Editing Morton Subotnick (section)

==Early career==
[[Image:Buchla 100 series at NYU.jpg|thumb|[[Buchla Electronic Musical Instruments#Company origin|Buchla 100]] [[modular synthesizer]] at NYU]]
Subotnick was born in [[Los Angeles, California]], and graduated from the [[University of Denver]]. In the early 1960s, Subotnick taught at [[Mills College]] and with [[Ramón Sender (composer)|Ramon Sender]], he co-founded the [[San Francisco Tape Music Center]]. During this period he also collaborated with [[Anna Halprin]] on two works (''the 3 legged stool'' and ''Parades and Changes'') and acted as music director of [[the Actors Workshop]].

In 1966 Subotnick was instrumental in getting a Rockefeller Grant to join the Tape Center with the Mills Chamber Players (a chamber group at Mills College with performers Nate Rubin (violin); Bonnie Hampton (cello); Naomi Sparrow (piano) and Subotnick on clarinet). The grant required that the Tape Center relocate to a host institution that became Mills College. Subotnick, however, did not stay with the move, but went to New York with the Actor's Workshop to become the first music director of the Lincoln Center Rep Company in the [[Vivian Beaumont Theater]] at Lincoln Center. Along with [[Len Lye]], he became an artist in residence at the newly formed [[Tisch School of the Arts]] at NYU. The School of the Arts provided him with a studio and a Buchla Synthesizer (now at the Library of Congress). He then helped to develop the Electric Circus and the Electric Ear, and became their artistic director. At the same time he created ''[[Silver Apples of the Moon (Morton Subotnick album)|Silver Apples of the Moon]]'', ''The Wild Bull'', and ''Touch''.