Editing Into the Pandemonium (section)

==Production==
The rehearsals for the album started during the second half of 1986.<ref name=Fischer177>{{cite book|last=Fischer|first=Thomas Gabriel|title=Are You Morbid? Into the Pandemonium of Celtic Frost|date=2000|publisher=Sanctuary Publishing Limited|location=London|isbn=1860743102|page=177}}</ref> The band early on discarded the working titles ''Silent Excess'' and ''Monumentum'' in favor of the familiar ''Into the Pandemonium''.<ref name=Fischer176>{{cite book|last=Fischer|first=Thomas Gabriel|title=Are You Morbid? Into the Pandemonium of Celtic Frost|date=2000|publisher=Sanctuary Publishing Limited|location=London|isbn=1860743102|page=176}}</ref>

Noise label boss Karl-Ulrich Walterbach "didn't get" Celtic Frost's new material,<ref name=Gehlke246>{{cite book|last=Gehlke|first=David E.|title=Damn the Machine: The Story of Noise Records|date=2017|publisher=Deliberation Press|location=United States|isbn=9780692637135|page=246}}</ref> and threatened multiple times to defund the recording if they didn't play run-on-the-mill [[thrash metal]].<ref name=Gehlke247>{{cite book|last=Gehlke|first=David E.|title=Damn the Machine: The Story of Noise Records|date=2017|publisher=Deliberation Press|location=United States|isbn=9780692637135|page=247}}</ref> This estrangement with the band's [[Out of left field|left-field]] approach continued after the album's release. During ''Pandemonium'''s listening party at [[SPV GmbH|SPV]]'s offices Walterbach approached Warrior and asked, "Why don't you try to sound more like [[Exodus (band)|Exodus]] or [[Slayer]]?" Walterbach's sarcasm infuriated Frost's main composer.<ref name=Gehlke249>{{cite book|last=Gehlke|first=David E.|title=Damn the Machine: The Story of Noise Records|date=2017|publisher=Deliberation Press|location=United States|isbn=9780692637135|page=249}}</ref>