Susan Peters
Template:Short description {{#invoke:Other people|otherPeople}} Template:Good article Template:Use mdy dates Template:Infobox person Susan Peters (born Suzanne Carnahan; July 3, 1921 – October 23, 1952) was an American actress who appeared in more than twenty films over the course of her decade-long career. Though she began her career in uncredited and ingénue roles, she would establish herself as a serious dramatic actress in the mid-1940s.
Born in Spokane, Washington,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Peters was raised by her widowed mother in Portland, Oregon, and, later, Los Angeles. Upon graduating from Hollywood High School, she studied acting with Austrian theater director Max Reinhardt, and signed a contract with Warner Bros. Pictures. She appeared in numerous bit parts before earning a minor supporting role in Santa Fe Trail (1940). She made her last film for Warner Bros. in 1942, the film noir The Big Shot opposite Humphrey Bogart and Richard Travis; after its release, Warner opted not to renew her contract.
In 1942, Peters appeared in a supporting role in Tish, which resulted in her signing a contract with Metro-Goldwyn-Mayer (MGM). The same year, she had a featured role in the Mervyn LeRoy-directed drama Random Harvest, which earned her an Academy Award nomination for Best Supporting Actress and established her as a serious dramatic performer.<ref name="LoC">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Peters went on to appear as the lead in numerous films for MGM, including roles in the romantic comedy Young Ideas (1943), and several war films: Assignment in Brittany (1943), Song of Russia (1944), and Keep Your Powder Dry (1945).
On New Year's Day 1945, Peters' spinal cord was damaged from an accidental gunshot wound, leaving her permanently paraplegic.<ref name="LoC" /> She returned to film, portraying a villainess who used a wheelchair in The Sign of the Ram (1948). Peters then transitioned to theater,<ref name="LoC" /> appearing as Laura Wingfield in a critically acclaimed 1949 production of Tennessee Williams's The Glass Menagerie, which was slightly altered to allow Peters to perform in a wheelchair. She followed this with a production of The Barretts of Wimpole Street, in which she portrayed physically disabled poet Elizabeth Barrett Browning. By 1952, however, Peters had had clinical depression for several years due to the dissolution of her marriage and her limited career options. In late 1952, she began starving herself, which combined with her paralysis led to chronic kidney infections and pneumonia. She died of ensuing health complications that year at age 31.
Life and careerEdit
1921Template:En dash1939: Early lifeEdit
Peters was born Suzanne Carnahan on July 3, 1921, in Spokane, Washington, the elder of two children born to Robert and Abby Carnahan.Template:Sfn Her father was a civil engineer of Irish descent, while her mother was of French descent, and a grand-niece of Robert E. Lee.Template:Sfn Peters had one younger brother, Robert Jr., born in 1923.Template:SfnTemplate:Sfn Shortly after her birth, the Carnahan family moved to Portland, Oregon.Template:Sfn<ref name=tcm/> In 1928, her father was killed in a car accident in Portland,Template:Sfn after which the family relocated to Seattle, Washington,Template:Efn and later to Los Angeles to live with Peters' maternal French-born grandmother, Maria Patteneaude, a dermatologist.Template:SfnTemplate:Efn
Peters was educated at Laird Hall School for Girls, the LaRue School in Azusa, California, and Flintridge Sacred Heart Academy in Los Angeles.Template:Sfn During her years in high school, she worked after hours in a Los Angeles department store, earning money to help support her mother and brother.<ref name=ht>Template:Cite news</ref> Peters' mother supported herself and her two children by working in a dress shop and managing an apartment building.Template:Sfn "We were poor but we managed, and we had fun," Peters recalled of her upbringing.Template:Sfn She was an avid swimmer and tennis player, and also grew up riding horses; her talent as an equestrian allowed her to earn additional income by breaking and showing other people's horses.Template:Sfn
Peters transferred to Hollywood High School during her senior year, and began taking drama classes in which she opted to enroll in place of cooking courses: "I took a drama course instead of a cooking course because I thought it was easier," Peters said. "Acting meant money, and [my family] needed money."Template:Sfn While still in high school, she signed with a talent agent.Template:Sfn She graduated from Hollywood High School<ref name="LoC"/> in June 1939, along with Jason Robards, Sheila Ryan, and Dorothy Morris as members of her graduating class.Template:Sfn With a newfound interest in acting, Peters earned a scholarship to the Max Reinhardt School of Dramatic Arts.Template:Sfn
While performing in a showcase production of Philip Barry's Holiday at the Reinhardt School,Template:Sfn Peters was spotted by a talent scout for Metro-Goldwyn-Mayer (MGM), who gave her a walk-on part in George Cukor's Susan and God (1940).<ref>Template:Cite news</ref> During the shoot, Peters was reportedly so nervous that she fainted in front of the camera.<ref>Template:Cite news</ref> Despite her apprehension on set, Peters became a protégée of Cukor, who personally assigned her to private acting lessons with drama coach Gertrude Vogler.Template:Sfn Cukor believed Peters had star potential, but needed to not "talk through [her] nose."Template:Sfn He later recalled that she reminded him of "a young Katharine Hepburn. Not as aggressive as Kate, but that same finishing school appearance and drive."Template:Sfn
1940Template:En dash1941: Contract with Warner Bros.Edit
In early 1940, Peters screen tested for Warner Bros. Pictures, who subsequently offered her a contract.Template:Sfn Then credited under her birth name, Suzanne Carnahan, Peters was cast in various small parts in Warner Bros. films; many of these were uncredited bit parts or walk-on roles, such as in River's End, The Man Who Talked Too Much, Money and the Woman, and Always a Bride (all released in 1940).Template:Sfn She had her first credited role in the big-budget Western film Santa Fe Trail (1940), opposite Errol Flynn and Olivia de Havilland. In the film, Peters portrayed a young woman from Boston in love with a Kansas military officer.Template:Sfn During the press junkets to promote the film, Peters found interviews overwhelming, and later admitted: "I wasn't a good sport. I locked myself in my compartment during most of the trip."Template:Sfn
After Santa Fe Trail, Peters had small roles in The Strawberry Blonde, Meet John Doe, Here Comes Happiness (1941), and Scattergood Pulls the Strings (all 1941), the latter of which earned her favorable reviews.Template:Sfn She then had a lead role as an ingénue in the comedy Three Sons o' Guns (1941), followed by a dramatic part playing the girlfriend of a convict in The Big Shot (1942), opposite Richard Travis and Humphrey Bogart.Template:Sfn She was also in shorts such as Young America Flies (1940) and Sockaroo (1941).<ref name=museum>Template:Cite news</ref> At the urging of the studio (who initially suggested she change her name to Sharon O'Keefe), she dropped her birth name and took the stage name Susan Peters.Template:SfnTemplate:Sfn By 1942, however, Warner Bros. chose not to renew her contract.<ref name=macpherson>Template:Cite news</ref>
1942Template:En dash1944: Metro-Goldwyn-Mayer and critical successEdit
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Several months after being dropped by Warner Bros., Peters was contacted by MGM to test for a supporting role in the film Tish (1942), a loose adaptation of a series of stories by Mary Roberts Rinehart.Template:Sfn She won the role and also signed a contract with the studio.Template:Sfn At the time, Peters was one of the most screen-tested actresses in Hollywood.<ref>Template:Cite book</ref> While filming Tish, Peters met future husband, actor Richard Quine, with whom she also starred in her second film with MGM, Dr. Gillespie's New Assistant (1942), alongside Van Johnson.Template:Sfn Quine and Peters later married on November 7, 1943, at Westwood Community Church in West Los Angeles.Template:Sfn
After completing Andy Hardy's Double Life (1942) in which she appeared with Mickey Rooney in the very short final scene, Template:Sfn Mervyn LeRoy cast Peters in the drama Random Harvest (also 1942),Template:Sfn in which she portrayed a young woman who falls in love with her step-uncle.Template:Sfn The film was one of the top 25 highest-earning films of the year,Template:Sfn and Peters' performance garnered her critical acclaim, earning her an Academy Award nomination for Best Supporting Actress.<ref name="LoC"/><ref name="toledo">Template:Cite news</ref>
The success of Random Harvest led MGM to give Peters lead roles in other major pictures such as Assignment in Brittany (1943), in which she portrayed a French peasant girl.Template:Sfn This was followed with a minor but top-billed credit in the comedy Young Ideas (1943) with Herbert Marshall and Mary Astor, directed by Jules Dassin.Template:Sfn She was subsequently cast as the female lead in Song of Russia (1943) opposite Robert Taylor.Template:Sfn The role earned her further excellent notices, with a review in The Hollywood Reporter noting her as "a dramatic actress of the first rank."Template:Sfn The film however was controversial, as its portrayal of the Soviet Union was interpreted by some audiences and critics as being favorable and of a pro-Communist stance.Template:Sfn
In early 1944, Peters was one of ten actors and actresses who were elevated from "featured player" status to the studio's official "star" category; the others included Esther Williams, Laraine Day, Kathryn Grayson, Van Johnson, Margaret O'Brien, Ginny Simms, Robert Walker, Gene Kelly, and George Murphy. An official portrait taken of MGM's contracted players during this period prominently features Peters sharing the front row with the head of the studio himself, Louis B. Mayer, and alongside such actors as James Stewart, Mickey Rooney, Margaret Sullavan, Katharine Hepburn, Hedy Lamarr, and Greer Garson.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In late 1944, Peters filmed Keep Your Powder Dry, a war drama co-starring Lana Turner and Laraine Day,<ref name=macpherson/> in which she portrayed the humble wife of a soldier.Template:Sfn
1945Template:En dash1950: Injury and career declineEdit
On January 1, 1945, Peters and husband Quine, along with his cousin and cousin's wife, went on a duck hunting trip in the Cuyamaca Mountains near San Diego.Template:Sfn At one point during the trip, a 22-caliber rifle discharged accidentally, and the bullet lodged in her spine.<ref>Template:Cite news</ref>Template:Sfn She was rushed to Mercy Hospital, roughly Template:Convert away, and underwent emergency surgery.Template:Sfn The injury to her spinal cord left her permanently paralyzed from the waist down, and she was required to use a wheelchair for the rest of her life.<ref name="LoC"/><ref name="ferrero">Template:Cite newsTemplate:Dead link</ref> Keep Your Powder Dry premiered three months after the incident, on March 8, 1945.Template:Sfn Peters' mother, who had maintained a bedside vigil during her stay in the hospital, died nine months later in December 1945, which left Peters even more distraught.Template:Sfn
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MGM continued to pay Peters a $100 weekly salary and medical expenses, but, unable to find suitable projects, she subsequently left the studio.Template:Sfn She later recalled: "Metro-Goldwyn-Mayer kept sending me Pollyanna scripts about crippled girls who were all sweetness and light, which I kept turning down. Two years after my accident, I gave up and broke my contract. I won't trade on my handicap."Template:Sfn Among the projects offered to her were Joe Pasternak and Henry Koster's The Unfinished Dance (1947), a remake of Jean Benoît-Lévy's Ballerina.Template:Sfn In the film, Peters was offered the role of a ballerina who receives a spinal injury that leaves her unable to perform, but she declined.Template:Sfn Just prior to her injury, she had begun filming the drama The Outward Room.Template:Sfn The film's producers considered completing the project with stand-ins and refitting the script to allow Peters to appear in a wheelchair, but the project was ultimately shelved.Template:Sfn
Upon leaving MGM, Peters was approached for numerous acting jobs on radio programs.Template:Sfn She guest-starred on a December 11, 1945, episode of Seventh Heaven opposite previous film co-star Van Johnson.Template:Sfn In 1946, Peters and husband Quine adopted a son, Timothy Richard.<ref name=tcm/> The same year, Peters made her first public appearance since her accident at Ciro's in West Hollywood, attending the debut of Desi Arnaz and His Orchestra along with her close friend Lucille Ball.Template:Sfn Ball and Arnaz urged Peters to continue seeking acting work.Template:Sfn Actor and friend Charles Bickford suggested that Peters option the novel The Sign of the Ram by Margaret Ferguson, which centers on a disabled woman who manipulates those around her.Template:Sfn Upon discussing the novel with her agent, Peters pitched the idea to Columbia Pictures, who were enthusiastic about making a film adaptation.Template:Sfn
Production on The Sign of the Ram began in July 1947 with director John Sturges,<ref>Template:Cite news</ref> and Peters told reporters that she had never played a character "with the emotional range that this character has. It was a real challenge for me."Template:Sfn The film's production was difficult, as Peters had to have Template:Clarify Quine on set to care for her son.Template:Sfn After production ended, Peters separated from Quine, claiming that he was cruel and would not speak to her for days at a time.Template:Sfn Their divorce was finalized on September 10, 1948.<ref>Template:Cite news</ref><ref>Template:Cite news</ref> The Sign of the Ram was released in March 1948, and critic Bosley Crowther of The New York Times gave the film an unfavorable review, writing: "The fortitude of Susan Peters in returning to the screen after a cruelly crippling accident, suffered three years ago, is worthy of a more substantial token of respect than it—and she—receives in The Sign of the Ram, a Columbia picture which came to Loew's State yesterday. And the talents of several other actors of competence who are with her in this film are deserving of fuller protection against embarrassment than any of them get."<ref>Template:Cite news</ref> In light of her divorce and facing a lack of opportunity as an actress, Peters began having chronic depression at this time.<ref name=tcm/>
In 1949, she was cast as Laura in a touring stage production of The Glass Menagerie (reportedly with blessings from Tennessee Williams) which had its debut June 27, 1949, in Norwich, Connecticut.<ref name=takesstage>Template:Cite news</ref> The play was slightly altered under Williams's supervision in order for Peters to be allowed to perform the part in a wheelchair.<ref>Template:Cite news</ref> She received a standing ovation during the play's opening night, and the production toured throughout the East Coast.Template:Sfn The following year, in 1950, she was cast in a stage production of Rudolph Besier's The Barretts of Wimpole Street,Template:SfnTemplate:Sfn playing the disabled poet Elizabeth Barrett Browning, which earned her positive critical reception among press.<ref>Template:Cite news</ref>
In March 1951, Peters signed onto the live NBC-TV television drama Miss Susan,Template:Sfn in which she played an attorney who used a wheelchair.<ref name="LoC"/>Template:SfnTemplate:Sfn Peters shot the series live five days per week in Philadelphia from March 12 to December 28, 1951,<ref name="LoC"/>Template:Sfn after which it was canceled when her health began to decline.<ref name="toledo"/><ref>Template:Cite news</ref>
1951Template:En dash1952: Health problems and deathEdit
After the cancellation of Miss Susan, Peters began a relationship with Robert Clark, a U.S. Army colonel, and the two announced their engagement to be married; however, Clark broke off the engagement, which sent Peters into a deeper depression.Template:Sfn She relocated to Lemon Cove, California, to live on her brother's cattle ranch, and her health began to steadily decline.Template:Sfn In mid-1952, Peters was admitted to a hospital in Exeter, California, to undergo a skin graft procedure, after which she returned to her brother's home and lived in seclusion.Template:Sfn She had plans to resume another touring stage production of The Barretts of Wimpole Street the following year, but her strength had dwindled and she struggled to put on weight.Template:Sfn
In August 1952, Peters told her physician, Dr. Manchester: "I'm getting awfully tired. I think it possibly would be better if I did die."<ref>Template:Cite journal</ref> Over the following two months, she began starving herself.<ref name=easy/><ref name=tcm/> Peters died on October 23, 1952, at Memorial Hospital in Visalia, California, at the age of 31. Her doctor attributed her death to a chronic kidney infection, a complication caused by her paralysis, and bronchial pneumonia.Template:Sfn He also noted that her death was hastened by self-induced dehydration and starvation because, in the last few weeks of her life, Peters had "lost interest" in eating and drinking and had "lost the will to live".<ref name="ferrero"/><ref name=hr>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>Template:Cite news</ref>Template:Efn
Peters' funeral was held on October 27 in Glendale, California, after which she was buried at Forest Lawn Memorial Park next to her mother.<ref>Template:Cite news</ref><ref>Template:Cite news</ref> At the time of her death, Peters' son Timothy was living with her ex-husband. Her estate was worth $6,000 (Template:Inflation).<ref>Template:Cite news</ref>
LegacyEdit
Much of the public assessment and discussion of Peters has hinged on her paralysis and its impact on her life and career:<ref name="LoC"/> Media historian Hal Erickson considered Peters "one of Hollywood's most promising young actresses" of the 1940s, who "courageously attempted a comeback" despite her health problems.Template:Sfn Film scholar Gene Blottner similarly praised Peters as a "brilliant actress,"Template:Sfn as did John Charles of Turner Classic Movies, who deemed her paralysis "one of the worst tragedies to affect the Hollywood acting community during the 1940s."<ref name=tcm>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> For her contribution to motion pictures, Peters was posthumously<ref name=tcm/> awarded a star on the Hollywood Walk of Fame at 1601 Vine Street.<ref name=hwof>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
FilmographyEdit
| Year | Title | Role | Notes | Template:Tooltip | |
|---|---|---|---|---|---|
| 1940 | Susan and God | Party Guest | Uncredited | <ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
| 1940 | River's End | Uncredited walk-on role | Template:Sfn | ||
| 1940 | Sockaroo | College Coed | As Suzanne Carnahan | Template:Sfn | |
| 1940 | The Man Who Talked Too Much | Bit role | Uncredited | <ref name=afi>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
| 1940 | Young America Flies | One of Jack's girlfriends | Uncredited | <ref name=museum/> | |
| 1940 | Money and the Woman | Depositor | Uncredited | Template:Sfn | |
| 1940 | Santa Fe Trail | Charlotte Davis | As Suzanne Carnahan | <ref name=afi/> | |
| 1941 | The Strawberry Blonde | Girl | Uncredited | <ref name=afi/> | |
| 1941 | Here Comes Happiness | Miss Brown | Uncredited | <ref name=afi/> | |
| 1941 | Meet John Doe | Autograph Hound | Uncredited | <ref name=afi/> | |
| 1941 | Scattergood Pulls the Strings | Ruth Savage | <ref name=afi/> | ||
| 1941 | Three Sons o' Guns | Mary Tyler | <ref name=afi/> | ||
| 1942 | A New Romance of Celluloid: Personalities | Herself | MGM promotional short film | Template:Sfn | |
| 1942 | The Big Shot | Ruth Carter | <ref name=afi/> | ||
| 1942 | Tish | Cora Edwards Bowzer | <ref name=afi/> | ||
| 1942 | Dr. Gillespie's New Assistant | Mrs. Howard Allwinn Young | <ref name=afi/> | ||
| 1942 | Random Harvest | Kitty | <ref name=afi/> | ||
| 1942 | Andy Hardy's Double Life | Sue, Wainwright Coed on Train | <ref name=afi/> | ||
| 1943 | Assignment in Brittany | Anne Pinot | <ref name=afi/> | ||
| 1943 | Young Ideas | Susan Evans | <ref name=afi/> | ||
| 1944 | Song of Russia | Nadya Stepanova | <ref name=afi/> | ||
| 1945 | Keep Your Powder Dry | Ann "Annie" Darrison | <ref name=afi/> | ||
| 1945 | The Outward Room | Unfinished project | Template:Sfn | ||
| 1948 | The Sign of the Ram | Leah St. Aubyn | <ref name=afi/> | ||
| 1951 | Miss Susan | Susan Martin | Television series; retitled Martinsville, U.S.A. | Template:Sfn |
Stage creditsEdit
| Year | Title | Role | Notes | Template:Tooltip |
|---|---|---|---|---|
| 1949 | The Glass Menagerie | Laura Wingfield | Regional touring production; debut in Norwich, Connecticut | <ref name=takesstage/> |
| 1950 | The Barretts of Wimpole Street | Elizabeth Barrett Browning | Regional touring production | Template:Sfn |
AccoladesEdit
| Year | Institution | Nominated work | Category | Result | Template:Abbr |
|---|---|---|---|---|---|
| 1942 | Academy Awards | Random Harvest | Best Supporting Actress | Template:Nominated | Template:Sfn |
| National Board of Review | Best Actress | Template:Won | Template:Sfn | ||
| 1960 | Hollywood Walk of Fame | Template:N/A | Star – Motion Pictures | Honored | <ref name=hwof/> |
See alsoEdit
NotesEdit
ReferencesEdit
SourcesEdit
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External linksEdit
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