and Technology". Max Protetch Gallery. Artforum 4, 1986
  • Ricardo Bofill Taller de Arquitectura: Edificios y proyectos 1960-1984. Barcelona: Gustavo Gili, 1988
  • Warren A. James, Ricardo Bofill Taller de Arquitectura: Buildings and Projects 1960-1984. New York: Rizzoli, 1988
  • Annabelle D’Huart, Ricardo Bofill. Paris: Editions du Moniteur, 1989
  • Ricardo Bofill. Barcelona Airport. Milan: Edizioni Tecno, 1991
  • Jean-Louis André and Patrick Genard, Swift, Architecture & Technologie. Taller Design, 1991
  • Bartomeu Cruells, Ricardo Bofill: Obras y Proyectos. Barcelona: Gustavo Gili 1992
  • Memory-Future. Barcelona: Taller de Arquitectura, 1993
  • Bartomeu Cruells, Ricardo Bofill Taller de Arquitectura. Bologna: Zanichelli Editore, 1994

External linksEdit

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