Editing Denise Levertov (section)

==Early life and influences==
Levertov was born and grew up in [[Ilford]], [[Essex]], England.<ref Name="Couzyn74">[[Jeni Couzyn|Couzyn, Jeni]] (1985), ''Contemporary Women Poets''. [[Bloodaxe Books]], p. 74.</ref> Her mother, Beatrice Adelaide (née Spooner-Jones) Levertoff, came from a small mining village in North Wales.<ref Name="Couzyn74"/><ref>{{Cite book | url = https://archive.org/details/lightupcave0000leve | url-access = registration | page = [https://archive.org/details/lightupcave0000leve/page/238 238] | title = Light Up the Cave | publisher = New Directions Publishing | isbn = 9780811208130 | last1 = Levertov | first1 = Denise | date = 1 January 1981}}</ref> Her father, Paul Levertoff, had been a teacher at [[Leipzig University]] and as a Russian [[Hasidism|Hasidic Jew]] was held under house arrest during the First World War as an "[[enemy alien]]" by virtue of his ethnicity. He emigrated to the UK and became an [[Anglicanism|Anglican]] priest after converting to Christianity. In the mistaken belief that he would want to preach in a Jewish neighbourhood, he was housed in Ilford, within reach of a parish in [[Shoreditch]], in East London.<ref Name="Couzyn74"/> His daughter wrote: "My father's Hasidic ancestry, his being steeped in Jewish and Christian scholarship and mysticism, his fervour and eloquence as a preacher, were factors built into my cells."<ref Name="Couzyn75">Couzyn (1985), ''Contemporary Women Poets'', p. 75.</ref> Levertov, who was educated at home, showed an enthusiasm for writing from an early age and studied ballet, art, piano and French as well as standard subjects. She wrote about the strangeness she felt growing up part Jewish, German, Welsh and English, but not fully belonging to any of these identities. She notes that it lent her a sense of being special rather than excluded: "[I knew] before I was ten that I was an artist-person and I had a destiny."<ref Name="Couzyn74"/> She noted: "Humanitarian politics came early into my life: seeing my father on a soapbox protesting [[Benito Mussolini|Mussolini]]'s invasion of [[Ethiopian Empire|Abyssinia]]; my father and sister both on soap-boxes protesting [[Foreign involvement in the Spanish Civil War#British and French non-intervention|Britain's lack of support]] [[Spanish Civil War|for Spain]]; my mother canvasing long before those events for the [[League of Nations Union]]; and all three of them working on behalf of the German and Austrian refugees from 1933 onwards… I used to sell the ''[[Daily Worker (UK)|Daily Worker]]'' house-to-house in the working class streets of Ilford Lane".<ref Name="Couzyn78"/>

When Levertov was five years old she declared she would be a writer. At the age of 12, she sent some of her poems to [[T. S. Eliot]], who replied with a two-page letter of encouragement. In 1940, when she was 17, Levertov published her first poem. During the [[The Blitz|Blitz]], Levertov served in London as a civilian nurse. Her first book, ''The Double Image'', was published six years later. In 1947, she met and married American writer [[Mitchell Goodman]] and moved with him to the United States the following year.<ref Name="Couzyn74"/> Although Levertov and Goodman would eventually divorce in 1975, they did have one son together, Nikolai, in 1949. They lived mainly in New York City, summering in [[Maine]]. In 1955, she became a naturalised American citizen.

Levertov's first two books comprised poems written in traditional forms and language, but as she accepted the US as her new home and became more and more fascinated with the American idiom, she began to come under the influence of the [[Black Mountain poets]] and most importantly [[William Carlos Williams]]. Her first American book of poetry, ''Here and Now'', shows the beginnings of this transition and transformation. Her poem "With Eyes at the Back of Our Heads" established her reputation.