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Bokeh
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{{short description|Aesthetic quality of blur in the out-of-focus parts of an image}} {{Other uses}} {{distinguish| Depth of field}} {{pp-move}} {{Use dmy dates|date=May 2019|cs1-dates=y}} [[Image:Josefina with Bokeh.jpg|thumb|Coarse bokeh on a photo shot with an 85 mm lens and 70 mm [[entrance pupil]] diameter, which corresponds to {{f/}}1.2]] [[File:Katherine Maher.jpg|thumb|right|An example of a portrait photo (of [[Katherine Maher]]). Note the 'swirly' bokeh.]] [[File:Aperture_and_bokeh.jpg|thumb|How the bokeh varies with the aperture.]] In [[photography]], '''bokeh''' ({{IPAc-en|ˈ|b|oʊ|k|ə}} {{respell|BOH|kə}} or {{IPAc-en|ˈ|b|oʊ|k|eɪ}} {{respell|BOH|kay}};<ref>{{Citation|last=Nikon|title=Bokeh for Beginners|date=2017-03-30|url=https://www.nikonusa.com/en/learn-and-explore/a/tips-and-techniques/bokeh-for-beginners.html|access-date=2019-07-24|archive-date=2019-07-24 |archive-url=https://web.archive.org/web/20190724152154/https://www.nikonusa.com/en/learn-and-explore/a/tips-and-techniques/bokeh-for-beginners.html|url-status=live}}</ref> {{IPA|ja|boke|lang}}) is the aesthetic quality of the blur produced in [[defocus aberration|out-of-focus]] parts of an image, whether foreground or background or both. It is created by using a wide aperture lens. Some photographers incorrectly restrict use of the term bokeh to the appearance of bright spots in the out-of-focus area caused by [[Circle of confusion|circles of confusion]].<ref name="Gerry Kopelow 1998 118–119">{{cite book | title = How to photograph buildings and interiors | edition = 2nd | author = Gerry Kopelow | publisher = Princeton Architectural Press | year = 1998 | isbn = 978-1-56898-097-3 | pages = [https://archive.org/details/howtophotographb0000kope/page/118 118]–119 | url = https://archive.org/details/howtophotographb0000kope | url-access = registration | quote = bokeh focus. }}</ref><ref> {{cite book | title = Hollywood Portraits: Classic Shots and How to Take Them | author = Roger Hicks and Christopher Nisperos | publisher = Amphoto Books | year = 2000 | isbn = 978-0-8174-4020-6 | page = 132 | url = https://books.google.com/books?id=7GfsKp7StwcC&q=bokeh+focus&pg=PA132 }}</ref><ref> {{cite book | title = Dictionary of Photography and Digital Imaging: The Essential Reference for the Modern Photographer | author = Tom Ang | publisher = Watson–Guptill | isbn = 0-8174-3789-4 | year = 2002 | url = https://books.google.com/books?id=fu3akyrFZEMC&q=bokeh+focus&pg=PA45}}</ref> Bokeh has also been defined as "the way the [[lens]] renders out-of-focus points of light".<ref>{{cite web | url = http://photojpn.org/words/len.html | title = PhotoWords/Lens | work = PhotoGuide Japan | access-date = 2009-10-30 | archive-date = 2018-12-26 | archive-url = https://web.archive.org/web/20181226094251/http://photojpn.org/words/len.html | url-status = live }}</ref> Differences in [[optical aberration|lens aberrations]] and [[aperture]] shape cause very different bokeh effects.<ref name="davis" /> Some lens designs blur the image in a way that is pleasing to the eye, while others produce distracting or unpleasant blurring ("good" and "bad" bokeh, respectively).<ref name=davis> {{cite book | title = Practical Artistry: Light & Exposure for Digital Photographers | author = Harold Davis | publisher = O'Reilly Media | year = 2008 | isbn = 978-0-596-52988-8 | page = 62 | url = https://books.google.com/books?id=ZkOYrPiIwFIC&q=bokeh+good+bad&pg=PA62 }}</ref> Photographers may deliberately use a [[shallow focus]] technique to create images with prominent out-of-focus regions, accentuating their lens's bokeh. Bokeh is often most visible around small background [[Point source#Light|highlights]], such as [[specular reflection]]s and [[list of light sources|light sources]], which is why it is often associated with such areas.<ref name=davis/> However, bokeh is not limited to highlights; blur occurs in all regions of an image which are outside the [[depth of field]]. The opposite of bokeh—an image in which multiple distances are visible and all are in focus—is [[deep focus]].
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