Open main menu
Home
Random
Recent changes
Special pages
Community portal
Preferences
About Wikipedia
Disclaimers
Incubator escapee wiki
Search
User menu
Talk
Dark mode
Contributions
Create account
Log in
Editing
Recitative
(section)
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
{{Short description|Ordinary speech-like singing in opera, cantata, mass or oratorio}} {{More citations needed|date=September 2008}} [[File:Handel, Lascia ch’io pianga autograph score, 1711.jpg|thumb|right|300px|This score for [[Handel]]'s ''[[Lascia ch'io pianga]]'' shows the simple accompaniment for a recitative; much of the time, the basso continuo (the lower staff in bass clef) play half notes and whole notes underneath the vocalist's recitative part.]] [[File:Bach - cantata 140. 2. recitative.ogg|thumb|right|200px|A recitative from [[J.S. Bach]]'s [[BWV 140|Cantata 140, "Wachet auf, ruft uns die Stimme"]]]] '''Recitative''' ({{IPAc-en|ˌ|r|ɛ|s|ɪ|t|ə|ˈ|t|iː|v}}, also known by its Italian name '''recitativo''' ({{IPA|it|retʃitaˈtiːvo|}}) is a style of delivery (much used in [[opera]]s, [[oratorio]]s, and [[cantata]]s) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic '''''recitativo secco'''''{{efn-ua|plural: ''recitativi secchi''}} ("dry", accompanied only by [[Basso continuo|continuo]], typically cello and harpsichord) is at one end of the spectrum, through '''''recitativo accompagnato''''' (using orchestra), the more [[melisma]]tic [[arioso]], and finally the full-blown [[aria]] or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer must perform in a more structured way. The term ''recitative'' (or occasionally liturgical recitative) is also applied to the simpler formulas of [[Gregorian chant]], such as the tones used for the [[epistle]], [[gospel]], [[preface (liturgy)|preface]] and [[collect]]s; see [[accentus]].
Edit summary
(Briefly describe your changes)
By publishing changes, you agree to the
Terms of Use
, and you irrevocably agree to release your contribution under the
CC BY-SA 4.0 License
and the
GFDL
. You agree that a hyperlink or URL is sufficient attribution under the Creative Commons license.
Cancel
Editing help
(opens in new window)