Open main menu
Home
Random
Recent changes
Special pages
Community portal
Preferences
About Wikipedia
Disclaimers
Incubator escapee wiki
Search
User menu
Talk
Dark mode
Contributions
Create account
Log in
Editing
Text figures
(section)
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
== Design == [[Image:Text figures.jpg|thumb|right| Text figures in various fonts: [[Adobe Garamond]], [[Adobe Caslon]], [[Theano Didot]] and [[Essonnes Text]]. Note the ascending 3, 4 and 5 in the two latter fonts.]] In text figures, the shape and positioning of the numerals vary as those of [[lowercase letters]] do. In the most common scheme, ''[[0 (number)|0]]'', ''[[1 (number)|1]]'', and ''[[2 (number)|2]]'' are of [[x-height]], having neither ascenders nor descenders; ''[[6 (number)|6]]'' and ''[[8 (number)|8]]'' have ascenders; and ''[[3 (number)|3]]'', ''[[4 (number)|4]]'', ''[[5 (number)|5]]'', ''[[7 (number)|7]]'', and ''[[9 (number)|9]]'' have descenders. Other schemes exist; for example, the [[typeface|types]] cut by the [[Didot family]] of [[punchcutter]]s and [[typographer]]s in [[France]] between the late 18th and early 19th centuries typically had an ascending ''3'' and ''5'', a form preserved in some later French typefaces. A few other typefaces used different arrangements.{{cn|date=June 2021}} Sometimes the stress of the ''0'' is made different from a letter ''o'' in some way, although many fonts do not do this.<ref name="Letters of Credit" /><ref name="Isoglosse text figures">{{cite web|last1=Bergmann|first1=Christoph|last2=Hardwig|first2=Florian|url=http://www.isoglosse.de/2016/08/zero-vs-oh-strategies-of-glyph-differentiation/|title=Zero vs. oh: Strategies of glyph differentiation|website=Isoglosse|date=23 August 2016|access-date=12 September 2016}}</ref> High-quality [[typesetting]] generally prefers text figures in [[body text]]: they integrate better with lowercase letters and [[small capitals]], unlike runs of lining figures. Lining figures are called for in all-capitals settings (hence the alternative name ''titling figures''), and may work better in tables and [[spreadsheet]]s. Although many conventional typefaces have both types of numerals in full, early digital fonts only had one or the other (with the exception of those used by professional printers). Modern [[OpenType]] fonts generally include both, and being able to switch via <code>lnum</code> and <code>onum</code> feature tags.<ref>{{cite web |publisher=Microsoft |url=https://docs.microsoft.com/en-us/typography/opentype/spec/features_ko |title=Registered features - definitions and implementations |date=February 14, 2017 |access-date=April 24, 2018}}</ref> The few common digital fonts that default to using text figures include [[Candara]], [[Constantia (typeface)|Constantia]], [[Corbel (typeface)|Corbel]], [[Hoefler Text]], [[Georgia (typeface)|Georgia]], [[Junicode]], some variations of [[Garamond]] (such as the open-source [[EB Garamond]]), and [[FF Scala]]. [[Palatino]] and its clone FPL Neu support both text and lining figures.<ref>{{cite web |date= November 30, 2002 |url= http://luc.devroye.org/palatino2.html |title= More on the Palatino Story |first= Luc |last= Devroye}}</ref><ref>[http://home.vr-web.de/was/x/FPL/ Index of /~was/x/FPL] {{webarchive |url=https://web.archive.org/web/20110415004821/http://home.vr-web.de/was/x/FPL/ |date=April 15, 2011 }}</ref><ref>{{cite web |author1= (URW)++ Design & Development |first2= Diego |last2= Puga |first3= Ralf |last3= Stubner |url= http://www.alice-dsl.net/ralfstubner/fplneu-otf.html |title= FPL Neu Fonts—OpenType Edition |date= March 13, 2008 |url-status= dead |archive-url= https://web.archive.org/web/20120425021237/http://www.alice-dsl.net/ralfstubner/fplneu-otf.html |archive-date= April 25, 2012 }}</ref>
Edit summary
(Briefly describe your changes)
By publishing changes, you agree to the
Terms of Use
, and you irrevocably agree to release your contribution under the
CC BY-SA 4.0 License
and the
GFDL
. You agree that a hyperlink or URL is sufficient attribution under the Creative Commons license.
Cancel
Editing help
(opens in new window)