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Classicism
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{{Short description|Art movement and architectural style}} {{Hatgrp| {{For|the branch of study in the humanities|Classics}} {{Distinguish|Class discrimination{{!}}Classism}} }} {{Classicism}} [[File:David-Oath of the Horatii-1784.jpg|thumb|upright=1.35|[[Jacques-Louis David]], ''[[Oath of the Horatii]]'', 1784, an icon of [[Neoclassicism]] in painting]] '''Classicism''', in [[the arts]], refers generally to a high regard for a classical period, [[classical antiquity]] in the Western tradition, as setting standards for taste which the classicists seek to emulate. In its purest form, classicism is an aesthetic attitude dependent on principles based in the culture, art and literature of [[ancient Greece]] and [[Ancient Rome|Rome]], with the emphasis on form, simplicity, proportion, clarity of structure, perfection and restrained emotion, as well as explicit appeal to the intellect.<ref>{{Cite book|title=Encyclopedia of the City|last=Caves|first=R. W.|publisher=Routledge|year=2004|pages=112}}</ref> The art of classicism typically seeks to be formal and restrained: of the ''[[Discobolus]]'' [[Sir Kenneth Clark]] observed, "if we object to his restraint and compression we are simply objecting to the classicism of [[classic]] art. A violent emphasis or a sudden acceleration of rhythmic movement would have destroyed those qualities of balance and completeness through which it retained until the present century its position of authority in the restricted repertoire of visual images."<ref>Clark, ''The Nude: A Study in Ideal Form'' 1956:242</ref> Classicism, as Clark noted, implies a canon of widely accepted ideal forms, whether in the [[Western canon]] that he was examining in ''The Nude'' (1956). Classicism is a force which is often present in post-medieval European and European influenced traditions; however, some periods felt themselves more connected to the classical ideals than others, particularly the [[Age of Enlightenment]],<ref>{{Cite journal|last=Walters|first=Kerry|date=September 2011|title=JOURNAL ARTICLE Review|jstor=41240671|journal=Church History|volume=80|issue=3|pages=691β693|doi=10.1017/S0009640711000990|s2cid=163191669}}</ref> when [[Neoclassicism]] was an important movement in the visual arts.
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