Editing Ultravisitor (section)

== Background ==
The album incorporates many of the various musical styles exhibited by Jenkinson on his previous albums, including [[drum and bass]], [[acid techno]], [[jazz fusion]], and [[noise music|electronic noise]]. A few of the tracks feature layered, modulated, or filtered [[bass guitar]].{{citation needed|date=November 2024|reason=No source for this text}}

In an interview with [[I-D]], Jenkinson confirmed that most of the tracks on ''Ultravisitor'' were recorded from shows in the UK, US and Canada. "The point of using live versions of the tracks is that they show stupid people that, though their own stubbornness prevents them from being able to engage with my music, they hear other people cheering in the background, and realise that although this music is obscure, it cannot be totally inaccessible because other people like it."<ref>{{cite news |title=Squarepusher Interview |url=http://www.hijackbristol.co.uk/board/the-forum/squarepusher-interview/?wap2 |access-date=6 November 2024 |work=I-D |date=1 March 2004|archive-date=12 November 2013|archive-url=https://web.archive.org/web/20131112154424/http://www.hijackbristol.co.uk/board/the-forum/squarepusher-interview/?wap2|url-status=live}}</ref>

Jenkinson has stated that the track "50 Cycles" took over a month to complete; "I think the most time-consuming was 50 Cycles on ''Ultravisitor''. Roughly speaking it took a month to make. This was the last piece to be completed on ''Ultravisitor'', which contains several other pieces that also took unprecedentedly long to complete."<ref>{{cite web |url=https://www.bbc.co.uk/dna/collective/A16411187 |title=Ask Squarepusher! |date=20 October 2006 |publisher=[[BBC]] |access-date=2 November 2011|archive-date=15 March 2012|archive-url=https://web.archive.org/web/20120315095416/https://www.bbc.co.uk/dna/collective/A16411187|url-status=live}}</ref>