Editing Bead stringing (section)

== Methods ==

=== Knotting ===
Knotting is a next level of proficiency in creating strands. Here the stringing medium (traditionally silk thread or [[synthetic fiber]] with similar properties) has knots tied into it as a means of separating the individual beads from each other. The traditional [[Pearl#In jewelry|string of pearls]] is a well-known example of this technique. [[Pearl|Pearls]] are threaded onto silk, and a knot is tied between each one to not only space them for greater individual prominence but to also keep them from rubbing directly against each other and risking the abrasion of the [[nacre]] that gives them their luster. This classic design can be varied by adding or substituting the pearls with other varieties of beads or varying the number and placement of knots used.<ref>{{Cite web |last=Thorn |first=Vuthy |date=2024-04-03 |title=Pearl Knotting 101: Learn Classic Pearl Knotting for Making Pearl Necklaces and More |url=https://beadaholique.com/blogs/techniques-guides/pearl-knotting-101-learn-classic-pearl-knotting-for-making-pearl-necklaces-and-more |access-date=2025-03-20 |website=Beadaholique |language=en}}</ref>

Multiple strands can be created using either the simple stringing or the knotting technique. Here, depending on the overall design, more planning may be called for. If the bead pattern is random, the only concern is that one strand be sized shorter than the next, so they will all lie flat and not interfere with each other when worn or displayed. However, if a specific repeating pattern is planned, then careful planning will be required so that the placement of matching portions of the pattern between the strands is aligned properly. A beading board, generally a flat panel with measured curved indentations in several staggered lengths, is a useful tool for spacing the beads to work out the desired pattern. Once the design has been worked out, joining the strands together might require special multiple-strand clasp fixtures unless there is a single knotting point or specific design element that will accommodate it.

There is another way of using the smallest size of beads which is naive and in [[Pakistan]] it is called ''Motikaari'' (an [[Urdu]] word for "[[beadwork]]"). It is a medium for artistic expression e.g. calligraphy or portraiture by arranging patterns of smallest size of beads of different textures and [[Hue|hues]] in the length of adjoined strings.

=== Motikari ===
Motikari is a craft as well as an art. The craftsperson/artist who work on motikaari is called 'Motikaar'. 

The method of making a pattern involves three stages. The first stage in this art form is to prepare a desired pattern on paper. Then it is pasted on a flat panel hardboard sheet. Preparation of hardboard sheet is the second important stage of the work. In the third stage, the beads of different colors are strung together according to the sketched pattern into the thread with the help of needle in the form of independent but parallel columns of strings. This method discovered by [[Motikaar Malik Nisar Ahmed]] of Pakistan is the simplest and easiest so far. Malik Nisar Ahmed claimed to be the creator of this form of bead stringing as he made countless items of Motikaari compared to anybody else in the world. He is the member of Pakistan National Council of the Arts (PNCA).<ref>{{Cite web|url=https://www.thenews.com.pk/archive/print/116250-pioneer-of-%E2%80%98motikaari%E2%80%99-eyes-more-wonders|title = The News International: Latest News Breaking, Pakistan News}}</ref> Finally, after the consummation of the artistic pattern, it is removed from the hardboard so that it can be displayed in the shape of hanging strings of beads.

Among the types of wire used for bead stringing, [[tiger tail wire]] is the most common.<ref>{{Cite book|page=[https://archive.org/details/michaelsbookofar00lark/page/498 498]|title=The Michaels Book of Arts & Crafts|author=Dawn Cusick|author2=Megan Kirb|publisher=[[Sterling Publishing]]|year=2003|isbn=1579905307|url-access=registration|url=https://archive.org/details/michaelsbookofar00lark/page/498}}</ref>