Editing Magical Negro (section)

==Usage==

=== Fiction and film ===
{{Main list|List of Magical Negro occurrences in fiction}}
{{See also|Tokenism#In fiction|Stereotype#Role in art and culture}}

The Magical Negro is a [[Trope (cinema)|trope]] in cinema, television, and literature: the character is typically, but not always, "in some way outwardly or inwardly disabled, either by discrimination, disability or social constraint". The Negro is often a janitor or prisoner.<ref name="Hicks">{{cite journal |first= Heather |last= Hicks |journal= Camera Obscura |title= Hoodoo Economics: White Men's Work and Black Men's Magic in Contemporary American Film |volume= 18 |issue= 2 |date= Sep 1, 2003 |pages= 27–55 |url= http://www.accessmylibrary.com/coms2/summary_0286-24435280_ITM |access-date= February 3, 2007 |doi= 10.1215/02705346-18-2_53-27 |s2cid= 145204947 |archive-date= September 30, 2007 |archive-url= https://web.archive.org/web/20070930153912/http://www.accessmylibrary.com/coms2/summary_0286-24435280_ITM |url-status= live |url-access= subscription }}</ref> The character often has no past but simply appears one day to help the [[white people|white]] protagonist.<ref name="ejumpcut">{{cite journal |url= http://www.ejumpcut.org/archive/jc45.2002/colombe/ |title= White Hollywood's new Black boogeyman |first= Audrey |last= Colombe |issue= 45 |journal= Jump Cut: A Review of Contemporary Media |date= October 2002 |access-date= December 3, 2006 |archive-date= June 14, 2011 |archive-url= https://web.archive.org/web/20110614012928/http://www.ejumpcut.org/archive/jc45.2002/colombe/ |url-status= live }}</ref><ref>{{cite book |title= Contemporary Patterns of Politics, Praxis, and Culture |first=Georgia Anne |last=Persons |pages=137 |location=[[New Brunswick, NJ]] |publisher=Transaction Publishers |year=2005 |isbn=1-4128-0468-X |oclc= 56510401}}</ref> They usually have some sort of magical power, "rather vaguely defined but not the sort of thing one typically encounters."<ref name="ejumpcut" /> The character is patient and wise, often dispensing various words of wisdom, and is "closer to the earth".<ref name="strangehorizons" /> The character will also do almost anything, including sacrificing themselves to save the white protagonist, as exemplified in ''[[The Defiant Ones]]'', in which [[Sidney Poitier]] plays the prototypical Magical Negro.<ref name="strangehorizons" /> 

[[File:Tony Curtis-Sidney Poitier in The Defiant Ones trailer.jpg|thumb|Screenshot with [[Tony Curtis]] and Sidney Poitier from 1958 Hollywood film ''The Defiant Ones'']]

Film critic [[Matt Zoller Seitz]] stated that the trope "takes a subject that some white folks find unpleasant or even troubling to ponder (imagining that  resentful black people's status in a country that, 50 years after the start of the modern civil rights struggle, is still run by, and mostly for, whites) and turns it into a source of gentle reassurance".<ref>{{Cite web|url=https://www.salon.com/2010/09/14/magical_negro_trope/|title=The offensive movie cliche that won't die|date=September 14, 2010|website=Salon|access-date=February 20, 2021|archive-date=February 21, 2021|archive-url=https://web.archive.org/web/20210221085725/https://www.salon.com/2010/09/14/magical_negro_trope/|url-status=live}}</ref> Film reviewer Audrey Colombe argues that the trope has been perpetuated by the overwhelmingly White blockbuster film industry.<ref>{{Cite web|url=http://www.ejumpcut.org/archive/jc45.2002/colombe/|title=White films 1|website=www.ejumpcut.org|access-date=December 2, 2005|archive-date=June 14, 2011|archive-url=https://web.archive.org/web/20110614012928/http://www.ejumpcut.org/archive/jc45.2002/colombe/|url-status=live}}</ref> Film director and writer [[Spike Lee]] said in 2001 that the White-dominated film industry is "still doing the same old thing ... recycling the noble savage and the happy slave".<ref>https://web.archive.org/web/20090121190429/http://www.yale.edu/opa/arc-ybc/v29.n21/story3.html Director Spike Lee slams 'same old' black stereotypes in today's films</ref>

Racism historians Francisco Bethencourt and John Beusterien trace the trope to late fifteenth century and early sixteenth century Spanish ''comedias de negros'' and their depiction of black "savior soldiers," who reinforce the stereotype of the supposed greater physical strength of Africans.&nbsp;These include ''El prodigio de Etiopía'' and ''El negro del mejor amo'' by Lope de Vega and ''El valiente negro en Flandes'' by Andrés de Claramonte.<ref>{{Cite book|url=https://press.princeton.edu/titles/10082.html|title=Racisms|publisher=Princeton University Press|date=January 19, 2014|isbn=9780691155265|language=en|access-date=2019-04-21|last1=Bethencourt|first1=Francisco|archive-date=April 21, 2019|archive-url=https://web.archive.org/web/20190421080900/https://press.princeton.edu/titles/10082.html|url-status=live}}</ref><ref>{{Cite book|url=https://books.google.com/books?id=PxsIQpzLrkwC|title=An Eye on Race: Perspectives from Theater in Imperial Spain|last=Beusterien|first=John|date=2006|publisher=Bucknell University Press|isbn=9780838756140|language=en|access-date=October 18, 2020|archive-date=October 6, 2024|archive-url=https://web.archive.org/web/20241006033058/https://books.google.com/books?id=PxsIQpzLrkwC|url-status=live}}</ref>

[[Christopher John Farley]], referring to the magical Negro as "Magical African American Friends" (MAAFs), says they are rooted in screenwriters’ ignorance of African Americans:
<blockquote>MAAFs exist because most Hollywood screenwriters don't know much about black people other than what they hear on records by white hip-hop star [[Eminem]]. So instead of getting life histories or love interests, black characters get magical powers.<ref name="Hicks"/></blockquote>

The Magical Negro stereotype serves as a [[plot device]] to help the white protagonist get out of trouble, typically through helping the white character recognize his own faults and overcome them<ref name="strangehorizons" /> and teaching him to be a better person.<ref>Zuleyka Zevallosm. "[https://othersociologist.com/2012/01/24/hollywood-racism/ Hollywood Racism: The Magical Negro Trope] {{Webarchive|url=https://web.archive.org/web/20241006033011/https://othersociologist.com/2012/01/24/hollywood-racism/ |date=October 6, 2024 }}". ''Other Sociologist'', January 24, 2012. Accessed July 16, 2016.</ref> Although the character may have magical powers, the "magic is ostensibly directed toward helping and enlightening a white male character".<ref name="Hicks" /><ref name=Gabbard>{{cite book |title= Black Magic: White Hollywood and African American Culture |url= https://archive.org/details/blackmagicwhiteh0000gabb |url-access= registration |first=Krin |last=Gabbard |pages=[https://archive.org/details/blackmagicwhiteh0000gabb/page/173 173] |location=New Brunswick, NJ |publisher=[[Rutgers University Press]] |year=2004 |isbn=0-8135-3383-X |oclc= 53215708}}</ref> An article in a 2009 edition of the journal ''[[Social Problems]]'' stated the Magical Negro was an expression of [[racial profiling]] within the United States:
<blockquote>These powers are used to save and transform disheveled, uncultured, lost, or broken whites (almost exclusively white men) into competent, successful, and content people within the context of the American myth of redemption and salvation. It is this feature of the Magical Negro that some people find most troubling. Although from a certain perspective the character may seem to be showing blacks in a positive light, the character is still ultimately subordinate to whites. He or she is also regarded as an exception, allowing white America to like individual black people but not black culture.<ref name="Hughey">{{cite journal |title= Cinethetic Racism: White Redemption and Black Stereotypes in 'Magical Negro' Films |first= Matthew |last=Hughey |author-link=Matthew Hughey|pages= 543–577 |volume=25 |issue=3 |journal= [[Social Problems]] |date= August 2009 |doi= 10.1525/sp.2009.56.3.543}}</ref></blockquote>

In 2001, [[Spike Lee]] used the term in a series of talks on college campuses to criticize the stereotypical, unreal roles created for black men in films that were recent at that time, naming ''[[The Family Man]]'' (2000), ''[[What Dreams May Come (film)|What Dreams May Come]]'' (1998), ''[[The Legend of Bagger Vance]]'' (2000), and ''[[The Green Mile (film)|The Green Mile]]'' (1999) as examples.<ref name=salon>{{cite news |last1= Seitz |first1= Matt Zoller |title= The offensive movie cliche that won't die |url= http://www.salon.com/2010/09/14/magical_negro_trope/ |work= Salon |date= September 14, 2010 |access-date= September 30, 2016 |archive-date= September 23, 2016 |archive-url= https://web.archive.org/web/20160923204344/http://www.salon.com/2010/09/14/magical_negro_trope/? |url-status= live }}</ref> Talking about the time and place in which Bagger Vance is set, he said:
: "Blacks are getting lynched left and right, and [Bagger Vance is] more concerned about improving Matt Damon's golf swing!&nbsp;... I gotta sit down; I get mad just thinking about it. They're still doing the same old thing&nbsp;... recycling the noble savage and the happy slave." He went on to discuss his desire to create films showing black people doing all kinds of things.<ref name="SpikeLee"/>

In a book published in 2004, writer Krin Gabbard claimed that the Oda Mae Brown character in the 1990 movie ''[[Ghost (1990 film)|Ghost]]'', played by [[Whoopi Goldberg]], was an example of a Magical Negress.<ref name=Gabbard/>{{rp|154–155}}

In 2012, writer Kia Miakka Natisse discussed actor [[Morgan Freeman]] playing parts conforming to the Magical Negro form, such as "a doctor who creates a prosthetic tail for a dolphin (in ''[[Dolphin Tale]]''), and an ailing CIA mentor (in ''[[Red (2010 film)|Red]]'') – in both roles he reprises the Magical Negro type, coming to save the day for his imperiled white counterparts. One could argue his gadget guru in ''[[The Dark Knight Rises]]'' fits under that same umbrella."<ref>Natisse, Kia Miakka. "[http://thegrio.com/2012/06/06/morgan-freeman-its-time-to-retire-the-magical-negro-role/ Morgan Freeman, it's time to retire the 'Magical Negro' role] {{Webarchive|url=https://web.archive.org/web/20241006033013/https://thegrio.com/2012/06/06/morgan-freeman-its-time-to-retire-the-magical-negro-role/ |date=October 6, 2024 }}". thegrio.com, June 6, 2012. Retrieved August 19, 2015.</ref>

[[Chris Rock]] made references to the trope on his show ''[[The Chris Rock Show]]'', including one critical of ''The Legend of Bagger Vance'', entitled "Migger, the Magic [[Nigger]]". [[Keegan-Michael Key]] and [[Jordan Peele]], of ''[[Mad TV|MADtv]]'' and ''[[Key & Peele|Key and Peele]]'' fame, followed suit in both shows with their own critical Magical Negro sketches.{{cn|date=October 2021|reason=No sketch example for MadTV}}<ref>{{Cite episode |title=Gay Marriage Legalized |series=Key & Peele |series-link=Key & Peele |network=Comedy Central |date=February 28, 2012 |season=1 |number=5 |episode-link=List_of_Key_&_Peele_episodes#ep5}}</ref>

The 2019 indie film ''Cold Brook,'' written and directed by [[William Fichtner]], included a Magical Negro named Gil Le Doux, played by [[Harold Perrineau]]. The role was a century-old trapped ghost who was saved by two middle-aged men experiencing midlife crises.<ref>{{Cite web|url=https://www.rogerebert.com/reviews/cold-brook-movie-review-2019|title=Cold Brook movie review & film summary (2019) {{!}} Roger Ebert|last=Minow|first=Nell|website=www.rogerebert.com|language=en|access-date=2019-11-20|archive-date=November 20, 2019|archive-url=https://web.archive.org/web/20191120232400/https://www.rogerebert.com/reviews/cold-brook-movie-review-2019|url-status=live}}</ref><ref>{{Cite web|url=https://www.hollywoodreporter.com/review/cold-brook-1252906|title='Cold Brook': Film Review|website=The Hollywood Reporter|date=November 6, 2019|language=en|access-date=2019-11-20|archive-date=October 6, 2024|archive-url=https://web.archive.org/web/20241006033036/https://secure.adnxs.com/ttj?ttjb=1&bdc=1728185436&bdh=ARVA2Z8e4gEV6FAYcmMyUY5tt0Q.&&bdref=https%3A%2F%2Fwww.hollywoodreporter.com%2Fmovies%2Fmovie-reviews%2Fcold-brook-1252906%2F&bdtop=true&bdifs=1&bstk=https%3A%2F%2Fwww.hollywoodreporter.com%2Fmovies%2Fmovie-reviews%2Fcold-brook-1252906%2F,https%3A%2F%2Fwww.hollywoodreporter.com%2Fmovies%2Fmovie-reviews%2Fcold-brook-1252906%2F&&id=32447768&cb=1283815274|url-status=live}}</ref><ref>{{Cite web|url=https://www.latimes.com/entertainment-arts/movies/story/2019-11-07/capsule-movie-reviews|title=Review: Nicolas Cage on the high seas, bloody 'Ballet,' a little Dolph Lundgren and more|date=2019-11-08|website=Los Angeles Times|language=en-US|access-date=2019-11-20|archive-date=September 8, 2020|archive-url=https://web.archive.org/web/20200908165434/https://www.latimes.com/entertainment-arts/movies/story/2019-11-07/capsule-movie-reviews|url-status=live}}</ref><ref>{{Cite web|url=https://variety.com/2019/film/reviews/cold-brook-review-1203395816/|title=Film Review: 'Cold Brook'|last1=Harvey|first1=Dennis|date=2019-11-07|website=Variety|language=en|access-date=2019-11-20|archive-date=November 12, 2019|archive-url=https://web.archive.org/web/20191112163226/https://variety.com/2019/film/reviews/cold-brook-review-1203395816/|url-status=live}}</ref>

The 2024 film ''[[The American Society of Magical Negroes]]'' critiques and satirizes the magical negro trope by portraying a [[secret society]] of African-Americans who make it their job to keep White people comfortable. The film was not well-received, with critiques of it being too safe to make any commentary.<ref>{{Cite web |last=Aguilar |first=Carlos |date=2024-03-15 |title=Review: 'The American Society of Magical Negroes' is too timid to land any satirical blows |url=https://www.latimes.com/entertainment-arts/movies/story/2024-03-15/american-society-magical-negroes-review-justice-smith-david-alan-grier |access-date=2024-04-09 |website=Los Angeles Times |language=en-US |archive-date=April 9, 2024 |archive-url=https://web.archive.org/web/20240409172433/https://www.latimes.com/entertainment-arts/movies/story/2024-03-15/american-society-magical-negroes-review-justice-smith-david-alan-grier |url-status=live }}</ref><ref>{{Cite web |last=Lowry |first=Brian |date=2024-03-15 |title='American Society of Magical Negroes' |url=https://www.cnn.com/2024/03/15/entertainment/american-society-of-magical-negroes-review/index.html |access-date=2024-04-09 |website=CNN |language=en |archive-date=October 6, 2024 |archive-url=https://web.archive.org/web/20241006033145/https://www.cnn.com/2024/03/15/entertainment/american-society-of-magical-negroes-review/index.html |url-status=live }}</ref>

===Barack Obama===
In March 2007, American [[critic]] [[David Ehrenstein]] used the title "Obama the 'Magic Negro'" for an [[editorial]] he wrote for the ''[[Los Angeles Times]]'', in which he described [[Barack Obama]]'s image in white American culture:

{{quote|He's there to assuage [[white guilt|white 'guilt']] (i.e., the "minimal discomfort" they feel) over the role of slavery and racial segregation in American history, while replacing [[Stereotypes of African Americans|stereotypes]] of a dangerous, highly sexualized black man with a benign figure for whom interracial sexual congress holds no interest&nbsp;... The only mud that momentarily stuck was criticism (white and black alike) concerning Obama's alleged 'inauthenticity', as compared to such sterling examples of "genuine" blackness as [[Al Sharpton]] and [[Snoop Dogg]].&nbsp;... Obama's fame right now has little to do with his political record&nbsp;... Like a comic-book superhero, Obama is there to help, out of the sheer goodness of a heart we need not know or understand. For as with all Magic Negroes, the less real he seems, the more desirable he becomes. If he were real, white America couldn't project all its fantasies of curative black benevolence on him.<ref name=nonfic>{{cite news | url=http://www.latimes.com/news/opinion/la-oe-ehrenstein19mar19,0,5335087.story?coll=la-opinion-center | work=Los Angeles Times | title=Obama the 'Magic Negro' | date=March 19, 2007 | access-date=May 12, 2010 | first=David | last=Ehrenstein | archive-date=February 6, 2010 | archive-url=https://web.archive.org/web/20100206005755/http://www.latimes.com/news/opinion/la-oe-ehrenstein19mar19,0,5335087.story?coll=la-opinion-center | url-status=live }}</ref>|author=|title=|source=}}
Discussing the Ehrenstein editorial at length, [[Rush Limbaugh]] at one point sang the words, "Barack the magic negro" to the tune of song "[[Puff, the Magic Dragon]]".<ref name="driveby">''Rush Limbaugh Show'' Transcript. March 19, 2007 [https://web.archive.org/web/20120212192156/http://www.rushlimbaugh.com/daily/2007/03/19/liberal_calls_obama_magic_negro Liberal Calls Obama "Magic Negro"]</ref><ref>Rush Limbaugh recording via Media Matters. March 20, 2007. "[http://mediamatters.org/video/2007/03/20/latching-onto-la-times-op-ed-limbaugh-sings-bar/138345 Latching onto L.A. Times op-ed, Limbaugh sings "Barack, The Magic Negro"] {{Webarchive|url=https://web.archive.org/web/20160423181655/http://mediamatters.org/video/2007/03/20/latching-onto-la-times-op-ed-limbaugh-sings-bar/138345 |date=April 23, 2016 }}&nbsp;". Song is at 11:30.</ref>  Shortly after that [[Paul Shanklin]] recorded a song about Barack the Magic Negro set to that same tune, which Limbaugh played numerous times throughout the 2008 presidential election season.<ref>{{cite news |url= https://www.nytimes.com/2008/12/28/us/politics/28rnc.html |title= G.O.P. Receives Obama Parody to Mixed Reviews |work= [[The New York Times]] |date= December 28, 2008 |last= DeParle |first= Jason |access-date= February 25, 2017 |archive-date= January 6, 2017 |archive-url= https://web.archive.org/web/20170106102116/http://www.nytimes.com/2008/12/28/us/politics/28rnc.html |url-status= live }}</ref> In Christmas 2008, [[Chip Saltsman]], a [[Republican Party (United States)|Republican]] politician and chair of the [[Tennessee Republican Party]], sent a 41-track CD containing the song to members of the [[Republican National Committee]] during the [[2009 Republican National Committee chairmanship election|Republican National Committee chairmanship election]].<ref>{{Cite news |last= Sinderbrand |first= Rebecca |url= http://edition.cnn.com/2008/POLITICS/12/26/rnc.obama.satire/?imw=Y&iref=mpstoryemail |title= RNC chairman candidate defends 'Barack the Magic Negro' song |publisher= CNN |date= December 26, 2008 |access-date= April 15, 2016 |archive-date= March 3, 2016 |archive-url= https://web.archive.org/web/20160303180521/http://edition.cnn.com/2008/POLITICS/12/26/rnc.obama.satire/?imw=Y&iref=mpstoryemail |url-status= live }}</ref><ref>{{cite web |url= http://www.politico.com/news/stories/1208/16919.html |title= 'Magic Negro' flap might help Saltsman |first=Andy |last=Barr |work= Politico.com |date= December 30, 2008 |access-date= December 2, 2014}}</ref> Saltsman's campaign imploded as a result of the controversy caused by the CD, and he withdrew from the race.<ref name="NYT_Nagourney_20090129">{{cite news |last= Nagourney |first= Adam |url= https://www.nytimes.com/2009/01/30/us/politics/30chair.html |title= Candidate Linked to Obama Parody Song Leaves Race for G.O.P. Chairman |date= January 29, 2009 |work= [[The New York Times]] |access-date= February 25, 2017 |archive-date= July 30, 2017 |archive-url= https://web.archive.org/web/20170730023111/http://www.nytimes.com/2009/01/30/us/politics/30chair.html |url-status= live }}</ref><ref>{{cite web |url= http://politics.nashvillepost.com/2009/01/29/chip-saltsman-withdraws-from-rnc-chairmans-race/ |title= Chip Saltsman Withdraws From RNC Chairman's Race |last= Kleinheider |publisher= NashvillePost.com |date= January 29, 2009 |url-status= dead |archive-url= https://web.archive.org/web/20090919170432/http://politics.nashvillepost.com/2009/01/29/chip-saltsman-withdraws-from-rnc-chairmans-race/ |archive-date= September 19, 2009 |df= mdy-all }}</ref>

In May 2015, theater and cultural critic [[Frank Rich]], looking back at the coincidence of the [[2015 Baltimore protests]] with the annual [[White_House_Correspondents'_Association#White_House_Correspondents'_dinner|White House Correspondents' dinner]] in [[Washington, D.C.|Washington, DC]], wrote: "What made this particular instance poignant was the presence in the ballroom of our first African-American president, the Magic Negro who was somehow expected to relieve a nation founded and built on slavery from the toxic burdens of centuries of history."<ref>Rich, Frank. "[http://nymag.com/daily/intelligencer/2015/05/americas-race-riots.html Why do America's riots so precisely mirror each other, generation after generation after generation?] {{Webarchive|url=https://web.archive.org/web/20150821000104/http://nymag.com/daily/intelligencer/2015/05/americas-race-riots.html |date=August 21, 2015 }}". [[New York (magazine)|''New York'' magazine]]. May 17, 2015. Retrieved August 17, 2015.</ref>