The Complete Beatles Recording Sessions
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The Complete Beatles Recording Sessions (subtitled The Official Story of the Abbey Road Years 1962–1970)Template:Refn is a 1988 reference book on the English rock band the Beatles written by Mark Lewisohn. It was published by Hamlyn in the UK and by Harmony Books in the US.
The book is written in the form of a diary, documenting each day from 1962 through 1970 that the Beatles spent in a recording session or producers and engineers spent mixing and editing their music. The book has been widely described as an "essential"<ref name=essential /> reference book for study of the band.
BackgroundEdit
In the early 1980s, John Barrett, a balance engineer employed by EMI, found himself unoccupied while undergoing chemotherapy.Template:Sfn<ref group="S" name="T4">Template:Harvnb.</ref> Ken Townsend, the General Manager of Abbey Road Studios, later recalled suggesting Barrett keep his mind engaged by listening to the Beatles' session tapes and write down information pertaining to them.<ref group="S" name="T4" /> Author Stephen Matteo alternatively suggests Barrett's work was intended to gather interesting unreleased material for The Beatles at Abbey Road, a 1983 multimedia presentation at Abbey Road Studios.Template:Sfn Barrett produced a colour-coded catalogue, which Townsend later said displayed an "incredible" attention to detail.<ref group="S" name="T4" /> In 1982, while attending Liverpool's annual Beatles convention, Townsend, Barrett and author Brian Southall used Barrett's work during a Q&A session. Attendees were enthusiastic about the new information and suggested the catalogue be published, but Barrett's death in 1984 precluded it. The project was nearly abandoned until Abbey Road employee Kathryn Varley pushed for its completion.<ref group="S" name="T4" />
Mark Lewisohn began formally researching the Beatles in the late 1970s, working as a research assistant for Philip Norman's book Shout! (1981).Template:Sfn In 1986, Lewisohn published his first reference book, The Beatles Live!, a chronological guide of the group's live performances.Template:Sfn The book took years to research and compiles over 1,000 primary sources to provide an exhaustive guide.Template:Sfn
Because of his work compiling The Beatles Live!,Template:Sfn EMI commissioned Lewisohn in 1987 to continue Barrett's work and write a book detailing the Beatles' recording sessions.Template:Sfn Besides Abbey Road Studios staffers and the Beatles, Lewisohn was the first person granted access to listen to all of the Beatles' working tapes, a privilege not extended again until 1995 for writer Mark Hertsgaard.Template:Sfn Working from 1987 through 1988, the book took two years to research and write.Template:Sfn Lewisohn consulted the studio's recording paperwork, reproducing some of it in the book, and interviewed eighty people who were present at the sessions,Template:Sfn including the Beatles' producer George Martin, publicist Derek Taylor and engineer Geoff Emerick.Template:Sfn Besides Barrett's previous research, the collection of Beatles recordings stored at Abbey Road Studios had never been properly archived.Template:Sfn Listening to over four hundred hours of tapes,Template:Sfn Lewisohn's working process served the dual purpose of both researching the book as well as organising the collection, cataloguing its various mixes, submixes, mastertakes and outtakes.Template:Sfn
Publication and contentEdit
Hamlyn published The Complete Beatles Recording Sessions in the UK in SeptemberTemplate:Nbsp1988.<ref>Template:Harvnb: "And this month [September] there is Mark Lewisohn's tome on the Beatles in the studio, 'The Complete Beatles Recording Sessions' (Hamlyn/EMI, £12.95)."</ref> A book launch was held on 26Template:NbspSeptember at Abbey Road Studios,Template:Sfn with wax figures of the Beatles temporarily moved to the studio from London's Madame Tussauds wax museum for the event.Template:Sfn Harmony Books published it in the US the following month,Template:Sfn re-titled as The Beatles Recording Sessions.Template:SfnTemplate:Refn
Spanning 204 pages, most of The Complete Beatles Recording Session is written in the form of a diary detailing each day either the Beatles spent in a recording session or producers and engineers spent mixing and editing their music.Template:Sfn The diary begins with the band's first recording session at EMI Recording Studios on 6 June 1962, while drummer Pete Best was still in the band, and finishes on 8 May 1970 with the release of the album Let It Be.<ref group="S">Template:Harvnb.</ref> The book includes a one-page preface by Ken Townsend and a ten-page interview between Lewisohn and Paul McCartney.<ref group="S">Template:Harvnb; Template:Harvnb.</ref>
Each entry first notes the date; the studio location, usually EMI or Apple Studios; the session time; the songs recorded or mixed, including the number of takes; and the names of the producer and engineers involved. Lewisohn then writes about the details of the particular session, such as overdubbing, false starts and studio chatter, as well as information about session musicians, orchestration and any other related information.Template:Sfn He discusses the fate of various session tapes, the differences between mono and stereo mixes and the technical advancements first pioneered on the Beatles' recordings.Template:Sfn UK release dates of singles, albums and EPs are also mentioned, discussing their chart success and sales numbers.Template:SfnTemplate:Refn
Following the diary entries, the book includes a complete discography of all the Beatles' UK and US releases,Template:Sfn including singles, EPs and albums.<ref group="S">Template:Harvnb.</ref> It concludes with a glossary of recording industry terms and a note from Townsend on the recording technology used by the band.Template:Sfn<ref group="S">Template:Harvnb; Template:Harvnb.</ref>
Impact and legacyEdit
The book has been widely described as an "essential"<ref name=essential>Template:Harvnb; Template:Harvnb; Template:Harvnb; Template:Harvnb; Template:Harvnb.</ref> Beatles reference book and required reading for anyone attempting a serious study of the band.<ref>Template:Harvnb; Template:Harvnb; Template:Harvnb; Template:Harvnb; Template:Harvnb.</ref> In Michael Brocken and Melissa Davis's guide to Beatles literature, The Beatles Bibliography, they describe it as "one of the cornerstones of Beatles scholarship",<ref>Template:Harvnb, quoted Template:Harvnb.</ref> and the authors Stuart Shea and Robert Rodriguez characterise it as "[p]ossibly the most important Beatles book ever published", writing it was a "landmark" by providing the general public with so much previously unknown information.Template:Sfn
Later writers have relied heavily on the book's research.Template:Sfn The critic Tim Riley writes the book is "indispensable for close listening",Template:Sfn and the authors Ian MacDonald and Mark Hertsgaard each described it as being indispensable for the research of their own books, Revolution in the Head (1994) and A Day in the Life (1995), respectively.<ref>Template:Harvnb, quoted in Template:Harvnb.</ref>Template:Sfn Hertsgaard writes it is "superb, but superb in the way an encyclopedia is superb", contending that it provides much more than the typical reader would expect, leaving a book that "focuses more on the trees than on the forest".Template:Sfn
The authors Stephen Thomas Erlewine, Chris Ingham and Colin Fleming each praise the book as engrossing in its narrative of each particular recording session,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>Template:Sfn though Fleming finds some of Lewisohn's descriptions of songs lacking.<ref>Template:Cite magazine</ref> Riley similarly criticises Lewisohn for writing more like a fan than a critic, with his descriptions reliant on adjectives like "brilliant" rather than evaluating a recording's "color, texture and mood".Template:Sfn Writing in 2009 for The Cambridge Companion to the Beatles, John Kimsey wrote that the Template:"'definitiveTemplate:' [account]" of the band's recording history and studio practices has since been "supplanted" by Kevin Ryan and Brian Kehew's 2006 book, Recording the Beatles.Template:Sfn
The Complete Beatles Recording Sessions was one of the first books to document a band or artist through their recording sessions. Similar works covering Elvis Presley, Bob Dylan and Jimi Hendrix were written following its release.Template:SfnTemplate:Refn In the introduction to his 1995 book on Dylan's recording sessions, Clinton Heylin acknowledges that Lewisohn's book remains "perhaps the best-known 'sessionographyTemplate:'".Template:Sfn David Hunter of the University of Texas at Austin describes the book as a "bio-discography" – a portmanteau of biography and discography – illustrating the Beatles' progression and story through study of their recorded music. He writes that it serves as "the standard by which all bio-discographies will be measured".Template:Sfn Lewisohn's 1992 book, The Complete Beatles Chronicle, combines the work of The Complete Beatles Recording Sessions with The Beatles Live! to provide an exhaustive day-by-day account of the group.Template:Sfn
NotesEdit
ReferencesEdit
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External linksEdit
Template:Col-begin Template:Col-2 UK edition
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- [[[:Template:Google Books URL]] The Complete Beatles Recording Sessions] at Google Books
Template:Col-2 US edition
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- [[[:Template:Google Books URL]] The Beatles Recording Sessions] at Google Books