Open main menu
Home
Random
Recent changes
Special pages
Community portal
Preferences
About Wikipedia
Disclaimers
Incubator escapee wiki
Search
User menu
Talk
Dark mode
Contributions
Create account
Log in
Editing
Franz Tunder
(section)
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
==Life== [[File:HLWerkhausMarker.JPG|thumb|right|250px|Terracotta plaque at the [[Marienwerkhaus]] for organists Franz Tunder and [[Dietrich Buxtehude]], 1935]] According to recent research, Tunder was born in [[Lübeck]], not in Bannesdorf or Burg on the island of [[Fehmarn]] as was believed by earlier scholars. Little is known about his early life other than that his talent was sufficient to allow him to be appointed as court organist to [[Frederick III, Duke of Holstein-Gottorp]] in Gottorf at the age of 18. A few years earlier, he had gone to Italy in the company of [[Johann Heckelauer]], and it is likely that he studied with [[Girolamo Frescobaldi]] while he was in [[Florence, Italy|Florence]]. ([[Johann Mattheson]] asserted that he did, but this has been disputed by later scholars). Between 1632 and 1641, Tunder worked in Gottorf as "Hoforganist". In 1641 he was appointed as the main organist at [[Lübeck]]'s main church, the [[Marienkirche, Lübeck|Marienkirche]], succeeding [[Peter Hasse]]. In 1647 he became administrator and treasurer there also. He held that post for the rest of his life. His successor was [[Dieterich Buxtehude]]. Buxtehude married Tunder's daughter, Anna Margarethe, in 1668. He began the tradition of "[[Abendmusik]]en", a long series of free concerts in the Marienkirche, the most elaborate of which were before [[Christmas]] time. The earliest of these concerts occurred in 1646. The concerts seem to have originated as organ performances specifically for the businessmen who congregated at the weekly opening of the town's stock exchange. These concerts were to continue through the 17th and 18th centuries; they were distinguished from other concerts by having free admission (for they took place in a church), and by being financed by the business community.
Edit summary
(Briefly describe your changes)
By publishing changes, you agree to the
Terms of Use
, and you irrevocably agree to release your contribution under the
CC BY-SA 4.0 License
and the
GFDL
. You agree that a hyperlink or URL is sufficient attribution under the Creative Commons license.
Cancel
Editing help
(opens in new window)