Editing Kenneth Anger (section)

== Biography ==
=== 1927–1936: Early life ===
Kenneth Anger was born as Kenneth Wilbur Anglemyer on February 3, 1927, in [[Santa Monica]], California. His family was [[Presbyterian]], but he became more interested in the [[occult]].<ref name="esquire.com">{{Cite web|url=https://www.esquire.com/uk/culture/news/a5483/kenneth-anger/|title=Kenneth Anger: Where the Bodies Are Buried|date=January 3, 2014}}</ref> His father, Wilbur Anglemyer, was of [[German American|German]] ancestry and was born in [[Troy, Ohio|Troy]], Ohio, while his disabled mother, Lillian Coler (the older of the pair), had [[English American|English]] ancestry. Anger's parents met at [[Ohio State University]] and after marrying had their first child, Jean Anglemyer, in 1918, followed by a second, Robert "Bob" Anglemyer, in 1921. That year they moved to Santa Monica to be near Lillian's mother, Bertha Coler, who had recently moved there. There Wilbur got a job as an electrical engineer at [[Douglas Aircraft]], earning enough money that they could live comfortably as a middle-class family.<ref>{{harvnb|Landis|1995|p=5}}</ref>

Kenneth Anger, their third and final child, was born in 1927. Growing up, he did not get along with his parents or siblings. His brother Bob later claimed that as the youngest child, Kenneth had been spoiled by his mother and grandmother and became somewhat "bratty". His grandmother Bertha was a strong influence on the young Kenneth and supported the family financially during the [[Great Depression]]. It was she who first took Kenneth to the cinema, to see a [[double bill]] of ''[[The Singing Fool]]'' and ''[[Thunder Over Mexico]].'' Bertha encouraged his artistic interests and later moved into a house in [[Hollywood, Los Angeles|Hollywood]] with another woman, Miss Diggy, who also encouraged Kenneth.<ref>{{harvnb|Landis|1995|pp=6–8}}</ref> He developed an early interest in film and enjoyed reading the movie tie-in [[Big Little Book series|Big Little books]]. Kenneth later said, "I was a child prodigy who never got smarter."<ref>{{harvnb|Hunter|2002|p=105}}</ref> He remembered attending the Santa Monica Cotillion, where he met [[Shirley Temple]], with whom he once danced.<ref>{{harvnb|Landis|1995|pp=9–11}}</ref>

Anger claimed in ''Hollywood Babylon II'' that he played the Changeling Prince in the 1935 [[Warner Brothers]] film ''[[A Midsummer Night's Dream (1935 film)|A Midsummer Night's Dream]]'', but the character was played by a girl named Sheila Brown.<ref>Vieira, Mark A., ''Irving Thalberg: Boy Wonder to Producer Prince'' (2010), p. 336</ref> Anger's unofficial biographer, Bill Landis, remarked in 1995 that the Changeling Prince was definitely "Anger as a child; visually, he's immediately recognizable".<ref>{{harvnb|Landis|1995|p=12}}</ref>

=== 1937–1946: First films ===
Anger's first film was created in 1937, when he was ten years old. The short, ''Ferdinand the Bull'', was shot on the remains of [[16 mm film]] that had been left unused after the Anglemyers had made [[home movie]]s with it on a family vacation to [[Yosemite National Park]]. In ''Ferdinand the Bull'', which has never been made publicly available, Kenneth dressed as a [[matador]], wearing a cape, while two of his friends from the [[Boy Scouts of America|Boy Scouts]] played the bull.<ref>{{harvnb|Landis|1995|pp=13–14}}</ref> His second work, created when he was 14, was ''Who Has Been Rocking My Dreamboat'' (1941),<ref name="Landis, 1995:14">{{harvnb|Landis|1995|p=14}}</ref> which Anger has often called his first proper film. It was made from footage of children playing during the summer, accompanied with popular songs by bands including the [[Ink Spots]]. The next year, he produced another amateur film, ''Prisoner of Mars'', which was heavily influenced by ''[[Flash Gordon]]''. In this science fiction-inspired feature, in which he played the protagonist, Anger added elements taken from the [[Greek mythological]] myth of the [[Minotaur]] and constructed a small [[volcano]] in his back yard as a homemade [[special effect]].<ref name="Landis, 1995:14" /> Many of these early films are considered [[lost film|lost]], with Anger burning much of his previous work in 1967.<ref name="Lachman, Gary Page 11">{{harvnb|Lachman|p=11}}</ref>

{{quote box|width=246px|align=left|quote=I've always considered movies evil; the day that cinema was invented was a black day for mankind.|source= —Kenneth Anger<ref>{{harvnb|Hunter|2002|p=11}}</ref> }}

In 1944, the Anglemyers moved to Hollywood to move in with family, and Kenneth began attending [[Beverly Hills High School]]. It was here that he met Marilyn Granas, who had once been the stand-in for [[Shirley Temple]], and he asked her – alongside another classmate and an older woman – to appear in his next film project, which was ultimately titled ''Escape Episode''. Revolving partially around the occult, the picture was filmed in a "spooky old castle" in Hollywood and was subsequently screened at the [[Coronet Theatre (Los Angeles)|Coronet Theatre]] in Los Angeles.{{citation needed|date=May 2023}} Around this time, Anger also began attending screenings of [[silent film]]s at Clara Grossman's art gallery, through which he met a fellow filmmaker, [[Curtis Harrington]], with whom he formed Creative Film Associates (CFA).<ref>{{cite web | url=https://www.rogerebert.com/tributes/the-fire-is-gone-kenneth-anger-1927-2023 | title=The Fire is Gone: Kenneth Anger (1927-2023) &#124; Roger Ebert | date=May 25, 2023 }}</ref> Harrington is said to have introduced Anger to the work of English occultist [[Aleister Crowley]].<ref>{{Cite web |url=http://nikolasschreck.eu/index.php?option=com_content&view=article&id=75%3Ausher&catid=36&Itemid=56 |title=Usher |access-date=March 16, 2012 |archive-date=August 23, 2011 |archive-url=https://web.archive.org/web/20110823074742/http://nikolasschreck.eu/index.php?option=com_content&view=article&id=75%3Ausher&catid=36&Itemid=56 |url-status=dead }}</ref> Crowley's philosophy of [[Thelema]] exerted a profound influence on Anger's career. CFA was founded to distribute [[experimental film|experimental]] or "[[underground films|underground]]" films, such as those of [[Maya Deren]] and [[John Whitney (animator)|John]] and [[James Whitney (filmmaker)|James Whitney]], as well as Anger's and Harrington's.<ref>{{harvnb|Landis|1995|pp=17–20}}</ref>

Anger's interest in the occult deepened in high school. He first indirectly encountered the subject through reading [[L. Frank Baum]]'s ''[[The Wonderful Wizard of Oz|Oz]]'' books as a child, with their accompanying [[Rosicrucian]] philosophies. He was also interested in the works of the French [[ceremonial magic]]ian [[Eliphas Levi]], as well as [[Sir James Frazer]]'s ''[[The Golden Bough]]'',<ref>{{harvnb|Landis|1995|pp=25–26}}</ref> although his favorite writings were Crowley's; he eventually converted to Thelema, the religion Crowley founded.<ref name="Hunter, Jack Page 48">{{harvnb|Hunter|2002|p=48}}</ref>

=== 1947–1949: ''Fireworks'' and early career ===
Anger discovered his homosexuality at a time when [[LGBT rights in the United States|homosexual acts were illegal in the United States]], and he began associating with the underground gay scene. At some point in the mid-1940s, he was arrested by police in a "homosexual [[entrapment]]", after which he decided to move out of his parents' home, gaining his own apartment largely financed by his grandmother,<ref>{{harvnb|Landis|1995|pp=37–38}}</ref> and abandoning the name Anglemyer in favor of Anger.<ref>{{harvnb|Landis|1995|p=39}}</ref> He started attending the [[University of Southern California]] (USC), where he studied cinema, and also began experimenting with the use of mind-altering drugs like [[cannabis (drug)|cannabis]] and [[peyote]].<ref>{{harvnb|Landis|1995|p=38}}</ref> It was then that he decided to produce a film that would deal with his sexuality, just as other gay avant-garde filmmakers like [[Willard Maas]] were doing in that decade. The result was the short film ''[[Fireworks (1947 film)|Fireworks]]'', which was created in 1947 and exhibited publicly in 1948.<ref>{{cite web | url=https://www.artforum.com/print/201701/ara-osterweil-on-kenneth-anger-s-fireworks-1947-65390 | title=Ara Osterweil on Kenneth Anger's Fireworks (1947) | date=January 2017 }}</ref>

Upon ''Fireworks''<nowiki/>'s release, Anger was arrested on [[obscenity]] charges.<ref name="guardian.co.uk" /> He was acquitted after the case went to the [[Supreme Court of California]], which deemed the film art, not pornography.<ref>{{cite book |last=Hoberman |first=J. |author2=Jonathan Rosenbaum |year=1983 |title=Midnight Movies |location=New York |publisher=Harper & Row |isbn=0-06-090990-0 }}</ref> Twenty years old when he made ''Fireworks'', Anger claimed to have been 17, presumably to present himself as more of an ''enfant terrible''.<ref name="Lachman, Gary Page 10">{{harvnb|Lachman|p=10}}</ref><ref>{{Cite web |title=Ara Osterweil on Kenneth Anger's Fireworks (1947) |url=https://www.artforum.com/print/201701/ara-osterweil-on-kenneth-anger-s-fireworks-1947-65390 |access-date=March 16, 2022 |website=Artforum |date=January 2017 |language=en-US}}</ref> A [[homoerotic]] work lasting only 14 minutes, the film revolves around a young man (played by Anger) associating with various navy sailors, who eventually turn on him, stripping him naked, beating him to death, and ripping open his chest to find a compass inside. Several fireworks then explode, accompanied by a burning [[Christmas tree]]. The final shot shows the young man lying in bed next to another shirtless man. Of this film, Anger said in 1966: "This flick is all I have to say about being 17, the [[United States Navy]], American Christmas and the [[fourth of July]]."<ref>'Film Credits – Magick Lantern Cycle' in ''Anger: Magick Lantern Cycle'' DVD booklet. British Film Institute, p. 25.</ref> He continuously altered and adapted the film until 1980. It was distributed on [[VHS]] in 1986.<ref>{{harvnb|Landis|1995|p=40}}</ref>

One of the first people to buy a copy of ''Fireworks'' was the [[sexologist]] [[Alfred Kinsey]] of the [[Kinsey Institute|Institute for Sex Research]]. He and Anger struck up a friendship that lasted until Kinsey's death, during which time Anger aided Kinsey in his research. According to Anger's unofficial biographer Bill Landis, Kinsey became a "father figure" whom Anger "could both interact with and emulate."<ref>{{harvnb|Landis|1995|pp=83–87}}</ref> In 1949, Anger began work on the film ''Puce Women'', which unlike ''Fireworks'' was filmed in color. It starred Yvonne Marquis as a glamorous woman going about her daily life; Anger later said: "''Puce Women'' was my love affair with Hollywood ... with all the great goddesses of the silent screen. They were to be filmed in their homes; I was, in effect, filming ghosts."<ref>'Film Credits – Magick Lantern Cycle' in ''Anger: Magick Lantern Cycle'' DVD booklet. British Film Institute, p. 26.</ref> Due to lack of funding, only one scene was ever produced, eventually released under the title ''[[Puce Moment]]''. That same year, Anger directed ''The Love That Whirls'', a film based on [[Aztec]] human sacrifice; because of the nudity it contained, it was destroyed by technicians at the film lab who deemed it obscene.<ref>{{harvnb|Landis|1995|pp=52–55}}</ref>

=== 1950–1953: France, ''Rabbit's Moon'' and ''Eaux d'Artifice'' ===
In 1950, Anger moved to Paris, [[French Fourth Republic|France]], where he initially stayed with friends of his who had been forced to leave Hollywood after being [[Hollywood blacklist|blacklisted]] for having formerly belonged to trade union organizations.<ref name="getrusso.com">Russo, Carl (2000). ''[http://www.getrusso.com/#!kenneth-anger-interview/pafv9 Spotting UFOs with a Manson Killer: An Interview with Kenneth Anger] {{Webarchive|url=https://web.archive.org/web/20160716144125/http://www.getrusso.com/#!kenneth-anger-interview/pafv9 |date=July 16, 2016 }}''.</ref> He later said he traveled to Paris after receiving a letter from the French director [[Jean Cocteau]] in which he told Anger of his admiration for ''Fireworks'' (shown in 1949 at Festival du Film Maudit in [[Biarritz]]). Upon Anger's arrival, the two became friends, with Cocteau giving him his permission to make a movie of his ballet ''The Young Man and Death'', although at the time the project had no financial backers.<ref>{{harvnb|Landis|1995|p=59}}</ref> In Paris, Anger continued producing short films; in 1950 he started filming ''[[Rabbit's Moon]]'' (also known as ''La lune des lapins''), about a clown who stares up at the Moon, where a rabbit lives, as in [[Japanese mythology]]. Anger produced 20 minutes of footage at the Films du Pantheon Studio before he was rushed out of the building, leaving the film uncompleted. He stored the footage in the disorganized archives of the Cinémathèque Française and retrieved it in 1970, when he finally finished and released the film.<ref>'Film Credits – Magick Lantern Cycle' in ''Anger: Magick Lantern Cycle'' DVD booklet. British Film Institute, pp. 26–27.</ref><ref>{{harvnb|Landis|1995|pp=59–60}}</ref> Cinémathèque Française head [[Henri Langlois]] gave Anger prints of [[Sergei Eisenstein]]'s ''[[¡Que viva México! (unfinished film)|Que Viva Mexico!]]'', which he attempted to put into Eisenstein's original order.<ref>{{harvnb|Landis|1995|p=61}}</ref>

{{quote box|width=246px|align=left|quote=[D'Este was] a sexual [[pervert]]. There are very few things I call sexual perversion, but he liked to fuck goats, and that is technically a perversion.|source= —Kenneth Anger<ref name="Landis, 1995, p. 63" /> }}

In 1953, Anger traveled to [[Rome, Italy]], where he planned to make a film about the 16th-century occultist [[Ippolito II d'Este|Cardinal d'Este]]. To do so, he began filming at the garden of the [[Villa d'Este]] in [[Tivoli, Italy|Tivoli]], in which a lady in 18th-century dress walked through the gardens, which featured many waterfalls (an allusion to the fact that d'Este allegedly sexually enjoyed [[urination]]),<ref name="Landis, 1995, p. 63">{{harvnb|Landis|1995|p=63}}</ref> accompanied by the music of [[Antonio Vivaldi|Vivaldi]].<ref>'Film Credits – Magick Lantern Cycle' in ''Anger: Magick Lantern Cycle'' DVD booklet. British Film Institute, p. 27.</ref> This was supposed to be only the first of four scenes, but the others were not made; the resulting one-scene film was titled ''[[Eaux d'artifice]]''. Landis remarked, "It's one of Anger's most tranquil works; his editing makes it soft, lush, and inviting. ''Eaux d'Artifice'' remains a secretive romp through a private garden, all for the masked figure's and the viewer-voyeur's pleasure."<ref>{{harvnb|Landis|1995|p=64}}</ref>

=== 1953–1960: ''Inauguration of the Pleasure Dome'' and ''Hollywood Babylon'' ===
In 1953, soon after the production of ''Eaux d'Artifice'', Anger's mother died, and he temporarily returned to the U.S. to assist with the distribution of her estate. During this return, he began to once more immerse himself in California's artistic scene, befriending the filmmaker [[Stan Brakhage]], who had been inspired by ''Fireworks''. The two collaborated on a film, but it was confiscated at the film lab for obscenity and presumably destroyed.<ref>{{harvnb|Landis|1995|pp=66–67}}</ref> Around this time, two of Anger's friends, the couple [[Renate Druks]] and [[Paul Mathison]], held a party with the theme "Come As Your Madness"; Anger attended dressed in [[drag (entertainment)|drag]] as the ancient Greek goddess [[Hekate]]. The party and its many costumes inspired Anger, who produced a painting of it, and asked several of those who attended to appear in a new film he was creating, ''[[Inauguration of the Pleasure Dome]]''.<ref>{{harvnb|Landis|1995|pp=72–74}}</ref> ''Inauguration'', which was created in 1954, is a 38-minute [[surrealist]] work featuring many Crowleyan and Thelemite themes, with many of the various characters personifying various [[pagan]] gods such as [[Isis]], [[Osiris]], and [[Pan (god)|Pan]]. One of the actresses in the film was [[Marjorie Cameron]], the widow of [[Jack Parsons]], the influential American Thelemite who had died a few years earlier. Anger played Hekate.<ref>{{harvnb|Landis|1995|pp=72–81}}</ref> He subsequently exhibited the film at various European film festivals, winning the Prix du Ciné-Club Belge and the Prix de l'Age d'Or, as well as screening it in the form of a projected [[triptych]] at [[Expo 58]], the [[World Fair]] held in [[Brussels]] in 1958.<ref>{{harvnb|Landis|1995|p=93}}</ref>

In 1955, Anger and Kinsey traveled to the derelict [[Abbey of Thelema]] at [[Cefalù]] in Sicily to film a short documentary, ''Thelema Abbey''. Crowley had used the abbey for his [[intentional community|commune]] during the 1920s, and Anger restored many of the erotic wall paintings that were found there, as well as performing certain Crowleyan rituals at the site. The documentary was made for the British television series ''[[Omnibus (UK TV series)|Omnibus]]'', but was later lost.<ref name="Hunter, Jack Page 48" /><ref>{{harvnb|Landis|1995|pp=88–90}}</ref> The next year, after Kinsey's death, Anger decided to return to Paris; he was described at the time as being "extremely remote and lonely".<ref>{{harvnb|Landis|1995|p=92}}</ref>

In desperate need of money, Anger and [[ghostwriter]] [[Elliott Stein]] wrote a book, ''[[Hollywood Babylon]]'', in which he compiled gossip about celebrities, some of which he claimed (with no corroboration or citing of sources) he had been told, including that [[Rudolph Valentino]] liked to play a sexually submissive role to dominant women; that [[Walt Disney]] was addicted to [[opiate]]s (reflected in the character of [[Goofy]], who's perpetually stoned on cannabis); and the nature of the deaths of [[Peg Entwistle]] and [[Lupe Vélez]]. The work was not published in the U.S. initially, and was first released by the French publisher [[Jean-Jacques Pauvert]].<ref>{{harvnb|Landis|1995|p=94}}</ref> A pirated (and incomplete) version was printed in the U.S. in 1965, with the official American version not published until 1974. In response to a lawsuit [[Gloria Swanson]] filed against Anger and his publishers, he sent her a foot-long, sugar-filled coffin with "Here lies Gloria" painted on the lid and lined with a paper printed with [[Hebrew]] letters spelling "shalom". The coffin is preserved at the [[Harry Ransom Center|University of Texas Harry Ransom Center]] collection.<ref>{{cite web |last1=Voskamp |first1=Apryl |title=Here lies Gloria |url=https://sites.utexas.edu/ransomcentermagazine/2015/04/28/here-lies-gloria/ |publisher=Ransom Center Magazine |access-date=March 29, 2022}}</ref> After obtaining some financial backing from the publication of ''Hollywood Babylon'', his next film project was ''[[The Story of O]]''; it was essentially a piece of erotica loosely based on the novel of the same name featuring a heterosexual couple engaged in [[sadomasochistic]] sexual activities, although it refrained from showing any explicit sexual images.<ref>{{harvnb|Landis|1995|pp=95–96}}</ref>

=== 1961–1965: ''Scorpio Rising'' and ''Kustom Kar Kommandos'' ===
[[File:Kenneth Anger (Scorpio Rising).jpg|thumb|Anger with a motorcycle on the set of ''Scorpio Rising'']]

In 1961, Anger once more returned to the U.S., where he lived for a time with Marjorie Cameron.<ref>{{harvnb|Landis|1995|p=100}}</ref> He began work on a new feature, ''[[Scorpio Rising (film)|Scorpio Rising]]'', about the [[Motorcycle|biker]] subculture. For this, he employed a biker named Richard McAuley, and filmed him and some of his friends messing around, adding to it scenes of McAuley, or "Scorpio" as he became known, desecrating a derelict church. Anger incorporated more controversial visuals into the piece, including [[Nazi]] iconography, nudity, and clips of the life of [[Jesus Christ]] taken from the Family Films' ''The Living Bible: Last Journey to Jerusalem'', images of Jesus which are intercut with those of Scorpio. The film has a soundtrack of popular 1960s songs, including "[[Blue Velvet (song)|Blue Velvet]]" by [[Bobby Vinton]], "Torture" by [[Kris Jensen]], and "[[I Will Follow Him]]" by [[Little Peggy March]].<ref>{{harvnb|Landis|1995|pp=104–113}}</ref> Anger called the film "a death mirror held up to American culture ... [[Thanatos]] in chrome, black leather, and bursting jeans."<ref>{{harvnb|Landis|1995|p=112}}</ref> It immediately became popular on the underground cinema scene but was soon brought to court on obscenity charges. The jury ruled in favor of the prosecutors and ''Scorpio Rising'' was banned; the ban was overturned on appeal to the [[California Supreme Court]].<ref>{{harvnb|Landis|1995|pp=119–120}}</ref>

Now living in San Francisco, Anger approached the [[Ford Foundation]], which had just started a program of grants to filmmakers. He showed the foundation his ideas for a new artistic short, ''[[Kustom Kar Kommandos]]'', which they approved of, giving him a grant of $10,000.<ref>{{harvnb|Landis|1995|p=117}}</ref> Anger spent much of the money on living expenses and alterations to some of his films, so that by the time he actually created ''Kustom Kar Kommandos'', it was only one scene long. The homoerotic film involved various shots of a young man polishing a drag strip racing car, accompanied by a pink background and [[The Paris Sisters]]' song "[[Dream Lover]]". Soon after, Anger struck a deal that allowed ''Hollywood Babylon'' to be officially published for the first time in the U.S., where it proved a success, selling two million copies during the 1960s. Around the same time Anger also translated [[Joseph-Marie Lo Duca|Lo Duca]]'s ''History of Eroticism'' into English for American publication.<ref>{{harvnb|Landis|1995|pp=122–123}}</ref>

=== 1966–1969: The hippie movement and ''Invocation of My Demon Brother'' ===
The mid-1960s saw the emergence of the [[hippie]] scene and increasing use of the mind-altering drugs Anger had been using for many years. In particular, the [[hallucinogen]] [[LSD]], at the time still legal in the U.S., was very popular, and in 1966 Anger released a version of ''Inauguration of the Pleasure Dome'' he called the "Sacred Mushroom Edition", which was screened to people while taking LSD, thereby heightening their sensory experience.<ref>{{harvnb|Landis|1995|p=131}}</ref> By this time, Anger had become well known in the American underground scene, and several cinemas screened his better-known films all in one event.<ref>{{harvnb|Landis|1995|p=134}}</ref> With his growing fame, Anger began to react to publicity much as his idol Crowley had done, for instance calling himself "the most monstrous moviemaker in the underground", a pun on the fact that British tabloids had labeled Crowley "the wickedest man in the world" in the 1920s.<ref>{{harvnb|Landis|1995|p=136}}</ref>

Anger's underground fame allowed him to increasingly associate with other celebrities, including [[Anton LaVey]], the founder of the [[Church of Satan]], who named Anger godfather to his daughter [[Zeena Schreck]].<ref>{{cite web |title=Anger ref. as Zeena Schreck's godfather |url=http://www.zeena.eu/index.php?option=com_content&view=article&id=88&Itemid=53 |archive-url=https://web.archive.org/web/20191222192204/http://www.zeena.eu/index.php?option=com_content&view=article&id=88&Itemid=53 |archive-date=December 22, 2019 |url-status=dead |website=zeena.eu}}</ref> Despite their differing philosophies, Anger and LaVey became good friends and remained so for many years. But Anger also resented some celebrities, such as [[Andy Warhol]], who at the time was achieving success not only in the art world but also in the underground film scene.<ref>{{harvnb|Landis|1995|pp=148–149}}</ref> In 1980, Anger threw paint on the front door of a house Warhol had recently moved out of.<ref>{{harvnb|Landis|1995|p=220}}</ref>

[[File:Westerfeld House (San Francisco).jpg|thumb|The ornate "Russian Embassy" house in San Francisco, where Anger lived in 1966 and 1967.]]
In 1966, Anger moved into the ground floor of the [[William Westerfeld House]], a large 19th-century [[Victorian house]] in San Francisco also known as the "Russian Embassy".<ref>{{harvnb|Landis|1995|p=141}}</ref> Around this time he began planning a new film, ''Lucifer Rising'', echoing his Thelemite beliefs about the emerging [[Aeon of Horus]]. He tattooed Lucifer's name on his chest and began searching for a young man who could symbolically become Lucifer, "the Crowned and Conquering Child" of the new Aeon, for the film. While living at the Russian Embassy, he met and lived with various young men who could fill the role, eventually settling on [[Bobby Beausoleil]].<ref>{{harvnb|Landis|1995|pp=141–142}}</ref> Beausoleil founded a band, the Magic Powerhouse of Oz, to record the film's soundtrack.<ref>{{harvnb|Landis|1995|p=145}}</ref> In 1967, Anger said the footage he had been filming for ''Lucifer Rising'' had been stolen, accusing Beausoleil, who denied it. Landis quotes Beausoleil as saying, "[W]hat had happened was that Kenneth had spent all the money that was invested in ''Lucifer Rising''" and that he therefore invented the story to satisfy the film's creditors.<ref>{{harvnb|Landis|1995|p=158}}</ref> Beausoleil and Anger fell out, with the former getting involved with [[Charles Manson]] and the [[Manson Family]]. Beausoleil later tortured and murdered [[Gary Hinman]] in a drug robbery gone wrong, for which he is serving a life sentence as of 2023.<ref>{{cite web | url=https://www.latimes.com/california/story/2023-02-28/linda-kasabian-charles-manson-follower-who-helped-send-him-to-prison-dies | title=Linda Kasabian, Charles Manson follower who helped send him to prison, dies at 73 | website=[[Los Angeles Times]] | date=March 2023 }}</ref>

In the October 26, 1967, issue of ''[[The Village Voice]]'', Anger publicly reinvented himself by placing a full-page ad declaring, "In Memoriam. Kenneth Anger. Filmmaker 1947–1967". He soon publicly reappeared, this time to claim he had burned all of his early work.<ref>{{harvnb|Landis|1995|pp=158–159}}</ref> The next year he traveled to London, where he first met [[John Paul Getty Jr.]], who became Anger's patron, and also met and befriended [[Mick Jagger]] and [[Keith Richards]], members of [[The Rolling Stones]],<ref>{{harvnb|Landis|1995|pp=162–167}}</ref> as well as actress/model [[Anita Pallenberg]].<ref>{{harvnb|Landis|1995|p=166}}</ref> Anger decided to use much of the footage created for ''Lucifer Rising'' in a new film, ''[[Invocation of My Demon Brother]]'', which starred Beausoleil, LaVey, Jagger, Richards, and Anger, the music for which was composed by Jagger. It was released in 1969 and explored many of the Thelemic themes Anger had originally intended for ''Lucifer Rising''.<ref>{{harvnb|Landis|1995|pp=170–174}}</ref> Author [[Gary Lachman]] believes the film "inaugurat[ed] the [[midnight movie]] cult at the [[Elgin Theater|Elgin Theatre]]."<ref>[[Lachman, Gary]] (2001). ''[[Turn Off Your Mind: The Mystic Sixties and the Dark Side of the Age of Aquarius]]'' (New York: Disinformation). {{ISBN|0-88064-278-5}}, p. 305.</ref> The story of the film, its making, and the people involved inspired [[Zachary Lazar]]'s novel ''Sway''.<ref>{{cite news | title = Their Satanic Majesties | newspaper=[[The New York Times]] | url=https://www.nytimes.com/2008/01/13/books/review/Taylor-t.html | access-date = July 14, 2011 | first=Charles | last=Taylor | date=January 13, 2008}}</ref><ref>{{cite book|last=Lazar|first=Zachary|author-link=Zachary Lazar|title=Sway|url=https://archive.org/details/swaynovel00laza|url-access=registration|publisher=Little, Brown|date=2008|isbn=978-0-316-11309-0}}</ref>

=== 1970–1981: ''Lucifer Rising'' ===
Having used up much of the footage originally intended for ''Lucifer Rising'' in ''Invocation of My Demon Brother'', Anger made a second attempt to complete ''Lucifer Rising''. He persuaded the singer and actress [[Marianne Faithfull]] to appear in the film, and unsuccessfully tried to convince Jagger to play [[Lucifer]]; instead he offered his brother Chris the part.<ref>{{harvnb|Landis|1995|pp=180–181}}</ref> Anger subsequently filmed eight minutes of film and showed it to the British [[National Film Finance Corporation]], which agreed to provide £15,000 for Anger to complete it – something that caused a level of outrage in the British press. With this money he could afford to fly the cast and crew to both [[West Germany]] and Egypt for filming.<ref>{{harvnb|Landis|1995|p=182}}</ref>

Anger befriended [[Led Zeppelin]] guitarist [[Jimmy Page]] around this time, the two sharing a great interest in Crowley. At Page's invitation, he traveled to Page's new home in [[Scotland]], Crowley's former residence [[Boleskine House]], to help Page exorcise the building of what Page believed to be a headless man's ghost.<ref>{{harvnb|Landis|1995|pp=183–184}}</ref> Page agreed to produce the soundtrack for ''Lucifer Rising'',<ref>{{cite web|first=Chris|last=Salewicz|url=http://www.rocksbackpages.com/article.html?ArticleID=4544 |title=Anger Rising: Jimmy Page and Kenneth's Lucifer|website=NME|year=1977}} {{Registration required}}</ref> and used the editing suite in his London home to shape the music.<ref name="GW2006">''The Story Behind The Lost Lucifer Rising Soundtrack'', ''[[Guitar World]]'' magazine, October 2006.</ref> Anger later fell out with Page's partner, Charlotte, who kicked him out of the house. In retaliation he called a press conference in which he ridiculed Page and threatened to "throw a Kenneth Anger curse" on him.<ref>{{harvnb|Landis|1995|pp=208–209}}</ref> Page's music was dumped from the film and replaced in 1979 by music written and recorded by the imprisoned Beausoleil, with whom Anger had reconciled.<ref>{{cite web| last = Beausoleil| first = Bobby| title = Fallen Angel Blues: The Story of ''Lucifer Rising''| access-date = August 9, 2009| url = http://www.beausoleil.net/wizard/chronicles/fallen_angel_blues.htm| archive-url = https://web.archive.org/web/20101206025102/http://www.beausoleil.net/wizard/chronicles/fallen_angel_blues.htm| archive-date = December 6, 2010| url-status = dead}}</ref>

{{quote box|width=246px|align=left|quote=[Lucifer is] a teenage rebel. Lucifer must be played by a teenage boy. It's type-casting. I'm a pagan and the film is a real invocation of Lucifer. I'm much realer than [[von Stroheim]]. The film contained real black magicians, a real ceremony, real altars, real human blood, and a real magic circle consecrated with blood and cum.|source= —Kenneth Anger<ref name="Landis|1995|p=237" />}}

Meanwhile, Anger, who had moved to a small apartment on [[Manhattan]]'s [[Upper East Side]], took the footage he had filmed for ''Rabbit's Moon'' in the 1950s, finally released the film in 1972, and again in a shorter version in 1979. Around the same time he also added a new soundtrack to ''Puce Moment'' and rereleased it.<ref>{{harvnb|Landis|1995|p=188}}</ref> Also around this time, the publisher Marvin Miller produced a low-budget documentary film based on ''Hollywood Babylon'' without Anger's permission, which upset Anger and led to a lawsuit.<ref>{{harvnb|Landis|1995|pp=188–191}}</ref> Anger also created a short film, ''Senators in Bondage'', available only to private collectors and never made publicly available. He had plans to make a film about Aleister Crowley titled ''The Wickedest Man in the World'', but this project never got off the ground.<ref>{{harvnb|Landis|1995|pp=211–212}}</ref>

In 1981, a decade after starting the project, Anger finally finished and released the 30-minute ''Lucifer Rising''. Based upon the Thelemite concept that mankind had entered a new period known as the Aeon of Horus, ''Lucifer Rising'' was full of occult symbolism, starring Miriam Gibril as the [[ancient Egypt]]ian goddess [[Isis]], [[Donald Cammell]] as her consort [[Osiris]], Faithfull as Jewish mythological figure [[Lilith]], and Leslie Huggins as Lucifer. Anger once again appeared in the film, as the Magus, the same role he played in ''Invocation of My Demon Brother''.<ref>{{harvnb|Hunter|2002|p=113}}</ref>

=== 1982–1999: Retirement ===
Soon after the release of ''Lucifer Rising'', a [[PBS]] documentary about Anger and his films, ''Kenneth Anger's Magick'', was made. It was directed by Kit Fitzgerald, who later recalled interviewing Anger in his [[Manhattan]] apartment on a very hot July evening, during which he revealed that he was so broke that he had been forced to sell his air conditioner.<ref>{{harvnb|Landis|1995|pp=226–227}}</ref> Anger himself considered producing other films that would continue on from ''Lucifer Rising'' in a series, and he began calling his finished film ''Part I: Sign Language'', to be followed by two further parts.<ref name="Landis|1995|p=237">{{harvnb|Landis|1995|p=237}}</ref> But those projects were never finished, and Anger did not produce any further films for nearly two decades. In need of money, he released ''Hollywood Babylon II'' in 1984, as well as continuing to screen his films at various festivals and universities and continuing to attempt to produce ''Lucifer Rising II''; around this time he began wearing an eyepatch to these public events, likely due to having been beaten up and getting a bruised eye, a story he told in various interviews, although partly changing the assailant in various versions.<ref>{{harvnb|Landis|1995|p=243}}</ref>

A notorious incident occurred when Anger was invited to appear on [[Coca Crystal]]'s television show in 1984. Upon arriving at the studio he demanded that somebody pay for his taxi ride there, and when they refused, he attacked talent coordinator Maureen Ivice and tried to drag her into his taxi before she was rescued by other members of staff. Anger reportedly escaped the scene by flinging a $100 bill at the cab driver and screaming, "Get me out of here!"<ref>{{harvnb|Landis|1995|pp=251–252}}</ref>

In 1986, Anger sold the video rights to his films, which finally appeared on [[VHS]], allowing them to have greater publicity. The next year, he attended the [[Avignon Film Festival]] in France, where his work was being celebrated in commemoration of the 40th anniversary of ''Fireworks''. Soon thereafter, he appeared in ''Kenneth Anger's Hollywood Babylon'', a [[BBC]] documentary directed by [[Nigel Finch]] for the ''Arena'' series. In 1991, he moved to West Arenas Boulevard in [[Palm Springs, California]], living in what was formerly the estate of his friend [[Ruby Keeler]], where the [[British Film Institute]] sent Rebecca Wood to assist him in writing a never-produced autobiography.<ref>{{harvnb|Landis|1995|pp=252–259}}</ref> Instead, in 1995, Bill Landis, who had been an associate of Anger's in the early 1980s, wrote an unofficial biography of him. Anger condemned Landis's book, calling Landis "an avowed enemy".<ref name="Landis|1995|p=xiii">{{harvnb|Landis|1995|p=xiii}}</ref>

In 1993, Anger visited [[Sydney]] and lectured at a season of his films at the [[Australian Film Institute]] Cinema. In an interview given at the time to ''Black and White'' magazine,<ref>"The Compleat Anger", ''Black and White'' No 2 (August 1993), pp 34-37, 110.</ref> he said he was staying in [[Kings Cross, New South Wales|King's Cross]] and putting the finishing touches on the final treatment of a feature film about Australian artist and occultist [[Rosaleen Norton]]. This project was unrealized.<ref>{{cite web | url=https://www.theguardian.com/artanddesign/2016/jan/29/kenneth-anger-film-occultism-los-angeles-interview | title=Kenneth Anger: 'The occult never quite goes away' &#124; the Guardian | website=[[TheGuardian.com]] | date=January 29, 2016 }}</ref>

===2000–2023: Return to filmmaking and final years===
[[File:Kenneth Anger Hand Prints.jpg|thumb|150px|Signature and handprints of Kenneth Anger in front of the [[Vista Theatre (Los Angeles, California)|Vista Theatre]], Los Angeles]]
In 2000, Anger began screening a new short film, the anti-smoking ''Don't Smoke That Cigarette'', followed a year later by ''The Man We Want to Hang'', which comprised images of Crowley's paintings that had been shown at a temporary exhibition in [[Bloomsbury Publishing|Bloomsbury]], London. In 2004, he began showing ''Anger Sees Red'', a short surrealistic film starring himself, and the same year also began showing another work, ''Patriotic Penis''.<ref>{{cite web | url=https://www.artforum.com/news/kenneth-anger-1928-2023-90624 | title=Kenneth Anger (1927–2023) | date=May 24, 2023 }}</ref> Anger soon followed this with a flurry of other shorts, including ''Mouse Heaven'', which consisted of images of [[Mickey Mouse]] memorabilia; ''Ich Will!''; and ''Uniform Attraction'', all of which he showed at various public appearances.<ref>{{Cite web|url=https://www.artforum.com/film/melissa-gronlund-at-the-london-debut-of-kenneth-anger-s-ich-will-21417|title=Boot Camp: Melissa Gronlund at the London debut of Kenneth Anger's ''Ich Will!''|website=Artforum|date=November 11, 2008 |language=en-US|access-date=October 23, 2019}}</ref> Anger's final project was ''Technicolor Skull'', with musician [[Brian Butler (artist)|Brian Butler]], described as a "magick ritual of light and sound in the context of a live performance", in which Anger plays the theremin and Butler plays the guitar and other electronic instruments amid a psychedelic backdrop of colors and skulls.<ref>[http://www.technicolorskull.com/ TechnicolorSkull.com] {{Webarchive|url=https://web.archive.org/web/20100125083821/http://www.technicolorskull.com/ |date=January 25, 2010 }} Retrieved through kennethanger.org, May 31, 2010.</ref>

Anger made an appearance in [[Nik Sheehan]]'s 2008 feature documentary about [[Brion Gysin]] and the [[Dreamachine]], ''FLicKeR''.<ref>{{cite web|url=http://www.flickerflicker.com/flash/TheStory/TheStory.html|title=FLicKeR :: A Film by Nik Sheehan|access-date=April 21, 2008}}</ref> He also appeared alongside [[Vincent Gallo]] in the 2009 short film ''Night of Pan'', written and directed by Brian Butler.<ref>{{Cite web|url=https://www.imdb.com/title/tt1782500/fullcredits|title=Night of Pan (2009) - IMDb|publisher=[[IMDb]]}}</ref> In 2009 his work was featured in a retrospective exhibition at the [[MoMA PS1]] in New York City,<ref>ps1.org. [http://ps1.org/exhibitions/view/202/ Kenneth Anger. February 22, 2009 – September 21, 2009.] {{Webarchive|url=https://web.archive.org/web/20100612120337/http://www.ps1.org/exhibitions/view/202 |date=June 12, 2010 }} Retrieved June 1, 2010.</ref> and the next year a similar exhibition took place in London.<ref name="guardian.co.uk">{{cite news| url=https://www.theguardian.com/film/2010/mar/10/kenneth-anger-interview |work=The Guardian | location=London | title=Kenneth Anger: 'No, I am not a Satanist' | first=Simon | last=Hattenstone | date=March 10, 2010 | access-date=May 7, 2010}}</ref>

Anger finished writing ''Hollywood Babylon III'' but did not publish it, fearing severe legal repercussions if he did. Of this, he said: "The main reason I didn't bring it out was that I had a whole section on [[Tom Cruise]] and the [[Scientologists]]. I'm not a friend of the Scientologists."<ref name="guardian.co.uk" /> Despite withholding legal action against the highly critical 2015 film [[Going Clear (film)|''Going Clear'']], the [[Church of Scientology]] is known to sue those making accusations against it.

In 2019, he became the subject of the documentary short ''Cinemagician - Conversations with Kenneth Anger'', by Swedish author and filmmaker Carl Abrahamsson, which features some of his last recorded interviews.<ref>{{cite web|url = https://archive.org/details/CinemagicianConversationWithKennethAnger|title = Cinemagician Conversations with Kenneth Anger|accessdate = November 3, 2024|website = [[Internet Archive]]}}</ref>

Anger died at a care facility in [[Yucca Valley, California]], on May 11, 2023, at the age of 96. The announcement of his death was delayed until May 24 while his estate was being settled.<ref>{{cite web |last1=Italie |first1=Hillel |title=Kenneth Anger, influential avant-garde filmmaker and author, dies at 96 |url=https://apnews.com/article/kenneth-anger-dead-f8879e16713d9908aaaa9a7f08fc8df2 |work=[[Associated Press News]] |date=May 24, 2023 |access-date=May 24, 2023}}</ref><ref>{{cite news|url = https://www.nytimes.com/2023/05/24/movies/kenneth-anger-dead.html|title = Kenneth Anger, 96, Dies; Experimental Filmmaker Left a Pop Culture Legacy|last = Lim|first = Dennis|date = May 24, 2023|accessdate = May 24, 2023|newspaper = [[The New York Times]]|url-access = limited}}</ref>