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Additive synthesis
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{{Short description|Sound synthesis technique}} {{Use dmy dates|date=January 2020}} {{Listen | filename = Additive_synthesis_bell.ogg | title = Additive synthesis example | description = A bell-like sound generated by additive synthesis of 21 inharmonic partials | pos = right }} '''Additive synthesis''' is a [[sound synthesis]] technique that creates [[timbre]] by adding [[sine]] waves together.<ref name="JOS_Additive"> {{cite web | author = Julius O. Smith III | title = Additive Synthesis (Early Sinusoidal Modeling) | url = https://ccrma.stanford.edu/~jos/sasp/Additive_Synthesis_Early_Sinusoidal.html | quote = The term "additive synthesis" refers to sound being formed by adding together many sinusoidal components | access-date = 14 January 2012 }}</ref><ref> {{cite journal | author = Gordon Reid | title = Synth Secrets, Part 14: An Introduction To Additive Synthesis | url = http://www.soundonsound.com/sos/jun00/articles/synthsec.htm | journal = Sound on Sound | issue = January 2000 | access-date = 14 January 2012 }}</ref> The timbre of musical instruments can be considered in the light of [[Fourier series|Fourier theory]] to consist of multiple [[harmonic]] or inharmonic ''[[Harmonic series (music)#Partial|partials]]'' or [[overtone]]s. Each partial is a sine wave of different [[frequency]] and [[amplitude]] that swells and decays over time due to [[modulation]] from an [[ADSR envelope]] or [[low frequency oscillator]]. Additive synthesis most directly generates sound by adding the output of multiple sine wave generators. Alternative implementations may use pre-computed [[Wavetable synthesis|wavetables]] or the inverse [[fast Fourier transform]].
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