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Automatic double tracking
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{{Short description|Audio recording technique}} {{Multiple issues| {{More citations needed|date=September 2009}} {{Original research|date=October 2015|reason=Very large portions of the article are unsourced. While tagging each section might generally be overkill, the article tag seems appropriate, whatever the history.}} }} {{Use dmy dates|date=October 2019}} {{Use British English|date=November 2024}} '''Automatic double-tracking''' or '''artificial double-tracking''' ('''ADT''') is an [[analogue recording]] technique designed to enhance the sound of voices or instruments during the mixing process. It uses [[Delay (audio effect)|tape delay]] to create a delayed copy of an audio signal which is then played back at slightly varying speed controlled by an oscillator and combined with the original. The effect is intended to simulate the sound of the natural doubling of voices or instruments achieved by [[double tracking]]. The technique was developed in 1966 by [[Recording engineer|engineers]] at [[Abbey Road Studios]] in London<ref name=Martin>Martin, George, ''[[All You Need Is Ears]]'', St. Martin's Press, 1979, p. 155, {{ISBN|0-312-02044-9}}.</ref> at the request of [[the Beatles]].
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