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The Kingsmen

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Template:Short description Template:About Template:Use mdy dates Template:Infobox musical artist

The Kingsmen are a 1960s American rock band from Portland, Oregon. They are best known for their 1963 recording of R&B singer Richard Berry's "Louie Louie", which held the No. 2 spot on the Billboard charts for six weeks and has become an enduring classic.

In total, the Kingsmen charted 13 singles from 1963 to 1968 and five consecutive albums from 1963 to 1966. Their first album, The Kingsmen in Person, remained on the Billboard Top LPs chart for 131 weeks from January 1964 to August 1966. Their early albums were released internationally in Canada, the UK, France, Germany, Mexico, South Africa, and Taiwan.

Early yearsEdit

Lynn Easton and Jack Ely started performing at an early age in local newspaper-sponsored revues with the Journal Juniors and the Young Oregonians, respectively.Template:Sfn In 1957, they started performing together, with Ely singing and playing guitar and Easton on the drum kit. The two teenagers had grown up together, as their parents were close friends.Template:Sfn Easton and Ely performed at local parties and events, and soon added Mike Mitchell on guitar and Bob Nordby on bass to round out the band.<ref name="Goldmine" /> They called themselves the Kingsmen, taking the name from a recently disbanded group.Template:Sfn The Kingsmen began their collective career playing at fashion shows, Red Cross events, and supermarket promotions, generally avoiding rock songs on their setlist.Template:Sfn In 1962, Don Gallucci, a high school freshman at the time, was recruited from another local group, the Royal Notes, to play keyboards.<ref name="Predoehl2020">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Their first recording effort was an unreleased acetate of an instrumental titled "Peter Gunn Rock".Template:Refn

"Louie Louie"Edit

{{#invoke:Labelled list hatnote|labelledList|Main article|Main articles|Main page|Main pages}} In 1962, while playing a gig at the Pypo Club in Seaside, Oregon, the band noticed Rockin' Robin Roberts's version of "Louie Louie" being played on the jukebox for hours on end with the entire club dancing.Template:Sfn Ely convinced the Kingsmen to learn the song, which they played at dances to a great crowd response.Template:Sfn Unknown to him, he changed the beat because he misheard it on a jukebox.Template:Sfn Ken Chase, host of radio station KISN, opened his own club to capitalize on these dance crazes.Template:Sfn Dubbed "The Chase", the Kingsmen became the club's house band and he became the band's manager. On April 5, 1963, Chase booked the band an hour-long session at the local Northwestern Inc. studio for the following day to record a demo tape for a summer cruise ship gig.Template:Sfn Adding to the hurried atmosphere, the band had just played a 90-minute "Louie Louie" marathon the night before.Template:SfnTemplate:Refn

Despite the band's annoyance at having so little time to prepare, on April 6 at 10 a.m. the Kingsmen walked into the three-microphone recording studio. "Jamaica Farewell", one partial and one full take of "Louie Louie", and "Haunted Castle" were recorded.Template:Sfn For "Louie Louie", the only vocal number, Ely was forced to lean back and sing to a microphone suspended from the ceiling. "It was more yelling than singing", Ely said, Template:"'cause I was trying to be heard over all the instruments."Template:Sfn In addition, he was wearing braces at the time of the performance, further compounding his infamously slurred words.<ref>Template:Cite news</ref> Ely sang the beginning of the third verse two bars too early but realized his mistake and waited for the rest of the band to catch up. The Kingsmen were not proud of the recording and wanted to fix their mistakes, but Chase liked the energy and rawnessTemplate:Sfn and assured them that the demo version could be redone before a record was released.Template:Sfn The one hour session cost either $36,Template:Sfn $50,Template:Sfn or somewhere in between Template:Sfn and the band split the cost.

With a competing "Louie Louie" version from Paul Revere and the Raiders getting heavy play on a competing station, Chase began playing the Kingsmen's demo version on his show at KISN. He then contracted with Jerry Dennon's Jerden Records to press a single.Template:Sfn The B-side was "Haunted Castle", composed by Ely and Don Gallucci, the new keyboardist; however, Lynn Easton was credited on both the Jerden and Wand releases.Template:Sfn

"Louie Louie" reached No. 1 on the Cashbox and Music Vendor charts and No. 2 on the Billboard Hot 100 chart. Additionally it reached No. 1 on the CHUM Canada chart and in the UK it reached No. 26 on the Record Retailer chart. It sold over one million copies, and was awarded a gold disc.<ref name="The Book of Golden Discs">Template:Cite book</ref>

File:The Kingsmen early 1966.jpg
The Kingsmen in early 1966: Mike Mitchell, Dick Peterson, Norm Sundholm, Barry Curtis, Lynn Easton (front).

The band attracted nationwide attention when "Louie Louie" was banned by the governor of Indiana, Matthew E. Welsh, also attracting the attention of the FBI and FCC because of alleged indecent lyrics in their version of the song. The lyrics were, in fact, innocent, but Ely's baffling enunciation permitted teenage fans and concerned parents alike to imagine the most scandalous obscenities. (Ironically, the FBI totally missed Lynn Easton yelling "Fuck!" at 0:54 after fumbling a drum fill.) All of this attention only made the song more popular. In April 1966 "Louie Louie" was reissued and once again hit the music charts, reaching No. 65 on the Cashbox chart and No. 97 on the Billboard Hot 100 chart.

In 1985, Ross Shafer, host and a writer-performer of the late-night comedy series Almost Live! on the Seattle TV station KING, spearheaded an effort to have "Louie Louie" replace "Washington, My Home" by Helen Davis as Washington's official state song.<ref>Seattle Weekly (October 27, 1999) Music: "The State I'm In" Template:Webarchive, by Kurt B. Reighley</ref> Picking up on this initially prankish effort, Whatcom County Councilman Craig Cole introduced Resolution No. 85–12 in the state legislature, citing the need for a "contemporary theme song that can be used to engender a sense of pride and community, and in the enhancement of tourism and economic development". His resolution also called for the creation of a new "Louie Louie County". While the House did not pass it, the Senate's Resolution 1985-37 declared April 12, 1985, "Louie Louie Day". A crowd of 4,000, estimated by press reports, convened at the state capitol that day for speeches, singalongs, and performances by the Wailers, the Kingsmen, and Paul Revere and the Raiders. Two days later, a Seattle event commemorated the occasion with the premiere performance of a new, Washington-centric version of the song written by composer Berry.<ref>Liner notes, The Best Of Louie Louie Volume 2 (Rhino R1 70515), by Doc Pelzell</ref>

Other Kingsmen "Louie Louie" versions with either Lynn Easton or Dick Peterson as lead vocalist appeared on Live & Unreleased (recorded 1963, released 1992), Live at the Castle (recorded 1964, released 2011), Shindig! Presents Frat Party (VHS, recorded 1965, released 1991), 60s Dance Party (1982), California Cooler Presents Cooler Hits (recorded 1986, released 1987),<ref>Template:Cite book</ref> The Louie Louie Collection (as the Mystery Band, 1994), Red, White & Rock (2002), Garage Sale (recorded 2002, released 2003), and My Music: '60s Pop, Rock & Soul (DVD, 2011).<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Peterson also released a solo version on the 1999 Circle of Friends, Volume 1 CD.<ref>Template:Cite AV media</ref>

Over the years the Kingsmen's version of "Louie Louie" has been recognized by organizations and publications worldwide for its influence on the history of rock and roll. Rankings and recognition in major publications and surveys are shown in the table below.

Source Poll/Survey Year Rank
Rock & Roll Hall of Fame Hall of Fame Singles 2018 None<ref>Template:Cite magazine</ref>
Rock & Roll Hall of Fame Songs That Shaped Rock and Roll 1995 None<ref>{{#invoke:citation/CS1|citation CitationClass=web

}}</ref>

National Academy of Recording Arts and Sciences Grammy Hall of Fame 1999 None<ref>{{#invoke:citation/CS1|citation CitationClass=web

}}</ref>

National Public Radio The 300 Most Important American Records of the 20th Century 1999 None<ref>{{#invoke:citation/CS1|citation CitationClass=web

}}</ref>

Smash Hits, James E. Perone The 100 Songs That Defined America 2016 None<ref>Template:Cite book</ref>
The Wire The 100 Most Important Records Ever Made 1992 None<ref>{{#invoke:citation/CS1|citation CitationClass=web

}}</ref>

Mojo Ultimate Jukebox: The 100 Singles You Must Own 2003 #1<ref>{{#invoke:citation/CS1|citation CitationClass=web

}}</ref>

The Ultimate Playlist, Robert Webb The 100 Greatest Cover Versions 2012 #1<ref>Template:Cite book</ref>
Paste The 50 Best Garage Rock Songs of All Time 2014 #3<ref>{{#invoke:citation/CS1|citation CitationClass=web

}}</ref>

Rolling Stone 40 Songs That Changed The World 2007 #5<ref>{{#invoke:citation/CS1|citation CitationClass=web

}}</ref>

All Time Top 1000 Albums, Colin Larkin The All-Time Top 100 Singles 2000 #6<ref>Template:Cite book</ref>
VH1 100 Greatest Songs of Rock and Roll 2000 #11<ref>{{#invoke:citation/CS1|citation CitationClass=web

}}</ref>

The Heart of Rock and Soul, Dave Marsh The 1001 Greatest Singles Ever Made 1989 #11<ref>{{#invoke:citation/CS1|citation CitationClass=web

}}</ref>

Rolling Stone The 100 Best Singles of the Last 25 Years 1989 #18<ref>{{#invoke:citation/CS1|citation CitationClass=web

}}</ref>

Los Angeles LA's Top 100 2001 #19<ref>Template:Cite magazine</ref>
Rock and Roll, Paul Williams The 100 Best Singles 1993 #22<ref>Template:Cite book</ref>
VH1 100 Greatest Dance Songs 2000 #27<ref>{{#invoke:citation/CS1|citation CitationClass=web

}}</ref>

Mojo 100 Greatest Singles of All Time 1997 #51<ref>{{#invoke:citation/CS1|citation CitationClass=web

}}</ref>

Rolling Stone The 500 Greatest Songs of All Time 2010 #54<ref>{{#invoke:citation/CS1|citation CitationClass=web

}}</ref>

Rolling Stone The 500 Greatest Songs of All Time 2004 #55<ref>Template:Cite magazine</ref>
NEA and RIAA Songs of the Century 1999 #57<ref>{{#invoke:citation/CS1|citation CitationClass=web

}}</ref>

Mojo Big Bangs: 100 Records That Changed The World 2007 # 70<ref>{{#invoke:citation/CS1|citation CitationClass=web

}}</ref>

Pitchfork The 200 Best Songs of the 1960s 2006 #154<ref>{{#invoke:citation/CS1|citation CitationClass=web

}}</ref>

Rolling Stone The 500 Greatest Songs of All Time 2021 #156<ref>Template:Cite magazine</ref>
NME The 500 Greatest Songs of All Time 2014 #157<ref>{{#invoke:citation/CS1|citation CitationClass=web

}}</ref>

WCBS-FM Top 1001 Songs of the Century 2005 #184<ref>{{#invoke:citation/CS1|citation CitationClass=web

}}</ref>

Kingsmen historyEdit

File:The Kingsmen 1966.jpg
The Kingsmen in late 1966. Clockwise from lower left: Lynn Easton, J.C. Rieck, Kerry Magness, Mike Mitchell, Dick Peterson

Before the success of "Louie Louie", the members of the Kingsmen took varied paths. Easton, whose mother had registered the name of the group and therefore owned it, declared that from this point on he intended to be the singer asserting, "It's my band because I own the name", and forcing Ely to play the drums.<ref name="Goldmine">Template:Cite magazine</ref> This led Ely and Nordby to quit the group in 1963, and Gary Abbott and Norm Sundholm were added to play drums and bass, respectively.<ref>Template:Cite magazine</ref> (The liner notes for the first album, The Kingsmen In Person, presented an abridged history with no mention of Ely or Nordby and with Easton as the group’s sole founder and creative force.)<ref>Template:Cite AV media notes</ref>

Don Gallucci was forced out because he wasn't old enough to tour and later formed Don and the Goodtimes, which morphed into the short-lived Touch.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Later, Gallucci became a record producer with Elektra Records, with his most famous production being the Stooges' seminal second album Fun House.

The two remaining original Kingsmen, Lynn Easton and Mike Mitchell, were joined by Gary Abbott, Barry Curtis and Norm Sundholm to record their first album and tour as the official band. Dick Peterson (not Dickie Peterson) replaced Gary Abbott shortly thereafter. This line-up stayed intact from 1964 into 1966 and charted multiple singles and albums with Easton as the principal vocalist.

After Ely's departure and considerable chart success by the new line-up, the group learned that he was performing with another group as The Kingsmen.<ref>Peterson 2005, p. 325.</ref><ref>Template:Cite magazine</ref> Following legal action, a settlement was reached and Easton, Mitchell, Peterson, Curtis and Sundholm established their rights to the "Kingsmen" name. Thus, Ely was forced to stop using the name, Easton could no longer lip sync to Ely's vocals, and subsequent releases of "Louie Louie" were required to have the text "Lead vocal by Jack Ely" below the title.<ref name=Goldmine/> Unable to perform using the Kingsmen name, Ely continued with his groups the Squires and the Courtmen. He also received a gold record for "Louie Louie" as part of the settlement.<ref>Peterson 2005, p. 327.</ref><ref>Template:Cite news</ref><ref>Template:Cite magazine</ref>

The Kingsmen's 1964 follow up to "Louie Louie" was a party version of "Money (That's What I Want)" which hit the Billboard Hot 100 at No. 16 and on Cashbox at No. 17. Then came "Little Latin Lupe Lu" peaking on Billboard at No. 46 and Cashbox at No. 49. After that it was "Death of An Angel" No. 33 on Cashbox and No. 42 on Billboard.

After starting 1965 with their own float in the Rose Bowl Parade,<ref>Template:Cite magazine</ref> the Kingsmen returned to the Top 10 nationally with "The Jolly Green Giant" reaching No. 4 on Billboard and No. 8 on Cashbox. The novelty number also made No. 25 on the Billboard R&B chart and hit No. 1 on the RPM Canada chart.Template:Refn The follow-up song was "The Climb", No. 45 on Cashbox and No. 65 on Billboard. "Annie Fanny" was released next reaching No. 43 on Cashbox and No. 47 on Billboard. Next came "(You Got) The Gamma Goochee", No. 98 on Cashbox and No. 122 on Billboard. The group also appeared in the beach party movie How to Stuff a Wild Bikini singing "Give Her Lovin'" (released as a B-side to "Annie Fanny") which appeared on the soundtrack album along with their recording of the title song.

In 1966 the Kingsmen continued to hit the charts with "Killer Joe" reaching No. 77 on Billboard and No. 81 on Cashbox. Their original recording of "Louie Louie" was re-released as "Louie Louie 64-65-66" and re-entered the Billboard, Cash Box, and Record World charts. They also released a promotional item, a "picture-sleeve-clad potato-chip ad jingle 45" titled "The Krunch", their only picture sleeve single, which did not chart.<ref>Template:Cite book</ref>

1966 also saw two Kingsmen departures: Barry Curtis was drafted and Norm Sundholm opted to work full time for Sunn amplifiers, a business he had started in 1964 with his brother. Replacements were J.C. Rieck on keyboards (until Curtis's return) and Kerry Magness on bass, with Magness soon giving way to Pete Borg and then Jeff Beals.

In 1967 they made the charts for the last time with "Bo Diddley Bach" reaching No. 128 on Billboard, and in July founding member Lynn Easton left the group.<ref>Template:Cite book</ref> He worked for an advertising firm and hosted this is IT, a "bandstand-type" show for Portland television station KGW.<ref>Template:Cite magazine</ref> Singer Turley Richards was brought in as Easton's replacement, but he departed later that same year.<ref>Template:Cite book</ref>

In 1968 with the original group on a recording and touring hiatus, the Kingsmen's management team worked with the Kasenetz-Katz production organization and studio musicians to release a single on the Earth label ("Feed Me"/"Just A 'B' Side").<ref>Released on Earth 104. Lead singers were C. L. Weldon on "Feed Me" and Joey Levine on "Just A 'B' Side".</ref> A separate lineup was formed with new members (including lead singer Yank Barry) to tour for a time during 1968–1969 on the East Coast of the United States while the main lineup of the band was inactive.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name=Clarification/>

In 1973 the reactivated group signed with Capitol and released one single which did not chart.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

In addition to Jack Ely's groups and re-recordings, several of the Kingsmen pursued other solo projects. Dick Peterson and Barry Curtis as the Other Two released two singles in 1966,<ref>Template:Cite AV media</ref> and Lynn Easton re-recorded "The Jolly Green Giant" in 1976.<ref name="Henslee">Template:Cite book</ref> Peterson as Dick St. Nicklaus released two albums, Magic (1979) and Sweet and Dandy (1980), and multiple singles.<ref>Template:Cite AV media</ref> In 2002, Barry Curtis and Steve Peterson joined the revived line-up of The Daily Flash.

In 1983, the group successfully sued K-tel over the release of the 1982 60's Dance Party album because it featured a 1976 Jack Ely re-recording of "Louie Louie" billed as by "The Kingsmen" and displayed the text "These selections are rerecordings by the original artists" on the back cover.<ref>Template:Cite magazine</ref><ref name=Henslee /> K-tel had also similarly marketed the Lynn Easton re-recording of "The Jolly Green Giant".

Also in 1983, a music video, The Kingsmen – Live at Delta House, aired on MTV.<ref name="Rhino notes">Template:Cite AV media notes</ref> Directed by David Jester, the video recreated the raucous, toga party atmosphere popularized in National Lampoon's Animal House using the "Delta House" on the University of Oregon campus.<ref>Template:Cite news</ref> Bassist Fred Dennis was featured as the lead vocalist.

In 1993, members of the group brought legal action against Gusto Records to have all of their original recordings returned.<ref>Template:Cite magazine</ref> Gusto had acquired the Kingsmen song rights from Springboard International Records, Inc., who had purchased the entire Scepter-Wand catalog in 1977 after Florence Greenberg's retirement, but the group had not been paid royalties since 1968. In 1998, the Kingsmen were awarded ownership of all their early recordings, including "Louie Louie".<ref>Template:Cite magazine</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

When Jack Ely died on April 28, 2015, obituaries were published by the Associated Press, Time, Washington Post, New York Times, The Times, and others.<ref>Template:Cite news</ref> Critic Dave Marsh said that Ely's vocal made the Kingsmen's "Louie Louie" "...the classic that it is."Template:Sfn Lynn Easton died on April 24, 2020.<ref>Template:Cite magazine</ref>

Mike Mitchell died on April 16, 2021, on his 77th birthday. At the time of his death, he was the only remaining member of the Kingsmen's original lineup who still performed with the band.<ref>Template:Cite magazine</ref> His "Louie Louie" guitar break has been called "iconic",<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> "blistering",<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and "one of the most famous guitar solos of all time".<ref>Template:Cite news</ref> Guitar Player magazine noted, "Raw, lightning-fast, and loud, the solo's unbridled energy helped make the song a No. 2 pop hit, but also helped set the template for garage-rock – and later hard-rock – guitar."<ref>Template:Cite magazine</ref>

As of 2025, Bob Nordby and Don Gallucci are the last surviving members of the "Louie Louie" line-up.

MembersEdit

CurrentEdit

  • Dick Peterson – drums, vocals (1963–present)
  • Steve Peterson – guitar, vocals (1988–present)
  • Kim Nicklaus – keyboards (1982–1984, 2000–present)
  • Todd McPherson – bass, guitar, vocals (1992–present)
  • Dennis Mitchell – guitar, vocals (2006–present)
  • Marc Willett – bass (1984–1992), (2021–present)

FormerEdit

  • Mike Mitchell – vocals, guitar (1959–2021; died 2021)<ref>Template:Cite news</ref>
  • Lynn Easton – vocals, drums, saxophone (1959–1967; died 2020)<ref name="Predoehl2020" />
  • Jack Ely – vocals, guitar (1959–1963; died 2015)<ref>Template:Cite news</ref>
  • Bob Nordby – bass (1959–1963)
  • Don Gallucci – keyboards (1962–1963)
  • Gary Abbott – drums (1963; died 2015)<ref>{{#invoke:citation/CS1|citation

|CitationClass=web }}</ref>

  • Norm Sundholm – bass (1963–1967)
  • Barry Curtis – keyboards, guitar (1963–2005)
  • Kerry Magness – bass (1966–1967; died 2004)<ref>{{#invoke:citation/CS1|citation

|CitationClass=web }}</ref>

  • J.C. Rieck – keyboards, vocals (1966–1967; died 2019)<ref>Template:Cite news</ref>
  • Turley Richards – vocals, guitar (1967)
  • Pete Borg – bass (1967; died 2010)<ref>{{#invoke:citation/CS1|citation

|CitationClass=web }}</ref>

  • Jeff Beals – bass (1967–1968; died 2016)
  • Steve Friedson – keyboards (1967–1973)
  • Yank Barry – vocals (1968–1969)<ref name=World>Template:Cite news</ref><ref name=Clarification>Template:Cite news</ref>
  • Fred Dennis – bass (1972–1984)
  • Andy Parypa – bass (1982–1984)

TimelineEdit

<timeline> ImageSize = width:1000 height:auto barincrement:20 PlotArea = left:90 bottom:80 top:0 right:20 Alignbars = justify DateFormat = dd/mm/yyyy Period = from:01/01/1959 till:01/12/2023 TimeAxis = orientation:horizontal format:yyyy Legend = orientation:horizontal position:bottom ScaleMajor = increment:2 start:1959

Colors = 

id:Vocals       value:red        legend:Vocals
id:Guitar       value:green      legend:Guitar
id:Bass         value:blue       legend:Bass
id:Drums        value:orange     legend:Drums
id:Keyboards    value:purple     legend:Keyboards
id:Sax          value:yellow     legend:Saxophone
id:studio value:black legend:Studio_album
id:live value:gray(0.5) legend:Live_album

LineData = 

layer:back color:studio
at:28/12/1963
at:01/01/1964
at:20/02/1965
at:04/11/1965
at:20/08/1966
at:01/12/1966

layer:back color:live
at:01/12/1992
at:29/08/1994
at:01/01/1995
at:01/01/2003
at:01/03/2011

BarData = 

 bar:Mike   text:Mike Mitchell
 bar:Jack   text:Jack Ely
 bar:Turley text:Turley Richards
 bar:Steve  text:Steve Peterson
 bar:Dennis text:Dennis Mitchell
 bar:Lynn   text:Lynn Easton
 bar:Gary   text:Gary Abbott
 bar:Dick   text:Dick Peterson
 bar:Bob    text:Bob Nordby
 bar:Norm   text:Norm Sundholm
 bar:Kerry  text:Kerry Magness
 bar:Pete   text:Pete Borg
 bar:Jeff   text:Jeff Beals
 bar:Fred   text:Fred Dennis
 bar:Andy   text:Andy Parypa
 bar:Marc   text:Marc Willet
 bar:Todd   text:Todd McPherson
 bar:Don    text:Don Gallucci
 bar:Barry  text:Barry Curtis
 bar:JC     text:J.C. Reick
 bar:SteveF text:Steve Friedson
 bar:Kim    text:Kim Nicklaus


PlotData= 

 width:11 textcolor:black align:left anchor:from shift:(10,-4)

bar:Mike    from:start till:16/04/2021 color:vocals width:3
bar:Mike    from:start till:16/04/2021 color:guitar
bar:Lynn    from:start till:01/01/1967 color:vocals width:3
bar:Lynn    from:start till:01/01/1963 color:drums
bar:Lynn    from:01/01/1963 till:01/01/1967 color:sax
bar:Jack    from:start till:01/01/1963 color:vocals width:3
bar:Jack    from:start till:01/01/1963 color:guitar
bar:Bob     from:start till:01/01/1963 color:bass
bar:Don     from:01/01/1962 till:01/01/1963 color:keyboards
bar:Gary    from:01/01/1963 till:01/06/1963 color:drums
bar:Norm    from:01/01/1963 till:01/01/1967 color:bass
bar:Barry   from:01/01/1963 till:01/01/1966 color:keyboards
bar:Barry   from:01/01/1968 till:01/01/2005 color:keyboards
bar:Kerry   from:01/01/1967 till:06/01/1967 color:bass
bar:JC      from:01/01/1966 till:01/01/1968 color:keyboards
bar:JC      from:01/01/1966 till:01/01/1968 color:vocals width:3
bar:Turley  from:01/01/1967 till:01/06/1967 color:vocals width:3
bar:Turley  from:01/01/1967 till:01/06/1967 color:guitar
bar:Pete    from:06/01/1967 till:06/01/1969 color:bass
bar:Jeff    from:06/01/1969 till:01/01/1972 color:bass
bar:SteveF  from:01/01/1967 till:01/01/1973 color:keyboards
bar:Fred    from:01/01/1972 till:01/01/1982 color:bass
bar:Fred    from:01/01/1972 till:01/01/1982 color:vocals width:3
bar:Andy    from:01/01/1982 till:01/01/1984 color:bass
bar:Kim     from:01/01/1982 till:01/01/1984 color:keyboards 
bar:Kim     from:01/01/2000 till:end color:keyboards
bar:Marc    from:01/01/1984 till:01/01/1992 color:bass
bar:Marc    from:01/01/2021 till:end color:bass
bar:Dick    from:01/06/1963 till:end color:vocals width:3
bar:Dick    from:01/06/1963 till:end color:drums
bar:Todd    from:01/01/1992 till:01/01/2021 color:bass
bar:Todd    from:01/01/2021 till:end color:guitar
bar:Todd    from:01/01/1992 till:end color:vocals width:3
bar:Dennis  from:01/01/2006 till:end color:guitar
bar:Dennis  from:01/01/2006 till:end color:vocals width:3
bar:Steve   from:01/01/1988 till:end color:guitar
bar:Steve   from:01/01/1988 till:end color:vocals width:3

</timeline>

DiscographyEdit

U.S. albums and singles, plus major compilation releases and appearances on 1960s various artist compilations.

Studio albumsEdit

Listed in chronological order with peak chart positions (Billboard/Cashbox) noted.

Live albumsEdit

  • Plugged (Kingsmen CD 1) 1995 Template:Efn<ref name=Kingsmen />
  • Garage Sale (Louie Louie Records) 2003 <ref name="Kingsmen">{{#invoke:citation/CS1|citation

|CitationClass=web }}</ref>

Releases of earlier materialEdit

  • Louie Louie – Live & Unreleased (Jerden 7004) recorded 1963, released 1992 Template:Efn<ref name=Kingsmen />
  • Since We've Been Gone (Sundazed 6027) recorded 1967, released 1994 <ref name=Kingsmen />
  • Live At The Castle (digital only) recorded 1964, released 2011 Template:Efn<ref>{{#invoke:citation/CS1|citation

|CitationClass=web }}</ref>

Compilation albumsEdit

  • The Kingsmen Greatest Hits (Wand WDM/WDS-681) 1967
  • The Best of the Kingsmen (Scepter/Citation Series CTN-18002) 1972
  • A Quarter to Three (Picc-A-Dilly PIC-3329) 1980 Template:Efn<ref name=Kingsmen />
  • Ya Ya (Picc-A-Dilly PIC-3330) 1980 Template:Efn<ref name=Kingsmen />
  • House Party (Picc-A-Dilly PIC-3346) 1980 Template:Efn<ref name=Kingsmen />
  • The Kingsmen Greatest Hits (Picc-A-Dilly PIC-3348) 1981 Template:Efn<ref name=Kingsmen />
  • The Best of the Kingsmen (Rhino RNLP 126) 1985
  • Rock & Roll – Kingsmen (Starday N5-2125) 1985
  • Louie Louie – The Kingsmen (Prime Cuts 1322) 1986
  • The Kingsmen – 12 Greatest (Golden Circle CS 57582) 198?
  • The Kingsmen – Louie, Louie (Golden Circle GC57881) 1987
  • The Jolly Green Giant (Richmond 2125) 1988
  • The Kingsmen – Louie Louie (Highland Music/Richmond 2138) 1988
  • The Best of the Kingsmen (Rhino 70745) 1989
  • The Kingsmen – Louie Louie and More Golden Classics (Collectables 5073) 1991
  • The Kingsmen – 20 Greats (Highland Music/Festival FST FCD 4417) 1991
  • The World of the Kingsmen/Louie Louie (Trace 0400612) 1992
  • Louie Louie 1994
  • The Best of the Kingsmen (Laserlight/Delta 124 24) 1995
  • The Very Best of the Kingsmen (Varèse Sarabande/Varèse Vintage 5905) 1998
  • The Kingsmen's Greatest Hits (K-tel K4185-2) 1998
  • Louie Louie: The Very Best of the Kingsmen (Collectables 5628) 1999
  • The Kingsmen – America's Premier 60s Garage Band (Edel America 70172) 2000
  • The Kingsmen – Gold (N'Dagroove Records NDA5331) 2012
  • The Kingsmen – Louie Louie and Other Great Hits (Goodtime B093RPTKG2) 2021Template:Efn

EPsEdit

International releases in Brazil, France, Spain, and U.K.Template:Efn

SinglesEdit

Year Song Titles Peak chart positions Label Album
Billboard Hot 100 <ref name="Whitburn Pop">Template:Cite book</ref> Cashbox Top 100 <ref name="Whitburn Comparison" /> Billboard R&B <ref name="Whitburn R&B">Template:Cite book</ref> Cashbox R&B 50 <ref>{{#invoke:citation/CS1|citation CitationClass=web

}}</ref>

Record World<ref name="Whitburn Comparison">Template:Cite book</ref>Template:Efn Canada Template:Efn U.K.<ref name="British Hit Singles & Albums">Template:Cite book</ref>
1963 "Louie Louie" (Berry)
b/w "Haunted Castle" (Easton)Template:Efn 		2 Template:Efn 1 — Template:Efn 1 1 1 23 Jerden 712
Wand 143 Template:Efn 		In Person Template:EfnTemplate:Efn
— Template:Efn
1964 "Money" (Gordy-Bradford)
b/w "Bent Scepter" (Gallucci) 		16 17 — Template:Efn 6 24 24 — Wand 150 In Person Template:EfnTemplate:Efn
In Person Template:Efn
"Little Latin Lupe Lu" (Medley)
b/w "David's Mood" (Lewis) 		46 49 — Template:Efn — 66 — — Wand 157 Volume II Template:Efn
Volume II Template:Efn
"Death of an Angel" (Woods)
b/w "Searchin' for Love" (Gust) 		42 33 — Template:Efn 29 42 36 — Wand 164 Volume II
Volume 3
"The Jolly Green Giant" (Easton, Harris, Terry)
b/w "Long Green" (Easton) 		4 8 25 — 6 1 <ref>{{#invoke:citation/CS1|citation CitationClass=web

}}</ref>

— Wand 172 Volume 3
Volume II / Volume 3 Template:Efn
1965 "The Climb" (Easton)
b/w "The Waiting" (Gallucci-Easton) 		65 45 — — 39 — — Wand 183 On Campus
In Person Template:Efn
"Annie Fanny" (Easton)
b/w "Give Her Lovin'" (Easton) 		47 43 — — 29 13 — Wand 189 On Campus
— Template:Efn
"(You Got) The Gamma Goochee" (Mangiagli)
b/w "It's Only The Dog" (Wayne) 		122 98 — — 95 — — Wand 1107 — Template:Efn
— Template:Efn
1966 "Killer Joe" (Russell-Elgin-Medley)
b/w "Little Green Thing" (Lewis) 		77 81 — — 66 — — Wand 1115 15 Great Hits Template:Efn
On Campus
"The Krunch" Template:Efn (Easton)
b/w "The Climb" (Easton) 		— Template:Efn — Template:Efn — — — Template:Efn — — Wand 1118 Template:Efn — Template:Efn
On Campus
"Little Sally Tease" (Valley)
b/w "My Wife Can't Cook" (Russ) 		— Template:Efn — Template:Efn — — — Template:Efn — — Wand 1127 Up and Away
— Template:Efn
"If I Needed Someone" Template:Efn (Harrison)
b/w "Grass Is Green" (Peterson-Mitchell) 		— Template:Efn 128 — — 136 — — Wand 1137 Up and Away
Up and Away
"Louie 64-65-66" (Berry)
b/w "Haunted Castle" (Easton) 		97 65 — 30 76 — — Wand 143 Template:Efn In Person
— Template:Efn
1967 "Trouble" (Resnick-Levine)
b/w "Daytime Shadows" (Easton-Tannen-Wildey) 		— Template:Efn — Template:Efn — — — Template:Efn — — Wand 1147 Up and Away
Up and Away
"Children's Caretaker" (Peterson)
b/w "The Wolf of Manhattan" (Levine-Resnick) 		— Template:Efn — Template:Efn — — — — — Wand 1154 Up and Away
— Template:Efn
"(I Have Found) Another Girl" (Curtis-Peterson)
b/w "Don't Say No" (Bartholemew-Richardson)Template:Efn 		— Template:Efn — Template:Efn — — 95 — — Wand 1157 Up and Away
— Template:Efn
"Bo Diddley Bach" (Sonny Curtis)
b/w "Just Before the Break of Day" (Tillison) 		128 139 — — 143 — — Wand 1164 —
Since We've Been Gone
1968 "Get Out of My Life Woman" (Toussaint)
b/w "Since You've Been Gone" (Dangel-Ormsby-Merrill) 		— — — — — — — Wand 1174 — Template:EfnTemplate:Efn
— Template:EfnTemplate:Efn
"On Love" (Bell-Turnbull)
b/w "I Guess I Was Dreamin'" (Weston-Rabbitt) 		— — Template:Efn — — — — — Wand 1180 —
—
1973 "You Better Do Right" (Kingsmen)
b/w "Today'" (Kingsmen) 		— Template:Efn — Template:Efn — — — Template:Efn — — Capitol 3576 —
—
* Most album cuts had crowd noise overdubs to simulate a live performance.
* The late 1968 release on Earth 104 ("Feed Me"/"Just a B-side") is not included in the singles discography as it was released by Kingsmen management using studio musicians while the original group was on a recording and touring hiatus.

Appearances (1960s releases)Edit

  • Original Great Northwest Hits, Volume 1 (Jerden JRL 7001, 1964) – "Louie Louie"
  • Original Great Northwest Hits, Volume 2 (Jerden JRL 7002, 1964) – "J.A.J."
  • The Groups are the Greatest – The Greatest of the Groups (Scepter 518, 1964) – "Louie Louie", "Money", "Bent Scepter"
  • Murray The K – The Fifth Beatle Gives You Their Golden Gassers (Scepter 524, 1964) – "Louie Louie", "Money"
  • The Greatest on Stage (Wand 661, 1965) – "David's Mood", "Money", "Louie Louie"
  • How to Stuff a Wild Bikini soundtrack (Wand 671, 1965) – "Give Her Lovin'", "How to Stuff a Wild Bikini" Template:Efn
  • The Hitmakers (Jerden JRL 7005, 1965) – "Twist and Shout", "All the Little Animals" Template:Efn
  • KHJ Boss Goldens, Volume 1 (Original Sound KHJ 9365, 1965) – "The Jolly Green Giant"
  • Wolfman's Favorite Oldies (Scepter 564, 1967) – "Louie Louie", "Killer Joe"
  • Battle of the Bands, Volume 2 (Panorama 109, 1967) – "C.C. Rider"
  • 보칼 넘버원! 제1집, (Daedo Records EU-138, 1968) – "Louie Louie" Template:Efn
Discography notes

Template:Notelist

Other uses of the nameEdit

Prior to this group's formation, another group called The Kingsmen operated in 1958 and was made up of members of Bill Haley & His Comets who were moonlighting from their regular work with Haley. This group scored a hit record (#35) on Billboard with the instrumental entitled "Week End", written by Rudy Pompilli, Franny Beecher, and Billy Williamson, backed with "Better Believe It" as the B side. They released a follow-up single on East West Records featuring "The Catwalk" backed with "Conga Rock". Although the Comets did the actual recordings, when the Kingsmen went on tour a different set of musicians performed instead of Haley's people. The band made at least one appearance on American Bandstand in 1958.

Many other groups have used the name "The Kingsmen", including a gospel vocal group formed in 1956 (also referred to as The Kingsmen Quartet), and bands that were later renamed as Flamin' Groovies, The Gants and The Statler Brothers. An a cappella group at Columbia University is traditionally known as the Kingsmen; former members include Art Garfunkel and the original lineup of Sha Na Na.<ref>Template:Cite magazine</ref>

Further readingEdit

ReferencesEdit

Template:Reflist

External linksEdit

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