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Editing
Bullets Over Broadway
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==Plot== In 1928, David Shayne is an idealistic young playwright newly arrived on [[Broadway theatre|Broadway]] from Pittsburgh. Desperate to gain financing for his play, ''God of Our Fathers'', he is persuaded by producer Julian Marx to cast actress Olive Neal, the girlfriend of gangster Nick Valenti, in a minor role. Compensating for his frustration with the demanding and talentless Olive, David is thrilled to cast alcoholic faded star Helen Sinclair in the lead role, along with the dieting British thespian Warner Purcell. Rehearsals are soon thrown into chaos when Olive shows up escorted by Cheech, a mob henchman, who insists on watching rehearsals. Eventually Cheech starts giving notes on the script to David, who is initially angered by the intrusion but quickly realizes the ideas are excellent. Cheech, who barely learned to read before burning down his school, has a natural talent for playwriting, but is not interested in taking any credit. The cast members herald the revised script as genius, disparaging his initial draft as dull and pompous. Buoyed by their imminent success, David and the actors succumb to their vices. His partner, Ellen, catches him cheating on her with Helen. Warner indulges in overeating and begins an affair with Olive, which he attempts to break off when Cheech threatens his life. Growing increasingly frustrated with Olive's poor acting, Cheech tries to have her fired from the production. After David reminds him he cannot get rid of Olive, Cheech murders her and dumps her body in a river. Olive's murder is widely assumed to be part of an inter-gang conflict, but David immediately senses the truth and argues with Cheech. Regretting his mistakes, David is dismayed to learn that Ellen is leaving him for his hedonistic [[Marxism|Marxist]] friend Sheldon Flender. On opening night, Valenti accuses Cheech of Olive's murder, which he denies. Henchmen Rocco and Aldo chase Cheech backstage while the play is being performed, shooting him. With his dying words, Cheech gives David a new final line for the play. The play is a critical and commercial success, but David skips the after-party to confront Flender. He confesses his lack of talent and proposes marriage to Ellen, who accepts his newfound desire to leave high society and move back to Pittsburgh.
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