Editing Louise Labé (section)

== Biography==
Louise Labé was born in [[Lyon]], into a family of ropemakers, surgeons, and butchers. Her father, Pierre Charly, was a successful ropemaker, who started a business on rue de l'Arbre sec, at the base of Saint Sébastien Hill in Lyon. When his first wife died in 1515, he married Etiennette Roybet, and had five children: Barthélemy, Francois, Mathieu, Claudine, and Louise. It is presumed that Louise Labé was born at some point between her father's wedding in 1516 and her mother's death in 1523.

Records show that Labé's father, despite his humble beginnings, eventually achieved some social prestige. For example, in 1534, he was summoned before the Assemblée de Consuls of the city of Lyon to approve and participate in the founding of a relief agency for the poor.

At some point, perhaps in a convent school, Labé received an education in foreign languages (Greek, Latin, Italian, and Spanish) and music, specifically the lute.

As a young woman, she was acclaimed as an extraordinary horsewoman and archer. Her early biographers called her "la belle Amazone"  and report that she dressed in male clothing and fought as a knight on horseback in the ranks of the [[Dauphin of France|Dauphin]] (afterwards [[Henry II of France|Henry II]]) at the siege of [[Perpignan]].<ref name=EB1911>{{cite EB1911 |wstitle=Labé, Louise Charlin Perrin |volume=16 |page=2}}</ref> She was also said to have participated in tournament jousts performed in Lyon in honor of Henry II's visit.

Between 1543 and 1545 she married Ennemond Perrin, also a Lyon ropemaker, a marriage dictated in her father's will, and which established the succession of the rope manufacturing business he was involved in. The business must have been prosperous, since the couple purchased a townhouse with a large garden in 1551, and, in 1557, a country estate at [[Parcieux|Parcieux-en-Dombes]] near Lyon.

Lyon was the cultural centre of France in the first half of the sixteenth century<ref>Robin, Larsen and Levin, p. 192.</ref> and Labé hosted a literary salon that included many of the renowned Lyonnais poets and humanists, including [[Maurice Scève]], [[Clement Marot]], [[Claude de Taillemont]], [[Pontus de Tyard]], and [[Pernette du Guillet]].

The poet [[Olivier de Magny]], passing through Lyon on his way to Rome, fell in love with Labé, and is the likely subject of her love sonnets.<ref name=EB1911/> Magny's ''Odes'' contained a poem (''A Sire Aymon'') that mocked and belittled Labé's husband (who had died by 1557).

Perhaps inspired by the posthumous publication of [[Pernette du Guillet]]'s collection of love poems in 1545, Labé began writing her own poetry. On March 13, 1555, Labé received from Henry II a privilège protecting her exclusive right to publish her works for a period of 5 years. Her ''Œuvres'' were printed in 1555, by the renowned Lyonnais printer [[Jean de Tournes]]. In addition to her own writings, the volume contained twenty-four poems in her honour, authored by her male contemporaries and entitled {{lang|fr|Escriz de divers poetes, a la louenge de Louize Labe Lionnoize}} ("Writings of diverse poets, in praise of Louise Labé of Lyons"). The authors of these praise poems (not all of whom can be reliably identified) include Maurice Scève, [[Pontus de Tyard]], [[Claude de Taillemont]], [[Clément Marot]], [[Olivier de Magny]], [[Jean-Antoine de Baïf]], [[Mellin de Saint-Gelais]], [[Antoine du Moulin]], and [[Antoine Fumee]]. Her contemporaries compare her to [[Sappho]] and hail Labé as the Tenth Muse.

Debate on whether Labé was or was not a courtesan began in the sixteenth century, and has continued up to the present day. In 1557 a popular song on the scandalous behavior of ''La Cordière'' was published in Lyon. In 1560 [[Jean Calvin]] referred to her [[cross-dressing]] and called her a ''plebeia meretrix'' or ''common whore.'' Scholars deliberate carefully over what status to accord to such statements published in a piece of religious propaganda by a writer whose tone has been described as vicious and hysterical, and similarly question to what extent the historian [[Claude Paradin|Paradin]], writing in 1573, was aiming at neutral objectivity in writing "She had a face more angelic than human, which was yet nothing in comparison with her spirit which was so chaste, so virtuous, so poetic and of such uncommon knowledge that it would seem to have been created by God so that we may wonder at it as something prodigious."

In 1564, the plague broke out in Lyon, taking the lives of some of Labé's friends. In 1565, suffering herself from bad health, she retired to the home of her companion Thomas Fortin, a banker from [[Florence]], who witnessed her will (a document that is extant). She died there in 1566, and was buried on her country property close to Parcieux-en-Dombes, outside Lyon.

Debates on whether or not she was a courtesan and other aspects of her life have not always been of interest to critics who have focussed increasing attention on her writings, especially her verse.