Wag the Dog

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Wag the Dog is a 1997 American black comedy political satire film starring Dustin Hoffman and Robert De Niro.<ref name=Turan>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Produced and directed by Barry Levinson, the film centers on a spin doctor and a Hollywood producer who fabricate a war in Albania to distract voters from a presidential sex scandal. The screenplay by Hilary Henkin and David Mamet is loosely adapted from Larry Beinhart's 1993 novel American Hero.

The title of the film comes from the English-language idiom "the tail wagging the dog",<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> used to indicate attention that is purposely being diverted from something of greater importance to something of lesser.

Wag the Dog was released one month before the news broke of the Clinton–Lewinsky scandal and the bombing of the Al-Shifa pharmaceutical factory in Sudan by the Clinton administration in August 1998, which prompted the media to draw comparisons between the film and reality.<ref>Template:Cite news</ref> The comparison was also made in December 1998, when the administration initiated a bombing campaign of Iraq during Clinton's impeachment trial for the Clinton–Lewinsky scandal.<ref>Template:Cite news</ref> It was made again in spring 1999, when the administration intervened in the Kosovo War and initiated a bombing campaign against Yugoslavia, which, coincidentally, bordered Albania and contained ethnic Albanians.<ref>Template:Cite news</ref>

The film grossed $64.3 million on a $15 million budget, and was well received by critics, who praised the direction, performances, themes and humor. Hoffman received a nomination for the Academy Award for Best Actor for his performance, and screenwriters David Mamet and Hilary Henkin were both nominated for Best Adapted Screenplay.

Plot

The President of the United States is caught making advances on an underage girl inside the Oval Office less than two weeks before the election. Conrad Brean, a top spin doctor, is brought in by presidential aide Winifred Ames to take the public's attention away from the scandal. He decides to construct a fictional war in Albania, hoping that the media will concentrate on this instead. Brean contacts Hollywood producer Stanley Motss to create the war, complete with a theme song and fake film footage of a fleeing orphan to arouse sympathy. The hoax is initially successful, with the president quickly gaining ground in the polls.

When the CIA learns of the plot, it sends Agent Young to confront Brean about the hoax. Brean convinces Young that revealing the deception is against his and the CIA's best interests. But when the CIA—in collusion with the president's rival candidate—reports that the war has ended, the media begins to revert its focus to the president's sexual misconduct scandal. To counter this, Motss invents a hero who was left behind enemy lines in Albania.

Inspired by the idea that he was "discarded like an old shoe", Brean and Motss ask the Pentagon to provide a special forces soldier with a matching name (a sergeant named "Schumann" is identified), around whom a POW narrative can be constructed. As part of the hoax, folk singer Johnny Dean records a song called "Old Shoe", which is pressed onto a 78-rpm record, prematurely aged so that listeners will think that it was recorded years earlier and sent to the Library of Congress to be "found". Bream and Motss fling pairs of old shoes into a tree outside of the White House grounds. Soon, large numbers of shoes begin appearing on phone and power lines, and a grassroots movement to bring home Schumann takes hold, completing a successful astroturfing.

When the team goes to retrieve Schumann, they discover that he is actually a criminally insane Army convict. On the return to Andrews Air Force Base, their plane crashes. The team survives and is rescued by a farmer, an illegal alien. However, Schumann is killed when he attempts to rape a gas station owner's daughter. Seizing the opportunity, Motss stages an elaborate military funeral for Schumann, claiming that he died from wounds sustained during his rescue, and the farmer receives expedited citizenship for a better story.

As the President rallies toward re-election, Motss becomes frustrated that the media are crediting his upsurge in the polls to the bland campaign slogan, "Don't change horses in mid-stream", rather than to Motss's hard work. Despite Brean's offer of an ambassadorship and the dire warning that he is "playing with his life", Motss demands that he receive credit for his production, and he threatens to reveal his involvement unless he gets it. Realizing that he has no choice, Brean orders his security staff to kill him. A newscast reports that Motss has died of a heart attack at home, the president has been successfully re-elected, and an Albanian terrorist organization has claimed responsibility for a recent bombing, suggesting that the fake war is becoming real.

Production

Title

The title of the film comes from the English-language idiom "the tail wagging the dog",<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> which is referenced at the beginning of the film by a caption that reads:

Motss portrayal

Hoffman's character, Stanley Motss, is said to have been directly based on famed producer Robert Evans. Similarities have been noted between the character and Evans's work habits, mannerisms, quirks, clothing style, hairstyle and large, square-framed eyeglasses. In fact, the real Evans is said to have joked, "I'm magnificent in this film".<ref name="Nwk">Template:Cite news</ref>

While Hoffman has never discussed deriving his portrayal from Evans, the commentary track for the film's DVD release makes the claim.Template:Cn

Writing credits

Writing credits for the film became controversial due to objections by Barry Levinson. After Levinson became attached as director, David Mamet was hired to rewrite Hilary Henkin's screenplay, which was loosely adapted from Larry Beinhart's novel, American Hero.

Given the close relationship between Levinson and Mamet, New Line Cinema asked that Mamet be given sole credit for the screenplay. However, the Writers Guild of America intervened on Henkin's behalf to ensure that Henkin received first-position shared screenplay credit, finding that, as the original screenwriter, Henkin had created the screenplay's structure, as well as much of the screen story and dialogue.<ref>Template:Cite news</ref>

Levinson threatened to quit the Guild (but he did not), claiming that Mamet had written all of the dialogue, as well as creating the characters of Motss and Schumann, and had originated most of the scenes set in Hollywood, and all of the scenes set in Nashville. Levinson attributed the numerous similarities between Henkin's original version and the eventual shooting script to Henkin and Mamet working from the same novel, but the Writers Guild of America disagreed in its credit arbitration ruling.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Music

{{ safesubst:#invoke:Unsubst||date=__DATE__ |$B= {{ safesubst:#invoke:Unsubst||date=__DATE__ |$B= Template:Ambox }} }}{{#invoke:Labelled list hatnote|labelledList|Main article|Main articles|Main page|Main pages}} The film features many songs created for the fictitious campaign waged to deflect the president's sex scandal. These include "Good Old Shoe", "The American Dream" and "The Men of the 303". However, the film’s soundtrack CD features only the title track (by British guitarist and vocalist Mark Knopfler) and seven of Knopfler's instrumentals.

Songs as listed in the film's credits

• "Thank Heaven for Little Girls": written by Lerner and Lowe, performed by Maurice Chevalier
• "I Guard the Canadian Border": written by Tom Bähler and Willie Nelson, performed by Willie Nelson
• "The American Dream": written by Bähler, performed by Bähler
• "Good Old Shoe": written by Edgar Winter, performed by Nelson and Pops Staples
• "Classical Allegro": written by Marc Ferrari and Nancy Hieronymous
• "Courage Mom": written by Merle Haggard and performed by Merle Haggard and the Strangers
• "Barracuda": written by Heart, referenced by Woody Harrelson in character
• "I Love the Nightlife": written by Alicia Bridges and Susan Hutcheson
• "God Bless the Men of the 303": written by Huey Lewis, performed by Lewis, Scott Mathews, and Johnny Colla
• "Wag the Dog": written and performed by Mark Knopfler

Reception

In a contemporary review, Roger Ebert of the Chicago Sun-Times awarded the film four stars out of four, and wrote in his review, "The movie is a satire that contains just enough realistic ballast to be teasingly plausible; like Dr. Strangelove, it makes you laugh, and then it makes you wonder."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> He ranked it as his tenth favorite film of 1997.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

In 2020, Ann Hornaday of The Washington Post rated it at number 12 on her list of the best political movies ever made.<ref>Template:Cite news</ref>

Wag the Dog has an approval rating of 86% on Rotten Tomatoes, based on 78 reviews, with an average rating of 7.5/10. The site's critical consensus reads: "Smart, well-acted, and uncomfortably prescient political satire from director Barry Levinson and an all-star cast."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> On Metacritic, which assigns a weighted average rating, the film holds a score of 74 out of 100, based on 22 critics, indicating "generally favorable" reviews.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Audiences polled by CinemaScore gave the film an average grade of "B–" on a scale of A+ to F.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Accolades

Award	Category	Nominee(s)	Result	Ref.
Academy Awards	Best Actor	Dustin Hoffman	Template:Nom	<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>
	Best Screenplay – Based on Material Previously Produced or Published	Hilary Henkin and David Mamet	Template:Nom
Artios Awards	Best Casting for Feature Film – Comedy	Ellen Chenoweth and Debra Zane	Template:Nom	<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>
Berlin International Film Festival	Golden Bear	Barry Levinson	Template:Nom	<ref name="Berlinale">{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>
	Special Jury Prize		Template:Won
British Academy Film Awards	Best Adapted Screenplay	Hilary Henkin and David Mamet	Template:Nom	<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>
Critics' Choice Awards	Best Picture		Template:Nom	<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>
Golden Globe Awards	Best Motion Picture – Musical or Comedy		Template:Nom	<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>
	Best Actor in a Motion Picture – Musical or Comedy	Dustin Hoffman	Template:Nom
	Best Screenplay – Motion Picture	Hilary Henkin and David Mamet	Template:Nom
National Board of Review Awards	Best Supporting Actress	Anne Heche Template:Small	Template:Won	<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>
National Society of Film Critics Awards	Best Actor	Dustin Hoffman	Template:Draw	<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>
Online Film & Television Association Awards	Best Comedy/Musical Picture	Danny DeVito, Barry Levinson, and Jane Rosenthal	Template:Nom	<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>
	Best Comedy/Musical Actor	Dustin Hoffman	Template:Nom
	Best Screenplay – Based on Material from Another Medium	Hilary Henkin and David Mamet	Template:Nom
Political Film Society Awards	Democracy		Template:Nom
Russian Guild of Film Critics Awards	Best Foreign Actor	Robert De Niro	Template:Nom
Satellite Awards	Best Actor in a Motion Picture – Musical or Comedy	Dustin Hoffman	Template:Nom	<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>
	Best Supporting Actress in a Motion Picture – Musical or Comedy	Anne Heche	Template:Nom
Screen Actors Guild Awards	Outstanding Performance by a Male Actor in a Leading Role	Dustin Hoffman	Template:Nom	<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>
Turkish Film Critics Association Awards	Best Foreign Film		Template:Draw
Writers Guild of America Awards	Best Screenplay – Based on Material Previously Produced or Published	Hilary Henkin and David Mamet	Template:Nom	<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>

Home media

Wag the Dog was released on VHS on November 3, 1998, and on DVD on November 15, 2005.<ref>Template:Citation</ref><ref>Template:Citation</ref> It is not available on Blu-ray.<ref>Template:Citation</ref>

Television adaptation

On April 27, 2017, Deadline reported that Barry Levinson, Robert De Niro and Tom Fontana were developing a television series based on the film for HBO. De Niro's TriBeCa Productions was to co-produce, along with Levinson's and Fontana's companies.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

See also

• Astroturfing, a controversial public relations practice depicted in the film
• Canadian Bacon and Wrong Is Right, films about an American war started for similar reasons

External links

• [https://www.imdb.com/{{#if: 120885

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