Tadao Ando
Template:Short description Template:Use dmy dates Template:Infobox architect Template:Nihongo is a self-taught Japanese autodidact architect<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name=pritzker>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> known for his unique integration of architecture and landscape. Architectural historian Francesco Dal Co described his work as an example of "critical regionalism". Ando received the prestigious Pritzker Architecture Prize in 1995.
Early lifeEdit
Tadao Ando was born in 1941 in Minato-ku, Osaka, Japan, just a few minutes before his twin brother.<ref name="notablebiographies">Template:Cite encyclopedia</ref> At the age of two, he was separated from his sibling and raised by his great-grandmother. <ref name="notablebiographies"/> Before becoming an architect, Ando worked as a boxer and fighter. He had no formal training in architecture, but a visit to Tokyo during high school, where he saw Frank Lloyd Wright–designed Imperial Hotel, deeply inspired him.<ref>Template:Cite news</ref> Less than two years after graduating, he left boxing to pursue architecture, studying drawing at night and taking correspondence courses on interior design.<ref>Makiko Kitamura (September 29, 2009), Bono’s Home Designer Ando Plans Art Center at Provence Winery Template:Webarchive Bloomberg.</ref> He later travelled to study buildings by masters such as Le Corbusier, Ludwig Mies van der Rohe, Frank Lloyd Wright, and Louis Kahn. In 1968, he returned to Osaka and founded Tadao Ando Architects and Associates.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
CareerEdit
StyleEdit
Ando was raised in Japan where the religion and style of life strongly influenced his architecture and design. Ando's architectural style is said to create a "haiku" effect, emphasizing nothingness and empty space to represent the beauty of simplicity. He favors designing complex spatial circulation while maintaining the appearance of simplicity. A self-taught architect, he keeps his Japanese culture and language in mind while he travels around Europe for research. As an architect, he believes that architecture can change society, that "to change the dwelling is to change the city and to reform society".<ref>Masao Furuyama. “Tadao Ando” Taschen 2006 Template:ISBN</ref> "Reform society" could be a promotion of a place or a change of the identity of that place. Werner Blaser has said, "Good buildings by Tadao Ando create memorable identity and therefore publicity, which in turn attracts the public and promotes market penetration".<ref>Werner Blaser, Tadao Ando, Architecktur der Stille, Architecture of Silence Birkhäuser 2001 Template:ISBN</ref>
The simplicity of his architecture emphasizes the concept of sensation and physical experiences, mainly influenced by Japanese culture. The religious term Zen, focuses on the concept of simplicity and concentrates on inner feeling rather than outward appearance. Zen influences vividly show in Ando's work and became its distinguishing mark. In order to practice the idea of simplicity, Ando's architecture is mostly constructed with concrete, providing a sense of cleanliness and weightlessness (even though concrete is a heavy material) at the same time.<ref>Template:Cite news</ref> Due to the simplicity of the exterior, construction, and organization of the space are relatively potential in order to represent the aesthetic of sensation.
Besides Japanese religious architecture, Ando has also designed Christian churches, such as the Church of the Light (1989) and the Church in Tarumi (1993).<ref>Template:Cite book</ref> Although Japanese and Christian churches display distinct characteristics, Ando treats them in a similar way. He believes there should be no difference in designing religious architecture and houses. As he explains,
We do not need to differentiate one from the other. Dwelling in a house is not only a functional issue, but also a spiritual one. The house is the locus of heart (kokoro), and the heart is the locus of god. Dwelling in a house is a search for the heart (kokoro) as the locus of god, just as one goes to church to search for god. An important role of the church is to enhance this sense of the spiritual. In a spiritual place, people find peace in their heart (kokoro), as in their homeland.<ref>Jin Baek, Nothingness: Tadao Ando’s Christian Sacred Space Routledge 2009 Template:ISBN</ref>
Besides speaking of the spirit of architecture, Ando also emphasises the association between nature and architecture.<ref>Template:Cite news</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> He intends for people to easily experience the spirit and beauty of nature through architecture. He believes architecture is responsible for performing the attitude of the site and makes it visible. This not only represents his theory of the role of architecture in society but also shows why he spends so much time studying architecture from physical experience.
In 1995, Ando won the Pritzker Prize for architecture, considered the highest distinction in the field.<ref name=pritzker/> He donated the $100,000 prize money to the orphans of the 1995 Kobe earthquake.<ref>Muschamp, Herbert. (1995). "Among the Fountains with Tadao Ando; Concrete Dreams In the Sun King's Court" New York Times September 21, 1995</ref>
Buildings and worksEdit
Tadao Ando's body of work is known for the creative use of natural light and for structures that follow natural forms of the landscape, rather than disturbing the landscape by making it conform to the constructed space of a building. Ando's buildings are often characterized by complex three-dimensional circulation paths. These paths weave in between interior and exterior spaces formed both inside large-scale geometric shapes and in the spaces between them.
His "Row House in Sumiyoshi" (Azuma House, 住吉の長屋), a small two-story, cast-in-place concrete house completed in 1976, is an early work which began to show elements of his characteristic style. It consists of three equal rectangular volumes: two enclosed volumes of interior spaces separated by an open courtyard. The courtyard's position between the two interior volumes becomes an integral part of the house's circulation system. The house is famous for the contrast between appearance and spatial organization which allow people to experience the richness of the space within the geometry.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
Ando's housing complex at Rokko, just outside Kobe, is a complex warren of terraces and balconies, atriums and shafts. The designs for Rokko Housing One (1983) and for Rokko Housing Two (1993) illustrate a range of issues in traditional architectural vocabulary—the interplay of solid and void, the alternatives of open and closed, the contrasts of light and darkness. More significantly, Ando's noteworthy engineering achievement in these clustered buildings is site specific—the structures survived undamaged after the Great Hanshin earthquake of 1995.<ref name="gold95">Goldberger, Paul. "Architecture View: 'Laureate' in a Land of Zen and Microchips," The New York Times. April 23, 1995.</ref> New York Times architectural critic Paul Goldberger argues that:
Ando is right in the Japanese tradition: spareness has always been a part of Japanese architecture, at least since the 16th century; [and] it is not without reason that Frank Lloyd Wright more freely admitted to the influences of Japanese architecture than of anything American."<ref name="gold95"/>
Like Wright's Imperial Hotel in Tokyo Second Imperial Hotel 1923-1968, which did survive the Great Kantō earthquake of 1923, site specific decision-making, anticipates seismic activity in several of Ando's Hyōgo-Awaji buildings.<ref>Bassin, Joan. "Frank Lloyd Wright's Imperial Hotel" Template:Webarchive, National Building Museum exhibition</ref>
Unlike the architect Auguste Perret, who pioneered the use of reinforced concrete, Ando used shuttering formwork to give concrete building elements their shape. The finished Ando building bears the memory of wood texture.<ref>Template:Cite book</ref> The smoothness of the concrete is achieved by the careful preparation of the casting moulds. Ando buildings are credited with the interior design use of exposed concrete. The use of prominent beams is perceived to be rooted in Japanese architectural history. The Rokko apartments and the Church of the Light earned Ando international recognition and he was noted by those who detect a regional quality in concrete construction.<ref>Template:Cite book</ref> In 2003, Ando was commissioned by soap opera heir William Bell, Jr. and his wife Maria to design a house for an almost Template:Convert oceanfront site on the East Pacific Coast Highway in the Paradise Cove area of Malibu, California.<ref name=SFGate>Template:Cite news</ref><ref name="WSJ" >Template:Cite news</ref><ref name='RD'>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The house (designed with WHY Architects)<ref name=Mod>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> is a Template:Convert modernist concrete structure in an L shape, with six bedrooms and walls of glass.<ref name="WSJ" /><ref name=LAT/> It has been described as minimalist and "echoey".<ref name=Guardian>Template:Cite news</ref> Construction completed in 2014, being prolonged due to the oceanfront location, soft soil, and California's extensive building codes.<ref name="WSJ" /><ref name=AD>Template:Cite magazine</ref> 7,645 cubic yards of unusually high quality concrete were used in the construction of the house, with its rebar specially treated to resist corrosion.<ref name=LAT>Template:Cite news</ref><ref name="WSJ" /> The installation of the concrete in the driveway, garage, and parking areas in 2015 won an award for precision from the American Concrete Institute.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Ando also designed a series of furniture pieces for the interior.<ref name="WSJ" /> In May 2023, couple Beyoncé and Jay-Z purchased the house through a trust for $200 million.<ref>Template:Cite news</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>Template:Cite news</ref><ref name="SFGate2">Template:Cite news</ref> It was the most expensive single-family home sold in the United States in 2023.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and surpassed California's previous record price for a residence, set by businessman Marc Andreessen in 2021 for the adjacent house.<ref name="LAT" />
ProjectsEdit
Building/project | Location | Country | Date | ||
---|---|---|---|---|---|
Tomishima House | Osaka | Japan | 1973 | ||
Uchida House | Japan | 1974 | |||
Uno House | Kyoto | Japan | 1974 | ||
Hiraoka House | Hyōgo Prefecture | Japan | 1974 | ||
Shibata House | Ashiya, Hyogo Prefecture | Japan | 1974 | ||
Tatsumi House | Osaka | Japan | 1975 | ||
Soseikan-Yamaguchi House | Hyōgo Prefecture | Japan | 1975 | ||
Takahashi House | Ashiya, Hyōgo Prefecture | Japan | 1975 | ||
Matsumura House | Kobe | Japan | 1975 | ||
Row House in Sumiyoshi (Azuma House) | Sumiyoshi, Osaka | Japan | 1976 | ||
Hirabayashi House | Osaka Prefecture | Japan | 1976 | ||
Bansho House | Aichi Prefecture | Japan | 1976 | ||
Tezukayama Tower Plaza | Sumiyoshi, Osaka | Japan | 1976 | ||
Tezukayama House-Manabe House | Osaka | Japan | 1977 | ||
Wall House (Matsumoto House) | Ashiya, Hyōgo Prefecture | Japan | 1977 | ||
Glass Block House (Ishihara House) | Osaka | Japan | 1978 | ||
Okusu House | Setagaya, Tokyo | Japan | 1978 | ||
Glass Block Wall (Horiuchi House) | Sumiyoshi, Osaka | Japan | 1979 | ||
Katayama Building | Nishinomiya, Hyōgo Prefecture | Japan | 1979 | ||
Onishi House | Sumiyoshi, Osaka | Japan | 1979 | ||
Matsutani House | Kyoto | Japan | 1979 | ||
Ueda House | Okayama Prefecture | Japan | 1979 | ||
Step | Takamatsu, Kagawa | Japan | 1980 | ||
Matsumoto House | Wakayama, Wakayama Prefecture | Japan | 1980 | ||
Fuku House | Wakayama, Wakayama Prefecture | Japan | 1980 | ||
Bansho House Addition | Aichi Prefecture | Japan | 1981 | ||
Koshino House | Ashiya, Hyōgo Prefecture | Japan | 1981 | ||
Kojima Housing (Sato House) | Okayama Prefecture | Japan | 1981 | ||
Atelier in Oyodo | Osaka | Japan | 1981 | ||
Tea House for Soseikan-Yamaguchi House | Hyōgo Prefecture | Japan | 1982 | ||
Ishii House | Shizuoka Prefecture | Japan | 1982 | ||
Akabane House | Setagaya, Tokyo | Japan | 1982 | ||
Kujo Townhouse (Izutsu House) | Osaka | Japan | 1982 | ||
Rokko Housing One (Template:Coord) | Rokko, Hyōgo Prefecture | Japan | 1983 | ||
Bigi Atelier | Shibuya, Tokyo | Japan | 1983 | ||
Umemiya House | Kobe | Japan | 1983 | ||
Kaneko House | Shibuya, Tokyo | Japan | 1983 | ||
Festival | Naha, Okinawa prefecture | Japan | 1984 | ||
Time's | Kyoto | Japan | 1984 | ||
Koshino House Addition | Ashiya, Hyōgo Prefecture | Japan | 1984 | ||
Melrose, Meguro | Tokyo | Japan | 1984 | ||
Uejo House | Osaka Prefecture | Japan | 1984 | ||
Ota House | Okayama Prefecture | Japan | 1984 | ||
Moteki House | Kobe | Japan | 1984 | ||
Shinsaibashi Tokyu Building | Osaka Prefecture | Japan | citation | CitationClass=web
}}</ref> | |
Iwasa House | Ashiya, Hyōgo Prefecture | Japan | 1984 | ||
Hata House (Template:Coord) | Nishinomiya, Hyōgo Prefecture | Japan | 1984 | ||
Atelier Yoshie Inaba | Shibuya, Tokyo | Japan | 1985 | ||
Jun Port Island Building | Kobe | Japan | 1985 | ||
Mon-petit-chou | Kyoto | Japan | 1985 | ||
Guest House for Hattori House | Osaka | Japan | 1985 | ||
Taiyō Cement Headquarters Building | Osaka | Japan | 1986 | ||
TS Building | Osaka | Japan | 1986 | ||
Chapel on Mount Rokko | Kobe | Japan | 1986 | ||
Old/New Rokkov | Kobe | Japan | 1986 | ||
Kidosaki House | Setagaya, Tokyo | Japan | 1986 | ||
Fukuhara Clinic | Setagaya, Tokyo | Japan | 1986 | ||
Sasaki House | Minato, Tokyo | Japan | 1986 | ||
Main Pavilion for Template:Ill | Osaka | Japan | 1987 | ||
Karaza Theater | Tokyo | Japan | 1987 | ||
Ueda House Addition | Okayama Prefecture | Japan | 1987 | ||
Church on the Water | Tomamu, Hokkaido | Japan | 1988 | ||
Galleria Akka | Osaka | Japan | 1988 | ||
Children's Museum | Himeji, Hyōgo | Japan | 1989 | ||
Church of the Light (Template:Coord) | Ibaraki Osaka Prefecture | Japan | citation | CitationClass=web
}}</ref><ref>{{#invoke:citation/CS1|citation |
CitationClass=web
}}</ref> |
Collezione | Minato, Tokyo | Japan | 1989 | ||
Morozoff P&P Studio | Kobe | Japan | 1989 | ||
Raika Headquarters | Osaka | Japan | 1989 | ||
Natsukawa Memorial Hall | Hikone, Shiga | Japan | 1989 | ||
Yao Clinic, Neyagawa | Osaka Prefecture | Japan | 1989 | ||
Matsutani House Addition | Kyoto | Japan | 1990 | ||
Ito House, Setagaya | Tokyo | Japan | 1990 | ||
Iwasa House Addition | Ashiya, Hyōgo Prefecture | Japan | 1990 | ||
Garden of Fine Arts | Osaka | Japan | 1990 | ||
S Building | Osaka | Japan | 1990 | ||
Water Temple (Template:Coord) | Awaji Island, Hyōgo Prefecture | Japan | 1991<ref>Floornature - architectural news, design and information resource for ceramic tile and stone Template:Webarchive</ref> | ||
Atelier in Oyodo II | Osaka | Japan | 1991 | ||
Time's II | Kyoto | Japan | 1991 | ||
Museum of Literature | Himeji, Hyōgo | Japan | 1991 | ||
Sayoh Housing | Hyōgo Prefecture | Japan | 1991 | ||
Minolta Seminar House | Kobe | Japan | 1991 | ||
Benesse House | Naoshima, Kagawa | Japan | 1992<ref name="NYTimesJapaIsland">Template:Cite news</ref> | ||
Japanese Pavilion for Expo 92 | Seville | Spain | 1992 | ||
Otemae Art Center | Nishinomiya, Hyōgo Prefecture | Japan | 1992 | ||
Forest of Tombs Museum | Kumamoto Prefecture | Japan | 1992 | ||
Rokko Housing Two | Rokko, Kobe | Japan | 1993 | ||
Vitra Seminar House | Weil am Rhein | Germany | 1993 | ||
Gallery Noda | Kobe | Japan | 1993 | ||
YKK Seminar House | Chiba Prefecture | Japan | 1993 | ||
Suntory Museum | Osaka | Japan | 1994 | ||
Maxray Headquarters Building | Osaka | Japan | 1994 | ||
Chikatsu Asuka Museum | Osaka Prefecture | Japan | 1994 | ||
Kiyo Bank, Sakai Building | Sakai, Osaka | Japan | 1994 | ||
Garden of Fine Art | Kyoto | Japan | 1994 | ||
Museum of wood culture | Kami, Hyōgo Prefecture | Japan | 1994 | ||
Inamori Auditorium | Kagoshima | Japan | 1994 | ||
Nariwa Museum | Okayama Prefecture | Japan | 1994 | ||
Naoshima Contemporary Art Museum | Naoshima, Kagawa | Japan | citation | CitationClass=web
}}</ref> | |
Atelier in Oyodo Annex | Osaka | Japan | 1995 | ||
Nagaragawa Convention Center | Gifu | Japan | 1995 | ||
Naoshima Contemporary Art Museum Annex | Naoshima, Kagawa Prefecture | Japan | 1995 | ||
Meditation Space, UNESCO | Paris | France | citation | CitationClass=web
}}</ref> | |
Asahi Beer Oyamazaki Villa Museum of Art | Kyoto Prefecture | Japan | citation | CitationClass=web
}}</ref> | |
Shanghai Pusan Ferry Terminal | Osaka | Japan | 1996 | ||
Museum of Literature II, Himeji | Hyōgo Prefecture | Japan | 1996 | ||
Gallery Chiisaime (Sawada House) | Nishinomiya, Hyōgo Prefecture | Japan | 1996 | ||
Museum of Gojo Culture & Annex | Gojo, Nara Prefecture | Japan | 1997 | ||
Toto Seminar House | Hyōgo Prefecture | Japan | 1997 | ||
Yokogurayama Natural Forest Museum | Kōchi Prefecture | Japan | 1997 | ||
Harima Kogen Higashi Primary School & Junior High School | Hyōgo Prefecture | Japan | 1997 | ||
Koumi Kogen Museum | Nagano Prefecture | Japan | 1997 | ||
Eychaner/Lee House | Chicago, Illinois | United States | 1997 | ||
Daikoku Denki Headquarters Building | Aichi Prefecture | Japan | 1998 | ||
Daylight Museum | Shiga Prefecture | Japan | 1998 | ||
Junichi Watanabe Memorial Hall | Sapporo | Japan | 1998 | ||
Asahi Shimbun Okayama Bureau | Okayama | Japan | 1998 | ||
Siddhartha Children and Women Hospital | Butwal | Nepal | 1998 | ||
Church of the Light Sunday School | Ibaraki, Osaka Prefecture | Japan | 1999 | ||
Rokko Housing III' | Kobe | Japan | 1999 | ||
Shell Museum, Nishinomiya | Hyōgo Prefecture | Japan | 1999 | ||
Fabrica (Benetton Communication Research Center) | Villorba | Italy | 2000 | ||
Awaji-Yumebutai (Template:Coord<ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref>) || Hyōgo Prefecture || Japan || 2000 | ||||
Rockfield Shizuoka Factory | Shizuoka | Japan | 2000 | ||
Pulitzer Arts Foundation | St. Louis, Missouri | United States | 2001 | ||
Komyo-ji (shrine) | Saijō, Ehime | Japan | 2001 | ||
Ryotaro Shiba Memorial Museum | Higashiosaka, Osaka prefecture | Japan | 2001 | ||
Osaka Prefectural Sayamaike Museum | Ōsakasayama,Osaka | Japan | 2001 | ||
Teatro Armani-Armani World Headquarters | Milan | Italy | 2001 | ||
Hyōgo Prefectural Museum of Art | Kobe, Hyōgo Prefecture | Japan | citation | CitationClass=web
}}</ref> | |
Modern Art Museum of Fort Worth | Fort Worth, Texas | United States | 2002<ref>Modern Art Museum of Fort Worth Template:Webarchive</ref> | ||
Piccadilly Gardens | Manchester | United Kingdom | citation | CitationClass=web
}}</ref> | |
4x4 house | Kobe | Japan | 2003 | ||
Invisible House | Ponzano Veneto | Italy | 2004 | ||
Chichu Art Museum | Naoshima, Kagawa | Japan | 2004<ref>Chichu Art Museum Template:Webarchive</ref> | ||
Langen Foundation | Neuss | Germany | citation | CitationClass=web
}}</ref> | |
Gunma Insect World Insect Observation Hall | Kiryū, Gunma | Japan | 2005 | ||
Picture Book Museum | Iwaki, Fukushima Prefecture | Japan | citation | CitationClass=web
}}</ref> | |
Saka no Ue no Kumo Museum | Matsuyama, Ehime | Japan | 2006 | ||
Morimoto (restaurant) | Chelsea Market, Manhattan | United States | 2005 | ||
Sakura Garden | Osaka | Japan | 2006 | ||
Omotesando Hills, Jingumae 4-Chome | Tokyo | Japan | 2006 | ||
House in Shiga | Ōtsu, Shiga | Japan | 2006 | ||
21 21 Design Sight | Minato, Tokyo | Japan | 2007 | ||
Stone Hill Center expansion for the Clark Art Institute | Williamstown, Massachusetts | United States | citation | CitationClass=web
}}</ref> | |
Glass House | Seopjikoji | South Korea | 2008<ref name=space>Template:Cite journal</ref> | ||
Genius Loci | Seopjikoji | South Korea | 2008<ref name=space/> | ||
Punta della Dogana (restoration) | Venice | Italy | citation | CitationClass=web
}}</ref> | |
House, stable, and mausoleum for fashion designer and film director Tom Ford's Cerro Pelon Ranch | near Santa Fe, New Mexico | United States | 2009 | ||
Rebuilding the Kobe Kaisei Hospital | Nada Ward, Kobe | Japan | 2009 | ||
Gate of Creation, Universidad de Monterrey | Monterrey | Mexico | 2009 | ||
NIWAKA Building | Kyoto | Japan | citation | CitationClass=web
}}</ref> | |
Capella Niseko Resort and Residences | Niseko, Abuta District, Shiribeshi, Hokkaido Prefecture | Japan | 2010 | ||
Interior design of Miklós Ybl Villa | Budapest | Hungary | 2010 | ||
Kaminoge Station, Tokyu Corporation | Tokyo | Japan | 2011 | ||
Centro Roberto Garza Sada of Art Architecture and Design | Monterrey | Mexico | 2012 | ||
Akita Museum of Art | Akita, Akita | Japan | 2012 | ||
Bonte Museum | Seogwipo, Jeju | South Korea | 2012<ref name=space/> | ||
Asia Museum of Modern Art | Wufeng, Taichung | Taiwan | 2013 | ||
Hansol Museum<ref>Template:Cite news</ref> (Museum SAN) | Wonju | South Korea | 2013 | ||
Aurora Museum | Shanghai | China | 2013 | ||
Richard Sachs Residence | Malibu | United States | 2013, partly demolished in 2022/23<ref>Katherine Clarke (February 24, 2020), In Malibu, A Concrete Compound Designed By Japanese Starchitect Asks $75 Million Wall Street Journal.</ref><ref>James McClain (September 21, 2021), Kanye West Buys Tadao Ando-Designed Malibu House ARTnews.</ref><ref>Ian Parker: Kanye West Bought an Architectural Treasure - Then Gave it a Violent Remix The New Yorker, June 10, 2024</ref> | ||
Visitor, Exhibition and Conference Center, Clark Art Institute | Williamstown, Massachusetts | United States | 2014 | ||
Casa Wabi | Puerto Escondido, Oax | Mexico | citation | CitationClass=web
}}</ref> | |
William J. (Bill) and Maria Bell Residence (with WHY Architects) | Malibu | United States | 2014<ref name=Mod/><ref name=LAT/> | ||
JCC (Jaeneung Culture Center) | Seoul | South Korea | citation | CitationClass=web
}}</ref> | |
Hill of the Buddha | Sapporo | Japan | 2015 | ||
Setouchi Aonagi | Matsuyama, Ehime | Japan | 2015 | ||
Pearl Art Museum | Shanghai | China | 2017 | ||
Yumin Art Nouveau Collection | Seogwipo, Jeju | South Korea | 2017 | ||
152 Elizabeth Street Condominiums | New York, New York | United States | 2018 | ||
Wrightwood 659 | Chicago | United States | citation | CitationClass=web
}}</ref> | |
Nakanoshima Children's Book Forest | Osaka | Japan | citation | CitationClass=web
}}</ref> | |
LG Arts Center SEOUL | Seoul | South Korea | citation | CitationClass=web
}}</ref> | |
Realm of the Light | New Taipei City | Taiwan | 2023 | ||
MPavilion | Melbourne, Australia | Australia | 2023 |
- Works and details of different works by Tadao Ando
- Langen Foundation Neuss 02.jpg
Langen Foundation
- Langen Foundation Neuss 01.jpg
Langen Foundation
- Langen Foundation Neuss 03.jpg
Langen Foundation
- Pulitzerfoundation.jpg
- 真言宗本福寺水御堂安藤忠雄建築研究所15.JPG
Honpuku Temple (Water Temple)
- Suntory museum osaka01.jpg
Suntory Museum in Osaka
- Akita Museum of Art, stairs.jpg
Akita Museum of Art, stairs
- Lee U-Fan museum 李禹煥美術館 香川県香川郡直島町字倉浦 PC192983.jpg
Lee Ufan museum
- Westin Awaji Island Hotel 03.jpg
Westin Awaji Island Hotel
- Hyogo prefectural museum of art15n4592.jpg
Hyogo prefectural museum of art
- Hyogo prefectural museum of art16 2000.JPG
Hyogo prefectural museum of art
- Shikokumura gallery03s3200.jpg
The Shikokumura gallery
- Asahi Beer Oyamazaki Villa Museum of Art.jpg
Asahi Beer Oyamazaki Villa Museum of Art, Kyoto
- Ando Eychaner LeeHouse.JPG
Lincoln park house, Chicago
- Ft Worth Modern 03.jpg
Modern Art Museum of Fort Worth, showing the reflecting pool
- Himeji City Museum of Literature01s3872.jpg
Himeji City Museum of Literature
- Azuma house.JPG
Azuma House
- View from Akita Museum of Art 2.jpg
View from Akita Museum of Art
- Rokko Mount Chapel Tadao Ando.jpg
Mount Rokko Chapel
- Suntory Museum11s3.jpg
Suntory Museum, showing the staircase and the inside structure
- Himeji City Museum of Literature03s3200.jpg
City Museum of Literature
- Chikatsu asuka museum02s3592.jpg
Chikatsu Asuka museum
- Awaji yumebutai08s3200.jpg
Awaji Yumebutai in Awaji, Hyogo prefecture, Japan
- Awaji yumebutai13bs.jpg
Awaji Yumebutai, showing the view and the stairs down
- Suntory Museum09n.jpg
Suntory Museum, the parallelepiped intersecting the spherical body of the IMAX theatre, shown in profile
- Rokko Housing Tadao Ando.jpg
Rokko Housing I and II, Kobe
- Vitra Conference Pavillon.jpg
Vitra Conference Pavillon
- Langen Foundation.jpg
Langen Foundation at night
- Sayamaikehakubutukan.JPG
Osaka Prefectural Sayamaike Museum
- Blue Rose in Case Study1 sculpture by Tadao Ando.jpg
Blue Rose in the Cube Study 1
AwardsEdit
ArtEdit
Although widely known for his architecture rooted in Japanese minimalism and spiritual abstraction, Ando has also pursued a parallel path in sculpture and conceptual art. His artistic works reflect a continued exploration of silence, emptiness, and the sacred geometry of form—ideas present throughout his buildings. One of his most significant sculptural endeavors is the sculpture Table of Pirosmani project, a meditative work conceived as a tribute to a metaphorical collective grave of fallen dreams.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Central to this project is a series of acrylic cubes filled with preserved blue roses—symbolizing longing, dreams, and impermanence. The blue rose, historically a symbol of the impossible or the unattainable, becomes in Ando’s hands a quiet metaphor for unfulfilled desire, unloved hidden lives, and forgotten beauty.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
In 2018, Ando created a rare prototype titled Blue Rose in the Cube Study 1, a single rose suspended in a minimalist acrylic block. This piece marked the conceptual genesis of the full-scale Table of Pirosmani and remained in private collection until it appeared at Christie’s Post-War and Contemporary Art Online auction on March 12, 2025.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
The work stunned observers by achieving a sale price of $114,400, nearly nine times its low estimate of $12,600—an 804% increase. It ranked first among the top ten highest-value sales at the auction, outperforming works by David Hockney and Banksy.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
This extraordinary result signaled a growing institutional and collector recognition of Ando’s sculptural and conceptual practice, affirming his legacy beyond architecture.
Exhibition InformationEdit
An exhibition titled Tadao Ando: Youth will be held from March 20 to July 21, 2025, at VS., a cultural apparatus located within Grand Green Osaka Ume-kita Park in Osaka, Japan.
ReferencesEdit
LiteratureEdit
- Francesco Dal Co. Tadao Ando: Complete Works. Phaidon Press, 1997. Template:ISBN
- Kenneth Frampton. Tadao Ando: Buildings, Projects, Writings. Rizzoli International Publications, 1984. Template:ISBN
- Randall J. Van Vynckt. International Dictionary of Architects and Architecture. St. James Press, 1993. Template:ISBN
- Masao Furuyama. “Tadao Ando”. Taschen, 2006. Template:ISBN
- Werner Blaser, “Tadao Ando, Architecktur der Stille, Architecture of silence” Birkhäuser, 2001. Template:ISBN
- Jin Baek, “Nothingness: Tadao Ando’s Christian Sacred Space”. Routledge, 2009. Template:ISBN
External linksEdit
- Tadao Ando official website Template:Webarchive
- Architect Tadao Ando projects
- Tadao Ando page at greatbuildingsonline.com
- Architectural Record Magazine | Interviews | Tadao Ando
- Template:MoMA artist