Vapor Trails

Template:About {{safesubst:#invoke:Unsubst-infobox||$params=italic_title,name,type,longtype,artist,cover,border,alt,caption,released,recorded,venue,studio,genre,length,language,label,director,producer,compiler,chronology,prev_title,prev_year,year,next_title,next_year,misc|$extra=italic_title,longtype,border,caption,language,director,compiler,chronology,year,misc|$aliases=italic title>italic_title,Italic title>italic_title,Name>name,Type>type,image>cover,Cover>cover,Border>border,Alt>alt,Caption>caption,Longtype>longtype,Artist>artist,Released>released,Recorded>recorded,Venue>venue,Studio>studio,Genre>genre,Length>length,Language>language,Label>label,Director>director,Producer>producer,Compiler>compiler,Chronology>chronology,Misc>misc|$flags=override|$B={{#ifeq:{{#invoke:Is infobox in lead|main|[Ii]nfobox [Aa]lbum}}|true|{{#if:Template:Has short description | |Template:Short description|noreplace}}}}{{#invoke:Infobox|infobox}}Template:Template otherTemplate:Category handlerTemplate:Main other{{#invoke:Check for unknown parameters|check|unknown=Template:Main other|preview=Page using Template:Infobox album with unknown parameter "_VALUE_"|ignoreblank=y|italic_title |type |name |image |cover |border |alt |caption |longtype |artist |released |recorded |venue |studio |genre |length |language |label |director |producer |compiler |prev_title|prev_year|next_title|next_year|chronology|year|misc}}{{#if:{{#invoke:String|match|error_category=Music infoboxes with Module:String errors|A|1=Different Stages1998The Spirit of Radio: Greatest Hits 1974–19872003studioVapor TrailsRush Vapor Trails.jpgyesRushTemplate:Start dateAugust–December 2001<ref>Template:Cite book</ref>Reaction, Toronto<ref>Template:Cite magazine</ref>*Hard rock<ref name=Ew /><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

• rock<ref name=BillboardReview/>
• progressive rock<ref name=Ew/>Template:DurationAnthem*Rush
• Paul Northfieldx|2=</?t[drh][ >]|nomatch=}}|Template:Main other}}Template:Main other}}

Vapor Trails is the seventeenth studio album by Canadian rock band Rush. It was released on May 14, 2002,<ref>Template:Cite magazine</ref> on Anthem Records, and was their first studio release since Test for Echo (1996), the longest gap between two Rush albums. After the Test For Echo tour finished in July 1997, drummer and lyricist Neil Peart suffered the loss of his daughter and then his wife in separate tragedies. As a result, the group entered an extended hiatus during which it was not certain they would continue. They eventually reunited in January 2001 to rehearse material for a new album, recording for which lasted until December.<ref name="Vapor Trails news archive">Vapor Trails news archive Power Windows website Template:Webarchive. Retrieved 16 March 2006.</ref> For the first and only time since Caress of Steel (1975), the group did not use any keyboards or synthesizers in their music, incorporating many layers of guitar, bass and drums instead.

Vapor Trails reached No. 3 in Canada and No. 6 in the United States. "One Little Victory" was released as the album's lead single in March 2002 and went to No. 10 on the Billboard Mainstream Rock chart in the United States. The next single was "Secret Touch". The album went gold in Canada in August 2002.<ref name="CRIA">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The Vapor Trails Tour lasted from June through November 2002, which saw the band play to the largest crowds of its career in Brazil. Following the band's dissatisfaction with the album's overall production, two tracks were remixed for the Retrospective III: 1989–2008 compilation album. The positive feedback from this resulted in the entire Vapor Trails album being remixed by David Bottrill and released on September 30, 2013, as Vapor Trails Remixed,<ref name="Remix release"/> both as a separate release and as part of The Studio Albums 1989–2007.<ref name="Remix release">Template:Cite news</ref>

Background

After Rush finished their Test for Echo Tour in July 1997, the group entered a five-year hiatus following the personal tragedies in drummer Neil Peart's life, losing his daughter Selena in August 1997 and wife Jackie in June 1998. Peart took a hiatus and rode around North America on a motorcycle, covering Template:Convert. At some point in his journey, Peart decided to return to the band. In his book Ghost Rider: Travels on the Healing Road, Peart writes of how he had told his bandmates at Selena's funeral, "consider me retired."<ref name="Peart-GhostRider">Peart, Neil. Ghost Rider: Travels on the Healing Road. Toronto: ECW Press. 2002. Template:ISBN</ref> However, in October 2000, after a period of recuperation, Lee announced during promotional interviews for his solo album My Favourite Headache that Rush were to get together in the following January with the intention to write and rehearse material for a new studio album.<ref name=TOURBOOK>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Lee said that the album was not made for simply new music, but for "the psychological health and welfare of all the people who have gone through a very difficult time."<ref name=JAM2001/>

Writing and recording

The trio gathered at Reaction Studios in Toronto on January 9, 2001, but did not play anything for three weeks. They discussed what they wanted to achieve and how the album should take shape. Lifeson said it was to get "a feel for each other's frame of mind. We needed to see if everybody was really up for it."<ref name=GPLAYER02>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Lee and Lifeson said that they chose the studio based on its "artist friendly environment, that was very comfortable and accommodating".<ref name=CM2002/> Among the topics discussed was the album's musical direction which became a source of difficulty as initially, there was little agreement on what it should be. Upon reaching a consensus, Lifeson said the three found common ground "on every aspect of the recording."<ref name=GPLAYER02/>

The band started working, adopting a three-week-on, one-week-off schedule with no one present apart from a technical assistant.<ref name=JAM2001>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name=CM2002/> The group was hopeful there was still chemistry amongst them to make an album. They adopted their usual method of writing with Lee and Lifeson working together on musical ideas in the studio control room while Peart worked elsewhere on the lyrics, this time using a pen, paper and a computer. Peart wrote about their attitude towards the sessions: "We laid out no parameters, no goals, no limitations, only that we would take a relaxed, civilized approach."<ref name=TOURBOOK/> Peart looked through his scrapbook of notes and phrases he'd collected and explored ways of connecting them together to form a complete lyrical idea. Lee and Lifeson developed ideas largely through jam sessions typically kicked off by setting a pattern on a drum machine and playing along, recording every session using Logic Pro.<ref name=TOURBOOK/> This was to avoid making a demo tape of a collection of songs and re-record them at a later point. This way, early takes became the basis of the songs which kept the music fresh using as many original takes where possible.<ref name=CM2002/>

After several weeks Peart presented the ideas he'd formed, but Lee and Lifeson had not put down any concrete pieces of music. Peart recalled they were not yet "serious" and still wanted to play and explore ideas as sifting through what they had put to tape was a tedious process and disrupted their creative flow.<ref name=TOURBOOK/> Peart had completed six sets of lyrics at this point but was not getting feedback from his bandmates as he had before, so he paused on lyrics and focused on his book Ghost Rider: Travels on the Healing Road.<ref name=TOURBOOK/><ref name=MD2002>Template:Cite magazine</ref> The three became dissatisfied with what they'd come up with and thought it was too forced, which led to their decision to take some weeks off. They did so, and returned feeling refreshed and more focused, and were able to work out complete songs, not just sections.<ref name=GPLAYER02/> The songs that emerged from these early jams were "Peaceable Kingdom," "Ceiling Unlimited" and "Nocturne," all of which still contain some parts put down from the original takes, in their final form.<ref name=GPLAYER02/> According to Lifeson, no tracks were completely re-recorded.<ref name=GPLAYER02/>

Vapor Trails is the first album since Caress of Steel (1975) not to feature keyboards. Lifeson had often worried about the presence of keyboards on previous Rush albums, but this time Lee had agreed not to use them. Lifeson therefore spent a greater amount of time devising guitar parts that were "richer on tonality and harmonic quality", adequate for the background tracks.<ref name=CM2002/> He also avoided sound effects on his guitar, to achieve a more raw sound.<ref name=CM2002/> At certain points in recording his drum parts, Peart had been influenced by Who drummer Keith Moon and played in his style of more lyrical drumming, rather than simply keeping the beat.<ref name=MD2002/>

After taking a break in June 2001,<ref name=CM2002/> Rush began to record their new songs in mid-August.<ref name=VP2001>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Initially they decided to write 13 tracks for the album and pick the best 10 or 11 for the final selection, but when the time arrived they agreed to include all of them.<ref name=KLBJ>Template:Cite interview</ref> They were joined by English producer Paul Northfield, who had worked on several previous Rush albums and assisted in the arrangement to some tracks when the group felt stuck.<ref name=VP2001/><ref name=KLBJ/> The band are credited as co-producers. In December 2001, the group left the Reaction Studios and started mixing the album at Metalworks Studios with David Leonard.<ref name=CM2002>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>Template:Cite magazine</ref> The mixing was complete in March 2002, after which it was sent to Masterdisk in New York City for mastering by Howie Weinberg. Rush chose him having liked the sound of the other albums that Weinberg had worked on.<ref name=CM2002 />

Reception

Template:Album ratings The production of Vapor Trails has been criticized by the band themselves, critics and fans alike because of the album's "loud" sound quality. It has overly compressed (clipped) audio levels during mastering, which generates additional digital distortion during the CD production. The trend, known as the loudness war, was very common on modern CD production at the time.<ref name=npr2009>Template:Cite news</ref><ref name="Anderson">Anderson, Tim (18 January 2007). "How CDs are remastering the art of noise." Template:Webarchive Retrieved on 12 March 2012.</ref> Alex Lifeson stated:

It was a contest, and it was mastered too high, and it crackles, and it spits, and it just crushes everything. All the dynamics get lost, especially anything that had an acoustic guitar in it.<ref name=Rushisaband/>

Billboard gave a favorable review.<ref name=BillboardReview>Template:Cite magazine</ref>

Vapor Trails Remixed

Vapor Trails Remixed is a remixed version of Vapor Trails mixed by David Bottrill. The album was released by Atlantic Records and Rhino Entertainment on September 30, 2013, and entered at No. 35 on the Billboard 200 chart.<ref name="Remix release"/> The band had been unhappy with the original album's overall sonic production. Influenced by the positive reaction to the remixes of "One Little Victory" and "Earthshine" featured on Retrospective III by Richard Chycki, Rush and Bottrill remixed the entire album. In an interview with Modern Guitars, Lifeson remarked that, since the remixes were so good, there had been talk of doing an entire remix of the album.<ref name=Rushisaband>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Vapor Trails Remixed peaked in the US Billboard Charts at number 35.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Vapor Trails Remixed is also included in the box-set of Atlantic Studio Albums called The Studio Albums 1989–2007, in lieu of the original version.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Personnel

Credits taken from the 2002 liner notes.<ref name=CDNOTES>Template:Cite AV media notes</ref>

Rush

• Geddy Lee – bass guitar, vocals
• Alex Lifeson – electric and acoustic guitars, mandola
• Neil Peart – drums, cymbals

Production

• Rush – production, recording
• Paul Northfield – production, recording
• Chris Stringer – recording assistance
• David Leonard – mixing
• David Bottrill – mixing: 2013 version
• Joel Kazmi – mixing assistance
• Howie Weinberg – mastering
• Roger Lian – additional mastering and sequencing
• Andy VanDette – mastering: 2013 version
• Lorne "Gump" Wheaton – equipment care
• Hugh Syme – art direction, paintings, and portraits

Charts

Weekly charts

Template:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chart

Weekly chart performance for Vapor Trails

Chart (2002)	Peak position

Year-end charts

Year-end chart performance for Vapor Trails

Chart (2002)	Position
Canadian Albums (Nielsen SoundScan)<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	172
Canadian Metal Albums (Nielsen SoundScan)<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	27

External links

• Template:Metacritic album
• Template:Discogs master