Editing Keykode (section)

==Edge numbers==
Edge numbers (also called key numbers or footage numbers) are a series of numbers with key lettering printed along the edge of a 35&nbsp;mm negative at intervals of one foot (16 frames or 64 perforations) and on a 16&nbsp;mm negative at intervals of six inches (twenty frames). The numbers are placed on the negative at the time of manufacturing by one of two methods:

:''Latent image'' exposes the edge of the film while it passes through the perforation machine. This method is primarily used for color negative films.

:''Visible ink'' is sometimes used to imprint on the edge of the film – again in manufacturing – at the time of perforations. The ink, which is not affected by photographic chemicals, is normally printed onto the base surface of the film. The numbers are visible on both the raw stock (unexposed) and processed (exposed and developed) film. This method is primarily used for black & white negative film.

The edge numbers serve a number of purposes. Every key frame is numbered with a multi-digit identifier that may be referred to later. In addition, a date of manufacturing is imprinted, then the type of emulsion and the batch number. This information is transferred from the negative (visible once developed) to the positive prints. The print may be edited and handled while the original negative remains safely untouched. When the [[film editing]] is complete, the edge numbers on the final cut film correspond back to their identical frames on the original negative so that a conform edit can be made of the original negative to match the work print.

Laboratories can also imprint their own edge numbers on the processed film negative or print to identify the film for their own means. This is normally done in yellow ink.  A common workflow for film editing involves edge-coding printed film simultaneously with the film's synchronized audio track, on 35mm [[magnetic film]], so that a foot of film and its synchronized audio have identical edge numbers.

Eastman Kodak began using latent image edge numbering on their manufactured 35mm raw film stocks in 1919.<ref>''Motion Picture News'', April 12, 1919, pp. 2343–2344. Accessed via mediahistoryproject.org, 2017.</ref><ref>Earl Theisen, "The History of Nitrocellulose as a Film Base," ''Journal of the SMPE'', v. 20, March 1933.  Reprinted in ''A Technological History of Motion Pictures and Television,'' Raymond Fielding, ed. (Berkeley and Los Angeles, Univ. of California Press, 1967, p. 118.</ref>