Editing LP5 (section)

==Production==
The track "Drane2" is a response to [[Aphex Twin]]'s "[[Come to Daddy (song)#Track listing|Bucephalus Bouncing Ball]]", which, according to Sean Booth, is an answer to Autechre's earlier track "[[Peel Session (Autechre EP)|Drane]]":<blockquote>"yeah we did the track drane, which had that exponential speeding-up delay thing happening, and then [[Richard D. James (musician)|rich]] did that bouncing ball track, and we answered it with drane2 which was the same delay trick but feeding percussion into it instead, as a kind of tease"<ref>{{cite web|last=Booth|first=Sean|title=AAA – Ask Autechre Anything – Sean and Rob on WATMM! – Page 109|date=2 November 2013 |url=http://forum.watmm.com/topic/81109-aaa-ask-autechre-anything-sean-and-rob-on-watmm/?p=2087751|publisher=WATMM|accessdate=10 November 2013}}</ref></blockquote>

Several technical facts about the album's production are known from an AMA conducted in 2013 on the electronic music site "We Are The Music Makers":<ref>{{Cite web |title=Ask Autechre Anything (02-07/11/2013) |url=https://docs.google.com/spreadsheets/d/1XAizLmKun4yF6oBVUhIrewYN-ZiY_9ORckmT-hF93Ho/edit?usp=embed_facebook |access-date=2022-07-29 |website=Google Docs |language=en-US}}</ref> synths used on the album include the [[Nord Lead|Nord Lead 1]], [[Yamaha DX100 (synthesizer)|Yamaha DX100]], and [[Ensoniq ASR-10]]; the first half of "Vose In" was made using the Nord Lead's drum maps and its ending was programmed in [[SoundEdit|SoundEdit 16]]; finally, the complex rhythms of "Under BOAC" were programmed in [[Logic Pro]] rather than in [[Max (software)|Max]].