Editing Cover version (section)

== History ==
The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version.<ref name=":0">{{Cite book |last=Padgett |first=Ray |url=https://www.worldcat.org/oclc/978537907 |title=Cover me : the stories behind the greatest cover songs of all time |publisher=Sterling |year=2017 |isbn=978-1-4549-2250-6 |location=New York |pages=2–9 |oclc=978537907}}</ref> Examples of records covered include [[Paul Williams (saxophonist)|Paul Williams]]' 1949 hit tune "[[The Hucklebuck]]" and [[Hank Williams]]' 1952<ref>{{cite web|url=http://www.cashboxmagazine.com/archives/50s_files/19521011.html |title=Cash Box Top Singles 10/11/52 |access-date=2009-02-14 |url-status=dead |archive-url=https://web.archive.org/web/20081121185725/http://www.cashboxmagazine.com/archives/50s_files/19521011.html |archive-date=2008-11-21 }}</ref> song "[[Jambalaya (On the Bayou)|Jambalaya]]". Both crossed over to the popular [[hit parade]] and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd&nbsp;– the production of musical entertainment was seen as a [[Music hall|live event]], even if it was reproduced at home via a copy of the [[sheet music]], learned by heart or captured on a [[gramophone record]]. In fact, one of the principal objectives of publishing sheet music was to have a composition performed by as many artists as possible. This made the song more important than the performing artist and rival cover or 'copycat' versions would vie for success.<ref name=":0" />

In previous generations, some artists made very successful careers of presenting revivals or reworkings of once-popular tunes, even out of doing contemporary ''cover versions'' of current hits.<ref name=":0" /> Since the 1950s, musicians now play what they call "cover versions" (the reworking, updating, or interpretation) of songs as a tribute to the original performer or group.<ref name=":0" /> Using familiar material (such as evergreen hits, standard tunes or classic recordings) is an important method of learning music styles. Until the mid-1960s most albums, or [[LP album|long playing records]], contained a large number of evergreens or standards to present a fuller range of the artist's abilities and style. (See, for example, ''[[Please Please Me]]''.) Artists might also perform interpretations ("covers") of a favorite artist's hit tunes<ref>{{cite web|author=Bobby Vee |url=https://www.amazon.com/dp/B00000DHVP |title=BOBBY VEE - Meets the Crickets/I Remember - Amazon.com Music |website=Amazon.com |access-date=2016-11-21}}</ref> for the simple pleasure of playing a familiar song or collection of tunes.<ref>See, for example, ''[[Ella Fitzgerald Sings the Cole Porter Songbook]]''</ref>

Today, three broad types of entertainers depend on cover versions for their principal repertoire:

* [[Tribute act]]s or bands are performers who make a living by recreating the music of one particular artist or band. Bands such as [[Björn Again]], [[Led Zepagain]], [[The Fab Four (tribute)|The Fab Four]], [[Australian Pink Floyd Show]] and [[the Iron Maidens]] are dedicated to playing the music of [[ABBA]], [[Led Zeppelin]], [[The Beatles]], [[Pink Floyd]], and [[Iron Maiden]] respectively. Some tribute acts salute [[the Who]], [[The Rolling Stones]] and many other [[classic rock]] acts. Many tribute acts target artists who remain popular but no longer perform, allowing an audience to experience the "next best thing" to the original act. The formation of tribute acts is roughly proportional to the enduring popularity of the original act; for example, dozens of Beatles tribute bands have formed and an entire subindustry has formed around [[Elvis impersonator|Elvis impersonation]]. Many tribute bands attempt to recreate another band's music as faithfully as possible, but some such bands introduce a twist. [[Dread Zeppelin]] performs [[reggae]] versions of the Zeppelin catalog and [[Beatallica]] creates heavy metal fusions of songs by the Beatles and [[Metallica]]. There are also situations in which a member of a tribute band will go on to greater success, sometimes with the original act they tribute. One notable example is [[Tim "Ripper" Owens]] who, once the lead singer of [[Judas Priest]] tribute band British Steel, went on to join Judas Priest himself.

* [[Cover band|Cover acts or bands]] are entertainers who perform a broad variety of crowd-pleasing cover songs for audiences who enjoy the familiarity of hit songs. Such bands draw from either current Top 40 hits or those of previous decades to provide nostalgic entertainment in bars, on cruise ships and at such events as weddings, family celebrations and corporate functions. Since the advent of inexpensive computers, some cover bands use a computerized catalog of songs, so that the singer can have the lyrics to a song displayed on a computer screen. The use of a screen for lyrics as a [[aide memoire|memory aid]] can dramatically increase the number of songs a singer can perform.

* [[Revivalist artist]]s or bands are performers who are inspired by an entire genre of music and dedicate themselves to curating and recreating the genre and introducing it to younger audiences who have not experienced that music first hand. Unlike tribute bands and cover bands who rely primarily on audiences seeking a nostalgic experience, revivalist bands usually seek new young audiences for whom the music is fresh and has no nostalgic value. For example, [[Sha Na Na]] started in 1969 as a celebration of the [[doo-wop]] music of the 1950s, a genre of music that was not initially fashionable during the hippie counter-culture era. [[The Blues Brothers]] started in 1978 as a living salute to the blues, soul and R&B music of the 1950s and 1960s that was not in vogue by the late 1970s. The Blues Brothers' creed was that they were "on a mission from God" as evangelists for blues and soul music. [[The Black Crowes]] formed in 1984, initially dedicated to reviving 1970s style blues-rock. They started writing their own material in the same vein.