Editing Keith Rowe (section)

==Biography==
Rowe began his career playing [[jazz]] in the early 1960s with [[Mike Westbrook]] and [[Lou Gare]]. His early influences were guitarists [[Wes Montgomery]], [[Charlie Christian]], and [[Barney Kessel]].<ref name="paristransatlantic.com">{{cite web|url=http://paristransatlantic.com/magazine/interviews/rowe.html|title=Keith Rowe|work=paristransatlantic.com|access-date=26 October 2015}}</ref> But he grew tired of what he considered the genre's limitations. He began experimenting. An important step was a [[New Year's resolution]] to stop tuning his guitar—much to Westbrook's displeasure.<ref name="paristransatlantic.com"/> He began playing [[free jazz]] and [[free improvisation]], abandoning conventional guitar technique.  He was featured in 'Crossing Bridges', a 1985 music programme based around jazz guitar improvisation, and broadcast by [[Channel 4]]<ref>[https://www.bright-thoughts.co.uk/crossing-bridges.html Crossing Bridges website]</ref>

His change was partially inspired by a teacher in a painting class who told him, "Rowe, you cannot paint a [[Caravaggio]]. Only Caravaggio can paint Caravaggio." Rowe said that after considering this idea from a musical perspective, "trying to play guitar like [[Jim Hall (musician)|Jim Hall]] seemed quite wrong." For several years he contemplated how to reinvent his approach to the guitar, again finding inspiration in visual art, specifically American painter [[Jackson Pollock]], who abandoned traditional painting methods to forge his style. "How could I abandon the technique? Lay the guitar flat!"<ref>{{cite web |title=Keith Rowe Interview |url=http://www.paristransatlantic.com/magazine/interviews/rowe.html |author=Dan Warburton |date=January 2001 |access-date=23 March 2011 }}</ref>

Rowe developed [[prepared guitar]] techniques: placing the guitar flat on a table<ref name="Berendt">{{cite book |last1=Berendt |first1=Joachim-Ernst |last2=Huesmann |first2=Gunther |title=The Jazz Book: From Ragtime to the 21st Century |date=2009 |publisher=Lawrence Hill Books |location=Chicago, Illinois |isbn=978-1-55652820-0 |pages=433–434 |edition=7 }}</ref> and manipulating the strings, body, and pick-ups in unorthodox ways. He has used needles, electric motors, violin bows, iron bars,<ref name="Berendt" /> a library card, rubber eraser, springs, hand-held electric fans, alligator clips, and common office supplies in playing the guitar. Rowe sometimes incorporates live radio broadcasts into his performances, including [[shortwave radio]] and [[number station]]s (the guitar's pick-ups will also pick up radio signals, and broadcast them through the amplifier).

[[File:Axel Doerner and Keith Rowe Chicago 2004-09-22.jpg|thumb|250px|left|Axel Dörner and Keith Rowe in Chicago, Illinois, 22 September 2004]]

Percussionist Eddie Prévost of AMM said Rowe finds radio broadcasts which seem to blend ideally with, or offer startling commentary on, the music. (Prévost, 18). On ''AMMMusic'', towards the end of the cacophonous "Ailantus Glandolusa", a speaker announces via radio that "We cannot preserve the normal music." Prevost writes that during an AMM performance in [[Istanbul]], Rowe located and integrated a radio broadcast of "the pious intonation of a male Turkish voice. AMM of course, had absolutely no idea what the material was. Later, it was complimented upon the judicious way that verses from ''[[The Koran]]''<!--Prévost's book prints "The Koran", with the sacred book's title in itallics; do not change to "Qur'an"--> had been introduced into the performance, and the respectful way they had been treated!"<ref name="Prevost">{{cite book |last1=Prevost |first1=Edwin |title=No Sound Is Innocent: Amm and the Practice of Self-invention, Meta-musical Narratives, Essays |date=1995 |publisher=Copula |isbn=0-9525492-0-4}}</ref>

In reviewing ''World Turned Upside Down'', critic Dan Hill writes, "Rowe has tuned his shortwave radio to some dramatically exotic gameshow and human voices spatter the mix, though at such low volume, they're unintelligible and abstracted. Rowe never overplays this device, a clear temptation with such a seductive technology – the awesome possibility of sonically reaching out across a world of voices requires experienced hands to avoid simple but ultimately short-term pleasure. This he does masterfully, mixing in random operatics and chance encounters with talk show hosts to anchor the sound in humanity, amidst the abstraction."<ref name=review>{{cite web|title=Catalog:Erstwhile Records reviews|url=http://erstwhilerecords.com/catalog/005_reviews.html|publisher=Erstwhile Records website|access-date=26 October 2015|archive-date=3 March 2016|archive-url=https://web.archive.org/web/20160303204852/http://erstwhilerecords.com/catalog/005_reviews.html|url-status=dead}}</ref>

Rowe has worked with [[Oren Ambarchi]], [[Burkhard Beins]], [[Cornelius Cardew]], [[Christian Fennesz]], [[Kurt Liedwart]], [[Jeffrey Morgan (Musician)|Jeffrey Morgan]], [[Toshimaru Nakamura]], [[Evan Parker]], [[Michael Pisaro]], [[Peter Rehberg]], [[Sachiko M]], [[Howard Skempton]], [[Taku Sugimoto]], [[David Sylvian]], [[John Tilbury]], [[Christian Wolff (composer)|Christian Wolff]], and [[Otomo Yoshihide]].

In 2008 at Tate Modern, London, Rowe performed a live collaborative work ''The Room'' with film makers, Jarman award winner [[Luke Fowler]], and Peter Todd as a part of the programme accompanying the major retrospective of the painter Mark Rothko. ''The Room'' featured films by Fowler and Todd and live guitar improvisation by Rowe with subsequent iterations being presented in France and Spain and the Netmage festival in Bologna Italy.<ref>{{Cite book|last=Fowler, Luke, 1978-|url=https://www.worldcat.org/oclc/351329902|title=Luke Fowler|date=2009|publisher=JRP/Ringier|others=Ruf, Beatrix., Peyton-Jones, Julia., Obrist, Hans Ulrich., Bradley, Will, 1968-, Comer, Stuart., Kunsthalle Zürich.|isbn=978-3-03764-046-3|location=Zürich|pages=66|oclc=351329902}}</ref> ''The Room'' is also the title of a work by Rowe issued on CD in 2007 followed by ''The Room Extended'' in 2016 on a four CD set both from erstwhile records.<ref>{{Cite web|title=The Room Extended, by Keith Rowe|url=https://erstwhilerecords.bandcamp.com/album/the-room-extended|website=Erstwhile Records|access-date=2020-06-01}}</ref>