Open main menu
Home
Random
Recent changes
Special pages
Community portal
Preferences
About Wikipedia
Disclaimers
Incubator escapee wiki
Search
User menu
Talk
Dark mode
Contributions
Create account
Log in
Editing
Cantata
(section)
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
==Historical context== The term originated in the early 17th century, simultaneously with [[opera]] and [[oratorio]].{{citation needed|date=September 2020}}<ref>{{Cite web |date=8 February 2022 |title=Cantata Definition: What Is a Cantata in Music? |url=https://www.masterclass.com/articles/cantata |website=MasterClass}}</ref> Prior to that, all "[[high culture|cultured]]" music was vocal. With the rise of [[instrumental|instrumental music]], the term appeared, while instrumental art became sufficiently developed to be embodied in [[sonata]]s. From the beginning of the 17th century until late in the 18th, the cantata for one or two solo voices with accompaniment of [[Figured bass#Basso continuo|basso continuo]] (and perhaps a few solo instruments) was a principal form of Italian vocal [[chamber music]].<ref>Timms, Colin, [[Nigel Fortune]], Malcolm Boyd, [[Friedhelm Krummacher]], [[David Tunley]], James R. Goodall, and Juan José Carreras. 2001. "Cantata", §I. ''The New Grove Dictionary of Music and Musicians'', second edition, edited by [[Stanley Sadie]] and [[John Tyrrell (professor of music)|John Tyrrell]]. London: Macmillan Publishers.</ref> A cantata consisted first of a declamatory narrative or scene in [[recitative]], held together by a primitive [[aria]] repeated at intervals. Fine examples may be found in the church music of [[Giacomo Carissimi]]; and the English vocal solos of [[Henry Purcell]] (such as ''Mad Tom'' and ''Mad Bess'') show the utmost that can be made of this archaic form. With the rise of the [[da capo aria]], the cantata became a group of two or three arias joined by recitative. [[George Frideric Handel]]'s numerous Italian duets and trios are examples on a rather large scale. His Latin [[motet]] ''Silete Venti'', for soprano solo, shows the use of this form in church music.<ref>Tovey, Donald. Francis. ''In Musical Forms'', {{Full citation needed|date=April 2016}}<!--Place of publication, please.-->: Meridian Books, 1956; reprinted by arrangement by Oxford University Press.{{Page needed|date=April 2016}}</ref>
Edit summary
(Briefly describe your changes)
By publishing changes, you agree to the
Terms of Use
, and you irrevocably agree to release your contribution under the
CC BY-SA 4.0 License
and the
GFDL
. You agree that a hyperlink or URL is sufficient attribution under the Creative Commons license.
Cancel
Editing help
(opens in new window)