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Clyfford Still
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{{Short description|American painter (1904β1980)}} {{Infobox artist | name = Clyfford Still | image = Clyfford Still.jpg | imagesize = | caption = | birth_name = Clyfford Elmer Still | birth_date = {{birth date |1904|11|30}} | birth_place = [[Grandin, North Dakota]] | death_date = {{death date and age |1980|6|23|1904|11|30}}<ref>{{Cite news|url=https://www.nytimes.com/1980/07/06/archives/art-view-the-singularity-of-clyfford-still.html|title=ART VIEW; the Singularity of Clyfford Still|newspaper=The New York Times|date=6 July 1980|last1=Kramer|first1=Hilton}}</ref> | death_place = [[Baltimore]], [[Maryland]] | resting_place=Pipe Creek Church of the Brethren Cemetery, [[Union Bridge, Maryland]] | nationality = American | field = [[Painting]] | spouse=Lillian August Battan Still (c. 1930 β late 1940s)<br />Patricia Alice Garske Still (1957β1980) | training = [[Spokane University]], [[Washington State University]] | movement = [[Abstract expressionism]], [[Color Field painting]] | works = | patrons = | influenced by = | influenced = | awards = }} '''Clyfford Still''' (November 30, 1904 – June 23, 1980) was an American [[Painting|painter]], and one of the leading figures in the first generation of [[Abstract Expressionists]], who developed a new, powerful approach to painting in the years immediately following [[World War II]]. Still has been credited with laying the groundwork for the movement, as his shift from representational to abstract painting occurred between 1938 and 1942, earlier than his colleagues like [[Jackson Pollock]] and [[Mark Rothko]], who continued to paint in figurative-[[surrealist]] styles well into the 1940s.<ref name=CSM>{{cite web|title=The Artist|url=http://clyffordstillmuseum.org/clyfford-still/|website=Clyfford Still Museum|access-date=21 October 2014}}</ref>
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