Open main menu
Home
Random
Recent changes
Special pages
Community portal
Preferences
About Wikipedia
Disclaimers
Incubator escapee wiki
Search
User menu
Talk
Dark mode
Contributions
Create account
Log in
Editing
Sweet and Lowdown
(section)
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
==Plot== Emmet Ray is a jazz guitarist who achieved some acclaim in the 1930s with a handful of recordings for [[RCA Victor]], but faded from public view under mysterious circumstances. Although he is a talented musician, Ray's personal life fell into shambles after his disappearance from public view. He's often late in or even absent from performances with his quintet due to heavy drinking. He spends extravagantly, and is a womanizer and a [[pimp]]. When he's not playing music or pursuing women, he shoots rats at garbage dumps and watches passing trains. Ray idolizes famed guitarist [[Django Reinhardt]], so much that he's said to have fled a nightclub performance with severe [[stage fright]] upon hearing a false rumor that Reinhardt was in the audience. On a double date with his drummer, Ray meets Hattie, a shy, mute laundress. After overcoming initial frustration due to communication difficulties, Ray and Hattie form an affectionate and close relationship. However, Ray is convinced that a musician of his stature should never settle down with one woman. Because of this, Ray marries socialite Blanche Williams. But Williams sees Ray as a colorful example of lower-class life and a source of inspiration for her literary writing. During their marriage, Ray is tormented by nightmares and shouts out Hattie's name in his sleep. When Williams cheats on Ray with mobster Al Torrio, Ray leaves her and finds Hattie. He assumes that she will take him back, but discovers that she is happily married and raising a family. Ray is despondent, and laments that leaving Hattie was a mistake. Woody Allen and the rest of the documentary experts remark that Ray's final compositions were legendary, finally reaching the quality of Reinhardt's. <!--It was really hard to copyedit this without having watched the movie. If I ever get some free-time, I'll watch the movie, then come back and improve this drastically. -CrowEater-->
Edit summary
(Briefly describe your changes)
By publishing changes, you agree to the
Terms of Use
, and you irrevocably agree to release your contribution under the
CC BY-SA 4.0 License
and the
GFDL
. You agree that a hyperlink or URL is sufficient attribution under the Creative Commons license.
Cancel
Editing help
(opens in new window)