Editing Catch-22 (section)

== Synopsis ==

The main character, Yossarian, is introduced in the setting of a military hospital where he has retreated under the guise of a chronic liver condition to avoid flying further combat missions since he has grown disillusioned with the war effort and distrustful of his commanding officers. Throughout the novel, the [[commanding officer]]s show extreme disregard for the lives of their troops and are all too willing to sacrifice their men to further their own ends. Especially, [[Colonel Cathcart]] volunteers his unit to fly dangerous missions and forces his men to fly more combat missions than any other unit, constantly raising the number of missions necessary to complete a tour of duty so that the men can never return home, because he wishes to be seen as brave by his superiors even though he has only ever flown a single combat mission. After flying forty-four combat missions, Yossarian has become [[traumatized]] by aerial combat and witnessing the deaths of his friends; he is terrified of being killed in action during each combat mission, but still succeeds in flying twenty-seven more missions over the course of the novel, totaling seventy-one by the end. As the novel progresses, Yossarian's moral character and courage emerge more clearly, in contrast to his seeming selfishness and cowardice when first introduced. He is shown to be an honest, loyal, and able flyer who has been pushed to desperation by the selfishness and cowardice of the authorities responsible for him, especially doctors and military leaders.

The development of the novel can be split into sections:

* The first (chapters 1–11) broadly follows the story fragmented between characters, but in a single chronological time in 1944.  
* The second (chapters 12–20) flashes back to focus primarily on the "Great Big Siege of [[Bologna]]" before once again jumping to the third part.
* The third is the chronological present of 1944 (chapter 21–25). 
* The fourth (chapters 26–28) flashes back to the origins and growth of [[Milo Minderbinder|Milo's]] syndicate.
* The fifth part (chapters 28–32) returning again to the narrative present and maintaining the tone of the previous four. 
* The sixth and final part (chapter 32 and on) remains in the story's present, but takes a much darker turn and emphasizes  the darkness and brutality of war and life in general.<ref name="Burhans">Clinton S. Burhans, Jr. "Spindrift and the Sea: Structural Patterns and Unifying Elements in Catch 22". ''Twentieth Century Literature'', Vol. 19, No. 4, pp. 239–250, 1973. [https://www.jstor.org/stable/440541 JSTOR online access]</ref>

For most of the book, the reader is cushioned from directly experiencing the full horror of war, but the existence of these horrors is implied by the extreme trauma and fear that afflicts the airmen. In the final section, these events are laid bare. The horror begins with a pointless attack on an undefended Italian mountain village, with the succeeding chapters incorporating depictions of despair ([[Doc Daneeka]] and the [[Chaplain Tappman|chaplain]]), disappearance in combat ([[Orr (Catch-22)|Orr]] and Clevinger), disappearance caused by the army (Dunbar) and death of most of Yossarian's friends ([[Nately]], McWatt, Kid Sampson, Dobbs, Chief White Halfoat and Hungry Joe), culminating in the horrors of Chapter 39, in particular [[Captain Aardvark|Aarfy's]] rape and murder of the innocent young woman Michaela.<ref name="Burhans" /> In Chapter 41 the full details of the death of Snowden are finally revealed.

Nevertheless, the novel ends on an upbeat note with Yossarian learning of [[Orr (Catch-22)|Orr's]] miraculous escape to Sweden and Yossarian's pledge to follow him there.