Open main menu
Home
Random
Recent changes
Special pages
Community portal
Preferences
About Wikipedia
Disclaimers
Incubator escapee wiki
Search
User menu
Talk
Dark mode
Contributions
Create account
Log in
Editing
Metamorphic library steps
(section)
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
==Design history== During the second half of the 18th century a succession of talented German-born cabinet-makers passed through the French courts. [[Jean-François Oeben]], [[Jean-Henri Riesener]] and [[David Roentgen]] had successively introduced the courts of [[Louis XV]] and [[Louis XVI]] to a wide range of finely made and exquisitely finished mechanical furniture. The ingenuity of these cabinet-makers, especially [[David Roentgen]] who became master cabinet-maker to [[Marie Antoinette]], led to a fascination for ''meubles à surprises'' ('surprise furniture'). Cabinet-makers working in London based their designs on those of their French counterparts and a number of interesting mechanical furniture devices started to emerge. During the same period the portability of furniture became important. British officers keen to maintain their ‘home comforts’ transported chairs, sofas, dining tables and even four-poster beds into battle. By necessity, these items were designed to be portable and, while they reflected the style of the period, they could also be ‘flat-packed’ for ease of transportation. This ‘[[flat-pack]]’ or ‘[[knock-down furniture]]’, as it was then known, was also popular for anyone travelling by sea and some items were designed to be multi-purpose to save cabin space. The quality of this ‘[[campaign furniture]]’ was so high that the furniture designer and respected protagonist of the emerging English Empire Style, Thomas Sheraton, even recommended certain pieces for the home. Tables, chairs and stools containing Library Steps were patented in Great Britain by Robert Campbell in 1774 but the chair-based design did not become popular until the second decade of the 19th century. Despite the appeal of the Regency period Metamorphic Library Chair, there is limited information available on the development of the design or the firms that made them. Most design references are based on two outline sketches. The first, by Rudolph Ackermann in 1811, illustrates a Morgan & Sanders chair and the second shows a chair made by Gillows in 1834. The lack of detail in these sketches and the scarcity of research relating to mechanical [[furniture design]] of this period, have led to many inaccurate claims.
Edit summary
(Briefly describe your changes)
By publishing changes, you agree to the
Terms of Use
, and you irrevocably agree to release your contribution under the
CC BY-SA 4.0 License
and the
GFDL
. You agree that a hyperlink or URL is sufficient attribution under the Creative Commons license.
Cancel
Editing help
(opens in new window)