Editing Tintin and I (section)

== Theme ==
The underlying theme of the film is the way that Hergé's private life affected his work; for example, [[Bianca Castafiore]] is a subconscious (or perhaps conscious) reflection of Georges' first wife, Germaine, and the way that [[Captain Haddock]] responds to her reflects the way Georges often felt towards his wife. Specifically, the mothering instinct that Germaine had toward him is shown most explicitly in ''[[The Castafiore Emerald]]''. The subject of religion is also discussed, including Georges' gradual disillusioned view of the [[Catholic church]], and the opposition he came up against due to Wolff's sacrifice in ''[[Explorers on the Moon]]''. The influence of [[Chang Chong-Chen|Chang]] on Georges' work is also highlighted, using reconstructed footage and actual archive footage of their meeting in 1934.