Editing Music editor (section)

==Music editors in publication==
In publishing, a music editor is an [[Work (human activity)|occupation]] in which a person prepares [[music manuscript]]s for publication. This includes proofreading and correcting errors in submitted scores, and may include additional work in adjusting [[music arrangement]]s, [[orchestrations]], and even sometimes re-composing passages. Music editors may also have input in determining what music is published by a publishing company, and sometimes are members of acquisition committees within a publishing company in which they make value judgments of a work's suitability for publication in relation to music quality, music style, and marketability.<ref name="Baskerville">Baskerville, p. 461</ref>

Music publishing firms utilize a variety of types of music editors which may be internal to the publishing company itself, or attached to a larger publishing house which contracts with smaller music publishing firms. Many working music editors also work professionally as [[music arranger]]s or [[composer]]s. Most music editors specialize within a particular area of music, such as [[piano|piano music]], [[choral music]], [[orchestral music]], or [[jazz]]. Working music editors typically have a university degree in music with a strong background in [[music theory]], [[music history]], and performance practices.<ref name="Baskerville"/>

Music editors who work in classical music may have specialized skills. This includes working with documents which are sometimes centuries old, including both handwritten manuscripts and scores which were made by European engravers or early printing presses which do not conform to contemporary [[music notation]] and score formatting practices. In these cases, music editors must analyze the scores and transcribe them into modern music notation and formats.<ref name="Baskerville"/>

===Early history of the profession===
The use of music editors dates to the very beginning of published music in Europe in the late 15th century; although individuals working in that capacity were usually not named.<ref>Lewis Hammond, pp. 14–15</ref> One of the earliest known music editors was the [[Venice|Venetian]] [[Dominican Order|Dominican friar]] Petrus Castellanus (1440–1552) who worked in that capacity for the publisher [[Ottaviano Petrucci]] in the first half of the 16th century.<ref name="fifteen">Lewis Hammond, p. 15</ref> The Italian composer [[Francesco de Layolle]] was another early known music editor;  working in that capacity for the [[Lyon]], [[France]] based publisher [[Jacques Moderne]].<ref name="fifteen"/>